300 Quilts · Happy Old Year Ending (Wrap-up) · Patterns by Elizabeth of OPQuilt

Happy Old Year Ending 2024

Can I squeeze just one more quilt in here?

I’ve made several quilts with prominent flowers in my tenure as a Quilter Who Just Keeps Making. Scroll quickly and you’ll have a flower show in deepest December.

Daisy Star Quilt (#76) Whoa, that is Early Days (2009). Fabric from Lakehouse inspired this one.

Lyon Carolings (#88) which is kind of flower-like.

Colorwheel Blossom (#140) where I totally riffed on a popular image (on our phones).

Tell me this little quilt (Eclipse, #189) doesn’t look like a giant sunflower…I think it does. But after it was pointed out to me once, I can never not unsee the pair of eyes in the upper right staring out at me.

And then I went big:

Annularity, #203, with rainbow petal-like structures around the outer edge.

Serious little dainty flowers in #217: Field Flowers.

Okay, maybe this is technically not a flower (not even the title says so), but with those yellow petal-like pieces on the outside, I’m going to slip it in here. Choose Something Like a Star (#238) is held by a couple of angels from Berlin.

Sunny Flowers (#246) is still a favorite.

Heart’s-Ease #52 (went backward for this one). Made in a Ruth McDowell class, and if you know who she is, you are fortunate.

Heart’s Garden, #264, from 2022, when I ran a Mystery Block on here, because we were all going stir-crazy from being shut in for a year or two from covid. No worries, we are almost done with the flower show.

Blossoming, which I take naps under because it is just the right size (#267).

Sunflowers for Kim (#268) –guess who that is?

A pattern from Yvonne, which I titled Primula Ballerina (#274); made to keep me sane while we remodeled our kitchen.

Blossom (#276) but you also have to see all the variations together for a class I taught on Zoom, during the pandemic:

I think all of these have been given away.

Lollypop Trees are definitely floral, with all those Kaffe fabrics. This is #132, from 2014.

Coquelicot (Poppy) which is #290, and has an earlier variation in just a simple layout.

Twilight Garden (#292) which I stitched while on the Total Eclipse Trip.

And now, of course, the last flower quilt in the parade: Giant Flowers, #299. It’s about 52 inches square.

I had a fun time quilting this, moving from the radiant design I talked about here, to the lattice work of the garden fence, and then I got stuck on that outer border. I had something really ornate planned, but in a conversation with Yvonne I mentioned that while looking at #fmq and #customfmquilting and other tags, my eyes began to glaze over. I can quilt a thick carpet of flowers and vines and whatever on a quilt, but on that afternoon, considering this quilt, it all just seemed like #toomuch. So I paused. While in a church service a few days later, I began studying the carpet (tell me you’ve done this). I did listen, but was also trying to figure out how to replicate the flower-structures. Here’s my drawing, from when I got home:

Yes, it’s still dense, but it’s a different visual than the tightly packed swirly vines and petals in the interior white section. I like the larger scale, but it was a bit of a leap for me. I have to ask: if our quilts aren’t a place where we can experiment and try something new, then why are we making them?

Giant Flowers, showing its checked backing, is quilt #299. I wanted to make it to three-hundred quilts this year, but didn’t quite hit it. Looks like I have something to look forward to at the new year.

I’ve been playing around with this one on the Affinity Designer artboard. Maybe this piece has legs, and can go the distance? I first heard that saying from a professor, when he commented on my short story we’d just discussed in class. I was getting my undergraduate degree in Creative Writing. That short story, turned into a novel, which is now hidden in my bottom drawer after my father said: Don’t Write About Me.

But we writers mine our lives for ideas, for stories, for the beginning strands of a narrative which will take us where? we don’t know. I should have said to my Dad, if you don’t want to be written about, don’t hang out with a writer, but he was my Dad and it wasn’t a command so much as a wish, so I listened. In the end, it turns out maybe I didn’t have the nerve to bring all the bits and pieces of my life — even if disguised — into a novel. Some of my classmates did, and I admired them. But writing can be hard work, and as you saw from the beginning of this post, I’m very happy to take a walk among flowers.

I can do it literally, or just in pieces of cloth and color. The title of this blog tries to capture this idea of staying curious and seeing where dabbling in pieces will lead: it could be a short story or a poem, or a quilt block, or a quilt.

Yes, I make all sorts of pieces, occasionally.

Happy Old Year Ending!

All of my patterns live on PayHip.

Something to Think About

Reverse Course

Wait. I thought we had just gotten started on this New Year’s thing, you say, and now you want to reverse course? Yes, because I am saving you from taking on too many things. And saving me, too. In some circles it’s called a “chuck-it list,” the reverse course of a “bucket list,” which we’ve all heard of way too much. I’ve also been reading about a parallel concept to FOMO (Fear of Missing Out), which is JOMO (Joy of Missing Out), another way to not plow full speed ahead into Everything. For this is the week that resolutions get made, lists of quilts get written, projects get detailed. I’ve seen Way.Too.Many quilt-a-longs this week, too. Some new quilt ideas are genuinely tempting, like this one:

Lindlee of Plains and Pine has designed this, and it really looks wonderful. So many are doing it, so your feed will be filled with color and beauty all year long. I must resist the urge just this year. I’ve already made up my list for 2024, and am doubtful I’ll even get those done (one of which is one of my own patterns, long-lingering on every list I’ve written these past few years, but I want to make it in a different colorway).

What is driving this focus? My Index of Quilts: I’ve made 285 quilts. I count only the ones that are completely finished, which slows the pace a bit. But I’m really close to 300 quilts which is where I turn into a pumpkin, or something. (Stay Tuned.) But in order to get to that 300, which probably shouldn’t be a goal, I have to edit My 2024 List pretty tightly, not letting in other great ideas until I’ve reached that number. 

I say this with some caution, knowing that “Focusing on pursuing our goals often leaves us running on a treadmill of desire and frustration,” as Valerie Tiberius writes in her article, “Why you should swap your bucket list with a chuck-it list.” She goes on to say, “Discarding goals that we really care about is difficult; failing to complete them can elicit sadness or regret.” Like me, with the above Temperature Quilt. 

If I hadn’t just finished this one, there’s no way I wouldn’t be jumping in. (But there is always 2025.)

And I pinned up this appliqué mid-December, and have finished the two sides. Now to tackle the middle, with those vines. The dots were a birthday gift in 2022, and it’s taken me this long to figure out what I wanted to do. Working Title: Twilight Garden. So right there, there are two projects on my New Year’s List, along with seeing the Total Solar Eclipse in Texas (April), a trip to La Jolla, California (end of this month) with my three sisters to celebrate my recent milestone birthday, traveling with my DH this fall, and a list of quilts to be considered.

In days long past, I’d splash those goals up here — a way to keep “myself accountable” — or something like that. But given the tight real estate on the birthday cake (more candles than cake to hold them), I’ll politely decline that course of action. I’ll consider the best days the ones where I can work happy and contented, able to call out across the hallway to my husband, answer a phone call or take a walk, or pause to watch the bees attack the wisteria blossoms with gusto just outside my sewing room window — interrupting all evident progress.

Sometimes reversing course is the best way forward–

300 Quilts · Happy Old Year Ending (Wrap-up) · Quilt Finish

Happy Old Year Ending: 2023

We can’t change the past.

Matthew Potts’ book Forgiveness: An Alternative Account holds this thought up to the light so the rays shine through in a multiple different ways, but the premise is always the same: “Even if we could completely undo the effect of what has been done, we cannot make it so that “the thing that was done never happened” (Jankélévitch, quoted in Potts, 77). That fact of the deed, and the impact of that fact if not of its effects, shall remain absolute and eternal.”

We can waste years of our lives angry at others out for all the wrong they have shown us. We can castigate ourselves for our personal failings (we all have our own list of them), vowing never to repeat them. We often struggle.

Potts’ answer? Bring in the principle of forgiveness: “Forgiveness seeks to live in the wake of loss. It accepts that what has been lost cannot be restored, and then it aims to live in and with the irrevocability of wrong” (23). He goes on to say that: “forgiveness also accepts that past as unalterable and so imagines what possibilities for the future its battered history might bear” (24). In other words, forgiveness is future-facing. “Whatever the past has been or the future may bring, we can begin, and begin again” (94).

I cannot quote enough of his book here to show you his extensive thinking around this idea. But I sometimes wonder — if we can not turn back time — why do we all turn our head to look behind us? Like how I started this post? These three quotes address this:

“As soon as you have a language that has a past tense and a future tense you’re going to say, ‘Where did we come from, what happens next?’ The ability to remember the past helps us plan the future” (Margaret Atwood).

“One faces the future with one’s past” (Pearl S. Buck).

And finally, to bring it full circle: “Nothing we can do can change the past, but everything we do changes the future” (Ashleigh Brilliant). I liked Buck’s idea, that the lenses with which we view the future are colored by our past. Atwood is more tactical, encouraging to use what we’ve learned to plan our future. Brilliant, whose cartoon is above, cautions us not to waste our energy dwelling on mistakes. 

I hope that doesn’t mean that we shouldn’t tackle some of our UFOs, as I noticed that most of the quilt finishes (above) were pulled from my stack of UFOs. However, to think kindly about them, it’s like my past self left them for my current self to finish up (thank you, Pearl Buck). So, instead of rueing that new ideas in 2023 were sparse, I’m grateful that I had something to turn to to keep myself busy. I’m also trying to apply the ideas in Mr. Potts’ book to keep myself forward-facing. I’ve written up list of quilts I want to make in 2024, and I have already started on the first, sewing my way into this new year.

While I have a whole new year coming up in which to finish Potts’ book (and make quilts), what I’ve learned so far is this:
Evaluate where you are. Move on from failures. 
Forgive, and then forgive some more. 

Happy Old Year Ending–

Eclipse • Quilt #285 • my final finish in 2023

P.S.In a combination of satisfying, yet somewhat unhappy goodbye to 2023, our local quilt shop (Bluebird Quilts) decided to close, and I picked up several lengths of fabric for backings for these planned 2024 quilts. It was sad to say good-bye to the place where I started teaching; her reasons for closing are varied, and I wish her well.

P.P.S. If you are new here, you can always revisit some of my Happy Old Year Ending posts, where I re-introduce myself to my readers. And maybe give an observation or two. The one from 2019 is a classic.

by Sharon Nullmeyer (@Nullsie on Instagram)
Gridsters · Patterns by Elizabeth of OPQuilt · Red, White and Blue · Shine: The Circles Quilt

Happy New Year with Shine Block 21

Something short and sweet for you today: how to make block 21. I’m posting these last few blocks of Red, White and Blue SHINE in quick succession, so others can these posts for references.

The going is quicker, so I swiftly moved from the above, to the layout below.

This is an easy block to start with, if you are just a beginning EPP-er. This block can be found in Pattern 121, the final nine new circles, and is available in my PayHip shop. The quick trick is explained in the General Instructions, as well as in other Shine Block instructions (on this website).

Follow the steps on the pattern. You can see I made the inner circle first, then added on the red/white star points. Then next is making the outer wedge-point-wedge units. Sew them in between the star points. Applique a small circle on the center. Appliqué the circle to the background square, deciding if you want the red/white star points UP, or the blue smaller points UP. You can tell from the first photo which one I chose.

We’ve just had Christmas, come through the bulk of 2020, and I thought a short and sweet post would be best. It’s touch and go as to whether I get the top finished by the Inauguration in January, but a girl can dream, can’t she?

In other news, I finished the feather for Jen in our Gridster Bee for December. She wanted organic-looking batiks for the feather part, and solid black for the feather’s shaft. You can see a whole bunch of the feathers here. The pattern was a free download from ZenChic designer Brigitte Heitland.

I have turned off comments for this and the next two posts, as I am finishing up the SHINE block construction information; hope you won’t mind. If you want to get ahold of me, my email can be found on the About Me tab, above.