300 Quilts · Quilt Finish

Picties and Verities • Quilt Finish

Picties and Verities, quilt #243
71″ wide by 78″ tall

Finally!

This baby has a new name: Picties and Verities.

What, you ask? Well, that phrase was in a poem I read about a thousand years ago, and I liked it and wrote it down and of course I can’t find it now, because that’s my life, when even what we had for dinner last night is cause for wandering around in the corridors of memory.

Verities, defined: a true princple or belief, especially one of fundamental importance. Seems to me that striving to be happy, knowing that the sun shines on all of us, as well as the idea that it’s always good to go home — with or without your trailer — just have to be some verities.

Picties, defined: For this one, I went to my husband’s college Oxford Dictionary, a two-volume set complete with magnifying glass. Pict (rare, it says, from the 1400s) means to paint or depict or represent. I would say all those bits of appliqué up there qualify as little pictures. Of course the Picts were also the ancient name of people from North Scotland, and are associated with elves, brownies or fairies. And possibly old grey castles with dungeons (an allusion to its working title: Trapped in the Dungeon of Cute). And since my great-grandmother was from Scotland, I own that heritage with pride.

I sewed on buttons last Saturday, while listening to my Guild’s program, and added, as is my usual, “Made in the time of Covid-19” for anyone who receives this quilt after I’ve gone to the afterworld to frolic with Scottish fairies. You’ve seen photos of this, but here’s a last batch of fun.

And since you’ve read this far, I now treat you to one of my husband’s beautiful photographs, taken the last week of January:

Aloe Blossom

We retraced his steps to take a look at it this past week, because in trying to identify what it was depended on what the plant’s leaves looked like: if they were cacti-looking, it was an aloe. If they were leafy, it was a kniphofia (aka Torch Lilly or Red Hot Poker). It’s an aloe, but it is a distant cousin to kniphofia, apparently. My husband Dave takes long walks everyday, bringing home pictures like this, reminding me of when my children used to bring me home bits and pieces of their days, spilling them out into the kitchen, a line or a thought floating backwards over their heads deep in the refridgerator.

It’s so nice to watch Dave gather his interests about him now, after having had his nose to the grindstone for years, bringing home the proverbial bacon to put in the fridge for those now-grown children. His process — of snapping pictures of whatever interests him and only later culling and choosing — reminds me of this quote from the artist Ann Hamilton:

“A life of making isn’t a series of shows, or projects, or productions, or things; it is an everyday practice.  It is a practice of questions more than of answers, of waiting to find what you need more often than knowing what you need to do….Our culture has beheld with suspicion unproductive time, things not utilitarian, and daydreaming in general, but we live in a time when it is especially challenging to articulate the importance of experiences that don’t produce anything obvious, aren’t easily quantifiable, resist measurement, aren’t easily named, are categorically in-between.” (Ann Hamilton, artist)

Having had three finishes within a couple of weeks, and today teaching a workshop with the Surfside Quilters Guild, my next plan is to do some wandering myself, maybe some daydreaming and find those experiences that don’t produce anything obvious, yet are so critical.

And P.S. Blocks 4, 5 and 6 of Shine: The Circles Quilt are now back on the blog, free to all.

Other posts about Picties and Verities:

Quilts

Sing A Song of Sampler Blocks

Two Quilts_again

Sing A Song of Sampler Blocks_front

Sing A Song of Sampler Blocks
Pieced, Appliquéd and Quilted
57″ high by 53 1/2″ wide
No. 146 on my 200 Quilts List

Sing A Song of Sampler Blocks_1I went up to my university’s botanic garden to photograph these two quilts, loving the contrast of the rustic against the brightly colored blocks from my beemates in the Mid-Century Modern Bee.

Sing A Song of Sampler Blocks_detail2

I put out a call for a variety of blocks in 6″ or 9″ or 12″ sizes, and then as they came in, placed them all up on my design wall to see how they played together.  I used some of the ideas from these friends to create a few more blocks, following Carla’s lead when she created hers.  Like Carla, I also worked in the small signature blocks as part of the design.

Sing A Song of Sampler Blocks_front heroic

One day I opened a card from Rhonda, another friend back east, and she’d made me a bird block to be added to my project, as she had read my blog and wanting to contribute to my modern sampler.  So that spurred me on to making a few more birds as well.

Sing A Song of Sampler Blocks_detailThen I had to try some flowery blocks, two different kinds to go with all the other flowers, and a Dresden block, and once I got started, I also added a Road to California block (made four times so it would be big enough to add variety).  It’s kind of fun to try making all different kinds of blocks.  Finally I had enough, and the right size of blocks and I was able to sew it together.  Happily so, thinking about my good friends.

Sing A Song of Sampler Blocks_back

I saved some of the smaller blocks for the back.

Sing A Song of Sampler Blocks_label

Two quilts_2015

Two quilts with flowers

Happy Spring!  Spring into some quilting!

Quilts

Sampler Quilt Top & Rosette #1 Finished

Rosette 1_OPQuiltcom I’m slowly making my way through the New Hexagon Millefiore Quilt-Along, and have finally finished Rosette #1. Rosette 1_OPQuiltcom_detail Rosette 1 on fence Because of the deep colors, it’s a bit harder to photograph than I’d thought, but here it’s tacked up on my fence, in the daylight.  I’ve got the template ready for the next partial rosette, but will get to it a bit later, as there are some projects in the line-up ahead of it. Wall of Blocks This was the beginning of my Mid-Century Modern Bee Sampler, with all the blocks from my bee mates, plus a a couple I’d sewn together. Not Working was what I called it over the last few days.  Definitely Not Working at all.  I kept in all the bits and pieces of extras they’d given me, then I’d take them out.  I’d move them around some more; this quilt was more challenging than I’d thought! The last post talked about the basket block, but I pulled out a vintage quilt block book I’d purchased at a garage sale, to find another. Vintage Book Road to California Block Four blocks of Road to California it is, as all my mates had to send blocks to California. Sampler Quilt 2015 Finally it came together and I declared the top done.  I sewed all the pieces together while I listened to the next book in my Inspector Gamache series: Brutal Telling Gamache Sampler Quilt Backing Today I used the bits and pieces my bee mates had sent on the back and got it ready to go to the quilter’s.  It’s the first one headed over there since October of 2014.  How had it been so long?  Teaching had taken a lot out of me, and I left room for church service, teaching Sunday School, going to QuiltCon, and my family: PeterMeganMove2015 My son, Peter and his wife, Megan moved back to California from Betheseda, MD.  They did the cross country trip in 3 1/2 days.  You can tell they are young. Clearing Garden SPR 15 And I left some time to clear the garden, with a few cabbages, Swiss Chard and Brussels sprouts left. Cleared GardenWe planted seven different kinds of tomatoes, but are waiting for the weather to stop being so hot and dry before continuing.  My lettuce isn’t going to be happy this weekend that California has skipped winter, skipped spring and gone right to summer. quilted toteBut this cute tote and fabulous card arrived today as if to celebrate with me that I’d finally finished up.  Rachel, of The Life of Riley, sent them over as a little gift.  Her timing is impeccable! Giveaway Banner And so, to continue the celebration, I have a little giveaway.   I actually have two: Quilting Book The first is this little book of Quilting Techniques.  I’ve actually enjoyed looking through it, as I picked it up at a recent quilt show. Quilting Book pages Flip Flop GiveawayAnd since California thinks it’s summer, it must be time to spruce up those toes with a weensy cute pedicure set in a flip-flop case, a Passive-Agressive notepad (in honor of our freeways) and a wee pair of Itty Bitty Scissors, for those summer trips you are planning.  I’ll pick two winners.  Just leave me a note telling me your latest success and somehow I’ll randomly draw a name and send off these gifts.   International is okay, but I’ll just send one overseas (the other one is domestic).  I’ll let you know the winner in the next post.  Giveaway will close Tuesday evening, SoCal time.

Giveaway closed.  Thank you all for entering.

Quilts

Queen Bee for Mid-Century Modern, 2015

Queen Bee

I’m Queen Bee again in my Mid-Century Modern Bee, and I know you are all surprised to see me again so soon.  We had a reshuffling of months and I moved from November to this spot.  Welcome to our newest members; I know you’ll enjoy the ladies in this bee.

Carlas Quilt-smaller

from *here*

 Carla, of Grace and Favour, had us all make a block in 2013 so she could make her own version of a  Mid-Century Modern Sampler.  I loved her quilt, so I’m asking you all to make a block for me so I can have a quilt like hers. As you can see she has both pieced blocks and appliquéd blocks–both are fun to have.   The blocks should be in increments of 6″ or 9″ or 12″ (if you do a 6″ block, maybe you could do two?), and would like them with either a text, or a light background.  Just pick your favorite block, in similar colors to the above, and have fun.  I do have some fillers in the works, just like Carla. Here’s some color ideas (I couldn’t just pick one):

Sampler Quilt ColorsRoundup of preferred colors: clear tones of yellows, oranges, pinks, blues, aqua, bright greens.
Roundup of colors that aren’t my favorites for this quilt: gray, muddy tones.  Darker tones for accents (stems, etc.) are okay.

Bascially I’d prefer the palate of  Carla’s quilt with light/brights and clear tones all on a text background, but no blocks that feature grey or “muddy” tones predominantly.  If you have any questions, don’t hesitate to contact me, or refer to our Flickr page where there is more information.  Thank you all very much.

 I look forward to Mid-Century Modern 2015!

MCMBee Button