The Venice Biennale, the art or architecture exhibit in Italy, is shown every other year and it just opened. So all the art world has pictures everywhere about what is being shown and who is showing it. This one, using fabric, caught my eye.
Polish-Romani multidisciplinary artist, educator, and activist Małgorzata Mirga-Tas has been selected to represent Poland at the Fifty-Ninth Venice Biennale. Her “Re-enchanting the World” will occupy the Polish Pavilion during the event’s run, from April 23 to November 27, 2022. Known for a practice comprising sculpture, painting, installation, and large-format textiles, Mirga-Tas challenges discriminatory Romani stereotypes and cultivates a positive image of Roma culture. Her work frequently incorporates clothing belonging to friends and family, which she collages into patchwork screens showing scenes of the garments’ wearers engaged in everyday life, smoking or talking or just sitting around.
There are several places in Venice, Italy where the art is displayed, and many nations participate. I grabbed screenshots from the YouTube video for the pictures below, because hey–it’s FABRIC; the video is a three-minute overview of the art.
Britain took the National High Award (a golden lion) for their music presentation Feeling Her Way, by Sonia Boyce. I mention this also because the backdrop for her presentation are walls that look like patchwork and because the video is kind of cool to watch, to listen to.
I took a lot of photograph and digital art classes when I went to college and went through many “evaluations” or “workshops” of what we produced in the dark room/hovering over a computer. So I kind of laughed at one of the paragraphs in the Art Forum review, as it is so very “art-speak.” I propose some minor edits that can describe any of us and our quilts.
Original phrase: “unusually attractive visual form (opening the pavilion to a wider audience) combined with an original and deliberate ideological concept ‘proposing a new narrative about the constant migration of images and mutual influences between Roma, Polish and European cultures.’ ”
My Souped-Up phrase: I use an unusually attractive visual form, combined with an original and deliberate ideological concept of using various geometric and free-form shapes in order to propose a new narrative about the constant integration of images and mutual influences between traditional, modern and art cultures in my quilting.
Like that? You, too, can art-speak!
Happy Quilting!
P.S. I’ve been having some problems with some software changes by the hosting service and WordPress and I are monitoring how comments are emailed to me. If you have a moment and could help us out by leaving some sort of comment (even a word would do, but I read everything) so we can see if this is a bug, or a problem with their new forms, we’d appreciate it.
If you send me a comment, I’ll enter you in a drawing for all my old clothes, so you, too, can enter the Venice Biennale and be world-famous. I’M KIDDING. But if you could leave a comment, that would be great.
Evergreen, EverLife • Quilt #263 87″ wide x 98″ high
Center Tree: Made from a kit. I started this in December 2019, sewing with friends. I changed up the background to something lighter.
Three outer borders: ric-rac squares, Sawtooth Stars, red with vines were designed and pieced/appliquéd by Elizabeth Eastmond, echoing the central tree. Binding on and finished this past week.
Quilted by Kelley Bachli.
The game: Find pine trees at quilt level in Southern California without going into the mountains. I think we did okay.
Title: The reason why the evergreen (or pine, fir, what-have-you) tree is around at Christmas is because it is ever green. I’m sure there is the bit about adopting it from pagan festivals, etc. but whatever the original reason, it has become a lovely symbol of enduring life. So I connected those two: ever-green and ever-life in the title, reminding me that I have life forever because of Christ’s birth. The trick is, of course, to do something worthwhile with that life that’s been handed to me. (Working on that.)
Either I’m very early for Christmas this year, or very late for 2019, 2020, and 2021.
We reached a sad milestone this past week: we have decided to stop receiving paper copies of one of our three newspapers. It’s the newspaper we get every day on our driveway, and I read it while having breakfast and eating my granola. We also get a national Sunday paper, and then subscribe to another national one online.
First stop, always: the comics. Then, the advice column, the horoscope. Headlines come next, and then I go through it skimming, catching the tidbits that fall into your lap when you have a paper-paper and there is no algorithm trying to force you into reading what THEY want you to. I read opinion editorials of all stripes, Letters to the Editor, and the regional news (this isn’t our local paper which went off the rails several years ago). This particular morning, I found three comic strips which seemed just for me:
And for that last one, I nominate the people who thought it was a good idea to jack up the prices our “introductory offer” to this newspaper of several years ago. We are diehard newspaper supporters, but when we recently did the math, the price over the years had crept up to nearly $800/year (!) for the subscription price. So good-bye to a life-long tradition, planted in us by our parents. I will miss you. (But don’t you love these comics?)
I MADE A DRESS. SHOCK.
I’m showing you my sewing room, as it has a serger on my cutting table. Definitely not a quilting day.
It’s an EVA dress, and I’m wearing it today, accessorized with beads and lightweight jacket (you know — the air conditioning — even though the high today is supposed to be in the upper 80s). I put on 3/4-length sleeves, faced the neckline and put bias trim on the hem because it is a lantern-shaped dress. It’s a pattern from Tessuti Fabrics.
This was my first rodeo with online patterns. I was apprehensive about getting the pattern printed so I inadvertently ordered a hard-copy of the pattern in one size, and a downloadable copy of the pattern in another size (they have two sizes with lots of other sizes on it). I ended up using the paper instruction booklet with the downloadable pattern, getting it printed off at my local Staples/OfficeMax store.
Susan of Patchwork and Play is also my inspiration, and I’ve since ordered the Sawtell pattern from In the Folds. That’s waiting in the wings, but I don’t have much to say about this as I’m still figuring it out.
Two more crossed off
NEXT…
Working on another holiday quilt. After this one, I only have two more to sew that are in the closet (that I know about). I seem to collect Christmas quilt fabrics and ideas.
Pinned up Spectral Light, the bigger version of Triad Harmony. The pattern name is Triad Harmony, but you can see I have other versions: one is called Secret Garden (Kaffe fabrics) and one is called Stella di Natale (Christmas, again). I need to quilt them all.
LASTLY…
She describes this phase of my life pretty perfectly.
But don’t we pressure ourselves to do the first, and beat ourselves up a bit if it’s the second? These dots circle (haha) back around to the thoughts at the top, and about doing something worthwhile with this life I’ve been given.
I’ve always loved C. S. Lewis’ quote (below) about recognizing the potential in others, rather than snubbing or diminishing them. And the Arthur Brooks observation of David Brooks’s column reminds me to pursue that which is important, has value, and not only that which is popular or culturally driven. This is a constant struggle sometimes, and I seem to waste a lot of time, by my own assessment.
I’ve taken to asking myself: What do I want to have finished before I go to bed tonight? My bedtime is earlier now than it used to be, Mary Englebreit notwithstanding, so knowing I’m going to have flat-lining brainwaves at a certain time can help me choose wisely. Sometimes in my days I’m only a quarter-full dot, but other times I’m there all the way. But when it is time to stop, it is time to stop.
A juggling act, but I keep at it–
Happy Quilting!
It is a serious thing to live in a society of possible gods and goddesses, to remember that the dullest most uninteresting person you can talk to may one day be a creature which, if you saw it now, you would be strongly tempted to worship…All day long we are, in some degree, helping each other to one or the other of these destinations. It is in the light of these overwhelming possibilities, it is with the awe and the circumspection proper to them, that we should conduct all of our dealings with one another, all friendships, all loves, all play, all politics. There are no ordinary people. You have never talked to a mere mortal. Nations, cultures, arts, civilizations—these are mortal, and their life is to ours as the life of a gnat. But it is immortals whom we joke with, work with, marry, snub, and exploit…— C.S. Lewis, The Weight of Glory
When the New York Times columnist David Brooks talks about the difference between “résumé virtues” and “eulogy virtues,” he’s effectively putting the ashramas in a practical context. Résumé virtues are professional and oriented toward earthly success. They require comparison with others. Eulogy virtues are ethical and spiritual, and require no comparison. Your eulogy virtues are what you would want people to talk about at your funeral. As in He was kind and deeply spiritual, not He made senior vice president at an astonishingly young age and had a lot of frequent-flier miles. You won’t be around to hear the eulogy, but the point Brooks makes is that we live the most fulfilling life—especially once we reach midlife—by pursuing the virtues that are most meaningful to us. (Arthur Brooks, from here)
The Heart’s Garden has been planted. It is filled with flowers of all colors, and in many sizes. The birds are nestled in, the outer border acting as a fence for the blossoms to climb. Part Four is appliqué, but the appliqué can be done by hand or machine. Examples of appliqué are in this post.
I always like to feature those quilters who are sewing along with us; and who have finished Part 3: Lisa Johnson, Susan Snooks, and Joan Hinchcliff. Their quilts are all so beautiful.
In looking at our home at this Instagram hashtag, I also found the beginning of Linda’s quilt:
I am fascinated by how different all the quilts are. (Linda was my roomie at QuiltCon in Phoenix, in February, and is an awesome EPP-er.)
[UPDATE: Pattern is now all together and can be found in my pattern shop.] The pattern for Heart’s Garden Part 4 is now up in my shop, and you can download it for free.
As usual Part 3 will be switched to a purchased pattern, but if you are just starting in, all the earlier parts can be purchased individually, or you can wait until mid-summer when the full pattern will be available. More at the end of the post.
My first planting. I started by pinning the stems around the quilt, having them overlap the inner border by 1/2″ on the bottom, as shown.
I take a lot of process pictures, but in reality, everything changes all the time.
Flowers, stems, leaves are all pinned up. Some like to use the glue method, some like the machine method (I do too), some like hand appliqué. I give tips and tricks in the pattern, including how I “dig” that stem into the “dirt” of the inner border, so it looks like it’s planted. You might also want to watch a wee video showing the basic technique for Karen Kay Buckley’s Perfect Circles.
Part 1 can be purchased here. Part 2 can be purchased here. Part 3 can be purchased here.
Part 4 is now live and living in my online pattern shop and can be downloaded for free.
Hope you enjoy making this fourth part–post them so we all can enjoy them. P.S. If you can’t manage another project, feel free to download for another time. I keep the posts organized on this page (also in the header at the top of the blog). A full pattern with all the parts will be available for purchase in mid-summer.
There is always the option to stop here, with the garden all planted, but there is a reason why it’s called Heart’s Garden. This will be obvious to you when Part 5 is released in May.
Happy Spring and Happy Quilting, and most of all, Happy Easter.
Yes, actually, I did have a March and I made these Gridster Bee blocks for Bren Moore. She had a hand-drawn sketch for us to use, and although I looked for it, couldn’t find the name of the original block. UPDATE: I think it is a variation of an album block, straightened up (the original album block is a diagonal block).
This one is Building Blocks, from Nancy Cabot, and if you switch the fabrics around and combine some–well, it’s the closest I could get. This is from Barbara Brackman’s Encyclopedia of Quilt Patterns, the digital version (BlockBase+).
Tulips were April’s block for Carlene Drake, and we started with the tutorial from Kristina of Center Street Quilts, but added side strips to make the block square.
My friend, Mary of Zippy Quilts, asked me for an interview as she occasionally features quilters on her blog. I was most happy to oblige and she did a lovely post about me and my quilts. Thank you, Mary! If you don’t know Mary’s work, she is inventive with her use of color and shape and is always coming up with an interesting quilt or two or ten to put up on her blog. She’s also a sewist, and teaches classes near her home.
Another thing that happened in April: I purchased Timna Tarr‘s Mosaic Class way back in the ice ages of April 2020, and finally got around to going through the course and watching the videos. It was very informative and I added that Quilt-to-Make to my list from the last post.
I had planned to use this picture, taken by my husband Dave, but now I don’t know if it’s too dense.
Right after I first published Dave’s photo of his flower (anyone know the name? Zinnia? Gerbera?), Angie contacted me asking if she could use the palette of the photograph to inspire a quilt she was making. She recently sent me the final top–it’s really stunning! I love that she’s worked in all the purple to help balance the pinks. I am also very happy that my husband’s photographs also inspired someone else. (I really like his recent post of poppies.)
The eryngium (left) and the roses are some beautiful things I’ve seen lately.
These three images, also titled Quilt Fail #1, #2 and #3 are not. I loved all the incredibly supportive and encouraging comments on Instagram, but when you know, you know. Even my husband (also incredibly supportive and encouraging) agreed that it wasn’t worth more of my time.
I did love experimenting with the technique developed by Dora Cary of Orange Dot Quilts. With her skills and experience this is a fascinating quilt. But I had chosen this:
I was thinking: Impressionism, Monet, girl with umbrella: WIN!
Not.
There are more than a few renditions of Monet’s woman with a parasol. I think I’d purchased one of the more hideous versions.
from here
Here’s the original from the Musee d’Orsay. The colors are more delicate, the arm in front doesn’t look sunburned and the arm in back is in shadow, not a purple glove. And it’s not printed digitally, which I think often has a more garish look, with stronger contrasts.
Lesson Learned.
One down (actually two, if you count the Bee Block). I will probably circle around back to this pattern (because I like it) but will take more time to look for the right fabric.
Don’t forget that Part Four of Heart’s Garden will post up on Easter Sunday. If you haven’t already downloaded the free version of Part Three, go and do so now before Part Four goes up.
OccasionalPiece--Quilt! 