Quilts

Colorwheel Blossom in Progress

Colorwheel Blossom Quilt_in progress1

Because of all the wonderful and encouraging comments from last post, I kept going.  This is an in-progress update.  Inner blossoms quilted.  Inner background quilted.  Moving on today to small border, then final large border.

Making a quilty knot

Some asked about how I knot the threads to bury them.  When I begin stitching an area, I pull the bobbin thread up to the top, hang on to them and start stitching.  When I’m done, I need to deal with these threads. Before, I used to tie a square knot and then thread the tails through a self-threading needle and bury them.  There is a better way that I learned from Sue Rasmussen.

But first, there are two kinds of self-threading needles:

self-threading needle 1 self-threading needle 2The top kind, where you snap the thread into place, is a more reasonable cost, but occasionally it will shred your thread.  The side-threading needles retail for about seven dollars each (coming in a pack of three), but those who have them swear by them.  I did a search on “self-threading needle” on Google to find these.

But now I tie an overhand knot leaving the knot about a 1/4″ away from where I want to sink it into the quilt.  I grab the tails, put them in my self-threading needle, insert the tip of the needle where my threads originated and come out about 1″ away, pulling on the thread to pop in the knot.  If your knot is too far away, it will come loose.

Thank you again for all your encouraging comments.
Linking up to Lee’s Freshly Pieced WIP Wednesday.

 

Quilts

Ralli Quilts and Conversations

Ralli_1 Ralli_2 Ralli_2a Ralli_3

I was fascinated by all the comments left on my last post about whether to not you choose to answer every comment on your blogs.  The trigger, of course, was a couple of articles from 99U which is a site geared toward business types.  In talking about this with Cindy, of Live a Coloful Life, we both remember the early days of blogging, where reply comments were not the norm, but instead of replying to a comment, you’d head over to their blog and leave a comment.  A couple of comments referred to this, such as this one from Barb: “I also would rather someone comment on my blog rather than spending time replaying to my comment on theirs. That would be a great agreement; instead of replaying, comment more on others blogs.”

Ralli_4 Ralli_4a

Some of you came up with your own name for those snippets of comments. I liked Susan’s observation: “‘Nice Quilt’ is what I would consider a conversation ender. If someone says something like “that’s a really nice quilt, I like the blah feature” then I consider that a conversation opener.”

Ralli_5 Ralli_5a

Nancy echoed many comments when she wrote “I like the interaction between people, albeit virtual, through blogs. I have made some blogging friendships of which I am truly glad. I leave comments about blogs that have given me inspiration, a lesson, beauty, a smile, or something to think about–the start of maybe a brief conversation.  I think of blogging as a way to interact with others of like interests. In my smaller physical community, it is difficult to find the more artistic quilters or those who self-design, so I turn to blogs.”

Ralli_6Bed

I’ll leave the final word to Claire about our blog reading, as she describes exactly how I feel: “All this assumes a normal day with a leisurely coffee break while I read email and blogs. Other days I skim and probably miss wonders.”

Well said, Claire.

Ralli_7Bling Ralli_8stitching

All of these quilts are from an exhibit I recently saw in Utah at the Brigham Young University Museum of Art.  They are known as Ralli Quilts, and are from Pakistan and India (see map at end of post). I was amazed at all the stitching, the detail, and the colors (like the quilt above–I couldn’t get my camera to adjust to the deep reds).

Ralli_8stitchinga Ralli_9 Ralli_10

These were all found by Dr. Patricia Stoddard, a friend of my sister Susan (who tipped me off to this exhibit).  The website about these quilts is found *here* and is interesting reading. Her book, a veritable catalogue of the quilts, can be obtained *here.*

Ralli_11 Ralli_11a

I loved the contemporary look of these quilts, many made in the 1970s.  There are several sites that sell newer ralli quilts and can be found by a search on Google.

Ralli_12 Ralli_13 Ralli_14

This reminded me of the Trip Around the World Quilts, a sensation on Instagram last year.

Ralli_14a Ralli_15wholeclothimprov

Improv piecing anyone?  Often the women saved time by piecing printed textiles together, rather than doing their appliqué.

Ralli_16 Ralli_16a Ralli_17

One of my favorites; I put the closeup on Instagram.  It was a good afternoon there at the museum, looking at quilts that are out of our quilting mainstream, a good antidote to the quilt market frenzy on social media.  Their vivid colors and patterns reminded me that time spent with patchwork and colors can bring a quiet satisfaction and an entry into the wider world of quilting.

Ralli_17a

Map

˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚˚

4-in-art_3

Our Four-in-Art quilt group will be revealing their final challenge of this year on November 1st.  Occasionally we have an opening for someone who wants to play along.  No shipping required, just a willingness to engage in new ideas, new techniques of your own choosing.  Leave a comment and your blog address if you are interested.

Circles EPP Button

And then a couple of days after that, I’ll have my November Circle Block ready to show you, plus a variation that may interest you for the holidays!

Quilts

Busy Quilty Weekend

Quilt Night Sept 2014_1

This past Friday night was our little quilt group’s Quilt Night.  We hold it the first Friday night of just about every month, taking off some here and there.  Lisa (on the left) and I founded The Good Heart Quilters when she was pregnant with her daughter, who is will soon be 18.  Hard to think we’ve been going that long!  On the right is Charlotte, one of our newer members, and Lisa’s running/marathon buddy.  Why are they smiling?  I cleaned out my fabric stash this past month and brought all the leftovers for them to claim.

Quilt Night Sept 2014_2

Speaking of pregnant ladies, Tiffiny, on the left, is waaaay pregnant and due this week.  (So far, no news.)  She is our bonafide Newest Member, but I’m guessing with a new baby, we won’t be seeing her for a while.  She’s helping Lisa hem and sew buttons on band uniforms (Lisa is a parent volunteer).  See?  We don’t always do quilts.  We want Tiffiny to come any time she wants to as she brought us all a yummy key lime pie.  Treats are always a good thing at Quilt Night.

Quilt Night Sept 2014_3

And still speaking of pregnant ladies, Caitlin (on the left) is due in January.  Simone (on the right) and I rounded out the group and we are definitely NOT pregnant.  A small gathering, but fun.  And with great treats that everyone brought.

SDGO Quilt Show Sept 2014_1

I kicked them all out 10 p.m. because the next day I had to leave at 7 a.m. to head to San Diego to the San Diego Quilt Show, where I was taking a Free Motion Quilting Class with Sue Rasmussen.  She was great.  The class started out with a comprehensive overview of needles and threads, but soon we launched into hands on FMQ.  I had taken a class with another instructor about twelve years ago and a lot of what I know now I’ve gleaned through books, internet and Instagram.  So I thought it was time to do something classroom-y again.

SDGO Quilt Show Sept 2014_2

We learned about hand position, speed, foot control and the all important wild card of what to do when our brain kicks in with questions like “Should this be a feather?”  or “You really messed up there.”  She also taught us three methods for starting and stopping, and kept the class moving with good demos and good advice.  I’m now totally intimidated on submitting anything to a show as she clued us in to some things she looks for in a show quilt (she’s often a judge).  Thankfully she didn’t say “sparkles.”

SDGO Quilt Show Sept 2014_3

I had an hour for lunch, see the show, and visit the vendors’ booths.  I raced through it, so didn’t have time to grab names or titles of quilts (sorry) but here’s a few photos that I grabbed as we zipped by.

SDGO Quilt Show Sept 2014_4

SDGO Quilt Show Sept 2014_5

This French landscape is Sue Rasmussen’s.  You can bet I looked closely at the quilting.  (It was perfect.)

SDGO Quilt Show Sept 2014_6a

SDGO Quilt Show Sept 2014_6b

She actually had three of these trees, all in different color ways and different fabrics.  It was fascinating to see how different they all were.

SDGO Quilt Show Sept 2014_7a

I loved this fun quilt, but it didn’t win the Modern Quilt category prize.  (Inconceivable!)

SDGO Quilt Show Sept 2014_7c

Great quilting, eh?

SDGO Quilt Show Sept 2014_8

This one won first prize in the Modern Quilt category.  Hmmmm.  I see “improv piecing” which seems to be a criteria (or at least according to Road to California’s blurb when I took a look at it this morning).  That’s it?  Improv piecing as the only qualifier for Modern?  Oh, that and “significant negative space,” or something like that.  I hate these seemingly artificial qualifiers and divisions.  Like Leanne of She Can Quilt says, “I’ll know it when I see it.”

SDGO Quilt Show Sept 2014_9Back to class for another few hours.  Here are some of Sue’s samples.  I really enjoyed her class and was glad I made the effort.

bridge san diego

On the long drive home, there is this elegant bridge spanning the wide freeway.  When I see this, I know I’m halfway home. It was a good weekend, with good friends and experiences, but heading home is what I like to do most.

Quilts

Sol LeWitt’s Patchwork Primer

Sol LeWitt's Patchwork Primer_final

Sol LeWitt’s Patchwork Primer
Quilt #135 of 200 Quilts
47″ square

sol-lewitt

It started with a catalogue my father had of Sol LeWitt’s work, and I read it cover to cover, bookmarking different pages and ideas of his, impressed with his breadth and depth and interesting ideas.  I selected this image, “Fifteen Etchings,” thinking it looked sort of like a “how-to” or primer of sorts, for dividing squares into quilt patchwork.  You can read more about my process and sample some of LeWitt’s notes on getting to work in *this post,* including the 6900 variations of the arrangement of quilt fabrics into squares (maybe I’m exaggerating a bit).  The fabric I chose to use was Mirror Ball Dots.  After a long hiatus (I started this in March of this year), I finally got it out, pinned it and got the quilting going:

SolLewittPatchworkPrimer_quilting the quiltI started in the middle, quilting in between the lines of dots.  In the neighboring color, I sewed the other direction, and so on, around the quilt.  I changed out thread on each color, but used my go-to thread in the bobbin: Bottom Line, by Superior Threads.  I lowered my upper tension to keep the thread balanced in between the layers so no white popped up to the top and no colors popped through to the back.

SolLewittPatchworkPrimer_binding

White binding (what else) goes on next.

SolLewittPatchworkPrimer_detail

I think with the combination of the dots on the fabric and the quilting, it reminds me of what I envision a 1960s quilted jacket might have looked like.  I’m sure my sisters had them.

SolLewittPatchworkPrimer_quilting

The backing is a Marimekko fabric of large grey blossoms over an acidy-yellow background.

SolLewittPatchworkPrimer_back

SolLewittPatchworkPrimer_label

I included the picture that inspired me on my label.

SolLewittPatchworkPrimer_stainedglasslook

I love the “stained glass” look of quilts, shot from the front when they are illuminated from the back.

SolLewittPatchworkPrimer_front2It’s nice to have a finish!

Now here’s your quote on creativity for today:

“The creative act is not an act of creation in the sense of the Old Testament. It does not create something out nothing: it uncovers, selects, reshuffles, combines, synthesizes already existing facts, ideas, faculties, skills.  ~~Arthur Koestler, in the 1960s