Owls

July 10, 2013July 15, 2013 Elizabeth E.7 Comments

Our Four-in-Art theme this round is Owls, under the year-long theme of Nature. When Betty chose it, I went blank. Then she wrote about it, I did a search on Flickr, and ideas starting percolating. Slowly.

This chick has owl rings and owl socks, but is not the same person that owns the collection up above. I found out my daughter liked owls, as does my niece, one of my husband’s colleagues and Suz, of Patchworknplay. I had no idea there were so many owl enthusiasts in my life.

This card was from my granddaughter when I had my surgery. More owls:

But how to move an owl idea into a quilt? What aspect to focus on? I looked up the meanings of owls, the folklore and those were all over the map, fragmented. Sometimes they are good, other times they portent evil or bad things, sometimes they bring luck, in other cultures they spell disaster. Just about anything can be pinned on an owl.

The only “experience” I’ve had with an owl was when we were traveling in Canada around the Sunshine Circle (Vancouver and above). We were standing waiting for the ferry to take us across one night. The sun was fading into pinks and golds and it was pretty quiet up there near Comox that evening. I was focused on the water and thinking about where we had to get to before we could stop traveling, when all of a sudden I heard a whoosh–a rush of air. I spun around and an owl was just moving away, its wings unfurled and climbing toward the sky. It was eerie, out of nowhere. No wonder these birds get pinned with all sorts of intents and purposes.

This was my computer desktop yesterday, with all sort of bits and pieces of my owl scattered over the screen. Whenever I approach these art quilt deadlines, I feel like a child being dragged kicking and screaming toward home. Deadline, I moan to no one in particular. I’d better get crackin’ because I know my Four-in-Art-mates will have theirs ready.

But one thing leads to another and to another and pretty soon I hear my husband arrive home and I’ve been working and veering through a creative journey for hours, absorbed in my task. And then I can’t wait to get back to where I’m headed–which of course, I have no real idea of where it will end. For now, I know only the next step, and that’s where I’ll go.

(from *here*)

We’ve decided to open our group up to four more quilters to participate in our art quilt adventure. You do not need to be an artist (hey–I’m not), but only want to stretch your creative wings. We have four art quilt deadlines a year: February, May, August and November. So far, the quilts are experimental in size: 12″ square. You’ll need to have a blog or a Flickr site, and a sense of adventure. We welcome beginners, but most of us have some years of experience either in handcrafting or sewing. I think we went this direction just because we wanted to try something new.

Leave a comment if you are interested, along with a comment as to why you might think taking a jump into this kind of creating is where you want to tread. Make sure I have a link to either your blog or your Flickr site, so I can get a feel for what type of quilter you are.

Creating · Good Heart Quilters

Block of the Month: Starts and Re-starts

July 1, 2013April 27, 2014 Elizabeth E.6 Comments

I’ve been working on Amish With a Twist–part II, having sewn up some strip sets before I went under the knife for foot surgery, then cut them apart:

While this is how the pattern recommended we proceed, but when sewing them together I found lots of repeated colors. Think carefully about where you sew your lights and mediums, trying not to have the same order of colors from bottom to top, otherwise you’ll find yourself with the problem I have below:

So yes, today I’ll be unpicking and re-stitching in order to break up the two yellows. What you see up on my pinwall is where I got a bit smarter and laid out the strips and the stars and the sets, and could mix and match before sewing them up in a rush.

Actually, when you open that first package, I’d recommend making yourself one of these:

A swatch card. I wrote the name of the color on each clip of selvage, then also coded them as to whether the pattern designer considered it a “medium” or a “light,” as shown by the pink or yellow lines next to the swatch. While it was true that I was cutting these out while hanging out with my three younger grandchildren, and I was trying to follow the plots of their multiple episodes of Witches of Waverly Place streaming down on Netflix as their mother took a nap, I was also pulling out my hair over which color was which. The pattern does include a color chart, but as we all know, print colors can vary from actual colors. So, do your best to sort out which is what color and go forward.

I’m past the initial confusion and aside from the bit of re-stitching I’m going to be doing in a minute, I’m enjoying this process. I’ve never done a Block of the Month (BOM) before, and it’s kind of fun to get a package and a pattern on your doorstep. It is fun to pick and choose colors in the fabric shop, I admit, as well as patterns and ideas, but this summer, given all the sturm und drang (aka “storm and stress”) of the surgery, family trips, and other sundry complications in my world, it will be nice to have part of the creative process simplified. This is my inspiration (the finished quilt top) and I look at it often:

Hopefully, if I stay on track and don’t get too far behind (yes, I’m three blocks behind already!) I’ll have a gorgeous quilt like this one.

˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙

On a side note: for those of you with tons of zucchini in your gardens, I finally got a handle on an interesting zucchini bread recipe, with dried cranberries and walnuts. Recipe *here.*

200 Quilts · Creating · Family Quilts · Quilts · Something to Think About

Christine’s Philadelphia

May 28, 2013April 2, 2024 Elizabeth E.21 Comments

At the last post, we were in the bakery section of Bottega Louie and I had a big surprise for my sister Christine.

It was Christine’s Philadelphia, a quilt celebrating her life and her newly adopted city. She moved to a Philadelphia row house this past year, after ten years in transition. First, she raised all her children, then began a new section of her life as an artist, returning to school. Settling in to this life was not for long, as her husband died of cancer in a quick and wild two years. She went on a mission for our church to New York City, and resumed a friendship with Doug, who had also lost his wife. They married after her mission and she moved from the West Coast, where she’d spent most of her adult life, to the East Coast (Delaware), then finally to a lovely home in Philadelphia, within walking distance of art museums. She resumed her art, but one more mishap: while biking to her studio one evening, she was hit by a car, but has now mostly recovered from that accident. She is taking on new challenges all the time. So you can see why I wanted to make her a quilt. I had lots to cram into one tiny creation of mine.

She was surprised. And I think, delighted.

I’d been planning it and working on it for a few weeks, and when she came out for her son’s graduation, I knew I could give it to her then and see her face, and then mail it back later (which I’m doing).

This was the sketch I made in QuiltPro. I knew that I wanted to alternate bold solids (for the roofs) with other patterns (for the houses).

This was the quilt, all sewn and smoothed up on the pin wall. I think I was able to execute the vision I had fairly successfully. I also wanted to emphasize the chevron effect, but didn’t want a steep 45-degree angle on the roofs, instead I went with something more sloping (drawing my own pattern to get this done). I often thought about making this just in solids, like the sketch, but I’m all about richness and texture in my quilts.

This was the first pulling of fabrics. I was worried about mixing the moderns (used mostly for the houses and the row above, as well as the sky) with the densely colored, floral Kaffe Fassett fabrics.

I sent a photo of this around to some friends and asked them what they thought. Cindy of LiveAColorfulLife said, “Oh, go for it.” So I did. (Like all my junk on the sides of my pinwall? Sometimes I treat it like a giant cork board.)

Swapping out roofs on the right side to see if I like the orange down on top of the yellows any better. I don’t.

But I tried the whole row and added in the doors and windows. You’ll notice there’s a bold blue sky piece which disappeared in the final version. I keep trying to refine my design as I go, snapping a digital picture, evaluating, moving things around, and repeating the process.

I am not a fan of when people say “Oh, I am working on this but I can’t show you.” Then just don’t show me. I hate keeping quilt secrets, but I had to keep it secret from my sister as it was a surprise, so I tried this sideways artsy shot on Instagram one day, hoping it would disguise the basic design. I didn’t want to put it anywhere on my blog since she’s a faithful reader.

I formed the windows and doors over a piece of stiff paper (like what is in a calendar) so they would be all the same size, then topstitched them down.

I sewed the narrow roof/house sections row by row; here’s one row lined up for stitching.

Then I would add the house, then the sky. The “row” on the right is all done. I’ll do another post on sewing those Y-seams, but later.

I like this shot. It reminded me of the AMH feather block I’d done for my Mid-Century Modern Bee.

I pressed the seams open — a rarity for me.

I took it outside to photograph the top, and just by draping it over the fence, I could see how valuable that deep plum-colored roof was to the whole composition. This partly influenced what color I chose for the binding.

Christine’s Philadelphia, front

I rigged up a clothesline on my back fence to take photos, as my husband wasn’t home and I wanted to get it ready to go with us to the graduation. I used a Jane Sassaman for the backing (above), and my quilter was lickety-split on the quilting (thanks, Cathy!).

I didn’t want the quilt label to stand out too much on that background, so printed it on yellow.

Here we are again, in an uncropped photo. You can see all the bakery goodies in the background.

When you sew on a quilt that is destined for someone, you spend a lot of time thinking about that person, in essence sending good vibes out into the universe for them, I think. I remembered the time she had mononucleosis when she was going to Stanford, and moved home (my dad was a professor there so we lived in the area). I was in high school at the time, and we shared a room while she convalesced. She hates it when I say this, but she has served as a great example for me and my other sisters, as all four of us are close together in age. All of my sisters are amazing. I am beyond lucky to be able to say this, and I know it. I made a quilt with Cynthia, made one for Susan, and now, with this one, they all have one of my quilts.

And with each quilt, I send them my love.

****

This is Quilt #115 of 200 quilts, and I’m publishing this post on my mother’s 85th birthday. Happy Birthday, Mom!!

(Don’t worry. A long time ago, I made her a quilt too.)

Creating · Housekeeping · Quilts

QuiltPro Quilt Software

April 28, 2013April 28, 2013 Elizabeth E.8 Comments

I’ve used QuiltPro software for about a decade now, choosing it first because it worked on a Mac as well as a PC (I’m a Mac user, and Electric Quilt has ignored people like me). I’ve been reading about another quilt software program that you rent monthly, and thought I ought to talk about an alternative to that, especially since QuiltPro is having a sale right now of 30% off.

What I like about this program is its simplicity. It didn’t take me long to figure it out–click on the square icon and draw a square, click on the triangle (there are two kinds) and draw a triangle. Click on the paint can and color in your shapes. It does have a fabric library, but after a few times, I’ve skipped over that and just use the solids, coloring in what I want to show value and placement. (And sometimes I wonder if that’s not why we’ve had such a surge of popularity in using solids–we see them in our quilt software and then want to make those quilts? Who knows, but I’ve thought about it.)

And if I want to, I can change the colors by double-clicking on one of the little squares.

There’s a block library if you want it, but I use QuiltPro mostly to work up a design that’s in my head, like this one:

Which became this:

and this

Or this design, to make use of some lovely bits and pieces from a cherished set of fabrics, which became this:

A quilt for a friend who needed some quilty hugs. And I’m now thinking about how to make this one, dreamed up recently:

Sometimes when I read quilty blogs, I get the feeling that whatever is being shown, or pitched, becomes an extension of that quilter. That is to say, that if you buy this, or shop here, then that’s like a ‘vote’ for that quilter, and you say you like her better. I don’t really care if you use QuiltPro or not. I do use it and I’ve had great success with it as a tool to help me get done what I really do love: quilting, so I thought you might want to know about it. I used to draft blocks using graph paper, pencils, rulers, drawing out the templates by hand. This program does all that for me (yes, it prints the templates too, so I can measure them to use with my rotary cutter and rulers). It’s my tool. I’ve used this tool in my little quilt group, Good Heart Quilters, when we do our block swaps, or someone needs me to draft up how their chevron quilt will look. It’s been very helpful in a lot of ways.

Here’s a photo of Congresswoman Tammy Duckworth, who lost both of her legs in combat. She was recently profiled in the New York Times–go read the article; it’s short and sweet and makes you want to cheer. But I liked what she said here:

“Q: When you wake up do you feel a sense of loss when you realize what happened to your legs?
A: Of course. But I have a different perspective for what my legs are now. Now they’re just tools, you know? If I still had my legs, I would be in line for a battalion command, and instead I’m flying a desk.”

I want to fly my version of a desk–my sewing machine–making quilts and sewing and playing with cloth and squares and triangles and designs. I love quilting and am happy to have my rotary cutters and rulers and yes, my QuiltPro software. It’s just a tool, you know, to get the quilting done.