Gridsters · Something to Think About · This-and-That

This and That • May 2021

This has been a busy week, with zooming and teaching at the Orange Grove Quilters Guild, but I’ve managed a few things around the edges.

This was April’s Gridster block, requested by Nancy. She sent out the blue fabric, and we chose the other, with her guidance.

This was May’s Gridsterbee block, chosen from my Sawtoothmania pattern by Allison. She also sent out fabric, but we provided the center color patches.

She had us do a wonky Christmas Tree. Allison asked for the one from another quilter, but I also have a free tutorial sheet on making little Christmas trees, too. Such a clever idea!

My husband brings me flowers every day…well, photos of flowers. This one measures about 1 inch across in real life.

I finished Vesper Flights, and went on to this one: The Midnight Library. I listen to them at the same time my mother does, but this is one I wish I had in print, so I could underline things that caught my heart and imagination. Now I’m deep into Obama’s A Promised Land. It’s moved much faster now he’s been elected, and hearing about the 2008 economic meltdown, as well as the hog-trading of politics has been interesting. I am SURE I never want to be a politician. I’m sticking with quilting.

This is a close-up of one of the panels I used on my Wealth of Days quilt backing. I was stoked that it had our city on it. I tell most people, “we are between Palm Springs and LA,” but here we are!

Fabric receipts? Now the fabric just shows up in my mailbox, like magic, or something.

Occasionally, when writing this blog, or trying to color in a design, I can’t quite make the program give me the color I want (like this background). That’s when I turn to this no-frills site which shows a ton of colors with all their hexadecimal codes. I always start with the Blues page, which is what I’ve linked you to. I just copy the #code, pop it into my software or blogware, and I’m good to go.

I love following people who know what they are doing. I love reading their blog posts, their Instagram posts, and while I’m not a total fangirl of them all, I have several favorites (there are too many to list here; see my list at the bottom of my blog). I appreciate their sharing what they’ve discovered and learned. However, recently a famous maker of absolutely necessary quilting supplies popped the above Instagram ad up on my feed. (I’ve blocked out all the identifying marks to protect the marketing department.) She may be qualified, but is she an expert?

Shouldn’t she be referred to instead, more appropriately, as an Influencer?? I like Aurifil’s word for their influencers: “Ambassadors,” which my macaron-making daughter let me know, is also used in her industry. Rather than the previous ad campaigns of simple extolling of excellence of product, we now use people for that. (In my English classes of yore, this was a type of logical fallacy, using celebrities to sell products; however, we’ve morphed from random celebrities to using established personalities in the field to sell products.) Carolyn, a sewist/sewer who I’ve read for years, knows her stuff and has an excellent post on the rise of Influencers. I love this part of the post:

My criteria is based upon:
– Can they actually sew?
– Are they learning to better their craft?
– Do their garments fit well or are they just photographed well?
– Do they have any actual fabric knowledge or are they just taking stuff because it’s free?
– Do they understand why notions are important and why they’re needed to perform a task?
– Is all of their knowledge YouTube/Internet based or have they actually read a sewing book?  Not all YouTube videos show you the correct techniques.
– Is this just a way to make them Social Media Famous?

A reminder for us creatives from Grant Snider

And lest you think I just sit around, I am working on a scrappy blues quilt, but it’s pretty shy right now and I just can’t coax it out from underneath the bed. I’ve even tried leaving spools of thread and colorful scraps to lure it into the daylight. Maybe later I can get a photo of it.

This is a quilt for a college-girl’s bed. My granddaughter shyly asked me last time I was at her house, “Grandma, will you make me a quilt for college?”

Me, inside:

Me, outside:
“Absolutely!”

We traded designs and pictures back and forth, but I quickly discovered that she is a minimalist, and likes gray. She knows I hate am not a fan of gray (generally), but she told her mother she thought I would come around after working on her quilt.

The red line in the drawing above is to approximate her queen-sized bed. I ordered yards of Painters Palette solids from Pineapple Threads, and they arrived last week. Between the shy scrappy blue quilt hiding out of sight, and this one, I’ll be keeping busy.

I can’t believe I signed up for this, but I swear it was because they come in cute little boxes. I do have some undressed pillow forms around her that need some clothes, and these seemed to call out to me (although if you know me, it won’t surprise you that I’ll be changing up some of the designs…looking at you Miss Christmas). But I’m excited to get a little fun package every month in the mail. (Guess this means I’m in covid-recovery–that I’m actually planning into the future.)

Lastly, I listened to/watched this show about the writer Amy Tan, called “Unintended Memoir.” It gave me so much to think about as I worked on the shy scrappy quilt, and now I want to go back and read her books again from her first, Joy Luck Club. She speaks movingly about her mother, and Tan chronicles their relationship as well as the writing of her novels. It lasts about 90 minutes; I recommend it.

Happy Quilting!

Digital/Virtual World · Live-Online Classes

Zooming a Live-Online Class

Having run through the vocabalary of descriptors for what happened this week, I think calling this a Live-Online Class is the best term. This wasn’t an Online Class, where you pay your money to a website and download a video. This wasn’t a live class, where you haul your machine and the contents of your stash closet to a class, where you might get something done. This was a hybrid, the best of both worlds!

Truth be told, all these lovely women of the North Cities Quilt Guild (above) could be called pioneers, for when I sent a survey afterwards, the majority response was that this was the first Zoom Quilting Live-Online class they’d taken. They were so fun to spend the day with in this new form of a quilting class. We’d also shared a Zoom Guild Evening Program the night before, and that, too, went very well, as they had two moderators manning the technical side of things.

Note: I’m putting up another post after this one, describing in more clinical/technical details the things I did to make my Live-Online Class run smoothly, having done gobs of research. I will update this post to link to that one, when completed.

Our day together began at 9:00 a.m. In truth, my day began a bit earlier, when waking out of a dead sleep at 6:30 a.m. I realized I hadn’t written down my lesson plan. I bolted from bed and wrote it on a giant sticky note and slapped it up on the calendar next to my cutting table.

I also realized that when we had painted, we’d taken down the curtain hiding all the mess in my sewing room closet. A quick fix with a tensioner closet rod and a quilt quickly fixed that. I spent the next couple of hours doing last minute prep, printing off the Secret Code to admit them into the Secret Room of my blog, getting ready (including mascara, ahem). Then I settled into my chair at 8:45 to welcome them to class.

We started pretty much on time, and I had a Moderator, who helped people get started and ran things smoothly. There was some awkwardness at first, as we worked through some technology hiccups (but nothing serious–Zoom does make it easy to click-and-go).

More about setting this up on the other post

After I introduced them to their Secret Site, and we squared away the password entries, they were able to access the videos and other materials I’d put there for their class. Pretty soon, they had all settled into sewing. One quilter had her computer in one room and her sewing in another; we solved that by having her log onto her phone, so she could have it next to her for comradery while she stitched. I saw her walk back and forth between the two rooms when she needed to watch a video.

The Merrion Square Conga Line

A few were able to use their computers to “show” me what they were working on, and we chatted about color and value choices and ways to make it all come together.

The class followed the outlined schedule, and when I returned from lunch break, I noticed a distinct shift. They had ceased being a bunch of screens, and now were a happy classroom of busy quilters. The change was welcome, as there is always this place where technology can get in the way of the humans. And these wonderful pioneers figured out how to get the humanity back into this distancing situation.

from the after-class survey

The afternoon was a series of lovely moments, as they held up their successes to the camera, showing off what they’d accomplished, bit by bit, section by section. I told the class that if they sent me decent photographs of what they’d been working on, I’d put them into a slide show for them to see when we all got back together a week later, in our planned Wrap Up Class.

from the after-class survey

Before we parted, we talked about the pros and cons of this situation (and they agreed to fill out a survey after the fact). One comment was that they didn’t have to lug their sewing machine down the stairs to their car. Another quilter mentioned that she had been able to pivot quickly when it was apparent that the choice of fabrics she’d laid out weren’t working: all her fabric was right there around her. I also love what this anonymous quilter from our class wrote in her survey: “Learn Zoom–it’s a wonderful tool.”

I was about to sign off, but a couple of women asked if the class could go longer, so I set extended it so they could keep sewing, which made me feel like this had been a great experience for them.

Can’t wait to see them all again!

Digital/Virtual World · Guild Visits · Trunk Show

Zooming into 2020

By now we all know what a Zoom conference is, we know not to angle the phone so people see up our noses, we know not to have a crunchy three-course meal on the Zoom chat, and we have learned the importance of the Mute button. That’s the participant side. This month I’ve been trying to learn what to do on the presenter’s side, getting ready to take my regular In Real Life (IRL) program to Virtual.

First up, gather a bazillion pictures of quilts and plop them into a PowerPoint slide program.

Secondly, do you-don’t-know-what and lose the last half of the slide program.

Third, re-construct what had been started and save it in TWO different places this time. It’s all a big fat learning curve. I did watch several different groups of people talking about going Virtual, and one common theme was the idea that when invited, they said “Of course, that sounds great! It’s very do-able!” Then the admission to those of us watching, was that they really had no idea what to do.

I can relate.

Here are some of the things I’ve been doing the past two weeks:
PowerPoint Slide program — luckily a lot of the graphic arts skills I’d picked up this past year while learning Affinity Photo/Designer/Publisher carried across onto this platform.

Buy a ring light and tripod. Figure it out. That’s me trying out light levels and light settings: White, Warm Yellow, Warm White. Or as I like to say, Death, Near-Death and Jaundiced.

In this view, there is a green border around the slide.

You can find that in the Advanced section of the Slide Share tools in Zoom. What that does is put a border around what the people on the other side of the screen can see when the desktop is shared. You can keep all your notes in a Word Doc if you want (see below).

Write notes for the program and rehearse. I did that last night, ring light on, running through the program, recording myself. With the ring light on, practicing looking at the camera, and trying not to freak out, I have to say I did okay. My husband is continually encouraging me onward; he used to coax his grad students through this ordeal. And by the way, the recording will be deleted, never to be seen again, but I’m glad we purchased a Zoom Pro account, so I can rehearse. I’ll make another one tonight, just to keep practicing.

Last tip: I set up another screen right in front of me when I was rehearsing (an iPad will do) so I could see what others could see. I doubt I’ll do that when presenting (I want to focus on looking at the camera), but it was helpful when figuring out how all the parts go together.

If you are a Guild, there are an equal number of tasks for you, too. In working with the current guild, the Program Chair has been terrific, as we worked to move this forward. Not only do they have to worry about getting the Speaker situated with Zoom codes, timing, technology, they also can’t just hand them a check when it’s over; payment has to be worked out as well, and not everyone has a PayPal or Venmo account.

And getting the patterns to them is also a challenge, because of that “not everyone has a PayPal account” thing. My patterns are digital downloads from PayHip, which requires either a PayPal or Slice Account, which has been a trouble for some of their members. So we worked out that the member would give a check to the Guild, the Guild would alert me and give me the guild member’s email address, and then I would send them a “how-to” PDF document and a code to enter to get their pattern. I plan not to do this again, if I can help it.

The contracts have to be re-written, or an addendum provided. I ended up scanning in the originals, adding the addendum and emailing them over. Some of the language I used in the addendum is in the “Zoom Explained” document below, available for download.

All of this post is to say, that we are headed over a cliff into the digitalized 21st Century, and we have to be our own superhero and figure it out ourselves. I plan to do that Lecture next week, the Workshop the next day (more on that, later), and keep going. I plan on my vehicle sprouting wings so I can zoom out over the landscape, and enjoy the view.

Nuts and Bolts of Presenting

After reading extensively, I wrote up a document outlining how I wanted to work my virtual teaching and presenting. You can download it below.

There are plenty of sources out there for the physical space you’ll need to set up. At the very least, invest in a ring light so it will throw an even cast of light across your face. Others have fancier set-ups. Try not to be overwhelmed.

In working with my fantastic Program Chair for the upcoming Guild, I thought it might be helpful if they had a checklist they could consult to make they had all their ducks in a row. You can download it below.

I have so much to learn, as do we all. But I’m actually pretty excited to go forward. In putting together my presentation I could include lots of views of my quilts in the slide show, things I normally wouldn’t be able to show them (like mood boards, quilts in settings, interim steps). There will be good and hard things about our quilting lives in the next two years. Let’s make getting together one of the more lovely things!