Elizabeth’s Project Folio–Part III (Bringing it Home)

August 23, 2013August 25, 2013 Elizabeth E.16 Comments

Elizabeth’s Project Folio, front and filled with my next project, a bag made of Keiko Goke fabric

Elizabeth’s Project Folio, back

Elizabeth’s Project Folio, interior of blue folio

These are not only good for holding sewing projects they can also be used for:

• long car trips, holding each child’s stash of car junk
• teaching, corraling all the supplies for each lesson unit
• teaching, holding copied pages in place so they don’t go all over your bag
• errands–one for the Post Office, one holding grocery lists and coupons (you can make that one smaller by adjusting your dimensions), carrying swatches for decorating (one folio for each room you are working on)
• hand-sewing projects, such as cross-stitching a sampler
• knitting, as they are big enough to hold your needles, or needle-kit
• packing for a weekend away (one can hold lingerie, one your workout sweats, one can hold rolled-up T-shirts, etc.)

I’m sure you can think of others. Send me a note telling me what you used yours for!

Finally, to thank you for your readership, I’m giving away the white flowered project folio to one of my followers or Bloglovin’/Feedly readers. In your comment (at the end of this post), tell me what you’d use your portfolio for, and tell me how you follow me. I’ll close this giveaway on early Monday morning (8/26), and send it off.

They fit in my tote bag easily. Because one side is vinyl, you can see what’s in there quickly. Because the other side is fabric, they don’t stick together and slide out without difficulty.

Reminder: All of these measure roughly 11 x 17. You are more than welcome to make these for your own use, or sell them in a craft faire, but please please, don’t take any of my tutorial and copy it onto your blog. Practice Friendly Attribution, if you please, by linking back here, if you would. And please please don’t ~~steal~~ borrow my content to make your own pattern, and call it your own.

Okay, the folios are in the home stretch. Let’s bring ’em home!

If you are coming into this tutorial mid-way, see previous posts Part I and Part II.

STEP FOUR: Zipper

A zipper is made of two narrow pieces of tape (think of it as stiff fabric ) joined by an interesting plastic coil. Usually these strips of fabric are hooked together at one end. Years of no Home Economic Education has scared most sewers when it comes to zippers, but when you think about it as two strips of fabric that have to be sewn into a seam, tempers and anxiety seem to lower. And when you get to sew the zipper in flat, like in this bag, things couldn’t be easier. Note: Some of this tutorial is for beginners, so if you are experienced in zipper-putting-in, just scroll on down.

You’ll be stitching this to the interfaced backing piece. Set aside the fabric lining for a later step.

(You see the vinyl front window laid on top of the backing in the above photo, but you’ll be sewing the zipper ONLY to the interfaced backing at this point.)

I usually buy zippers a little bigger than what I need, so if you have done the same, lay out your zipper along the 17″ longer edge of the project folio backing. Put one pin 1/2″ in from the raw edge, and one pin 1/2″ away from the raw edge, as shown up above on the left.

At the outer pin, you’ll be doing a bar tack, which is only a zig-zag stitch done in place. Set your sewing machine for a wide zig-zag (so it will clear the zipper teeth), your stitch length to zero, and sew the bar tack in place. Then about 1/2″ away from that towards the zipper stop, trim off the zipper tape. If you are using a plastic zipper, you can cut right through it. If you are using a metal zipper, snip the tape to the teeth, then kind of wiggle off the excess zipper tape.

One of the challenges of zipper-sewing, is 1) sewing straight and 2) sewing close enough to the teeth, and 3) getting around that zipper pull. Use a zipper foot (shown above) for the second, and the first? Practice makes perfect, so don’t worry about it. I’ll walk you through the third, below.

First, unzip the zipper for about 4 inches, then:

• lay the edge of the zipper tape even with the raw edges, as shown above,
• zipper FACE DOWN
• on the RIGHT SIDE of the interfaced back folio fabric
• along the 17″ side.

I align the outside long edge of the zipper with the raw edge in this application. Stitch to the top stop (the silver metal piece), re-align the long edge of the tape with the outside edge and stitch for another couple of inches.

Stop, and put the needle down into the fabric. Then grab the zipper pull tab, and wiggle it past the needle and close the zipper. Now you have unlimited easy access to sewing it down.

Remember that inner pin, set 1/2″ in from the raw edge? Sew to that spot. You want to leave the last 1/2″ unseen. I usually hit the stitch-in-place button on my sewing machine, but you can also backstitch to secure it. Now you’ll be attaching the lining to the back–that piece of fabric that is the same size as the back.

Lay the lining for the back on the zipper. The zipper is face down so the RIGHT SIDE of the fabric will be facing the WRONG SIDE of the zipper. I pin the raw edges of the fabrics together in a few spots so I’m not scrambling as I sew. You’ll be sewing from the OTHER side of things, along the already-stitched line, so FLIP over the assembly, as shown below.

You’ll begin at the bottom edge of the sewn-in-zipper. Remember to stay 1/2″ away from the raw edge as you begin. Stitch along the already-stitched line until you get about three inches from the end. Stop, and leave the needle in the fabric. Reach inside and and slide the zipper pull tab down past your needle, wiggling it as you go by the needle, then continue stitching until the edge.

Press both sides away from the zipper, then topstitch close to the edge, about 1/8″ away.

The other side is easier because you only have don’t have a lining to deal with. The zipper is now flat, intalled on the back. Working on a flat surface, line up the back with the front, aligning the side raw edges, as shown. Place a few pins anchoring the zipper tape to the front upper edge of the front vinyl window.

Slide the zipper pull tab down a couple of inches, and start stitching. When you get close to the zipper pull tab, keep the needle in your fabric, and ease the pull tab past your needle, closing the zipper. Continue stitching. Remember to STOP stitching 1/2″ in from the other edge.

I was racing through making these, so you get to see my hideous white bar tack on my zipper in white thread. No one is going to see this, so don’t worry. But do notice that I stopped 1/2″ away from the side raw edges.

Stitch alongside your first stitching line, about 1/8″ away. Notice how both stop at the right place, above. This second stitching will help anchor the zipper tape. You can stitch 1/4″ away, if you like.

STEP FIVE: Bottom Edge Closure

Remember how the back of this thing is longer than the front vinyl window part? You’ll now stitch them together.

First, treat the back two pieces as one, pinning them together at the lower edge.

Now, lifting aside the lining on that 2 1/2″ piece on the bottom of the vinyl window, pin the interfaced strip to the back of the folio, matching raw edges, along the 17″ dimension. Another view is below.

This is taken from the vinyl window side, and you can see it gleaming there in the photo. But again, you are sewing the interfaced strip along the lower vinyl window to the two pieces of the back, treating them as one piece. Stitch in a 1/4″ seam, then press to one side, towards the front.

Fold down the loose piece, tucking the raw edge up to the inside, and pin in place, hiding that seam you just sewed. You can sew this by hand, taking small stitches, or you can machine stitch this closed.

To do that, open up your nifty zipper all the way, and this will slide in right under your presser foot. Stitch close to the folded edge, sewing it down. Sorry it’s not such a great photo, but I’m confident you can figure it out. (Or just sew the edge down by hand.)

With both the bottom seam and the zipper seam completed, your portfolio is now a tube. Press that seam, keeping your iron away from the vinyl.

STEP SIX: Closing the Sides

Blurry Photo Apology!

Starting at the zipper edge, line up the sides, pinning occasionally, raw edges even. The bottom seam will loop around towards the front, so don’t try to force it. Stitch, then stitch again, 1/4″ inch away.

Trim. This is a better photo, and you can see how the seams don’t match up to where you think they will at the bottom. Just let them go where they want to.

You can simply zig-zag those side seams to finish them, or make a simple binding. Cut a piece of fabric about an inch and 1/2″ wide and a bit longer than your sides (should be about 16 x 1.5″ in a perfect world). Matching raw edges, sew the long side of the binding strip to the portfolio side seam. You can pin it, and then flip it over to stitch over the previous stitching, like you did with the zipper, if you want.

Then fold the long raw edge in and fold the binding over the raw seam allowances. Pin, as shown above, and below.

Stitch close to the folded edge, securing the binding in place.

Make sure you do not stitch the zipper into your seam. Lift it up and out of the way.

Trim the binding even with the side seams, then zig-zag (overcast it) to keep the ends from fraying. Again, lift the zipper up and out of the way.

Flip the folio inside out and wiggle that end of the zipper to a nice squared-off edge. Congratulate yourself! You are done!

Here’s what the other side looks like, interior view.

I made a conscious choice not to “box” the lower corners to create a dimensional folio. I want to be able to lay in flat things (books, patterns, fabric, etc) and then, when done, store them flat. In use, I haven’t missed the boxed corner at all. Everything flexes around what I want to put it (refer back to the original post and that overstuffed folio *here.*)

I thread a bit of ribbon through my zipper pulls to make them easier to grab. Trim the edges at an angle, and apply a little bit of Fray Chek to them, if you are worried about fraying.

Okay, now tell me how you’ll use your flowered Elizabeth’s Project Folio in your comment below, and how you follow me (email, Feedly, Bloglovin’).

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Note: the Giveaway is closed now, but thanks for stopping by!

Quilts

Project Folio–Part II

August 21, 2013October 2, 2014 Elizabeth E.5 Comments

This is part two of the tutorial for the Project Folio. Click *here* for part one.

STEP TWO: Making the Front Vinyl Window

The side (1 1/2″ wide) strips go on first, on the shorter (15″) sides of the vinyl rectangle. Sandwich the vinyl between one interfaced piece of fabric and the other (un-interfaced, or plain) piece of fabric, lining up the raw edges, with right sides facing each other and towards the vinyl.

If your strips are longer than your vinyl, don’t freak out. Just center the vinyl and stitch along the long edge, using a 1/4″ seam. Carefully press the strips away from the vinyl, keeping your iron ONLY on the fabrics. Don’t touch the vinyl. You won’t be happy if you do. Topstitch on the fabric, about 1/8″ away from the vinyl. You may use contrasting or matching thread. I was whipping through these, so whatever I was sewing with was what I used for topstitching.

Trim the fabric strips even with the vinyl. Repeat on other shorter side.

To put the upper, top strip on, sew ONE piece of wider (2 1/2″) interfaced fabric to the vinyl, right sides together. It’s easier if you put the vinyl to the feed dogs to do this step, and kind of ease it along.

Fold the long edge over 1/2″ and press. You are working on the TOP edge of the vinyl front window at this point.

Turn to the back, lining up the folded edge with the seamed edge, peeking through the vinyl to make sure they line up. Topstitch this down, encasing the vinyl edge. After stitching, if the raw edges extend beyond the existing side pieces, trim.

Here are all three of my folios, showing trimmed edges and stitched-down tops.

To add the edging to the bottom of this window, use the sandwich technique you used with the shorter sides. Sandwich the vinyl in between one interfaced piece of fabric and one (un-interfaced, or plain) piece of fabric, right sides facing each other and towards the vinyl. Stitch in a 1/4″ seam, then press away from the vinyl. (Carefully.)

I’m trimming the excess fabric off the bottom strips in this photo.

STEP THREE: Trueing-Up the Back and Front

Confession: I had a scrap of vinyl that was slightly smaller than the desired size, but I used it anyway. But then that makes the front a different size than the back. I can fix this with my rotary cutter.

No, I didn’t obsess about cutting down the back, either. BUT! I only trued up the sides. The front is LONGER than the back, in the top-to-bottom measurement. DON’T TRIM THE TOP OR BOTTOM!!

Just lay the back down onto the vinyl window front, centering it as shown in the photo above, so you can trim the exact same amount from the sides.

I’m only trimming down the sides here. I kept the differences in the top-to-bottom and only cut the sides to be the same width.

Sides are trued up; notice longer length on vinyl window front, peeking from behind the back pieces.

Next post: Zippers!! and Finishing. And a Giveaway!!

All of these folios measure roughly 11 x 17. You are more than welcome to make these for your own use, or sell them in a craft faire, but please please, don’t take any of my tutorial and copy it onto your blog. Practice Friendly Attribution, if you please, by linking back here, if you would. And please please don’t steal my content to make your own pattern, and call it your own.

Quilts · Tutorial

Project Portfolio Tutorial–Part I

August 19, 2013October 2, 2014 Elizabeth E.5 Comments

A long time ago, in a foreign market, I bought zip portfolios to hold stuff. But they weren’t always quite right–too small, too rigid–for my projects, too wrong-sized. So I decided this summer to make my own.

But that’s just a way to lead you into thinking about your fall, now that schools are beginning to start and you can finally finish a sentence — or a seam — without being interrupted by your offspring or husbands or pets or whatever. And now you are going to be sewing up a storm, and need a way to keep all your projects organized as you head out to sewing circles, sew days, quilt nights, or just stay home and quilt in your jammies. Because it’s almost fall, after all, and you can. (My apologies to my Southern Hemispheric readers–just substitute in the appropriate season.)

Materials:
Two coordinating fabrics. One will show on the outside, and the other will be the lining, but will show through the vinyl window
Clear medium-weight vinyl from the upholstery department. Save the tissue they have with the vinyl–it’s easier to store that way
Fusible medium-weight interfacing
Zipper, approximately 20″ (you’ll be trimming it to size)
Matching thread

(Note: I am using three different fabrics in the following illustrations, so you may see some switching out.)

STEP ONE: Fusing

Lay the fusible interfacing shiny side (resin-coated side) down onto the Wrong Side (WS) of your outer backing piece. If you like to live dangerously, don’t use a press cloth while fusing the interfacing to the back in an ordered fashion: overlapping the iron shape, giving it a shot of steam, counting one-two-three-four in each position of the iron.

Lay the interfacing fusible-side down and fuse to TWO of the four narrower pieces that will border your clear vinyl window on the side.

Then fuse interfacing to only TWO of the wider strips, as these will be used on the upper and lower edges of the “vinyl window.”

The results are above: one large rectangle of interfacing fused to main back fabric, and four pieces of interfacing fused to the four strips of main fabric.

Trim up so the backing is even with the interfacing. Try not to fixate on the fact that now your portfolio will be a hair smaller. It’s really not important what the final dimension is, as you can still pack a ton of stuff in there. Trust me.

Lay the fused backing piece on top on the lining piece, making sure that both right sides of the fabrics are facing outward. Pin. Trim.

So this is what you’ll have: a two-sided rectangle. Unpin the two layers, and set aside for now.

Tomorrow’s post will show STEP TWO: Making the vinyl window front.

All of these folios measure roughly 11 x 17. You are more than welcome to make these for your own use, or sell them in a craft faire, but please please, don’t take any of my tutorial and copy it onto your blog. Link back here, if you would. And please please don’t steal my content to make your own pattern, and call it your own. Practice Friendly Attribution, if you please.

Four-in-Art · Quilts

Four-in-Art: Maps

August 12, 2013August 12, 2013 Elizabeth E.8 Comments

The Four-in-Art group has chosen Urban as our overarching theme for this next year of quilts. We will reveal quilts on the first of November in 2013, and February, May and August of 2014.

Our challenge for November 2013 is Maps, so it was with great interest that I viewed the exhibit sponsored by Quilts on the Wall, hanging at the Long Beach Quilt Show. Their theme was also “maps.”

Uncharted, by Catherine Baltgalvis
Based on an antique chart with traditional compass symbols

El Camino Real, by Eileen Wintemute
Views of the early California Missions, found by traveling “The Royal Road”

A La Carte, by Shirley Wright
A garden plan for Vaux-Le-Viconte, a great chateau in France, built in the late 1650s

Some map quilts might be literal, as in the renditions above, from a garden to a quilt paying homage to traditional compass symbols.

Gone, by Laura Bisagna
An aerial map of her street, showing the houses claimed by wildfires

Other map quilts might show traditional maps, like the one above, but reveal pieces of the heart, like when Bisagna was evacuated from her home during a run of California wildfires. She searched aerial photos, trying to discover any news about her house. And through one of these photos, she realized that her “house was indeed gone,” as she wrote in her artist’s statement.

Tour de Apple Valley, by Carolyn Villars depicts a 50-mile race completed by her daughter-in-law, the map in the background showing the route taken.

Linda Anderson created this exquisite map of the “Mother Road,” or Route 66 in her quilt One Man’s Dream. While I couldn’t discover from her statement whether or not her husband had actually traveled the road, I think the bas relief of the white quilting is effective not only as a map, but also as a background for the motorcycling figure.

“This quilt (Ice Core) was inspired by ice cores that are used to map climate change” wrote Annette Guerrero, the maker.

I loved the secondary layer of quilting over the color bands.

Body Map in Honor of DaVinci’s Vetruvian Man, by Linda Friedman, pays homage to the classic map of the human form by Leonardo Da Vinci.

I loved this rendition by Patricia Charity of the romantic era of travel, of steamships and steam trains and great adventures. She titled it It’s the Journey, for in those days, getting from point A to point B was a huge part of travel.

Karen Markley wanted to make a map of subterranean tunnels, such as those that contain subways, water and electrical lines, in her quilt titled Tunnels. This quilt is less representative and more evocative of what a person might find under their feet.

Beth Shibley’s Finding North is a rendition of a “modern compass,” and includes bits of maps that her husband used while hiking the Pacific Crest Trail.

taking the back roads, by Joanell Connolly was so interesting to look at. While you might decide that the crosses imitate a vast cemetery or that the white circular shapes might represent trees as if drawn by an architect, Connolly gives no indication of what her map might represent, only saying “when life gives you a choice. . .”

How many times have I peered out of an airplane window, snapping pictures of irrigation circles with my phone? This aerial photograph by Tom Lamb, inspired Carol Nilsen to create Layered Marks From the Sky, a map of a runway and taxiway at nearby John Wayne Airport in Southern California. But it’s not just the landscape she’s mapped in her quilt, but “the routes of a millions of people aboard thousands of aircraft.”