Quilt Finish: Orange Sprite Phenomenon

December 7, 2025December 10, 2025 Elizabeth E.11 Comments

The Blue and Cheddar quilt is finished, bound, and sent off to the recipient. If it were to have a name and a label, I would call it this:

This is Quilt #311 in my Quilt Index.

I titled it this because of a celestial event. A rare celestial event.

This is called a red sprite phenomenon, when when lightning flashes above thunderstorms, creating a spikey flash of red light high in the sky. By using cheddar and deep blue, the quilt pays tribute to this transient luminous event: an orange sprite phenomenon. (photo) You can read more about it in this gifted article from the New York Times.

Hawthorne Supply Company was having a sale on Kaufman’s navy blue flannel. I ordered two packs for the back, washed them up. They are so thick and yummy, they are almost like chamois. My quilter, Nancy, did an awesome job on the quilting, with the pattern Diagonal Plaid Bias Cut from Urban Elementz. We used a copper MicroQuilter thread (Superior Threads) on the front and a coordinating thread on the back.

Our wisteria was dropping leaves this week, so here’s the requisite “fall” shot from Southern California. The blue fabrics are just ones I had in the stash, a full spectrum of rich, deep colors. Every so often, I feel like a label would interrupt the quilt back, and not that important (no lectures, please), so I leave it off. This happens like (wait for it) once in a blue moon.

I have long been fascinated by celestial events.

We’ve attended an annular eclipse, a solar eclipse, and a recent total solar eclipse.

When I was first married to my husband, we took our children up and stayed at his parents’ house for a week; one night was a star shower. I spread out a quilt on the grass in the backyard and watched the shooting stars. Since we were pretty much newlyweds (he married me and my four children, saving us all), I wonder what his parents and family thought. But he came and joined me on the grass, on the quilt, and we star-gazed together.

I was fascinated by what Jonny Thomson said this week on his Instagram account about the Korean idea of in-yun. It is not the first time I’ve run across this philosophy, and he described it well:

Imagine you pass somebody in the park and say, you nod, you smile, and you go back to your life. Then, a few days later, you notice the same person behind you in the supermarket. According to the Korean idea of in-yun, something important is happening here. In-yun means fate, but it really means the fate between people and relationships….[E]ssentially, it says that if you see a stranger more than once, it is not just a coincidence. That is the universe trying to tell you something. It is trying to say that here is someone important, they have something to teach you.

The French philosopher Gabriel Marcel argued that we should live our lives in a state of disponibilité, which means that we are ready to be at the disposal of the world.** If you stop seeing events as irrelevant accidents, but as messages, then you start to see the world as an opportunity. If you live your life ready to be helped, and ready to be changed, you will be. In-yun is the philosophical version of the crossing paths theory. It says that if somebody comes into your life, it is for a reason. If something keeps happening to you again, and again, and again, the universe is telling you that there is something to learn.

I’ve had more than a few things that have taught me to stay curious, to live in a state of disponibilité (or availability, as I understand it). Quilting, and the constant rate of discovery that happens in any quilt — from choice of fabrics, to colors, to inspiration — seems to match that idea for me, and I enjoy diving into a new project, and I enjoy finishing up. I also enjoy the quilters I meet, the quilters who teach me, my correspondence with all of you who read my blog, learning from every writer.

And so when my desire to rework my Azulejos pattern kept coming back around, and then I read about red sprites…well, that connection propelled me to this place. I hope the person who receives this gift will enjoy it as much as I enjoyed making it. I had fond thoughts of him (my son-in-law) as I worked on it.

UPDATE: He likes it!!

Stay curious, everyone–

**Availability of mind, thought; state of availability, according to this French dictionary page, which I asked Google to translate into English.

Yes, I once did make, not one eclipse quilt, but two!

And an artsy eclipse quilt:

300 and Beyond · Creating · Patterns by Elizabeth of OPQuilt · Quilts · This-and-That

This and That • November 2025

November 24, 2025 Elizabeth E.12 Comments

Dropping off the face of the quilty universe has one advantage: you get some sewing done. But first, let me talk about the Carrefour Quilt Show (France) posts.

All discussions of any project begin with this process: throwing out thousands and thousands of corrupted files on my computer. It’s like how you can’t find the evaporated milk to make your pumpkin pies for Thanksgiving until you clear away all the bunches of canned food in front just so you can get to the back of the cupboard.

Same, same. Every time I start to work on the Carrefour photos, Something Computer-Wonky This Way Comes, and it gets in the way. But the pictures are coming, because I want to show you a lot of the beauties that didn’t get all the press.

Soon, my pretties, soon.

I’ve been re-downloading a lot of the patterns I’d purchased on ETSY and on quilters’ websites. Most of it has been a pretty smooth recovery. I’ve been having real troubles with a clothing patterns site, and we’re trying to work it out, but I’m about ready to give up on that one. And a badge site wants me to re-buy the things I’ve already purchased. Yes, I have the real-life badges, but the digital ones were zapped in the Great Computer Meltdown of 2025. (Gee, I should get a commemorative plaque, or something, to put on the desk.) Buying and purchasing is a lot more complicated when sellers can switch their products from one platform to another. [Public Service Announcement: I now have three hard drives at my disposal for backing up.]

And yes, some pattern-writing has been delayed as I’m having to recreate the digital files that were lost (see illustration, above, of all that I lost in my Shine Circles patterns). I’m just glad it’s up online and free for the download if you click on the link.

I’ve been helping a new mother-to-be design her first baby’s quilt. And for those who are interested, I’ll have it on here for a freebie, once I finish (we moved on from that design, just to warn you). Affinity’s digital editing software is now FREE, apparently, so you can get some of that, too, to design your own quilts.

Remember 2020? Haha.

I’m standing underneath my quilt Azulejos, hanging in the gallery at Road to California in January 2020, before Covid-19 and all the Murder Hornets were released and when the world turned upside down. Well, I’ve been wanting to make this pattern in deep blues and cheddars, and I finished it this week.

Just a reminder.

It has been dropped off at the quilter:

I worked on these, while listening to the end of Louise Penny’s novel Black Wolf, as well as this:

It’s not the Thursday Murder Club series, but a new freestanding novel, and I really liked it. I lost track a little bit, of the minor characters, but the main characters are well-drawn and entertaining, and yes, the novel and I and the Economy Blocks hummed right along.

I finished it last night and rushed out in the setting sun to take a couple of photos, such as this stained-glass effect.

I delivered that one to the quilter this morning, too. I had started this #scrappythriftblockchallenge with Taryn of @reproquiltlover on Instagram. I wrote up a guide sheet and shared it (you can find it all on this post); the quilt begins with this blog post. [Note to all the Historians out there: first Instagram post was on March 31]

I’m just kind of ready to finish up a lot of loose-ends projects that I had started at the beginning of the year, when my abilities were hampered by anxiety/depression/sadness and a lack of wanting to do anything. Over time, a lot of those issues have resolved, faded. Sadly, I think I lost a couple of friends during the last two or three years, when the one-two-kapow-punch of my parents’ death really knocked out my creative — and other — lights. As those who have lost parents know, no death goes easily into that great night (thank you, Dylan Thomas), so I should add it was all the swirling around of everything that knocked me back.

So I chose HelpMeMakeSomething projects, like these economy squares, and a Block of the Month, and a reworking of an old favorite pattern, plus squircles (which are still ongoing).

Here we are in the waiting room at the medical clinic, because all that stuff still goes on, doesn’t it? People get sick and husbands and wives need check-ups and gosh, they already have their Christmas Tree up and it’s not even Thanksgiving.

It’s no shame to admit you can’t make it without some help, and all the quilters I know (well, maybe minus one or two…) are more than willing to sit beside you while you figure out a path through the gloom. And somehow, this fall I started to feel like myself again…with Energy!

We were supposed to go somewhere for Thanksgiving, but Life Intervened, so now I’m considering a new roll recipe, and maybe a stab at that Delicata Squash Pie in the lower right corner, but with a gingersnap cookie crust, instead of the recommended graham cracker.

Lastly, I decorated:

Thank you, Trader Joe’s. Thank you to everyone who takes the time to read this, and/or write something, or maybe just carry a thought or two around in your head. I’m grateful for you all and for what you share; what rich and varied lives we all lead.

Happy Thanksgiving, everyone!

300 and Beyond · Patterns by Elizabeth of OPQuilt · Quilt Finish · Quilts · This-and-That

This and That • October 2025 • Quilt Finish

October 20, 2025October 20, 2025 Elizabeth E.4 Comments

Boo!

This latest finish had a few mothers:

1) a bag of scraps from mine and Leisa’s Halloween in the Vegetable Patch quilt, and…

2) a need to make a quick quilt, which Azulejos is, and…

3) After the Great Computer Debacle and File Deletion Tragedy, I’ve been trying to put back together my pattern files, and Azulejos was the first one I finished. So I needed to test it out, and…

4) This cartoon from one of my favorites (Grant Snider) and a collaborator (Jon Acuff), and…

5) Realizing that I still had the 4th of July redwhiteblue quilt above this cupboard and now it was the orangeblackwhite season.

This is how it came together in two days (click to enlarge any photo below):

I kept the quilting simple. On the back were two leftover panel blocks from the original kitted Halloween Quilt, along with some rando orange dot fabric from the stash. I used the bits we’d cut off to border the panels, so they’d be large enough. And since this pattern — while quick and easy — calls for a template, I put tape on the back so it won’t move around, then I use a ruler to help in the cutting.

Quilt #308 | Halloween Mini-quilt | approximately 28″ square.

This is still one of my favorite versions of this pattern: SeaDepths. I have one more version to try, a deep blue and cheddar combo. Some of this is that I realize that every corner of my room holds the promise of a project/quilt-to-be. I’d been saving the scraps since last year and the bag kept kicking around the edges. GONE! I have been saving the deep blue/cheddar fabrics since 2019. They are washed, and stacked, ready to go next week. And yes, I threw away the scraps from the scraps, as there was so little left.

You know I wouldn’t want to miss America’s throwing itself a party. One of my signs was a cat print-out from Martha Rich’s art (used with permission), and the other sign was my husband’s (Protect Our Freedoms) with the wording he chose. We both wore yellow, as did others.

Bravo to all the unicorns who came out to walk and gather. Lots of flags, lots of good will and as I noted in my Instagram post, we detoured into the Korean chicken place mid-way. It was delicious. Then back to the march. Then home.

Our signs posed together in the Butterfly Alley, near the gathering.

Started the latest Thursday Murder Club listen: The Impossible Fortune.

How does he come up with these plot lines? I am really loving this.

Even though there are technically three more blocks to this A Quilting Life 2025 Block of the Month Quilt, I’ve using Grant Snider’s advice #6 — getting rid of rules — and calling it done here. It’s been a fun project and hats off to Sherri for her creativity and for sharing these free blocks with us. Now to figure out a border, and get it quilted.

Finally, Squircles will finish this edition of This and That for October 2025. The hashtag we’re using — #backtosquircle — showed up with two more squircle makers: Lisa and Betty, both from the mountain west.

Mine are on the above left, and Gladi has some that are shown on the above right, out of beautiful brocades and silks.

On the train to Strasbourg.

On the train to Colmar. I must admit that I looked out the windows a lot.

Now, with a new sewing box, courtesy of a run through Le Grande epicerie in Paris (where I purchased some cookies just.for.the.tin), this is me stitching in the airplane on the way home. In the dark (again). Why do we never put up our window screens anymore to see the miracle of flying through the air? Nevermind. #screensrule

I’m almost to 60 squircles finished, one-third of the way there.
Keep stitching, keep stitching!

Last Look

Azulejos Pattern

July 14, 2021October 20, 2025 Elizabeth E.14 Comments

There’s this interesting explanation in a Wrinkle in Time, or at least I remember it and hope it’s there, where the main character tries to help the children understand this concept of a shortcut in time, and she demonstrates it with a string and a crawling ant. Or maybe that’s not in the book at all, and I just remember if from somewhere, but at any rate, the point is that I’ve had a wrinkle in time with this quilt.

This photo was taken in January 2020 at the end of Road to California, where my quilt Azulejos hung in a special exhibit at Road to California. It was this one that recently prompted Catherine H, a reader, to get in touch with me asking for the pattern. I’d made several stabs at it, but now I really buckled down to writing. So there’s the shortcut — a bridging of time from January 2020 to July 2022 — a shortcut not unlike those found in novels with children (and where were their mothers??) and IKEA warehouses, where you are trying to get out of there and pay for all your impulse purchases, and yet you still have to go through chairs and desks and lighting and rugs…unless you can find the shortcut.

I had some other ideas about what this pattern could do though, so got busy and made this blue/yellow/aqua/sea/glints of sun wallhanging, calling it SeaDepths. I had fun making it in solids:

It’s still a flimsy, though. Looking forward to sandwiching it together and getting to the quilting.

This block was supposed to be another version of the pattern, done up in scrappy red-and-white, like this sketch shows:

But, alas, the sprained ankle/broken bone/cast-or-boot-or-what problem persisted, so instead of sewing up a storm at the machine (it’s a quick and easy pattern, with the cleverness in how you trim it up), I kept my foot up and edited photos of an earlier photo shoot of the first rendition of Azulejos, with photos taken near some of the old greenhouses and lab buildings for our university:

So, Catherine H, I’m finished!

I’ve already loaded it up on my PayHip pattern site, and it’s ready to go.

It has a basic set of instructions for the version of Azulejos above, as well as SeaDepths. I illustrate two other versions, one in Cheddar and Indigo, and the one you saw above in scrappy red/white. Or at least that’s how I evisioned it. So three sizes, three versions, two sizes of block templates and a wall-hanging. Not bad for one pattern, I’d say. A free downloadable Preview sheet on PayHip will give you the rundown.

The technical name for this shortcut between two different times is an Einstein-Rosen bridge, more colloquially known as a wormhole. Jody Foster, in her role as a scientist who hunted for “little green men” on a SETI project, famously traveled in one in the movie Contact, a film I can watch over and over again. Actually I have a whole collection of space movies, from the goofy one that got me through grad school, Galaxy Quest, to Interstellar.

Sometimes I have my own version of an Einstein-Rosen bridge when I un-earth an older project, abandoned for lack of time or interest (or both) and when I come back to it, I find it interesting or even something that juices up creative connections. When I first made Azulejos, I thought it was a one and done, as it was the shapes in the quilt that interested me. Then, taking it up two years later, I found my way to other variations and then to SeaDepths, whose colors I could get out of my mind. It was like there was a wormhole between those two variations.

I’m always surprised when a creative journey takes these kinds of twists and turns. It usually happens when I try to box something in, with a dismissive, “Oh, I know all about that,” with a sniff and a tilt of the head. To counter this attitude of immediately sizing something up prematurely, Xavier Encinas noted that “If there is something I’m learning over the years it is this: Take your time while setting up your ideas and take time to distance yourself from what you have done.” So maybe completing this pattern, finding the missing link to getting it done took some distance.

And maybe it just took some time.