This and That • November 2025

November 24, 2025 Elizabeth E.12 Comments

Dropping off the face of the quilty universe has one advantage: you get some sewing done. But first, let me talk about the Carrefour Quilt Show (France) posts.

All discussions of any project begin with this process: throwing out thousands and thousands of corrupted files on my computer. It’s like how you can’t find the evaporated milk to make your pumpkin pies for Thanksgiving until you clear away all the bunches of canned food in front just so you can get to the back of the cupboard.

Same, same. Every time I start to work on the Carrefour photos, Something Computer-Wonky This Way Comes, and it gets in the way. But the pictures are coming, because I want to show you a lot of the beauties that didn’t get all the press.

Soon, my pretties, soon.

I’ve been re-downloading a lot of the patterns I’d purchased on ETSY and on quilters’ websites. Most of it has been a pretty smooth recovery. I’ve been having real troubles with a clothing patterns site, and we’re trying to work it out, but I’m about ready to give up on that one. And a badge site wants me to re-buy the things I’ve already purchased. Yes, I have the real-life badges, but the digital ones were zapped in the Great Computer Meltdown of 2025. (Gee, I should get a commemorative plaque, or something, to put on the desk.) Buying and purchasing is a lot more complicated when sellers can switch their products from one platform to another. [Public Service Announcement: I now have three hard drives at my disposal for backing up.]

And yes, some pattern-writing has been delayed as I’m having to recreate the digital files that were lost (see illustration, above, of all that I lost in my Shine Circles patterns). I’m just glad it’s up online and free for the download if you click on the link.

I’ve been helping a new mother-to-be design her first baby’s quilt. And for those who are interested, I’ll have it on here for a freebie, once I finish (we moved on from that design, just to warn you). Affinity’s digital editing software is now FREE, apparently, so you can get some of that, too, to design your own quilts.

Remember 2020? Haha.

I’m standing underneath my quilt Azulejos, hanging in the gallery at Road to California in January 2020, before Covid-19 and all the Murder Hornets were released and when the world turned upside down. Well, I’ve been wanting to make this pattern in deep blues and cheddars, and I finished it this week.

Just a reminder.

It has been dropped off at the quilter:

I worked on these, while listening to the end of Louise Penny’s novel Black Wolf, as well as this:

It’s not the Thursday Murder Club series, but a new freestanding novel, and I really liked it. I lost track a little bit, of the minor characters, but the main characters are well-drawn and entertaining, and yes, the novel and I and the Economy Blocks hummed right along.

I finished it last night and rushed out in the setting sun to take a couple of photos, such as this stained-glass effect.

I delivered that one to the quilter this morning, too. I had started this #scrappythriftblockchallenge with Taryn of @reproquiltlover on Instagram. I wrote up a guide sheet and shared it (you can find it all on this post); the quilt begins with this blog post. [Note to all the Historians out there: first Instagram post was on March 31]

I’m just kind of ready to finish up a lot of loose-ends projects that I had started at the beginning of the year, when my abilities were hampered by anxiety/depression/sadness and a lack of wanting to do anything. Over time, a lot of those issues have resolved, faded. Sadly, I think I lost a couple of friends during the last two or three years, when the one-two-kapow-punch of my parents’ death really knocked out my creative — and other — lights. As those who have lost parents know, no death goes easily into that great night (thank you, Dylan Thomas), so I should add it was all the swirling around of everything that knocked me back.

So I chose HelpMeMakeSomething projects, like these economy squares, and a Block of the Month, and a reworking of an old favorite pattern, plus squircles (which are still ongoing).

Here we are in the waiting room at the medical clinic, because all that stuff still goes on, doesn’t it? People get sick and husbands and wives need check-ups and gosh, they already have their Christmas Tree up and it’s not even Thanksgiving.

It’s no shame to admit you can’t make it without some help, and all the quilters I know (well, maybe minus one or two…) are more than willing to sit beside you while you figure out a path through the gloom. And somehow, this fall I started to feel like myself again…with Energy!

We were supposed to go somewhere for Thanksgiving, but Life Intervened, so now I’m considering a new roll recipe, and maybe a stab at that Delicata Squash Pie in the lower right corner, but with a gingersnap cookie crust, instead of the recommended graham cracker.

Lastly, I decorated:

Thank you, Trader Joe’s. Thank you to everyone who takes the time to read this, and/or write something, or maybe just carry a thought or two around in your head. I’m grateful for you all and for what you share; what rich and varied lives we all lead.

Happy Thanksgiving, everyone!

Quilts · Quilt Finish · 300 and Beyond

Build Me a Cabin of Light

November 9, 2025November 8, 2025 Elizabeth E.8 Comments

Remember this cartoon from a couple of posts ago? Well, I decided to break the secret rules about Blocks of the Month quilt-a-longs and decided to finish up my quilt at Month Nine.

The world didn’t end.

I used a three-inch border, then some snazzy dots for the binding.

That sweet checkerboard on the back is another bit of fabric from Sherri and Chelsi. I’d been ~~hoarding~~ collecting their fabrics from their very first collection, and used only their fabrics in this quilt. The patterns are from the Sherri, of Sherri and Chelsi, and you can find them on her website, A Quilting Life. She’s already talked about her BOM (Block of the Month) for 2026 — lots of fun, there!

I did machine-stitched binding again for this one. My friend Lisa taught me to use two different colors of thread: one matching the binding, and one matching the backing. It went pretty quickly.

The title is from a poem by Kwame Dawes, as I liked the imagery in it.

My quilter, Nancy, did a great job on using one of my favorite patterns, Boujee by Urban Elementz. This is Quilt #310.

I superimpose the quilting design over a lightened image of the quilt, to help guide her on the size I want.

It’s nice to have it done, and hanging on the bottom of the guest bed. Thank you, Sherri!

And I think it’s okay to throw in a couple of other things, here. One is squircles (free pattern on this post). I’m seeing them pop up here and there, especially on Gladi’s blog, where you can see her squares in the background as she shows the basket she won from her guild’s show (which gave me complete guild-envy). She also shows them on her social media. I’m closing in on 80 of these little guys, and I’ll put them all up on my pin wall when I do make it to that milestone.

I’m seeing cheddar-colored fabrics in a lot of places. I have been collecting these for about a decade, and thought It Was About Time. Plus, Gladi has been working on a cheddar quilt, and Barb Veddar has more than one on her IG feed.

I’m using my Azulejos pattern and made some test blocks to answer my burning question: Do I like it better when all the scrappiness of the blues and cheddars are mixed up (the two on the right)? Or, do I like it better when there are only two different fabrics in each block, but the quilt will be scrappy?

I just couldn’t handle the chaos of the blocks on the right. The whole quilt will look scrappy, but it will have some order to it, or at least that’s what I’m hoping.

Autumn has arrived in the bedroom, with my pillow and the Nancy Rink Amish quilt, Shadow Owes Its Life to Light on the bed. Our weather is so strange — like it’s 82 right now as I type this (Saturday afternoon). In November!

The quilt remains folded on the end of the bed as it’s too warm, and we lift it off at night. Rain is supposed to show up next week, so maybe we’ll put it to use then.

This morning, I helped my sister figure out her artist’s statement for her art, which led me to think about another conversation I had with another quilter, about how she’s more interested in watercolors right now. Another is working hard at learning the flute. It reminded me of this quote, from Todd Plough:

It is not the brush you bring to the canvas but what you bring to the brush.

As long as there is some kind of canvas (quilt, digital screen, thick watercolor paper, clay) and some kind of brush (needles and thread, a computer mouse, a paintbrush), you are good, in my mind. Of course this coupling of canvas/brush could be so much more than what I thought of. It could be food and a dinner plate. Or a bowl and some rising sourdough bread. Or wood and a bandsaw. I’ve scrolled through enough posts in my life to know that there are multitudes. And while you may start in one, you will probably end up with another, even if you continue with your first creative love.

What matters is what’s behind the brush, and that is you.

300 and Beyond · Quilt Finish · Quilts

Tiny Victories are Still Victories

November 3, 2025 Elizabeth E.10 Comments

Rookie Mistakes could be another title, even though I don’t consider myself a rookie. Both of these ideas are true for me this week.

I’ve had Krakow Circles kicking around since Spring, and when I needed a small something to finish, I chose this.

A quilt from Lois Parish Evans (Australia): Mandala 6 • Winter Solstice

After seeing Lois Evans’ quilts at Carrefour I decided to attempt her tiny stipple. Okay, not as tiny as hers, but a reasonable facsimile. Tiny victory, on this one too.

Then I continued the small stuff with swirly-circles. Tired of that, and not wanting a whole quilt to be that way, for the borders I drew on a wavy line, added more lines, then finally, a circle to echo all the others. Cool, I thought, a close-to-the-end tiny victory. Now, on to the binding. I chose to do it from the back-wrap-to-the-front, as for some quilts, I’ve come to love this look of the finished binding being on top.

Trouble.

I didn’t count on/remember/realize that the teensy stippling would draw up the quilt that much. Now those corner yellow circles would be cut off by the binding. I snipped a few threads, releasing them, and finished sewing the binding.

None of my circle templates would work, so I traced the end of a spool of thread onto freezer paper, cut those out and shaped them for appliqué. Except for one. That one I had to make even smaller. Yes, I do personalize my patchwork.

Kraków Circles, quilt #309, 28″ square
I started designing this at the end of May, after our return from Poland, and cut the first shapes June 3, 2025.

I think the back looks cool — it’s an older ombre-type fabric.

Labels are oldies from Northcott, by Deborah Edwards. I found them when we had to pull out the sewing desk from the wall when the new blinds went in. (Hmmm. There’s a lesson here somewhere.)

Finished: November 3, 2025. It’s a little victory to get this one done and it will hang in my sewing room, reminding me of Krakow’s churches and our trip there this past May. I’ll take tiny victories, these days.

Hope you have some too–

Carrefour Quilt Show 2025: Intro and Part I

October 27, 2025October 27, 2025 Elizabeth E.12 Comments

I’ve now been to the Carrefour Quilt Show in the Alsace area of France three times, and this is start of my third write-up of that amazing experience. The Carrefour Show is like none other: set in four small towns in France (some with castles, like the above photo), in the Val D’Argent, or Silver Valley, where silver was once mined.

The show draws from all over Europe and the quilts are as varied as the quilters in all these different nations. I am often surprised by what I see. I am never disappointed.

This post covers:

Espace Commercial
Venue 1: Theater with its traditional antique quilts
Venue 2: Carrefour Contest, one of three exhibits in that space

I have a main page where I link all the posts, so you can see the ones from before, as well, and see why I have loved going back over the years. Of course, my husband Dave is hugely enthusiastic, too, and he took many of these photos. This year we were able to spend the better part of two days there, and took a zillion photos. That means that when I post — which I will do sporadically over the next while — there will be lots of beautiful quilts to see.

We lodged this time in Colmar, a lovely town that feels medieval, but has all the comforts (like pumpkins with words).

As always, in many places there are reminders of the Great War (WWII) like a tank in the park which we passed by as we walked to get our rental car. We picked that up early on Thursday morning, September 18th, the day the quilt show started, and drove past the castle in the first photo into the Val D’Argent, stopping for some breakfast croissants on the way (it *is* France, after all!).

After being caught in the traffic, we parked near this very old building (1912), picked up our tickets and walked up into the town, seeing store windows all decorated up with quilts (I know it’s hard to see):

Espace Commercial (Shopping and Vendors)

I knew what I wanted to do first: Shopping Area.

Vendor tents are set up along the pathway to the souvenir stand:

Stickers, pen, exhibit book…they don’t have a bag this year, so in we go to the Espace Commercial.

Click to enlarge any photo.

1-My favorite bag place: ABCDaires. I’ve already made the little orange bag in the far corner (see below).

2- Christine, from Chifonie Studio has really lovely jewelry, made from art clay. She also has lots of buttons, and fun decorative pins.

3- Torneria Germans Castels sells wooden things from Germany. This booth had so many cute wooden buttons and fixings.

4- Le Atelier D’Eoie had so many cute things in their booth (they were so friendly, I took two photos of them). I bought a kit for a stuffed animal and a small quilt.

The other photos are crowd shots; I only took photos where I had permission. Here’s the thing: could I have found some of these things in the US? Possible. But I hadn’t ever seen them before and loved how European everything was (duh) and it — as Marie Kondo would say — sparked joy. (And I just love those orange pouches!)

I also loved the booksellers, and I bought a book in French, because why not? Last year I made a purse from a Japanese book, translated into French and it came out just fine. If you click on that link, you can also see a pouch made from the kits from ABCDaires.

On the side of the Espace Commercial, they had these two wooden cutouts: the one of the left celebrating thirty years of the Carrefour Patchwork Show, and the one on the right, a figure that denotes the Alsace region, and is seen everywhere. Okay. To the quilts!

Venue 1: Theater in Sainte Marie-aux-Mines

In case I didn’t mention it, the main town is Sainte Marie-aux-Mines, and that is where we will start. This year, it was all on the bottom floor and the display was traditional, Amish quilts.

The Carrefour organizers bring in scaffolding and partitions to hang the quilts, as it really is set in an old theater. Below is a series of photographs; click to enlarge. I did try to get title cards for every quilt.

Click to enlarge any photo.

Now a slide show. Click on arrows to advance; unfortunately, you cannot click to enlarge the slideshow photos.

After we finished with the downstairs, we went up…we love this staircase!

Peeking through the glass in the locked doors of the balcony, my husband took this photo of the exhibit below.

Venue 2: Osmont Pavilion

The section of the Pavillion where the quilts are hung is one large space, and the quilts “divide” it up. The contest theme this year was Avant Garde, and here is a slide show, with title cards. (Click on arrows to advance; unfortunately, you cannot click to enlarge the slideshow photos.)

We’ll see more of Tania Tanti’s work in another post, as she was a featured artist, but I wanted to say that nothing on this quilt is pieced. She starts with a white piece of cloth and paints her shapes, then quilts them. Details below; click to enlarge.

I found this one to be intriguing, and moving, as it is a tribute to her husband.

I showed you the cut-out close-up first, then the total quilt.

(I did mean to put all these in the slideshow: technical difficulties!)

The quilting on this was so close together, and it sculpted the cloth, moving the eye over the surface.

A tumble of houses, a view to the landscape.

Olga Stang’s work, Monet’s Pond, intrigued me, because of the construction of all those little two-sided squares.

Then they look to have been laid on another cloth, and folded to mimic petals, or vegetation on the Monet’s lily pond. Tiny beads are placed at the intersections.

She believes we’ll all be doing more recycling in the future, and if it turns out like this, it will be a good goal.

As always, I owe a lot of these photographs, as well as the ability to take this trip, to my husband Dave; I’m most grateful to him. There are two more exhibits in this venue, but that will be on the next posting about Carrefour. I’m just now starting to process, to revisit the photographs, to think about my visit. Watch for the next one!