Creating · Quilts · WIP

WIP–Halloween Quilt

So this is the plan.

Our little Quilt Group (Good Heart Quilters) wants to do an exchange of fat quarters in October of Halloween Fabric.  I’ve already got mine ready to go, but then I thought–go where?  So I got out my quilt program and cooked up this little house quilt.  This is digital–I’ll be working on mine for the next month, but I can see someone appliqueing ghosts coming out of doors, embellishments, witches riding in the sky.

I made up the plan for this quilt.  I call it “The Plan” because I couldn’t figure out how much bigger to print it out to make it real, honest-to-goodness templates. So, in case you want to make yourself a quick little Halloween House Quilt, here is a free PDF file for download:

Warning — it’s an oldie (but goodie)! I also envisioned using this paper as a place to lay out your cut pieces, so you know you’ve cut the right ones.

Please use the dimensions given to cut your pieces, as believe me when I say I doubt very much it will print to the right scale.  Forgive me, I didn’t take that class in college.  This post is to get you thinking about what fabrics you’ll use, and how you’ll use them.

I’ll have more later on about construction, but tomorrow I’m getting on an airplane and going to my nephew’s wedding in Salt Lake City, Utah and plan to celebrate some newlyweds.  I will have a post on FSFriday, so you can see what I finished this week, and when I return I’ll start into the fabric cutting and piecing for Halloween House Quilt.

I used to link in to this WIP every Wednesday.  This post was one of them.

Quilts

Checkerboard Border

Been one of those weeks when I’ve felt more wobbly than usual for some reason, so everything’s been on Slo-Mo.  That’s slow-motion.  But today I woke up without a headache and headed to Free-Mo.  That’s Free-Motion Quilting.

I’m working on the table runner for the Red/White Challenge hosted by Temecula Quilt Company, and the deadline is September 15th.  All the blocks came in from local quilters and from around the world, so I put it together in a quilt sandwich and went to town.  It went quickly, and it was good to just dig into something to get it done.

I’ve had this idea to put a checkerboard border on it, as this will be used at Christmastime and during the patriotic holidays, and I wanted to jazz up that edge a little.

Okay, while I was trying to put away the box of French fabrics (it goes on the top shelf, and I’m a shortie), this quilt fell down.  It’s a seaside quilt that I stated long long ago.  And abandoned.  It is NOT on my list of lifetime quilts, as it’s sort of in this limbo of that place whether or not I want to finish it or not.  I mean, I LOVE the background fabric and the turtle (raw-edge applique) turned out well.  But I know to really make this quilt something else, it will require digging into that drawer marked “Coral Reef” and cutting and sewing and appliqueing a whole host of creatures.  I even have a child’s picture book in that drawer, purchased after I took the class, because oh my! the teacher’s quilts were so incredibly cool and I wanted to learn from her.

True Confession:  I also have a Ricky Tims quilt in about the same stages, but it’s a square-within-a-square quilt.  I went down the night before the class to hear him speak at our quilt guild and loved every minute of it.  So I showed up for class and . . . didn’t love every minute of it.  I felt he was distracted and just punching a time clock that day.  We all have days like that but it taught me one more truth about the quilt world: some of the famous personalities we see are fabulous in front of the camera and some are terrific teachers and sometimes you have both.  But not always.

One teacher I’d take again in a New York Minute would be Roberta Horton.  I’ve had several classes from her (is she even teaching anymore?) and I’ve gone away from every one of them amazed at her ability to gently, yet firmly, bring her students to the place of creativity.  I’ve finished very quilt I have started in her classes.  Two other honor roll teachers are Jane Sassaman and Katie Pasquini-Masopust.  I’ve finished all of their class samples, but by then I’d learned to make a small quilt–less than 15″ on the longest side–in order to learn the technique and to have a “finishable” piece of art.  I have also taken a class with Ruth McDowell, and she ranks right up there as well, although after a 4-day class, I don’t know how she kept us motivated and going.  We were all exhausted!  It took me more than a year to finish that quilt, as I wanted it to be nearly perfect.  I think you’ve seen it all before, but to contrast with the unfinished seaside quilt, I present Heart’s-ease.

One of pansy’s other names is Heart’s-ease, as it was thought to be involved with the affairs of the heart.  It actually refers to the “viola tricolor” which is an ancestor of our modern-day pansy.  Now you know more than you ever needed to know about these sunny little flowers that bloom around here in Spring.  And which, because of Ruth McDowell and this quilt,  I have blooming on the guest-bedroom wall all the time.

100 Quilts · Quilts

Lyon Carolings

The mad summer of sewing quilts has come to an end.  I found the list of quilts I’d made at the beginning of my time away from the classroom, and “French Quilt” was on the top.  I’d remade this–or as I like to say–I made this twice, just trying to find the right way to show off these fabrics from France.

I just couldn’t decide what to quilt in the center of the yellow squares, but went with a floral motif from the border.  I had to rip out one block when it turned out I hated that particular thread.  I have picked out a lot on this quilt.  I’d originally stitched the green borders with a swirling design from that same outer border.  Wrong.  So I unpicked that, and channel/echo stitched it to mimic the blue X’s in the center of the quilt.

I chose to quilt one of the flowers in the center of the yellow blocks.

Does anyone else hate marking?  I don’t want pencil, although that is the easiest.  And since I don’t plan to wash this quilt (it’s for display), I don’t want something I have to wash to get out.  I don’t trust the disappearing markers, so that only leaves me with chalk and my ragged eye to get the job done.

And the back, with its four colors of toile.  Make that five if you count the hanging sleeve at the very top.

How did I come by all this fabric?  Like Miss Carrie of Schnibbles fame, we had traveled to France.  The first few days were touring around the south of France before we were headed to Toulouse for his scientific meeting.  We’d traveled far that one day, arriving at our B & B late (8:45 p.m.) just outside the town of Aix-en-Provence, after getting lost.  They did serve us our dinner, and the part I remember was having a chilled melon soup in the dark in their courtyard.  It was lovely, and served in a hollowed-out cantelope half that had been frozen.  The French do food right, I must say.

Aix-en-Provence, painted by John Horsewell

The next morning, we ate breakfast with the white mountain in view, an oft-painted mountain, then glancing at the darkening sky, checked out and drove to into Aix-en-Provence.  We were hoping to catch a market day.  As soon as we parked the car (in the carpark on the outskirts of town), the skies opened up and a huge torrential downpour kept up trapped in a deep doorway for ten minutes.  Of course we had only one umbrella between us (!), so we ran from doorway to doorway to the center of the town.  The market was closing up, even though the rain was ending–it was still quite drippy.  We caught a few photos of the newly washed melons, berries, tomatoes, when the downpour started up again.  We dodged into a shop that ringed the market square, peering out at the rain.  We were pretty discouraged.

Then my husband leaned over and whispered in my ear, “Turn around.  I think you’ll be happy.”  I turned and looked.  We had ducked into a fabric shop and although tiny, it was filled, floor-to-ceiling with glorious fabrics printed in the traditional manner of old France.  Those were the days when an extra suitcase was no problem and weight limits had not been heard of yet.  I had brought along a soft-sided suitcase and between my purchases here–and the ones the next week in Toulouse (for they had a lovely fabric shop as well)–I filled that suitcase full.

I have purchased these fabrics in other places, but this shop, found while dodging the pouring rain, was the genesis of my collection.

If you want to start your collection, I can recommend French Connections, here in North Carolina in the US of A.  They have a wide range of choices (that’s where I bought that fabulous yellow border) and I think given the cost of importing, the high price of cotton and the weak dollar against the euro, they have reasonable prices.

Happy Sewing!

Quilts

National Park/Anniversary Quilt

The first time I went camping as an adult was with my intended husband, my Dave.  His brother and sister and their children, and Dave and I and my four children all packed up and went camping to a place where a giant German shepherd terrorized the campground and barked all night, the neighbors drank too much and were too noisy, and we burned our foil dinners.  It was perfect.  I was so happy to be there with Dave, and the kids and out in nature.

Fast forward six years and we’d been to a lot of the National Parks in the West and a few on the East coast as well (although not always camping in them).  He proposed to me in Yosemite.  Our first family camping trip was to Zion National Park.  We had dated near the giant redwoods up in San Francisco, and had taken a summer camping trip (sans the kids) to Sequoia and to Kings Canyon. And we’re headed to Yellowstone this week.

One of our local fabric stores had printed up several different sets of orange crate labels since our area is home to the navel orange industry.  I chose the National Parks set and put the labels in an Attic Window setting, then sashed them to further set them off.  I used naturalistic fabrics, and a sky full of stars fabric for the border.

Our local home subdivision is called Canyon Crest, and probably a long time ago before all our homes were built, orange groves probably dotted the area.  The best smell you’ll ever smell is in April, when all the citrus flowers burst into bloom.  It’s better than candy, just standing on a slight hill above the groves on a spring night, the orange blossoms scent surrounding you in the mild temperatures.

More nature scenes on the back.

I go back and forth on the name of this quilt.  Sometimes it’s the National Parks Quilt.  Other times it’s the Anniversary Quilt.  I can’t believe with all our challenges he and I have made it this far–me a crazy single mom with four children (teenager to kindergartener).  He a studious scholar with no children of his own.  We took a leap off our own mountaintop, a jump into the unknown, and yet we’ll celebrate anniversary #22 in a week.  Happy us!!