I so appreciate you all: thank you, thank you! I was able to pass on the info to WordPress, my blog software company, a reliable source for writing these past fifteen years and three months. Bugs climb in everywhere and I’m hoping they get this one resolved.
And thank you also for all the beautiful things you wrote. I treasured and read them all–often out loud to my husband. I have the best readers!
Usually I write for a Sunday publication, but this week got tripped up a bit, so I’m late.
Laurie, our Queen Bee for the Gridsters chose a pineapple block, two if we didn’t mind, and she asked for them in yellow and orange. I had made these blocks once before, with a free download of the pattern here, but the crown this time is a little different, a little taller with an extra row of blocks. We also added an extra border of low-volume blocks that wasn’t on the pattern. It took me a minute, but if you treat the extra low-volume blocks as part of a row, it goes better. (The other way is adding strips of blocks when the pineapple is finished: that’s a not-so-great method.)
Started quilting one of my own designs: Triad Harmony. I’ve made several in ombre fabrics which are fun to work with. I picked out all the thread colors for the star points, then went a different direction, decided to quilt them as one unit, so only one color of Magnifico thread was needed. Then I quilted a wrong color (hence the seam ripper).
I like to date-stamp my quilting along with what was finished. Lovely night-time fluorescent-lighting photo.
Here’s a comparison of the two quilt sizes in the pattern. I originally had a working name of Spectral Light for the larger one, but I just changed it up today to Eris. I’ll explain later on, when it’s finished.
Now I’m working on the red stack of nine-patches for another Christmas quilt. There is something so lovely about occupying my hands with nine-patches. It leaves me free to listen to audiobooks like Pachinko.
Those of you who are long-time readers of this blog, know that I am fascinated by and appreciate traditional clothing; the hanbok is no exception, having written about it when we visited the Chojun Textile & Quilt Art Museum when we in Seoul.
I was also interested in this article from the New York Times about the history of the hanbok.
Mother’s Day is coming up, then the last part of Heart’s Garden will drop. Krista, who is quilting it, has sent me images of the quilt up on her frame, and I’ll be excited to show it to you when it is complete. So far there are four parts:
On May 15, 2022 Part 5 (free pattern) will drop. [UPDATE: Pattern is now available in my pattern shop.]
If you have missed any of the parts, Part 4 is free until May 14th, and Parts 1, 2, and 3 are available for purchase. Part 5 will be free until the pattern comes out. Soon I will consolidate all the parts and have one pattern for sale, but that will come closer to June. I will have one more: Part 6, but that will be a blog post. If you don’t have time to sew this now, be sure to grab the free patterns for later. I have three quilters who are sewing along with me, and I love what they have done. A couple have made changes to the pattern, which are also fun to see. As I remind them, they are not pattern testers, but quilt makers. Feel free to make it your own!
The Venice Biennale, the art or architecture exhibit in Italy, is shown every other year and it just opened. So all the art world has pictures everywhere about what is being shown and who is showing it. This one, using fabric, caught my eye.
Polish-Romani multidisciplinary artist, educator, and activist Małgorzata Mirga-Tas has been selected to represent Poland at the Fifty-Ninth Venice Biennale. Her “Re-enchanting the World” will occupy the Polish Pavilion during the event’s run, from April 23 to November 27, 2022. Known for a practice comprising sculpture, painting, installation, and large-format textiles, Mirga-Tas challenges discriminatory Romani stereotypes and cultivates a positive image of Roma culture. Her work frequently incorporates clothing belonging to friends and family, which she collages into patchwork screens showing scenes of the garments’ wearers engaged in everyday life, smoking or talking or just sitting around.
There are several places in Venice, Italy where the art is displayed, and many nations participate. I grabbed screenshots from the YouTube video for the pictures below, because hey–it’s FABRIC; the video is a three-minute overview of the art.
Britain took the National High Award (a golden lion) for their music presentation Feeling Her Way, by Sonia Boyce. I mention this also because the backdrop for her presentation are walls that look like patchwork and because the video is kind of cool to watch, to listen to.
I took a lot of photograph and digital art classes when I went to college and went through many “evaluations” or “workshops” of what we produced in the dark room/hovering over a computer. So I kind of laughed at one of the paragraphs in the Art Forum review, as it is so very “art-speak.” I propose some minor edits that can describe any of us and our quilts.
Original phrase: “unusually attractive visual form (opening the pavilion to a wider audience) combined with an original and deliberate ideological concept ‘proposing a new narrative about the constant migration of images and mutual influences between Roma, Polish and European cultures.’ ”
My Souped-Up phrase: I use an unusually attractive visual form, combined with an original and deliberate ideological concept of using various geometric and free-form shapes in order to propose a new narrative about the constant integration of images and mutual influences between traditional, modern and art cultures in my quilting.
Like that? You, too, can art-speak!
Happy Quilting!
P.S. I’ve been having some problems with some software changes by the hosting service and WordPress and I are monitoring how comments are emailed to me. If you have a moment and could help us out by leaving some sort of comment (even a word would do, but I read everything) so we can see if this is a bug, or a problem with their new forms, we’d appreciate it.
If you send me a comment, I’ll enter you in a drawing for all my old clothes, so you, too, can enter the Venice Biennale and be world-famous. I’M KIDDING. But if you could leave a comment, that would be great.
Evergreen, EverLife • Quilt #263 87″ wide x 98″ high
Center Tree: Made from a kit. I started this in December 2019, sewing with friends. I changed up the background to something lighter.
Three outer borders: ric-rac squares, Sawtooth Stars, red with vines were designed and pieced/appliquéd by Elizabeth Eastmond, echoing the central tree. Binding on and finished this past week.
Quilted by Kelley Bachli.
The game: Find pine trees at quilt level in Southern California without going into the mountains. I think we did okay.
Title: The reason why the evergreen (or pine, fir, what-have-you) tree is around at Christmas is because it is ever green. I’m sure there is the bit about adopting it from pagan festivals, etc. but whatever the original reason, it has become a lovely symbol of enduring life. So I connected those two: ever-green and ever-life in the title, reminding me that I have life forever because of Christ’s birth. The trick is, of course, to do something worthwhile with that life that’s been handed to me. (Working on that.)
Either I’m very early for Christmas this year, or very late for 2019, 2020, and 2021.
We reached a sad milestone this past week: we have decided to stop receiving paper copies of one of our three newspapers. It’s the newspaper we get every day on our driveway, and I read it while having breakfast and eating my granola. We also get a national Sunday paper, and then subscribe to another national one online.
First stop, always: the comics. Then, the advice column, the horoscope. Headlines come next, and then I go through it skimming, catching the tidbits that fall into your lap when you have a paper-paper and there is no algorithm trying to force you into reading what THEY want you to. I read opinion editorials of all stripes, Letters to the Editor, and the regional news (this isn’t our local paper which went off the rails several years ago). This particular morning, I found three comic strips which seemed just for me:
And for that last one, I nominate the people who thought it was a good idea to jack up the prices our “introductory offer” to this newspaper of several years ago. We are diehard newspaper supporters, but when we recently did the math, the price over the years had crept up to nearly $800/year (!) for the subscription price. So good-bye to a life-long tradition, planted in us by our parents. I will miss you. (But don’t you love these comics?)
I MADE A DRESS. SHOCK.
I’m showing you my sewing room, as it has a serger on my cutting table. Definitely not a quilting day.
It’s an EVA dress, and I’m wearing it today, accessorized with beads and lightweight jacket (you know — the air conditioning — even though the high today is supposed to be in the upper 80s). I put on 3/4-length sleeves, faced the neckline and put bias trim on the hem because it is a lantern-shaped dress. It’s a pattern from Tessuti Fabrics.
This was my first rodeo with online patterns. I was apprehensive about getting the pattern printed so I inadvertently ordered a hard-copy of the pattern in one size, and a downloadable copy of the pattern in another size (they have two sizes with lots of other sizes on it). I ended up using the paper instruction booklet with the downloadable pattern, getting it printed off at my local Staples/OfficeMax store.
Susan of Patchwork and Play is also my inspiration, and I’ve since ordered the Sawtell pattern from In the Folds. That’s waiting in the wings, but I don’t have much to say about this as I’m still figuring it out.
Two more crossed off
NEXT…
Working on another holiday quilt. After this one, I only have two more to sew that are in the closet (that I know about). I seem to collect Christmas quilt fabrics and ideas.
Pinned up Spectral Light, the bigger version of Triad Harmony. The pattern name is Triad Harmony, but you can see I have other versions: one is called Secret Garden (Kaffe fabrics) and one is called Stella di Natale (Christmas, again). I need to quilt them all.
LASTLY…
She describes this phase of my life pretty perfectly.
But don’t we pressure ourselves to do the first, and beat ourselves up a bit if it’s the second? These dots circle (haha) back around to the thoughts at the top, and about doing something worthwhile with this life I’ve been given.
I’ve always loved C. S. Lewis’ quote (below) about recognizing the potential in others, rather than snubbing or diminishing them. And the Arthur Brooks observation of David Brooks’s column reminds me to pursue that which is important, has value, and not only that which is popular or culturally driven. This is a constant struggle sometimes, and I seem to waste a lot of time, by my own assessment.
I’ve taken to asking myself: What do I want to have finished before I go to bed tonight? My bedtime is earlier now than it used to be, Mary Englebreit notwithstanding, so knowing I’m going to have flat-lining brainwaves at a certain time can help me choose wisely. Sometimes in my days I’m only a quarter-full dot, but other times I’m there all the way. But when it is time to stop, it is time to stop.
A juggling act, but I keep at it–
Happy Quilting!
It is a serious thing to live in a society of possible gods and goddesses, to remember that the dullest most uninteresting person you can talk to may one day be a creature which, if you saw it now, you would be strongly tempted to worship…All day long we are, in some degree, helping each other to one or the other of these destinations. It is in the light of these overwhelming possibilities, it is with the awe and the circumspection proper to them, that we should conduct all of our dealings with one another, all friendships, all loves, all play, all politics. There are no ordinary people. You have never talked to a mere mortal. Nations, cultures, arts, civilizations—these are mortal, and their life is to ours as the life of a gnat. But it is immortals whom we joke with, work with, marry, snub, and exploit…— C.S. Lewis, The Weight of Glory
When the New York Times columnist David Brooks talks about the difference between “résumé virtues” and “eulogy virtues,” he’s effectively putting the ashramas in a practical context. Résumé virtues are professional and oriented toward earthly success. They require comparison with others. Eulogy virtues are ethical and spiritual, and require no comparison. Your eulogy virtues are what you would want people to talk about at your funeral. As in He was kind and deeply spiritual, not He made senior vice president at an astonishingly young age and had a lot of frequent-flier miles. You won’t be around to hear the eulogy, but the point Brooks makes is that we live the most fulfilling life—especially once we reach midlife—by pursuing the virtues that are most meaningful to us. (Arthur Brooks, from here)
The Heart’s Garden has been planted. It is filled with flowers of all colors, and in many sizes. The birds are nestled in, the outer border acting as a fence for the blossoms to climb. Part Four is appliqué, but the appliqué can be done by hand or machine. Examples of appliqué are in this post.
I always like to feature those quilters who are sewing along with us; and who have finished Part 3: Lisa Johnson, Susan Snooks, and Joan Hinchcliff. Their quilts are all so beautiful.
In looking at our home at this Instagram hashtag, I also found the beginning of Linda’s quilt:
I am fascinated by how different all the quilts are. (Linda was my roomie at QuiltCon in Phoenix, in February, and is an awesome EPP-er.)
[UPDATE: Pattern is now all together and can be found in my pattern shop.] The pattern for Heart’s Garden Part 4 is now up in my shop, and you can download it for free.
As usual Part 3 will be switched to a purchased pattern, but if you are just starting in, all the earlier parts can be purchased individually, or you can wait until mid-summer when the full pattern will be available. More at the end of the post.
My first planting. I started by pinning the stems around the quilt, having them overlap the inner border by 1/2″ on the bottom, as shown.
I take a lot of process pictures, but in reality, everything changes all the time.
Flowers, stems, leaves are all pinned up. Some like to use the glue method, some like the machine method (I do too), some like hand appliqué. I give tips and tricks in the pattern, including how I “dig” that stem into the “dirt” of the inner border, so it looks like it’s planted. You might also want to watch a wee video showing the basic technique for Karen Kay Buckley’s Perfect Circles.
Part 1 can be purchased here. Part 2 can be purchased here. Part 3 can be purchased here.
Part 4 is now live and living in my online pattern shop and can be downloaded for free.
Hope you enjoy making this fourth part–post them so we all can enjoy them. P.S. If you can’t manage another project, feel free to download for another time. I keep the posts organized on this page (also in the header at the top of the blog). A full pattern with all the parts will be available for purchase in mid-summer.
There is always the option to stop here, with the garden all planted, but there is a reason why it’s called Heart’s Garden. This will be obvious to you when Part 5 is released in May.
Happy Spring and Happy Quilting, and most of all, Happy Easter.
OccasionalPiece--Quilt! 