All posts in order are on the European Patchwork (Carrefour) page.
Moseying along the main street, we headed to Site #7, the Eligse St-Louis, where I wanted to see the French quilter Gabrielle Paquin. Previous to this, in my hotel room in Geneva, I had previewed all the exhibits, looking up the artists and deciding which ones interested me. Paquin was one of them.
I had seen photos of previous years’ exhibits, and the fact that many of them were in churches. But it just doesn’t prepare you for the juxtaposition of the sacred and the quilting, the symbols of religious life coupled with the themes and ideas and colors and patterns of the quilts along the sanctuary walls. It was wonderful.
She spoke some English, and agreed to pose with me. Check out her sweater.
In her biography, she writes:
“For several years, I studied drawing and painting in a school of Fine Arts, my first vocation, and since then, I practice painting as an amateur. Simultaneously, I realized traditional patchworks inspired by American models large format of the 18th and 19th centuries.
“This practice evolved towards the contemporary patchwork and the textile art that I have been practicing assiduously for ten years, thanks to a constant inspiration and stimulated by the numerous exhibitions proposed with selection by a jury of artists and curators of museums.”
You can start to get a sense of the materials that Paquin works in: striped cloth. In this one, she uses larger pieces that her usual strips, and has appliquéd them down to the background with a satin stitch on her machine. I like her small monogram in the lower right corner.
I didn’t quite catch the name of this one (top, and detail, bottom), but it shows her use of her striped material. I kept wondering if she cut up old shirts, or old clothing, or haunted fabric shops to find all these variations.
I was impressed with the quilting on this piece, as it gave me great ideas.
All the placards were in French, so I’m using Google Translate to write them in English, plus heading over to her website where she has some of these quilts.
She has found so many ways to use this fabric; I didn’t include all her quilts in this series, but many of them.
What a huge impact the simple reversal of value (light-dark) can make!
Looking towards the back of the church. She is sitting there at the table with the white tablecloth, waiting for people to come and talk with her.
We call cyclones “hurricanes,” and after this year, can definitely relate to the eye of such a storm.
This title says something about a spider, and it was pinned up to show the creature responsible for this exotic web.
Please visit the gallery on her website for more quilts and inspiration.
Note: this series about the European Patchwork Meeting has a main page, with a listing of posts.
Sweet Land of Liberty
I’m way behind my friend 
We all put double layers of fabric bindings on our larger quilts, but have you thought about using a single binding on a smaller quilt? It’s quicker, flatter, and really–are you going to wear out those edges any time soon? And if you do, won’t you just repair them? That idea came from Gwen Marston, in one of her last workshops. That idea — that a quilter would just repair them if they became worn — is why she uses single bindings on all her quilts.
Start by squaring up your mini-quilt. Yes, that is a gigantor square ruler, and I use it a lot, actually.
Prepare your hanging corners, by cutting a larger square (for a 24″ quilt, I use a 5 1/2″ square), folding in half, diagonally, and pinning it in the upper corners of your mini, against the back, matching raw edges to the edge of your quilt.
(Here’s what it looks like on another quilt, as my corners just disappeared on this one.)
Cut strips of fabric (lengthwise, if you can) about 1 1/2″ wide and the size of two sides. Pin, then stitch on, using a 1/4-inch seam.
Repeat for upper and lower edges. Pin and stitch, but watch out that you don’t veer off on those corners (I pin them).
Square up the corner, and cut off the excess, both underneath (above) and on the outer edge (below).
While this looks angular, it isn’t. 
Press binding out away from quilt. 
Fold up lower edge, so the raw edge of the binding meets the raw edges of the quilt.
Fold it up again, covering the raw edges of the quilt. Pin in place, and then repeat with the sides:
Hand stitch all the way around, or if you are a confident quilter, you can use a glue stick to affix the binding edges down, then machine stitch. I personally don’t like the machine stitching, as I think it makes the edges too rigid, but “To each his own,” said the Old Lady as she kissed the cow. (My Dad used to say that all the time.)
Here’s the corner already on, but it’s hard to see. I cut a dowel the width of the quilt, minus 2″ and slip it into place. Then I hang my minis, balancing it on a push pin.
Thanks to all who came to the Trunk Show and to all who sent their best wishes. It was a lovely evening! If your guild would like to see my Abecedary of Quilts Trunk Show, just drop me a note.
OccasionalPiece--Quilt! 