Books · Something to Think About

Age of Subtraction

Many years ago, bricks used to be completely solid. Houses and buildings went up with solid bricks. But in 1927, Anna Wagner Keichline patented a brick known as the K-brick, which was hollow and could be filled with “soundproofing or insulating materials, making it versatile and efficient. The K Brick led to the development of today’s concrete block.” She subtracted something in order to make it better. I heard about her from the Hidden Brain podcast, in an episode titled “Do Less.” Shankar Vedantam, the host, featured Engineer Leidy Klotz and so much of what he said intrigued me: “We pile on ‘to-dos’ but don’t consider ‘stop-doings.’ We collect new-and-improved ideas, but don’t prune the outdated ones. Every day, across challenges big and small…we don’t subtract.”

I learned the phrase in the title of this post from my father, who says that a certain time in our lives we enter the Age of Subtraction. To him, this meant less energy, weaker eyesight, feeble knees, and a general inability to go and do like when he was a younger man. Coming from a different generation, one that had not yet been inundated with ads, consumer spending, The Great Garbage Patch, Climate Change or other such beauties of late 20th century life, the concept of addition was full steam ahead.

These two supposedly opposing ideas intrigued me. Why do we resist subtraction? Why are we all about addition?

For quilters and creatives, it manifests itself in adding to our Works in Progress lists. We grab at the next line of fabric, knowing the last line of fabric is at home. While this idea might certainly have at its root the dopamine ping of a new idea, or a few likes on our work on social media, or a brilliant new color (whether in a paint tube or in cloth). But maybe at its root is also a bit of anxiety. We used to be able to buy a fabric line for months, as it was in our shops. Now fabric lines come-and-go at a fast clip. If you don’t buy it now, it will sell out.

The same with ideas: everyone’s making a quilted jacket, so we’d better get going. There are supply chain line interruptions, so for a while, bakers couldn’t get vanilla except at exorbitant prices. Uncertainty is everywhere, so we buy faster, we make faster, our list of things to make never stops. And all the while, we feel the tick of time like my father, worrying about getting it all done.

In his book, Four Thousand Weeks, by Oliver Burkeman brings forward the idea that if you live to be 80 years old, that’s four-thousand weeks of life. He writes about this idea of trying to get it all done:

[T]he core challenge of managing our limited time isn’t about how to get everything done—that’s never going to happen—but how to decide most wisely what not to do, and how to feel at peace about not doing it.

Burkeman, Oliver. Four Thousand Weeks (p. 71). Farrar, Straus and Giroux. Kindle Edition.

And there’s that subtraction thing again: “decide most wisely what not to do.” Can subtraction be a new way to operate? I’ve been a time efficiency wonk for years, always trying to find a better way to add things in, organize them. Burkeman called himself a “productivity obsessive.” In this book he takes aim at that familiar time management trope of the rocks, pebbles, sand and water all piled into a jar in order, showing so-called good time management. But he notes, that object lesson is rigged, because the person demonstrating it isn’t going to bring bigger rocks, or more rocks and pebbles than can fit in the jar. (What a relief!) Yet, I still wondered about how to handle my Works-in-Progress projects that pile up. I still couldn’t get to subtraction:

[One] approach is to fix a hard upper limit on the number of things that you allow yourself to work on at any given time. In their book Personal Kanban, which explores this strategy in detail, the management experts Jim Benson and Tonianne DeMaria Barry suggest no more than three items. Once you’ve selected those tasks, all other incoming demands on your time must wait until one of the three items has been completed, thereby freeing up a slot. (It’s also permissible to free up a slot by abandoning a project altogether if it isn’t working out. The point isn’t to force yourself to finish absolutely everything you start, but rather to banish the bad habit of keeping an ever-proliferating number of half-finished projects on the back burner.)

Burkeman found that:

Making this rather modest change to my working practices produced a startlingly large effect. It was no longer possible for me to ignore the fact that my capacity for work was strictly finite—because each time I selected a new task from my to-do list, as one of my three work-in-progress items, I was obliged to contemplate all those I’d inevitably be neglecting in order to focus on it. And yet precisely because I was being forced to confront reality in this way—to see that I was always neglecting most tasks, in order to work on anything at all, and that working on everything at once simply wasn’t an option—the result was a powerful sense of undistracted calm, and a lot more productivity than in my days as a productivity obsessive (ibid.,75-76).

So maybe my idea of brain-dumping everything that I think I want to do isn’t so helpful after all. And maybe setting quarterly goals, while perhaps a good idea to guide me, isn’t really helpful on a weekly basis? Being introduced to this idea of subtraction, coupled with reading about my finite life in Burkeman’s book reminds me of that old line: Saying yes to one thing means saying no to other things.

Our lives are often quantified by how money we make, or how many followers we have, or by what we produce. But always when I step back from that race, I have to include satisfaction of the process. To this day, my 96-year-old Dad has a paintbrush in his hand, working on a new painting. I want to be found at 96 (if I’m still around), with a needle in my hand, or typing at the computer writing my history, corresponding with people I love. By subtracting out things I don’t think are important, I hope to do things that I enjoy and that sustain me.

Good luck with your own subtraction challenges–

Books · Giveaway

Book Reviews & Giveaway

The linking went like this: teaching at Surfside Guild –> looking at their website to get to know them –> finding their Block of the Month page –> jumping up and down because now I could make a Freddy Moran quilter lady block –> to making one –> hunting down a couple of Freddy Moran books (one in the bookcase in the family room, and the other one online).

This has a lot of Freddy’s style in it, from bright intense color to more bright intense color and how to play in that paintbox. I really enjoyed it.

I’m not finished reading this, but right off the bat, I have to tell you it’s like getting two books for the price of one, because it has both Freddy Moran’s and Gwen Marston’s philosophies, which make you wish you’d could have been a part of the conversation they are having in this collaboration book. I had to hunt for this online, but am so glad I did.

Seeing these guidelines was worth the price of the book. It answered for me that question I always had when I see a perfectly produced and designed quilt in a quilt show, but for some reason I just walk on to the one that is less perfect, but way more interesting (see #3, above).

I used to have this book, but I lent it out somewhere. I watched her lecture at QuiltConTogether and once again recognized what a genius she was in her designs and vision for our humble walking foot. So I bought another one.

And I purchased this one, which I hadn’t had before. The review on both of these books: a good idea to have in your bookcase. I have probably purchased way too many books over the years, but I tend to like books that can spark new ideas for me, or give me a new technique or vision on using tools or fabrics that I already have. So yes-absolutely to the collaborative Gwen/Freddy book. And yes-absolutely to both to Jacquie Gering’s books.

I like my books unsigned (it’s a Creative Writing thing–you don’t want to know) but one of my books arrived signed. I contacted Jacquie and she immediately sent out a new one, and said I could do a giveaway on this signed book. So….if you don’t mind having an “Elizabeth” in the front of your book, and you’d really like to have a Walk book (her first one), I’ll use the Random Husband Number Generator to choose someone.

Leave a comment telling me what your favorite part of Spring is: the flowers? the rain? the weather warming up? the promise of summer? the mud? the shifting to daylight savings time? (If you say this, I won’t pick you because I hate Daylight Savings Time: you’ve been warned.) Easter candy? Eating chocolate bunny ears? Easter? Easter dresses? (I think I’m in a rut here.) Mother’s Day? Your birthday?

[For those who need a definition: Spring begins sometime after Valentine’s Day, and ends when the hot days of summer blow in and school gets out.]

Okay, that’s enough blathering–time to go. Or, as Jacquie says, “Walk on!”

Leave a comment!

UPDATE: Comments closed now. The next post will update you on the giveaway.

Books · This-and-That · Tiny Quilts

Happy July 2019 • This and That!

Teeny Tiny Flag Quilt_3

In this episode of This-and-That posts, I wanted to lead off with a little freebie for your Fourth of July: the instructions for a Teeny Tiny Flag quilt.  You can whip this up quickly, and it slips over a dimestore 4″ x 6″ acrylic frame.  I made one recently for a friend in the hospital: no flowers or balloons were allowed.  This brought some cheer to her stay as she loves red, white and blue.

Teeny Tiny Flag Quilt Illustration

I thought you might like the how-to’s, so download the PDF file (please re-download this new file–earlier this morning, there was a glitch):

Teeny Tiny Flag Quilt

I finished it off with some cute buttons.  For more Tiny quilts (and Teeny-Tiny quilts), visit the Tiny Quilts tab, above.

Sunday Best

Here’s a new favorite book of mine, Sunday Best Quilts, by Sherri L. McConnell and Corey Yoder.  Sherri and I have been friends for a while ever since we shared English assignments for the classes we were teaching, at two different community colleges in two different states.  I also appreciate her wonderful quilt designs, and have enjoyed her fabric lines (favorites are Bright Sun, Creekside and Front Porch).

I expect certain things out of books these days.  I’ve stopped buying everything that’s new as I was pretty burned out with what I call “vanity” books — a famous quilter gets a book and really, it was nothing new under the sun.  So now I am pretty selective about what I’ll add to my quilt library.  The book has to have 1) a new way of looking at familiar quilts, 2) a thorough (but not mansplained) direction section, and 3) great photographs, plus 4) the writing has to be pristine and readable, no small feat.

This book fulfills all four of those criteria. If you are looking for a new book to add, I can recommend this one.

Scissors and Negative People

Truth.

Guild Rummage Sale_3

So our Guild had a rummage sale this month, well, really it was a Clean-Out-The-President’s-Sewing-Room/Garage sale.  Evidently people had been bringing her stuff for many years; husbands would call when their wives had moved to Assisted Living, and leftovers from classes all just sort of congregated in her garage.  Time for it all to go.

Guild Rummage Sale_2

I am always fascinated by what quilters used to do Back in the Day.  Like these vests.  Did we really a) have haircuts like that, and b) dress like this?

Guild Rummage Sale_4

Another binder had templates with lots of code numbers on them, and then these illustrations.  I loved “Home Grown” #8, and think it would make a great block in a quilt.  No, I didn’t bring that one home.

Guild Rummage Sale_1

But I felt like I scored with this box of “vintage” magazines (really, they are just 20-30 years old–how is that vintage?).  I’d bought a few things here and there, stuffing my dollars in the Rummage Sale Jar, but at the end of the night, when so much was left, she said, “Take it all away!” So we did.

Ladybird Prep_2

I wanted to post some construction images from Ladybird, the quilt from the last post. At this point I was thinking: what am I doing? This was the quilting after the first day. I threw it on the spare bed and left it there for two days.

Ladybird Prep_3

Better.

Ladybird Prep_4

In the end, I was pretty happy with it, finding lots of ways to be creative with mostly straight lines.

SAVE ME THE PLUMS -- cover

Finished this book.  I loved it and I’m not a New Yorker.

I had wanted to leave you with my larger flag quilt, all quilted and bound, but it didn’t happen.  So Happy Fourth of July, with a quilt top:

BetsysCreation_4thJuly

Long may it wave! (click to see it in action)

 

Books · Giveaway

Paint by Numbers, a creative approach to pictorial quilts

Paint-by-Number Foster.png

I was recently asked to review Kerry Foster’s new book, Paint-by-Number Quilts, recently published by C & T, and I eagerly said yes.  I’ve been a quilty-pal of Kerry’s for some time, and enjoy her style of quilt-making.

Cat-on-the-Ironing-Board-1998_Edrica-Huws.jpg

Her style reminds me somewhat of Edrica Huws.  I love the energy this type of quiltmaking generates, as I trend toward the pristine and ordered, and am not as comfortable with the assemblage/collage.  I always want to be better, but it’s like trying to straighten that errant curl in your hair–when you are not looking, it springs back to where it wants to be.
Red Door_1_small

 

So I thought I would give Kerry’s techniques a try in recreating this picture, taken when we were in Burano, Italy some years ago.  I like the weather-beaten look and knew that it would be better served by Kerry’s Paint-by-Numbers approach.Red Door_2_small

I threw it into an image processing program and used a filter on it to highlight the edges, but you could just trace the strong lines using a lightbox.Red Door_3_small

I extracted all the color, so I could see the shapes, then printed that directly onto the dull side of freezer paper, cut to size and put through my color printer.

I trimmed the freezer paper to size, taped it to a piece of cardstock at the top edge and fed it through the printer.  Mine has a rear cassette access, so the paper path is flow-through (it’s the reason I purchased this one).  Since I’m making one of my tiny picture-stand quilts, there are two images per page.

4_drawing hashmarks

I did draw on lines and prepared it for construction, according to her instructions in her well-written book.  All the information is clear and concise, with great photo illustrations to accompany each step.

I’m mid-process in the upper left photo, layering up the pieces as per Kerry’s instructions.  Yes, it did dawn on me at this point, that I’ve hardly broken out into wild new territory, but I liked this door when I took a photo of it some years ago.

Tiny Quilt Red Door_4

In retrospect, I realized that some of the proportions are off a bit — like the doorway is kind of floating, but I am always learning.  Next doorway will be better…and wilder!

Instructions for a tiny quilt on a frame are here.

Tiny Quilt Red Door_4a back

The back.  I’ve finally wised up and am using some of my favorite fabrics in quilts, instead of leaving them on the shelf.  I can enjoy them that way, instead of never seeing them.

Okay, back to the real reason for this post: letting you see a couple of the fun things that Kerry has in her book for you to make:

Foster Book Review_2.png

Foster Book Review_1
Grizzly Bear quilt

Kerry, and C&T Publishing would like to for you to have a copy of her book. There are many others who have reviewed Kerry’s Paint-by-Numbers Quilting book; I’m one of the last.  Each one is running their own giveaway, if you want to visit them:

Monday Sept 17 – Kerry @ PennyDog

Tuesday Sept 18 – Deirdre @ C&T Publishing

Wednesday Sept 19 – Anita @ Daydreams of Quilts

Thursday Sept 20 – Sarah @ Coopcrafts *

Friday Sept 21 – Krista @ Poppyprint *

Monday Sept 24 – ME!  Elizabeth @ OPQuilt

Tuesday Sept 25 – Wendy @ The Crafter’s Apprentice

Wednesday Sept 26 – Angela @ Heart of Charnwood *

Thursday Sept 27 – Leanne @ She Can Quilt *

Friday Sept 28 – Katy @ The Littlest Thistle

Tiny Quilt Red Door_2

To enter to win a digital copy, please leave me a comment below.  Thanks to you, and many thanks to Kerry and C&T!

Books · Mini-quilt · Tiny Quilts

A Tiny Quilt for Autumn

Tiny Pumpkin Quilt_front2

So, one day I just had to do some creating.  Not following a big-deal pattern with billions of pieces, but a little project that just allowed me to follow a simple set of instructions and play with fabric.

Tiny Pumpkin Quilt_pattern

I had saved this paper pieced pattern from Chase of the blog Quarter-Inch Mark.  It’s a free download, and since I was just playing, I printed it out at 100% which made it about a 6-inch pumpkin.  I think if I were doing this again, I’d go up to 125% or so, trying to get the pumpkin a bit bigger.

I just cut strips and went to it, and in hindsight, should have put the shaded strip on the outside, but since this was for a little quilt, and I was just playing, I shrugged and kept going.

Tiny Pumpkin Quilt_quilting

I am following the tutorial for another tiny quilt I made, which you can find here.  It’s little quilt that fits onto a plastic picture frame that I bought at Wal-Mart for a buck-fifty ($1.50).

Tiny Pumpkin Quilt_binding0b

See the other tutorial for how big to make this (I added strips to the pumpkin to make it large enough), and how big to make the sleeve that goes on the back.  All instructions are on that post.Tiny Pumpkin Quilt_binding1b

I like to do single-fabric bindings on my mini quilts.  Cut a strip 1-1/2″ wide, stitch RST, first the right/left sides of the quilt, then the top/bottom.  Fold up the raw edge of the binding, to the raw edge of the quilt.

Tiny Pumpkin Quilt_binding1c

Use a glue stick to help you out, as you do the next step, which is folding the folded edge over your stitching that attaches the binding.  See both sides done (below):

Tiny Pumpkin Quilt_binding2Tiny Pumpkin Quilt_binding3

Now do the top and bottom, folding in the raw edges, and then the folded edge over that (orange) line of stitching, which attaches the binding.

Tiny Pumpkin Quilt_binding3a

Because you’ve used a glue stick to help you out, the top-stitching (from the top) is easy-peasy.

Tiny Pumpkin Quilt_frame2

Slip the quilt over the plastic frame (above and below).

Tiny Pumpkin Quilt_frameTiny Pumpkin Quilt_front

I hope to make several of these mini quilts so I can change them with the seasons.

tiny-sailboat-quilt_front-on-frame

Now I have a summer tiny quilt and an autumn tiny quilt!

Books · Quilts

Gridster Bee Blocks & Catch-Ups

gridsters-250-buttonx

Gridster_Septemeber Teton

Simone, the Queen Bee for September, visited Grand Teton National Park over the summer and wanted a block to commemorate her visit.  I can hardly wait to see this one.

Gridster_October African QueenLeisa’s mother used to live in Ghana, a missionary for the LDS church.  While she was there, she sent Leisa a box of fabrics that she’s turned into African Queen blocks.  In case you want one, here’s the info on the pattern by Anne Batiste.

I also saw Leisa’s block in my latest Quiltfolk Magazine, issue #4:

Quiltfolk Issue 4Quiltfolk Issue 4aI have to admit, even though it’s a bit more than I’d usually pay for a single issue, I do enjoy this publication, as it generally focuses on the regular people of quilting, not the big Brand Names of Quilt Stardom.  A nice change, which exposes me to a wider range of our quilt world (and lets me find an African Queen pattern!).

Uppercase_35

Here’s another I really enjoy–Uppercase Magazine.  This issue hit it out of the park, in my view, so if you decide to subscribe, make sure you start with #35.  Neither of these publications have advertisements, they are subscription based only, which is why they cost a bit more: the advertisers aren’t subsidizing the costs.  I like advertisements okay; it helps me know what my favorite companies are doing.  But I also like not having advertisements, too.

If you join up with Jeanine’s mailing list, she’ll give you a deal on a new subscription, plus you get her cool little missives.  Never heavy, only intriguing and fun, filled with art and creativity everywhere.  I’m sure you can sign up to get those all by themselves, if you want.  (And no, Uppercase doesn’t pay me.)

Okay, as long as we are in the panting-over-something-but-don’t-know-if-I’ll-get-it phase, look what came in my mailbox this morning:

QuiltMania box set Di Ford

You get one box at a time, filled with stuff to make two Di Ford blocks.  I’m not even a Di Ford aficionado (although you might persuade me) and I’m tempted.  They are only making 400.

This news comes from someone who has the complete set of Frivols, yes, boxes 1-12.  It was my retirement gift to myself.  I still haven’t made ONE of those quilts, although I still like seeing the boxes.  Soon.

My box fetish comes honestly from my mother, who always had a cupboard full of empty boxes for gift-giving, and a stack of them outside in the garage next to the freezer, just in case we needed one.  I’m sure there are other box-hoarders out there, besides me, right?

4-in-art_3

Coming November 1st: my final quilt in the Four-in-Art experience.  Although I’ll not be a part of it, the art quilt group still continues on, however, as Endeavourers, with Janine and Catherine at the helm.

 

Endeavourer

They had such a nice response that their slots are full, but having run a few groups, I know that the line-ups change all the time.  If you are interested in joining them, drop either one of them a note and ask to be added to their waiting list.  It has been a wonderful experience to make art quilts these past five years, and being a part of a group is wonderful.

See you November 1st!