Quilts

One Black Leaf

 

4-in-art_3

FourArt2_Full

This is our second round of our art group, self-titled Four-in-Art.  Our theme was “tree” or “trees,” however the artist wanted to think about it.  I call this “One Black Leaf.”  And as is my usual, I’ll save the craft and construction details  for the next post.

The other artists in our group are listed below, and are also revealing their quilts today, too.  I’d encourage a visit to see how they interpreted the theme.

Four-in-Art Trees

Leanne, of She Can Quilt
Rachel, of Life of Riley
Betty, who reveals hers on Flickr

When I was musing about this theme of trees a couple of weeks ago, I noted that I seemed to be surrounded by, and touched by, the idea of the end of life, of death.  I may have become more aware of this because of my tiny experience with cancer, or perhaps it is because I have two brothers-in-law who are fighting cancer.  Or because when we drove away from my mother after visiting for Christmas, it was nearly unbearable, knowing that life, and our time together, is finite.  In Albert Goldbarth’s poem “Won’t Let Go,” he notes that at the end of the of it all, no matter what your age or life or experience, there is always “one black leaf for everybody.”

I remember talking with an arborist in Washington DC once, about how dead trees looked in winter–nothing blossoming, nothing growing, the bare branches stretched to the sky.  She smiled as I went on and on, then said “Oh, they’re full of life, all right.  You just can’t see it.”  I thought of her remark often as I walked the National Mall that winter, admiring the trees’ scaffolding revealed by fallen leaves, those graceful branches stretched out above the cold ground.

HeartTree

So I chose to combine a photo I saw of an espaliered tree–a tree that was trained into an arranged shape by the hand of man and which had a heart at the center of it–with a drawing of a tree that looked to me like it was in motion, was half-tree/half-vine.  I liked the look of the drawing, how it wasn’t static, wasn’t near death, even though it had plenty of black leaves on it.  Since I am not a trained artist, I have to start from a reference point.

And sometimes that reference point is an idea, a range of experiences, a poem about one black leaf.

200 Quilts · FAL · Quilts

January’s Three Finishes–FAL

I’ve always wanted to say that I’ve had three finishes in one month.  Well, in my mind, I’ve had FIVE, but two of the tops (the wonky Christmas stars and the wonky Christmas log cabin) are at the quilter and won’t be back until next month, so technically the binding and label is all that remain (and I’ve already cut the bindings!).

4-in-art_3

The first (or third) is my art quilt for our Four-in-Art group, which has its reveal tomorrow.  I have to say I don’t think of myself as an artist, but instead, a creative person.  But like anything in life, when that deadline starts looming, all of a sudden I start getting ideas.  Tons, this time, but I only made one of those ideas.  See you tomorrow for that.

The second is Into the Woods, my autumn quilt (follow the link to see that).  And the third finish this month is Summer Treat.

Summer Treat

I started Summer Treat last summer.  I finished up the top, and it sat–like all good UFOs–but this one was all backed and pinned and ready for quilting.  When I saw that I had a few hours to myself yesterday, and realized I could say those magic words: “three finishes in one month,” I pulled it out and started quilting.

SummerTreatbinding

Then binding.

SummerTreat Quilt

And so here it is: Summer Treat.  This is #105 on my list of 200 quilts. (Yes, I know I need to get the list updated.)

Summer Treat detail1

Detail.  I stitched on either side of some of the rows and then diagonally on the side of the white Xs.

SummerTreatstitching

The backing and binding are the same fabric: some wild dots.

Summer Treat back

So, yay!  I’m putting this up on the Finish-A-Long Flickr photo-sharing site, hosted this year by Leanne.  I had resisted joining this group, but it’s been very good motivation to get some of these quilts finished up.

Update: Original Post showing all planned finishes is *here.*

FinishALong Button

Something to Think About · Textiles & Fabric

Fat Quarter Shop Dreaming

FatQtrDreamingJune2013My fabulous sisters sent me a Fat Quarter Shop gift certificate for my recent birthday and I’ve had the most fun dreaming about what to buy.  I think I’ve clicked on every category in their online shop at one time or another, but after picking out my purchases (one was that Noteworthy charm pack in the lower right), I went onto their “What’s Coming” section to see what I can look forward to.  Here’s my list:

Ashbury Heights, by Dookikey Designs–I read her on Instagram and am happy to see that I like her upcoming line, with a modern twist, but different colors.  Like all of us, I trend towards medium brights in my purchasing, and I like that she has some lights and darks in her line.

Madhuri, by The Quilter Fish–These are many of my favorite colors.  Love the Far East references.

I need Christmas fabrics like I need a hole in the head, but that hasn’t ever stopped me before. I’m not really in the market for anything holiday, but I’m a total fan of Martha Negley, so just had to look at her Poinsettia and Holly line.

The Boo Crew–what can I say, but that’s it’s very cute.  And the fact that it has text (one of my “traps” in buying–but not just any text–I have to personally like it) and is by Sweetwater, also recommends it.  I know lots of lines have a fabric with words and writing on it, but like anything in life, there’a “bell curve” as to how useable it is.  And if I want to give up shelf space in my stash to house it.

2wenty Thr3e, byt Eric and Julie Comstock–Okay, all text fanatics, here’s a good set. Their traditional picture is below, but I can’t quite tell what the base color is: grey-ish beige (photo below)?, or a true cream (middle stack in above image)?

Screen Shot 2013-01-30 at 11.42.55 AM

Thesaurus, by Thomas Knauer–I saved part of my gift certificate to buy this when it lands this spring.  I loved Thomas Knauer’s first line of fabric, then was so-so about the next two.  This one looks like it will be another winner, if you ask me.  (And yes, the fact that it’s named Thesaurus doesn’t hurt.)

Last one is Return to Atlantis, by Jason Yenter.  I used his wintery line for a Christmas quilt I did a couple of years ago, and liked the quality of fabric.  While I said Madhuri has all my favorite colors, this does too–only it’s as if you added black to the Madhuri line, or lightened up the Atlantis line.

So strolling through all of this made me wonder: do we let the materials of the artist determine the picture?  Do paint artists see a certain blue in the paint store and run home to throw it all over their canvas?  I think not.  So do you think that quilters should let a certain line determine the quilt they are going to make?  I’ve done this–my Harvesting the Wind quilt came about because of a stack of their fabric and a desire to make a quilt after a tile from Portugal I’d seen on Flickr.

Many days the trend pulls quilters one way, as I saw with January’s Scrappy Trip-A-Long quilts. We love groups, quilt-a-longs, tutorials, Moda’s bake shop, and so on.  And I remember the brou-ha-ha over Emily Cier’s quilt out of Kate Spain fabrics (have we forgiven Ms. Spain yet?)–this came about because the quilt was exclusively made from Spain’s fabrics, and yet — -if you noticed the above post — I’m falling into the rut?  trap? groove? of shopping complete lines of one designer’s fabric, rather than considering the artistic impulse, figuring out what I want to do and pulling fabrics from my collection to suit the artistic vision I have. I’ve learned that while a designer’s fabric line may prompt me to plunge into a quilt, if I don’t begin with the block and my layout first, the fabric tends to sit on my shelf because I’m buying THEIR vision, not my own.

But it’s still fun to dream.

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TouristWarning

I went to Road to California — the quilt show — last weekend.  Photos coming soon.

Four-in-Art

Four-in-Art, quilt 2

collapsed piece

This little pathetic, collapsed piece of dangly bits is where I found myself at the end of a day of invention as I worked on my second entry in our Four-in-Art art quilts group.  We are still holding, the four of us.  And from the dead place I spoke of last week, I’ve made progress.

Although I know it doesn’t look quite like anything yet, the quilt is coming along.  Nicely, even.  Reveal date is one week from today. I’ll be ready.  Hey! I already have a title.