Something to Think About

Filling the Days…with Quilting

I have treasured all your messages to me, and have read them over and over. Thank you for all your kind words on the occasion of the loss of my father. I will miss him greatly. I was unable to reply to you all individually; however, I appreciate what you said. I thought I would talk about some of the things that I’ve been doing to pass the time, fill the time, mark the time.

About a week before his death we knew the arc of Dad’s life was bending slowly to the earth, but it was Road to California Week, kind of an event around here and I had two classes, one from Lori Kennedy (on the left, above) and one from Annie Smith (right). I won the lottery on my teachers, not only for their classes, but for their humanity. I was pretty quiet on Monday during Lori’s but on Thursday when I walked into Annie’s, I had been crying the whole way there. Both women were sympathetic to this week of pre-grieving, kind souls who recognized a quilter in distress. I am glad to have met them both, and also to learn from them in many ways (yes, we talked death and it didn’t upset either of them). They both just sort of let me be creative on my own, far away from the goals of the class, so I just quilted in Lori’s, and drew a version of an appliqué block (“Citrus Grove”) in Annie’s. 

They were kind.

Saturday, I had determined to pose by my quilt, and I did. It was down the aisle from a stupendous quilt so most people just walked by, but that’s the game. That’s my smile when I felt like like I was stuffed with cotton batting, trying to produce a smile, but really wanting to cry, but gosh — it was Road, and I did want to see the quilts. Ever have days like that? (There are lots of YouTube videos of Road 2024, if you can’t wait for me.)

This was in the Cherrywood exhibit and I loved the colors they chose this year: a punch of green and orange together, along with the black. This one is one of my favorites. And I loved Picatso (below), by Nikki Hill. Click on the cat to see the whole mini quilt. A classic.

Because I sewed on a sit-down with the feature of “optical reading” of motion in my class with Lori Kennedy, and because I already had a Sweet Sixteen sit-down machine, I went to the Handiquilter booth to see what they had. This was their newest: the Insight Table. It will help me keep my stitches more even (I hope). There’s now one in my quilting room, and I pinned up Happy Valley to practice on. But I haven’t yet quilted on it.

That next day, just at the end of last week, we had our trees trimmed, something which happens every two or three years. Remember, in California, things never stop growing; we even mow our lawns in the winter. Yes, there is some dormancy, but cutting off excess and grinding it up to get rid of it is something we do. This was also the week that my family was planning/not planning the funeral events for my Dad. In some upset moments, I wish I could have brought a truck like the one on the right and thrown in all my excess feelings and ground them up. Mom was pretty specific with what she wanted for her service, and we did it. Dad was also specific with what he wanted…but we aren’t doing it. I read about this online and this situation can be common with the death of the remaining parent. Siblings can split up over this sort of thing (I have friends who have lost their whole family).

Families are more fragile than trees. 

I brought this quilt to the finish line. My husband helped me sort out the borders for this 2023 temperature quilt, and it’s ready to go to my quilter’s.

Remember how I wrote about that local quilt store that closed at the end of the year around here? I put some of that fabric to good use with this backing. If you are doing a Temperature Quilt, buy yourself a tea towel on ETSY with the calendar on it. I also added a stylized image of California and the temperature key I also finished:

I had chatted with Lori about the temperature quilts she and her sister were making in Minnesota, after seeing mine. When we talked later that week, she told me she liked my free pattern, but that I’d made a mistake: the temperatures only went to 36 degrees on the low side. Yeah, she’s right. It’s a California scale. We laughed about it and she said she’d add more. (And, um, don’t judge the embroidery. I don’t know why I can’t do the stem stitch. I do much better when it’s the back stitch.)

Nights this past couple of weeks have been hard. I saw that inscription when we visited Chicago this past September and Isaac Barrow was right. First I was reading Home, by Marilyn Robinson, and the ending of that book echoed what was going on in our family: the family being called home as the father was fading. One of the main characters, Glory, tended to cry — boy, could I identify with her. It was a powerful book of loss, of love, and a nod to the Parable of the Prodigal Son. Then I turned to something completely different: a sheep mystery, Three Bags Full, translated from the German. Both were “effectual comforters”. Three Bags Full was a “cheerful companion,” and Home was a “wholesome counselor.” I decided to read them in real book form, as I needed to hold onto something tangible at night in those evening hours that are hard to pass. We also are enjoying the PBS series All Creatures Great and Small. I’m glad these quiet stories are here.

My friend Charlotte gave me this Amaryllis for Christmas, and everyday we notice changes: from one blossom, to two, and now two more are opening up to make four. She says to plant it in the garden when I’m done with it, and it will come up every year. I’m in this interesting “slowed-down time” — different from than when my mother died — where I take life at a less hectic pace: quiet dramas on television, watching lilies bloom, and reading paper books. The grief is not as profound, I can tell. Just different. Next week I’m grabbing my children who are coming up for the committal and we’ll be clearing out my parent’s apartment. It does make me re-evaluate what I’m hanging on to, and getting rid of.

I’ve been trying to be diligent about keeping up with my morning walks, and today — after I dropped Three Bags Full at the library dropbox downtown — I walked around those streets. I thought the Katarina tile was appropriate to what I’m going through.

If only we could just open a faded red door to get more power for ourselves.

It says: Be Kind to Yourself Today.

Quilt Shows

Road to California • Part III (final)

Do I start with the stellar and then move to the sort of interesting?

Or, do I lead with the one that everyone breezed through, and finish with the exhibit where everyone lingered?

I’ll do it that way, but first — thank you for all your fun comments; I appreciate them, and am happy to know that you are enjoying seeing Road’s quilts. Another reader (thank you, Dot!) tipped me off to Accuquilt’s run-down of the show in between talking about the virtues of their product. They seemed to really like my Wealth of Days quilt (maybe because they have a die for cutting Flying Geese). My quilter, Kelley Bachi, was also complimented, which made me pleased. We’re at 4:01, in this segment. We’re at 16:04 in this segment. Blink and you’ll miss the quilt, but you’ll see others.

First, the exhibit where I rarely saw people. Sugary and saccharine-sweet, the Diana exhibit took up a large space on both sides of one of the main aisles, and like past Cherrywood Challenges, people made smallish square quilts on a theme. But unlike the last one I saw — of Bob, the painter — no one was lingering here. Here’s a sampling.

My least favorites above don’t have names associated with them. The really least favorite out of the whole exhibit? My, my, I couldn’t say as there were so many to choose from. If you see a name label above, it was one of the few lovely ones. I noticed that the jewelry was often done to excess perfection.

As a reminder: click on any image to make it larger, then hit the small X in the upper right to return to this page.

And then there was the amazing exhibit of the quilts from Linda Anderson (I apologize for the any distortion in the photos; all the quilts were perfectly flat and squared up). Every year Linda puts another masterpiece in Road to California, and I always try to find it. She has her background in painting, and uses that skill, along with raw edge appliqué and free motion quilting, to create these masterpieces.

The figure/s in each quilt draw the viewer in to find clues as to how they are thinking or feeling, or what they are doing. One year, when my grown daughter was really ill, Linda had a beautiful quilt of a mother and daughter that seemed to say to me, “It will be all right.” I mentioned that to Linda and she knew the quilt (not in this group). I was so glad that Road hung her quilts in a special exhibit.

Maria’s Tree, by Linda Anderson

And that’s a wrap for Road to California 2022!

UPDATE: Please see this post for commentary on Anderson’s quilts and correct attribution.

Quilt Shows

Scrappy Quilts from Road to California 2020 • Road to California, Part II

Road to California had several special exhibits and the array of quilts in Sisterhood of Scraps reminded me of what the great architect Mies van der Rohe so exquisitely said: More is More.  Oh wait, did he say Less is More?  But I do know he did say “God is in the details,” and boy, do these scrappy quilts have some details.  Enjoy.

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Road2CA2020_13Road2CA2020_13a

Road2CA2020_17Road2CA2020_17a

And my favorite:

Road2CA2020_20aRoad2CA2020_20b

Right after this I walked up the aisle and purchased a big stack of 5″ charm squares of shirting fabrics, inspired by this quilt.  If Primitive Gatherings had stocked orange 5″ squares, I would have bought them, too.  Now if I could only find them, but our house is a bit of a disaster, as we had five painters here for two weeks, scraping icky popcorn texture off our ceilings, and repainting nearly everything that didn’t move.

First they spray the ceiling with water, let it soak in, then start scraping.  Let it dry overnight, then “mud” or spackle all the divots, then spray on a light texture (I would have liked flat ceilings but that cost more).  I tried to sew in the kitchen the first week, but by Day 3, when I could draw a heart on the top of my Featherweight Sewing Machine case, I knew it was time to give up that idea.  So I gathered up some hand-sewing and  retreated to the garden, even though it was 65 degrees outside.  The lower left photo shows the progression of the mess in the front/living room by the end, and the the last photo on Day 11 shows them spraying my sewing desk in my bedroom, which by now looks a lot like the living room: a disaster.  My painter brought in a house cleaner for that last day, when they finished everything and took away all the plastic; I helped her get the initial cleaning finished, but I can tell I’ll be doing a lot more of it, as scraping the ceilings brings a LOT of dust.

PaintingHouse2020_7

This is currently the sewing room.  Right.

I have to the let the paint cure for two weeks before I can put things on shelves, and of course, it’s appalling to see your fabric collection All At Once and in Boxes, so it become apparent that there will be some culling of the collection going on as I put things away.  I plan to be fully finished before we start on our kitchen remodel.

Oh, just kidding.

Heart Qult Goldsmith

Here’s your Valentine’s Day gift for today, found*here.*

Classes · Quilt Shows

Fabric Collage at Road

Giuseppe Arcimboldo (1527-1593) was an Italian painter best known for creating imaginative portrait heads made entirely of such objects as fruits, vegetables, flowers, fish, and books.  He painted representations of these objects on the canvas, arranging them in such a way that collection of objects formed a recognizable likeness of the portrait subject. (found online)

Azulejos at Road
Above, the main hallway, with quilts from our Inland Empire Modern Quilt guild.

I had my own turn at playing Arcimboldo this past Monday at Road to California, in a collage class taught by Laura Heine.

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We arrived at the hotel ballroom, purchased our kits, and started fusing fabric to Steam a Seam 2. But of course, only one iron worked.  Soon, Laura had rustled up irons from ballrooms that were vacant, so we were in business.

Heine_Class1

Then we started cutting and cutting and cutting.  After lunch she showed us how to start laying out our cut pieces using the pattern shape to help keep us organized.  It was a challenge.  It made me think of Arcimboldo, but I also remembered when I was a teenager in Lima, Peru and the only way we could decorate our walls (big posters hadn’t really been invented yet, for teenagers’ rooms) was to lay out cut out pieces from fashion magazines onto a piece of newspaper, and carefully cover the newsprint to create some sort of art, one piece at a time.  My sister, Christine, excelled at this, but soon all four of us were creating collages, guided by her teaching.

Tokyo Face Collage

Here are two more collages that my husband and I glimpsed in a store window in the Ginza area of Tokyo a couple of years ago.

Tokyo Face Collage2Tokyo Face Collage 2_side

Here it is, from the side.

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Slowly, the bears around the classroom started to take shape.

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This is Arcimboldo’s portrait titled “Flora,” a lovely lady made all of flowers…just like I was trying to do with my bear in a classroom at Road to California.

Arcimboldo Winter

His Four Seasons are some of his more well-known works; above is Winter.  I kept thinking of the version I’d seen in more recent memory: a giant sculpture in the National Gallery of Art in Washington, D.C.  Arcimboldo in 3D, rendered by Philip Hass in pigmented and painted fiberglass.

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This is probably 20 feet tall.

Heine_Class California Bear

And here is my bear.  Arcimboldo would be proud of me.  However, I still have the backgrounds to do.

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Here’s the class sample.  It is evident I have a lot of work to do yet, but Heine’s artful versions of fabric collage are much more inticing that stacks of vegetables, or retail items.  It was a good but busy day; Heine was a lovely teacher who encourages her students onward.  

Monday marked the official opening of Road to California 2020.  I have two Jen Kingwell classes (Wednesday and Thursday) and Thursday is the day that the show opens, and I’ll be able to finally glimpse my three quilts hanging in the show this year!  Then Friday is the night I get to hear Jenny Doan in an evening lecture.  Lisa and three friends are coming in from Utah, Afton is arriving tomorrow from New Mexico, and I’ll get to meet up with lots of new and returning friends from around the area.

I love Road week!