Quilt Shows · Quilts · Road to California

Road to California 2026 • Part II

The first post for Road to California 2026 was published previously. A downloadable show guide is here, but they do remove things from their website with frequency, so if you’d like it, get it now. Here we go with more beautiful quilts.

For those who are interested in coming out for Road, their website is here. They’ve already announced dates for 2027: January 20-23, and their website says “Classes begin on Monday, January 18. Preview Night is Tuesday January 19, 2027.” Sign up to on their website to get their announcements as they are good reminders.

This is what we all see when we arrive: the tall atrium filled with hanging quilts, chosen from a local guild.

I’ve had this one on my list of quilts to make like forever. So, not only can we see quilts in the show, we can see them in the sky, in the vendors’ booths, in the hallways…everywhere.

It’s an abundance, so I’m leading with this quilt, Abundance, by Linda Steel, from Australia — a riot of color and shape and a feeling of you-had-to-be-there.

(Click to view any photo, or right-click to see it enlarged in a new tab.

Crocker’s quilt harks back to the fused art quilts of the previous post, but in a dramatically different way.

Grace Crocker: Sasquatch

Red, white and blue and a broken heart.

As always, click to enlarge the smaller images, above.
Mimi Ghauri-Young: Heart. Broken.

Sherry Priest: Single Card Keypunch

This is hand-quilted. Check out the closeup shots, below.

This was inspired by an antique quilt. I’d love to know how long it took her to make this.

Jan Frazer: Tangerine Tango

A very large quilt, and it radiated with energy.

Naomi Otomo: Blessings of the Sun

(In case you didn’t know, I’m writing the maker and the quilt title with every quilt for ease in searching online.)

This was a favorite exhibit, since we travel near, and live not to far from Route 66: The Mother Road. It’s celebrating its 100 years this year. The makers depicted various well-known sites along the road:

Click to enlarge any of them. I’ve put the quilts into a slide show (below) which you can advance by clicking the small arrows on either side.

The first two photos are two of the quilters that made the small quilts, and I’ve included some pictures of how the row of quilts looked.

A couple of years ago we were in Chicago, and took a photo of this sign. If you were like me (of a certain age) you were always piling into the car with your brothers and sisters and parents and driving on your trips (airline travel was too pricey).

My historian sister wrote a book about this, titled “Are We There Yet?” which was an often asked question on these trips.

Right across the street from the Art Institute is where the Mother Road begins, and I have a tote bag to prove I was there, and yes, I was toting it around that day at Road to California. So many roads! (Now I need to go find where the END of Route 66 is!) Okay, back to the quilts.

So…this is happening this year. I recently read that my church is donating 250 semi-trucks full of food for 250 different food banks across the nation, in order to “recognize the freedoms established by the Declaration of Independence and the Constitution.” I feel I can honor that, too, and a couple of posts back, I wrote about what quilt I’m considering making.

So we had a quilt exhibit at Road of quilts all around this theme. I put this one also in a slide show, to make it easier to go through (if it doesn’t work on your phone, maybe head to a regular computer and browser).

I’m impressed that they finished up their quilts so early. I really have to start planning ahead.

I visited YLI threads booth…

…did some shopping (this one from here)…had some lunch (great offerings this year) and then got back to it.

This is an exhibit of Modern Day Heroes, a series of quilts honoring notable figures. Again, to make it easier and less scrolling, here it is in a slideshow:

Quilters: Berene Campbell and various Modern Day Hero quilters, who sent in blocks by the dozens. I headed to their website to read more, and appreciated the detail on President Zelensky’s quilt; the write-up also includes a free pattern for the sunflowers.

Sahara Lion by Lys Axelson, won Outstanding Artistry. 

Outstanding Hand Work Award

Sachiko Chiba: To My Father

Another winner was Outstanding Machine Quilting Frame:

(Lighting was tough, but I’m doing my best)

Molly Hamilton-McNally: East Meets West

This won Outstanding Original Design. Her designs are always so happy and they seem to always involve children and dogs.
Hiroko Miyama: My Favorite Things

Glad to finally get her photo!

Best of Show Award
Aki Sakai: Happy Days

The amazing detail in this was a delight, including moving parts, such as doors that open.

(Click to enlarge any photo, or right-click to see it enlarged in a new tab.)

Caryl Bryer Fallert-Gentry: Electric Snails #2

Another almanac of quilting stitches for you.

This year’s Cherrywood Fabrics exhibit was outstanding in all ways, from the colors, the quilts and their designs and interpretations of the Abyss.

Slideshow, below:

Almost done, I promise.

One of our local Guilds had a special exhibit with multiple quilts. Shown here is the quilt made for the Modern Quilt Guild’s Community Quilt Challenge, made by the members of the guild, shepherded by Patti Reyes.

Another special exhibit was from Road to California itself.

A row of their annual quilts.

In the early days, Road would have an annual group quilt, made of blocks submitted by those who were interested; we’d get some cuts of the focus fabrics and then mail it back. One year I submitted a block, but the quilt was never made. I always wondered what happened to it.

Found it this year.
I think this is about 20 years old if it is a day, but I can’t really remember. I do know I was in school in my Creative Writing course of study, so of course, I wrote a tiny poem. I also had to use a very interesting focus fabric (!), but it was all the rage then.

The unquilted quilt has obviously been stuffed in a box for many years.

It was great to see these quilts.

And it was great to see the show. I did put some up on Instagram at the time, which you might have seen, but I think over these last two posts I hope you feel like you saw a good overview.

See you next year!

Something to Think About

Filling the Days…with Quilting

I have treasured all your messages to me, and have read them over and over. Thank you for all your kind words on the occasion of the loss of my father. I will miss him greatly. I was unable to reply to you all individually; however, I appreciate what you said. I thought I would talk about some of the things that I’ve been doing to pass the time, fill the time, mark the time.

About a week before his death we knew the arc of Dad’s life was bending slowly to the earth, but it was Road to California Week, kind of an event around here and I had two classes, one from Lori Kennedy (on the left, above) and one from Annie Smith (right). I won the lottery on my teachers, not only for their classes, but for their humanity. I was pretty quiet on Monday during Lori’s but on Thursday when I walked into Annie’s, I had been crying the whole way there. Both women were sympathetic to this week of pre-grieving, kind souls who recognized a quilter in distress. I am glad to have met them both, and also to learn from them in many ways (yes, we talked death and it didn’t upset either of them). They both just sort of let me be creative on my own, far away from the goals of the class, so I just quilted in Lori’s, and drew a version of an appliqué block (“Citrus Grove”) in Annie’s. 

They were kind.

Saturday, I had determined to pose by my quilt, and I did. It was down the aisle from a stupendous quilt so most people just walked by, but that’s the game. That’s my smile when I felt like like I was stuffed with cotton batting, trying to produce a smile, but really wanting to cry, but gosh — it was Road, and I did want to see the quilts. Ever have days like that? (There are lots of YouTube videos of Road 2024, if you can’t wait for me.)

This was in the Cherrywood exhibit and I loved the colors they chose this year: a punch of green and orange together, along with the black. This one is one of my favorites. And I loved Picatso (below), by Nikki Hill. Click on the cat to see the whole mini quilt. A classic.

Because I sewed on a sit-down with the feature of “optical reading” of motion in my class with Lori Kennedy, and because I already had a Sweet Sixteen sit-down machine, I went to the Handiquilter booth to see what they had. This was their newest: the Insight Table. It will help me keep my stitches more even (I hope). There’s now one in my quilting room, and I pinned up Happy Valley to practice on. But I haven’t yet quilted on it.

That next day, just at the end of last week, we had our trees trimmed, something which happens every two or three years. Remember, in California, things never stop growing; we even mow our lawns in the winter. Yes, there is some dormancy, but cutting off excess and grinding it up to get rid of it is something we do. This was also the week that my family was planning/not planning the funeral events for my Dad. In some upset moments, I wish I could have brought a truck like the one on the right and thrown in all my excess feelings and ground them up. Mom was pretty specific with what she wanted for her service, and we did it. Dad was also specific with what he wanted…but we aren’t doing it. I read about this online and this situation can be common with the death of the remaining parent. Siblings can split up over this sort of thing (I have friends who have lost their whole family).

Families are more fragile than trees. 

I brought this quilt to the finish line. My husband helped me sort out the borders for this 2023 temperature quilt, and it’s ready to go to my quilter’s.

Remember how I wrote about that local quilt store that closed at the end of the year around here? I put some of that fabric to good use with this backing. If you are doing a Temperature Quilt, buy yourself a tea towel on ETSY with the calendar on it. I also added a stylized image of California and the temperature key I also finished:

I had chatted with Lori about the temperature quilts she and her sister were making in Minnesota, after seeing mine. When we talked later that week, she told me she liked my free pattern, but that I’d made a mistake: the temperatures only went to 36 degrees on the low side. Yeah, she’s right. It’s a California scale. We laughed about it and she said she’d add more. (And, um, don’t judge the embroidery. I don’t know why I can’t do the stem stitch. I do much better when it’s the back stitch.)

Nights this past couple of weeks have been hard. I saw that inscription when we visited Chicago this past September and Isaac Barrow was right. First I was reading Home, by Marilyn Robinson, and the ending of that book echoed what was going on in our family: the family being called home as the father was fading. One of the main characters, Glory, tended to cry — boy, could I identify with her. It was a powerful book of loss, of love, and a nod to the Parable of the Prodigal Son. Then I turned to something completely different: a sheep mystery, Three Bags Full, translated from the German. Both were “effectual comforters”. Three Bags Full was a “cheerful companion,” and Home was a “wholesome counselor.” I decided to read them in real book form, as I needed to hold onto something tangible at night in those evening hours that are hard to pass. We also are enjoying the PBS series All Creatures Great and Small. I’m glad these quiet stories are here.

My friend Charlotte gave me this Amaryllis for Christmas, and everyday we notice changes: from one blossom, to two, and now two more are opening up to make four. She says to plant it in the garden when I’m done with it, and it will come up every year. I’m in this interesting “slowed-down time” — different from than when my mother died — where I take life at a less hectic pace: quiet dramas on television, watching lilies bloom, and reading paper books. The grief is not as profound, I can tell. Just different. Next week I’m grabbing my children who are coming up for the committal and we’ll be clearing out my parent’s apartment. It does make me re-evaluate what I’m hanging on to, and getting rid of.

I’ve been trying to be diligent about keeping up with my morning walks, and today — after I dropped Three Bags Full at the library dropbox downtown — I walked around those streets. I thought the Katarina tile was appropriate to what I’m going through.

If only we could just open a faded red door to get more power for ourselves.

It says: Be Kind to Yourself Today.

Quilt Shows

Road to California • Part III (final)

Do I start with the stellar and then move to the sort of interesting?

Or, do I lead with the one that everyone breezed through, and finish with the exhibit where everyone lingered?

I’ll do it that way, but first — thank you for all your fun comments; I appreciate them, and am happy to know that you are enjoying seeing Road’s quilts. Another reader (thank you, Dot!) tipped me off to Accuquilt’s run-down of the show in between talking about the virtues of their product. They seemed to really like my Wealth of Days quilt (maybe because they have a die for cutting Flying Geese). My quilter, Kelley Bachi, was also complimented, which made me pleased. We’re at 4:01, in this segment. We’re at 16:04 in this segment. Blink and you’ll miss the quilt, but you’ll see others.

First, the exhibit where I rarely saw people. Sugary and saccharine-sweet, the Diana exhibit took up a large space on both sides of one of the main aisles, and like past Cherrywood Challenges, people made smallish square quilts on a theme. But unlike the last one I saw — of Bob, the painter — no one was lingering here. Here’s a sampling.

My least favorites above don’t have names associated with them. The really least favorite out of the whole exhibit? My, my, I couldn’t say as there were so many to choose from. If you see a name label above, it was one of the few lovely ones. I noticed that the jewelry was often done to excess perfection.

As a reminder: click on any image to make it larger, then hit the small X in the upper right to return to this page.

And then there was the amazing exhibit of the quilts from Linda Anderson (I apologize for the any distortion in the photos; all the quilts were perfectly flat and squared up). Every year Linda puts another masterpiece in Road to California, and I always try to find it. She has her background in painting, and uses that skill, along with raw edge appliqué and free motion quilting, to create these masterpieces.

The figure/s in each quilt draw the viewer in to find clues as to how they are thinking or feeling, or what they are doing. One year, when my grown daughter was really ill, Linda had a beautiful quilt of a mother and daughter that seemed to say to me, “It will be all right.” I mentioned that to Linda and she knew the quilt (not in this group). I was so glad that Road hung her quilts in a special exhibit.

Maria’s Tree, by Linda Anderson

And that’s a wrap for Road to California 2022!

UPDATE: Please see this post for commentary on Anderson’s quilts and correct attribution.

Quilt Shows

Scrappy Quilts from Road to California 2020 • Road to California, Part II

Road to California had several special exhibits and the array of quilts in Sisterhood of Scraps reminded me of what the great architect Mies van der Rohe so exquisitely said: More is More.  Oh wait, did he say Less is More?  But I do know he did say “God is in the details,” and boy, do these scrappy quilts have some details.  Enjoy.

Road2CA2020_ScrappySign.jpg

Road2CA2020_13Road2CA2020_13a

Road2CA2020_17Road2CA2020_17a

And my favorite:

Road2CA2020_20aRoad2CA2020_20b

Right after this I walked up the aisle and purchased a big stack of 5″ charm squares of shirting fabrics, inspired by this quilt.  If Primitive Gatherings had stocked orange 5″ squares, I would have bought them, too.  Now if I could only find them, but our house is a bit of a disaster, as we had five painters here for two weeks, scraping icky popcorn texture off our ceilings, and repainting nearly everything that didn’t move.

First they spray the ceiling with water, let it soak in, then start scraping.  Let it dry overnight, then “mud” or spackle all the divots, then spray on a light texture (I would have liked flat ceilings but that cost more).  I tried to sew in the kitchen the first week, but by Day 3, when I could draw a heart on the top of my Featherweight Sewing Machine case, I knew it was time to give up that idea.  So I gathered up some hand-sewing and  retreated to the garden, even though it was 65 degrees outside.  The lower left photo shows the progression of the mess in the front/living room by the end, and the the last photo on Day 11 shows them spraying my sewing desk in my bedroom, which by now looks a lot like the living room: a disaster.  My painter brought in a house cleaner for that last day, when they finished everything and took away all the plastic; I helped her get the initial cleaning finished, but I can tell I’ll be doing a lot more of it, as scraping the ceilings brings a LOT of dust.

PaintingHouse2020_7

This is currently the sewing room.  Right.

I have to the let the paint cure for two weeks before I can put things on shelves, and of course, it’s appalling to see your fabric collection All At Once and in Boxes, so it become apparent that there will be some culling of the collection going on as I put things away.  I plan to be fully finished before we start on our kitchen remodel.

Oh, just kidding.

Heart Qult Goldsmith

Here’s your Valentine’s Day gift for today, found*here.*