100 Quilts · Creating · Quilts

Cowgirls Write Letters

My husband and I lived for a year in Washington, D.C. while he did his sabbatical at the Department of State.  (That’s what they call it.  Most of the rest of us just call it the State Department.)  I investigated any fabric store within reasonable driving distance and one of the ones was Material Girls in La Plata Maryland, about 45 minutes drive from where we lived.  Fast forward a year, and I went back for a visit to see my pal Rhonda, and of course, we had to hit some fabric stores.  Didn’t have a lot of room in the luggage, so I was drawn to the collection of fat quarters they had, and selected as many of this line as I could find.

But what pattern?  Luckily they had a whole rack of Schnibbles patterns, by Miss Rosie’s Quilt Company, and Rhonda and I each chose a couple of them.  I decided on this one, Decoy, then enlarged the blocks, cut them out, and had to piece the border because I was running out of fabric.

But what backing?  Of course it had to be a Western theme.  The cowboys were heavily represented on the front, so I went with the women on the back.

And I had lots of letter fabric, so I envisioned them all out on the plains, posting letters to each other as they herded the cattle wherever cowboys and cowgirls herd cattle.

We all know that the ladies are more frequent letter writers than the men.  So I titled it, Cowgirls Write Letters.  I made it extra tall for my own cowboy to use while he watches his spaghetti westerns on the television.  Thanks, Carrie, for such a great pattern!

100 Quilts · Quilts · Something to Think About

Come A-Round: Finishing School Friday

Come A-Round is finished.  This has lived in our house under many names: Crop Circles, Dotty Quilt, Elizabeth’s Masterpiece, That Quilt.  But its real name is Come A-Round. *This* is how I came up with the name.

I finished the top and sent it to the quilter, Cathy Kreter, who quilted the central fan-like circles, and the spaces in between them.  She also ran a line of stitching on the dark green stem and the outer edge.  I was to take over from there, but it went back to her to tackle the middle of the circles–a space about 2″ in diameter, which I couldn’t quilt because of so many layers.  Then back to me and I did the rest of the details.  It’s a good partnership.  The back fabric is about perfect for machine quilting: lots of tiny dots in all colors that hide a multitude of sins.  Just not green thread branches, and no, I didn’t pick them out.  I knew that if I turned back at that point, it would never be finished.  At least not by the end of summer.  And sometimes good-enough-but-done is better than perfect-but-undone.

The circle is simple in its geometry: one continuous looping whole.  Yet most of our lives feel more like jagged peaks on an EKG monitor with little blips of up and down in a rhythmic pattern–peaks and valleys that indicate there’s a life going on–that a heart is beating.  So when my husband’s sister called us early Monday morning with a voice full of peaks and valleys, so different from her usual and we heard the news about her young adult son gone too early, the rhythmic pattern of heartbeat stilled by his own hand, my husband and I sat together quietly for a long while afterward.  The silence between us was thick with emotion and sadness and wondering about whatever could have gone wrong?  We’d start a question, then pause mid-thought, not really knowing where we were headed, but knowing that there was no easy path around this sorrow.  This circle had been rent, broken.

My husband called our eldest son, and now his voice echoed his sister’s; as we called each of our children, we took turns pausing to let the emotion fall away so we could continue with the necessary news.  We went about our day.  We sat stunned.  We fixed dinner.  We took a walk.  We kept talking, thinking about Scott’s widow and his two young daughters.  The couple had recently separated and we wondered how we could let her know that no one blamed her.  I made a cake.  We were more gentle with each other.  We lingered outside after dinner on the patio, the sun falling into darkness.  Then the phone conversations turned to funeral arrangments.  Then the task of travel arrangements, and my voice cracked as I tried to arrange flights, blessing the kindness of the faceless voice on the other end of the line.  We talked with our children: life is fragile.  As people of faith, we believe we will see him again: whole.  After a few days the jagged peaks and valleys of those initial numbing hours leveled out.

It’s really a circle, this thing we call life.  The idea is not a new one, and certainly has a myriad of cliches to accompany the idea: one eternal round, the wedding ring’s symbolism, death to life and back to death again.  You name it, you’ve heard it.  But at the end of the day, we are all encircled about by a sense of going forth and returning, a feeling of beginning and ending, yet sometimes the lines that create those divisions are so subtle that they fade away.  What we send out, we see in return.  What is born, dies.

There’s a famous passage in the Bible, in Ecclesiastes, about a time for everything.  I looked it up again today and interestingly, in among the weightier references of death and life, mourning and laughter, peace and war, it notes that there is a time to rend, and a time to sew.

This week, I sewed circles.

Creating · Quilts

WIP–Lyon Carolings

Welcome to WIP Wednesday, hosted by Lee of Freshly Pieced Quilts.

Lyon, what? you are saying?  Lyon Carolings.  That’s my work in progress for today.The title comes from the name of the church–Carolingian–in Lyon, France, which was built by the Carolingian Dynasty from the 7th century, and alternately known as the Carolings. I snapped this photo of the patterned design on their ceiling, because you know us quilters.  It’s like a reflex. See pattern.  Take photo.

I obsessed wrote about the process of converting what I saw to a quilt block on another post; feel free to look it up. I’ve had this quilt top and back completed for a year now, and as my free time this summer is on its last gasp, wheezing its way to the finish line (where I REALLY have to think about school and lesson plans), I was determined to finish this.  So here’s my steps (pictures are below the STEP description).

STEP ONE:
Lay out backing, ignoring the fact that while you pressed it when you put it away last summer on a hanger it has developed new wrinkles.

STEP TWO:
Move the red bucket chairs because you need more room, leaving giant Xcircles in carpet.

STEP THREE:
Tape the backing to the floor, giving it a little tension to keep it smooth.

STEP FOUR:
Lay out the new kind of batting you bought, and realize that it will shrink 2%, which isn’t much, but if you’ve waited this long to quilt this puppy, you can wait a little longer while you squish it out in the newly washed kitchen sink, squish it some more, then drip your way to the dryer and dry it.  Spread it out again.

STEP FIVE:
Lay out the top, and even though it’s a billion degrees outside and in, lean over and pin the quilt, thinking cool thoughts, thinking of this as some kind of Pilates Stretching Exercise as you reach for the middle, sucking in your stomach while you hover over the quilt, safety pinning it to death.

STEP SIX:
Trim off excess batting, then stand back and admire the quilt.  This is an important part of the process because even though your husband really likes your finished quilts and is proud of you and loves to tell others about them, he’s not much interested in this part of things, so it’s you, baby, that has to bring the Atta’ Boy cheer to the table.  Atta’ boy, you say.  Or atta’ girl.  Whatever.

STEP SEVEN:
Begin quilting the blue, because that will stabilize the quilt as you ponder what to do next.  Some have a plan.  I have a desire to Get It Done and will figure it out as I go along.

That’s as far as I have gotten.  I like the puffing that happens as you start to quilt.  I use Superior’s Bottom Line thread in the bottom, with a distinct advantage that it’s thinner so you get get more on the bobbin.  I like the fineness of the thread and that it looks more delicate on the back.  In the top, I keep coming back to using Poly Neon.  For some reason this just works for me in most cases, although I have used other threads such as Superior’s King Tut and Poly Quilter.

I have no problem mixing threads, but do stitch out a sample on a sample quilt sandwich, identifying what I’m doing by writing on the section with a pen. Although you can’t see it really well, there are little numbers written inside those purple circles, above.

I’ve thought about using this flower, or the one below, as a template for how to quilt the yellow centers.  Which always leads us to Step Eight: Visit the fabric shop to pick up a marker to sketch in the flower.

In the post just below (published on my FSFriday last week), I write about how quilts stay done, when everything else doesn’t.  I’ll have another FSF post I’m working on, with a project that has been in process since last October.  Check back, if you want to, to read about that one.

Creating · Finishing School Friday · Quilts

All Is Safely Gathered In–FSF

Okay, before the large picture of the quilt, get a load of this quote:

“Of all cursed places under the sun, where the hungriest soul can hardly pick up a few grains of knowledge, a girls boarding-school is the worst. They are called finishing schools, and the name tells accurately what they are. They finish everything but imbecility and weakness, and that they cultivate. They are nicely adapted machines for experimenting on the question, ”Into how little space a human being can be crushed?” I have seen some souls so compressed that they would have fitted into a small thimble, and found room to move there.” –Olive Shreiner

Hmmm.  By focusing on finishing, am I crushing myself into a small space?  Am I creating a Tyranny of the Done?  That’s the danger in shifting words around in a language as fluid as English is.  I use that term–Finishing School– in an affectionate way, Olive Shreiner’s words notwithstanding.

When I was a young mother I moaned to MY mother about how I never got anything done.  The laundry always piled up;  sometimes as quickly I as I could move it from the dryer, fold it and put it in the drawers, it would be used, dirtied and find its way back to the blue plastic mesh basket in front of the washer.  Meals were a never-ending story and I resorted to “closing the kitchen” just so I could get the breakfast dishes washed and put away before it was time to haul out the peanut butter and jelly for lunch.  The bathrooms always needed to be cleaned, the floor rarely seemed to be free of crumbs or sticky places.  And those sticky places migrated from floor to doorknobs, to car handles, to walls.  If I could have strapped on the 409 in a giant backpack, squirting and wiping as I went I MIGHT have conquered the dirt.  Just maybe.  I began quilting because I wanted a “bedspread” (what we called it then) for my bed, however I soon saw the advantage of quilting: it stayed done.  I didn’t have to resew a seam as it didn’t unpick itself in the night.  The patches would still be there, done, when I was ready to assemble them into a quilt.  And then somewhere this stitching and patching and quilting took a turn and became my art, my way of expressing creativity.

I think I moaned to mother for years and years. Then the children grew up, the bathrooms needed cleaning only once a week, then the children left.  Dishes rarely pile up and sticky places don’t spring up like mushrooms overnight.  The dust and dirt of housework and I have made our peace with each other, leaving lots of room around my job as am adjunct college professor (English) to happily spend time cutting and sewing and creating quilts.

But there’s this healthy strain of ADHD in my family, and I can easily flit from pile of fabric to pile of fabric.  My intention was to take stock each Friday, slow down and commend myself on whatever I had accomplished in order to notice my work, to smile and be aware that I completed that which I set out to do.  To reap a little harvest from the sowing (sewing, too) that I had done earlier.

So, today, here is All Is Safely Gathered In, a quilt about sowing and harvesting.  I began this three years ago, trying to work with an original block I’d drafted–simple in design but it carried a nice big punch with those new large-scale prints that we were all investigating.  How to make them work?  Place them right up against each other in nice big squares and shapes–let that fabric shine. When I was casting about for a name, I talked it over with my husband.  How about something about harvest? he asked, and the phrase from a favorite hymn jumped right out at me.  When I was that young overwhelmed mother, I could think of nothing more satisfying than walking around the house at night, the last child in bed, the open book fallen to the floor, the night-light casting its golden glow on the cheeks and hair of these children who kept me so busy during the day.  I fell in love with them all over again, storing up these feelings of satisfaction every night against the onslaught of the day.  And now, many many years later those children walk their houses at night, picking up the books, bending over to plant a kiss on their children’s soft cheeks.

I sowed children and stitches and tasks uncompleted and time and more time and I am now reaping grandchildren and quilts and houses that don’t get quite as dirty.  While I’m not done, I feel like I have some sense of the law of the harvest.  And it is immensely satisfying, I must say.

I was drawn to not only the Kaffe Fassett fabrics (rich in coloration and detail) but also those of designer Martha Negley and Phillip Jacobs (who designed that border).  I loved making this quilt, but it did take me three and a half years from inception to this stage–awaiting its label on the back.

I’m actually doing two labels–this one and the dotty quilt label.  Hopefully that one will be next FSF–in the best sense of the term.

But few have spoken of the actual pleasure derived from giving to someone, from creating something, from finishing a task, from offering unexpected help almost invisibly and anonymously.” –Paul Wiener

Happy Sowing.  Happy Finishing School Friday.