300 Quilts · New York Beauties · Patterns by Elizabeth of OPQuilt

Double Header for New York Beauties: Remembrance (6) and Waking (7)

Okay, think on that quote for a while. Found while doomscrolling (is that one word, or two?) on Instagram, I wanted to read the whole article, but then I’d have to buy a subscription to the Atlantic. Which may still be worth it, since I have an “open” slot for subscriptions since the QuiltMania magazines sadly left us.

I opened with this because I’ve been a beginner all the way along on these New York Beauties. I mean, since I been sewing for about a bazillion years, I feel like I can tackle most anything except upholstering sofas, especially since I’ve watched *those* videos, too, and while they make it look easy, it’s a whole different set of tools.

But I have had fun with all twelve blocks. I did four blocks as a free giveaway a couple of years ago, then decided that THIS WAS THE YEAR to finally finish them all. As of today, in this moment, I have completed them. Since I have loaded up the beginning posts with scads of photos, and I don’t need to teach the freezer paper method anymore, here are the last two blocks in one post: Block #6, Remembrance, and Block #7, Waking.

Block 6: Remembrance

I colored and re-colored the block #6, as I wasn’t really too fond of what I’d done in the past.

I ended up with this one: a little ombre effect through the wedges (background) on the first two sets of rays, and then a jolt at the outside with that bright lemon-yellow. All the colors are identified in Painter’s Palette solids from Paintbrush Studios (and I purchase them from Keepsake Quilting, to just give you all the info.) You can download the color sheet for free, on the pattern. Look for Preview just under the title/buttons.

I started with the outside, one night (which explains the lighting on these photos). I’m showing how I press to the dark, when freezer paper-piecing. In photo 1, I pull the paper back, only slightly. Smack that seam with the iron (2), then smooth the freezer paper back into place (3). In (4) I’ve pressed down the next section, ready to go.

Block 2, in the Master Page of New York Beauties, gives really concrete directions on how to use freezer paper, if you are interested.

Happy little things, aren’t they? And happily you only have to make TWO of this block, but it’s the most complex, with three rows of rays/wedges. Do one set a day, and don’t wear yourself out.

I know in the basic pattern I tell you to tape together the two-part rays of this enterprise before sewing, but really, you don’t need to. Just make them separately, then sew them together at the end (moving the paper out of the way, of course).

Oh, if you can’t play around with the shapes, what fun is this anyway? The ombré background for the smallest set goes dark-light-dark, which is the opposite of the middle rays (light-dark-light). You can see how I marked a-b-c in the photos just above (trying to keep myself on track — I only had to unpick it once).

For a fun photo, I overlapped the two blocks. This feels EPIC!

Block 7: Waking

Here we go. I saved one of the easier ones for last. Make five of this block. I became nervous last night: did I count correctly? Here’s my cheat sheet:

I’m okay, in fact I made an extra somewhere…

I cut out and marked the quarters of the bands, center and outside corner.

I sewed the band on the center. (I love the colors periwinkle and lemon yellow together.)

This is to remind you to crease on the lines one way, then the other way (reverse fold) (forwards-backwards) (I don’t know how to describe this, but every line gets creased twice).

In the first photo, I am trimming the full 1/4-inch past the folded freezer paper to set myself up for the next step. I add the next piece behind the assembly (see the link above for more detailed instructions), stitch alongside the freezer paper fold, then I trim that one to a scant 1/4-inch. I like a little less bulk.

Trim. Trim. Then play:

Now get to sewing those parts together.

Mega Space Molly keeps watch from the windowsill.

Press, then trim down to 9 1/2″ square.

Maybe you didn’t catch the other new kid on the block: Ocean Gleam, Block four.

I simply updated the blog post for that one from a couple of years ago. Those of you who aren’t making New York Beauties might be saying, okay, enough, what else do you have in that messy sewing room of yours? So I didn’t make a separate post.

All twelve, pasted in. There is a Bonus Block in the pattern, but I’m happy with these. I’m going to celebrate the 4th of July holiday, then maybe I’ll start figuring out how I want to sew these all together. But for now, they’ll rest easy, eye candy all around.

Here was the original pillow cover, from long ago. Now there will be a quilt!

300 Quilts · Patterns by Elizabeth of OPQuilt · Quilts

Northern Lights Medallion

Northern Lights Medallion_front

Northern Lights Medallion
Quilt No. 210 • 52″ square

I love these posts where I get to place a quilt front and center, quilting finished, bound and photographed, and even a label made AND sewn on.  It’s like that Easter Sunday long ago, where your mother dressed you and your sisters up in fancy new dresses, new patent leather shoes and anklets with ruffles and you all posed for a picture.  It’s like that wedding day, where your hair was behaving, and your wedding dress and veil were just how you wanted them, and oh–the love you had for your soon-to-be-yours was shining from your face.

Yeah, kind of like that. Some process photos:

Northern Lights Medallion_pinning

I now pin my quilts on my kitchen counter–the floor is too far down these days.

Northern LIghts Medallion quilting

I’m getting faster at quilting: the dates from start (August 8, 2018) to finish (August 25, 2018).  Part of the challenge is figuring out what to quilt, and another part is not to physically wear myself out.

Northern Lights Medallion_quilting

I love the texture that quilting creates.

Northern Lights Medallion Name label
Fun detail: I like to include my name and address on my quilts, but also like to hide that info.  So I used the logo from the Mad for Solids Challenge and used it as a disguise.

This began as a challenge to create something using just eight colors of Painter’s Palette Solids, in the March Madness Challenge in 2018; you’ve read posts about this before.

But the other challenge I put for myself was to create a medallion quilt using my favorite quilt software, QuiltPro, which I’ve been using for years.  I love it love it love it and their tech support person, Linda, is nothing short of a fairy godmother, always answering questions quickly and succintly.  Like she taught me how to do this conversion:

Northern Star Medallion
from this

northern lights no pen outlines
to this (no pen outlines)

This creates a more modern look, I think.  Anyway.  I’m a fan.

So I posted this design up on their Facebook page, and I was contacted and one thing led to another, and Northern Lights Medallion (its real name, in spite of other confusing  malarky above) will hang in their booth at both Paducah and Houston this year.  I’m honored, and I love working with these lovely people (and it may be the only way I get to be at either of those shows!). So if you go, snap a photo and email me (opquilt@gmail.com) or tag me on Instagram (occasionalpiecequilt).  Thanks!

This is quilt number 210, and it’s going up on the 300 Quilts list.

You Are Not Going to Run Out of Ideas
You’re Not going to Run Out of Ideas

And I need to keep remembering this.

200 Quilts · Quilts

Now this is fun! Annularity hits print

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I’ve been waiting for this, and even though I still don’t have my paper, in-the-hand catalogue…hooray!  my quilt, Annularity, has hit print.  This is a screenshot of the digital catalogue.

The direct link to this page in the Fall Keepsake Quilting catalogue will allow you to order yourself a kit, if you like.  I’ve made two of these…now it is your turn to play with color and with the cool Painter’s Palette Solids.  (Or, if you want, you can just order the pattern.)  Thanks, Keepsake!

Happy Quilting!

Giveaway · Quilts

Go with the Flow

I’ve been thinking about what it takes to keep me interested in what I’m doing, and better yet, to find that creative task, that, when I check the time, I realize I’ve been absorbed in this task for hours, not minutes. When I used to manage the black-and-white photo lab at my local university, students could stay in there for hours, developing their prints, discussing them, claiming they were in the “zone” and didn’t want to leave it.

I’ve been on a pretty intense creative output flow, and I can feel myself wanting to wind down, and take a breath.  So I thought I’d look into this idea–of being in the “zone” or “flow” and see how it would apply to us quilters.

Mihaly Csikszentmihalyi’s book,  Flow: The Psychology of Optimal Experience has much to say about the idea of “flow” or “being in the zone.”  He stipulates certain conditions present during flow:

(1) engagement in an activity that is both challenging and attainable

Flow_2.jpg

 

 

 

If you ask me to make simple HST quilts forever, I’ll be incredibly bored, as my skill levels have gone beyond that.  It was fun for a day, though, in Jenny Doan’s class at Road to California this past January.

Flow_2a.jpg

 

 

 

On the other hand, if you ask me to talk at QuiltCon 2018 in front of a crowd of eighty quilters with a big screen behind me, I’ll be incredibly anxious. I made it through, thanks to kind quilters.Flow chart.png

The left to upper left shows what happens if your skill level is low, but the challenges are too high.  The bottom to lower right is when the abilities are high,  and the challenges are too easy.  Of course, we should all try to shoot on a diagonal path from low to high, to get to the flow, but often we are stuck with patterns that don’t work, or run out of fabric, or can’t figure something out, or feel frozen in our progress.

(2) the ability to keep concentration focused on the activity, and
(3) sense of control over your own actions

I lumped these two together, although they really are separate ideas.  For me, these can sometimes be hard to attain, especially if you have young children, or fighting health issues, or don’t have the right physical set-up that allows easy access to your tools/fabric/machine.  I also love seeing blank calendar days, without the distraction of appointments or errands.  I can stay in the zone for hours on those days.

(4) clearly defined goals that are within the individual’s control

Writing down a goal that says something like winning “Best of Show at Paducah” is not something within our control, because we can’t award that ribbon.  Perhaps that why we see a proliferation of techniques Finish-A-Longs, or goal-setting posts, to help us identify our goals.  I’ve found this helpful, but more often than not, it leads to a list of tasks — which we call UFOs — rather than list of goals.

(5) immediate feedback

According to the book, our psychic energy tends to atrophy without some verification we’re on the right track.  I think that’s also why Guilds and Quilt Groups are so valuable, but often we resort to snapping a photo and texting it to a friend.  However, I might argue that too much immediate feedback, such as our faces glued to our tiny screens checking our Instagram likes, being fixated on the number of likes can pull us out of the flow.

Flow_1.jpg

(6) deep, effortless involvement in the activity which removes from our awareness the worries/frustrations of everyday life.

I love it when I can forget what’s going on out in the world, listen to a book, and just sew and sew.  Or it’s like when we have to glue fabric on 500 one-inch hexies for our quilting booth at an upcoming Heritage Day Festival, and I took this task to my quilt group and we had a great time eating fresh strawberries, chocolate treats, and solving all the world’s problems. (We did get a little goofy, I must say.)

(7) non-self-conscious individualism, or you lose yourself in what you are doing and eliminate all self-criticism. His book states that “loss of self-consciousness does not involve a loss of the self, and certainly not a loss of consciousness, but rather, only a loss of consciousness OF the self.”

Maybe it’s not best to continually evaluate ourselves as we work, given the rhythm of this chart:

creative-process.jpg
Finally, (8) some alteration of time (either “hours feel like minutes” or vice versa)

Being IN the flow, is definitely not the same ask GOING WITH the flow.  But to be truthful, I mostly feel like Sarah Cannell, when she said: “I’m either hurtling down the track not noticing the passing countryside, or standing on the platform having missed the train… The two extremes seem to smoothly flow into each other.”

Giveaway Thanks

Thank you for all your comments on the Giveaway for the Northern Star curated stack of fabrics.

I used two different Random Number Generators (actually, three, if you count when I asked my husband to pick two numbers randomly, and interestingly, one of his was nearly the same as one of these) to pick our two winners:

Giveaway Numbers 4_18

Jamie was #7: “I have not seen the Northern Lights. However if I win, I could make your quilt (you’re writing a pattern for us to buy right?) and then have my husband hold it above me so I can see it in the night sky. Pretty clever eh? hahahaha”

(I laughed out loud)

and Joan was #71: “Oh, yes, I have seen them and should do so more often, but I’m usually asleep in the middle of the winter nights when they are most visible, and I just can’t drag myself out of my nice warm bed to stand in the frigid nighttime air to watch! Summertime viewing would be perfect, but it’s just too light outside to see the aurora even at 2:00am!”

(I’m going to visit you, Joan, and really soon.  Joan?  That okay?)

Northern Lights_pix

I did love these reminiscences:

The first one is from Barb: “I grew up in Winnipeg Manitoba Canada and my parents home backed onto a field so there was no obstruction of view. We could watch the Northern Lights dance across the sky many nights from our kitchen window. I didn’t realize what a special experience that was until we moved to a large city where the only thing I can see in the sky is the Moon and a few bright stars and planets!”

Another one from Edith: “I used to be able to see the Northern Lights in my hometown of Medicine Hat, Alberta when I was a young girl. I used to sit on the park swing and be able to see them over the hill in front of me, but since the city grew and more lights were added, I must say I have’t seen them in a long time.”

And last one, from Holley: “I have seen the Northern Lights many times starting as a child growing up in Iowa. We didn’t see them often but we did see them from time to time. I lived in northern Minnesota after college. This was at the time of missel silos and ICBMs so when the northern lights looked like rockets shooting across the sky it was unnerving. When I lived in Wisconsin near Chippewa reservations I was told the lights were the old people dancing and that was the way they looked. I’ve seen lights in Alaska was I was babysitting grandchildren and in the Scottish Highlands when we lived near Glasgow. I have a quilt started that I call Northern lights that I hope to finish one day soon. The colors and patterns vary depending on location and weather but they are all wonderful. Thanks for sharing yours.”

Ladies, you are living our dream.  Thank you all, again.  Guess what?  Another giveaway is coming on Wednesday, when I show you some secret sewing I’ve been doing for Simone.  See you then!

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