300 Quilts · Happy Old Year Ending (Wrap-up) · Patterns by Elizabeth of OPQuilt

Happy Old Year Ending 2024

Can I squeeze just one more quilt in here?

I’ve made several quilts with prominent flowers in my tenure as a Quilter Who Just Keeps Making. Scroll quickly and you’ll have a flower show in deepest December.

Daisy Star Quilt (#76) Whoa, that is Early Days (2009). Fabric from Lakehouse inspired this one.

Lyon Carolings (#88) which is kind of flower-like.

Colorwheel Blossom (#140) where I totally riffed on a popular image (on our phones).

Tell me this little quilt (Eclipse, #189) doesn’t look like a giant sunflower…I think it does. But after it was pointed out to me once, I can never not unsee the pair of eyes in the upper right staring out at me.

And then I went big:

Annularity, #203, with rainbow petal-like structures around the outer edge.

Serious little dainty flowers in #217: Field Flowers.

Okay, maybe this is technically not a flower (not even the title says so), but with those yellow petal-like pieces on the outside, I’m going to slip it in here. Choose Something Like a Star (#238) is held by a couple of angels from Berlin.

Sunny Flowers (#246) is still a favorite.

Heart’s-Ease #52 (went backward for this one). Made in a Ruth McDowell class, and if you know who she is, you are fortunate.

Heart’s Garden, #264, from 2022, when I ran a Mystery Block on here, because we were all going stir-crazy from being shut in for a year or two from covid. No worries, we are almost done with the flower show.

Blossoming, which I take naps under because it is just the right size (#267).

Sunflowers for Kim (#268) –guess who that is?

A pattern from Yvonne, which I titled Primula Ballerina (#274); made to keep me sane while we remodeled our kitchen.

Blossom (#276) but you also have to see all the variations together for a class I taught on Zoom, during the pandemic:

I think all of these have been given away.

Lollypop Trees are definitely floral, with all those Kaffe fabrics. This is #132, from 2014.

Coquelicot (Poppy) which is #290, and has an earlier variation in just a simple layout.

Twilight Garden (#292) which I stitched while on the Total Eclipse Trip.

And now, of course, the last flower quilt in the parade: Giant Flowers, #299. It’s about 52 inches square.

I had a fun time quilting this, moving from the radiant design I talked about here, to the lattice work of the garden fence, and then I got stuck on that outer border. I had something really ornate planned, but in a conversation with Yvonne I mentioned that while looking at #fmq and #customfmquilting and other tags, my eyes began to glaze over. I can quilt a thick carpet of flowers and vines and whatever on a quilt, but on that afternoon, considering this quilt, it all just seemed like #toomuch. So I paused. While in a church service a few days later, I began studying the carpet (tell me you’ve done this). I did listen, but was also trying to figure out how to replicate the flower-structures. Here’s my drawing, from when I got home:

Yes, it’s still dense, but it’s a different visual than the tightly packed swirly vines and petals in the interior white section. I like the larger scale, but it was a bit of a leap for me. I have to ask: if our quilts aren’t a place where we can experiment and try something new, then why are we making them?

Giant Flowers, showing its checked backing, is quilt #299. I wanted to make it to three-hundred quilts this year, but didn’t quite hit it. Looks like I have something to look forward to at the new year.

I’ve been playing around with this one on the Affinity Designer artboard. Maybe this piece has legs, and can go the distance? I first heard that saying from a professor, when he commented on my short story we’d just discussed in class. I was getting my undergraduate degree in Creative Writing. That short story, turned into a novel, which is now hidden in my bottom drawer after my father said: Don’t Write About Me.

But we writers mine our lives for ideas, for stories, for the beginning strands of a narrative which will take us where? we don’t know. I should have said to my Dad, if you don’t want to be written about, don’t hang out with a writer, but he was my Dad and it wasn’t a command so much as a wish, so I listened. In the end, it turns out maybe I didn’t have the nerve to bring all the bits and pieces of my life — even if disguised — into a novel. Some of my classmates did, and I admired them. But writing can be hard work, and as you saw from the beginning of this post, I’m very happy to take a walk among flowers.

I can do it literally, or just in pieces of cloth and color. The title of this blog tries to capture this idea of staying curious and seeing where dabbling in pieces will lead: it could be a short story or a poem, or a quilt block, or a quilt.

Yes, I make all sorts of pieces, occasionally.

Happy Old Year Ending!

All of my patterns live on PayHip.

300 Quilts · Patterns by Elizabeth of OPQuilt · Quilts

Turning of the Year

Thus times do shift, each thing his turn does hold;
New succeed, as former things grow old.
Robert Herrick, from Ceremonies for Candlemas Eve

I don’t know how many more turns this life does hold, but I’m getting better at recognizing them. That’s what living for a while will do for you: give you practice at the painful, help you recognize delight, and deliver the ability to watch calmly as another year turns.

We get our fall this time of year, here in Southern California. We pretend to have colorful autumn arrive with the Northern and Eastern States, putting out our russet and pumpkin and burgundy decorations all through October and November, but really our trees don’t have their turn until December. I gather up a few to rest on my dashboard as I drive around (for we also do that in Southern California), and celebrate the colors.

I made the top to this quilt in December 2020, so it’s appropriate that I finish it when we have turned away from the pandemic, its memory triggered only when we find our cloth masks in the sock drawer, or the junk drawer, or realize that a box of N95s has taken up permanent residence in our hallway closet, a talisman to ward off the unthinkable.

It’s nice to be able to crunch around my “walking” park, the leaves crisp underfoot, finding places that echo the muted tones of this quilt, Pomegranates.

Many of our leaves go from green to brown, a dimming of our usual colorful landscape. It’s as if they say, we gave it all for the year and now are tired, just needing rest. I can understand this. I have times of dimming, as well as times of bright.

Herrick reminded us that “each thing his turn does hold” and I don’t have to have only one season of quiet and rest. I have had many years to watch the days grow shorter, the nights grow longer and then again, and decades to watch the reversal of it all.

I’m lucky that way. Hopefully, so are you–

Quilt # 298 • 42″ square, with a simple single-binding
No label, as I’m sending this off and think they may like the backing of this quilt (a treasured piece from Alexander Henry) as well as the front.

Another post about this quilt

Yes, it is up in my pattern shop and for December, you can choose your own discount if you want to stash it away for New Year’s sewing (another turning for all of us).

300 Quilts · Christmas Quilts · Patterns by Elizabeth of OPQuilt · Quilt Finish · Quilts

Christmas Trees • Quilt Finish

Biography of this quilt:

Factoid #1: It could be Christmas Trees. It could be Easter Trees. It could be Halloween Trees, even though I posed it in a Christmasy setting in a small town in Arizona.

Factoid #2: Started in a small sewing group swap in 2016, it lingered in a bag somewhere in my closet. I found it again this year, and when my friend Lisa finished hers up and prompted me to Get Going.

Factoid #3: The block pattern has been spruced up into a charming new version of itself. Get it yourself by clicking on the Download button:

This free download will also be at my pattern shop on PayHip.

Factoid #4: This is a great quilt for using the shirt from your husband/boyfriend/son that has worn out. Or your Dad (see different trees from different shirts, below–somehow blue checks are popular).

Factoid #5: These make up fast. What takes the most time is picking out the fabrics. I decided a slim border with a fun binding would finish it off nicely.

Factoid #6: This is the second “holiday-ish” quilt I finished this year. I never seem to get into the mood until Thanksgiving rolls around. Next on the list: order the Christmas Cards. (eye roll)

Factoid #7: Label

Factoid #8: (last one) This is quilt number 296. Four more to go to reach my goal of 300. Then what? (I don’t know. Probably not much will change.)

Have fun choosing fabrics and breezing through a fast quilt–

Other posts about this quilt:

Christmas Tree Block Swap Original Block freebie pattern is here, but it’s gone now. Do yourself a favor and use the new one (download above). However–> Step-by-step directions are found here, if you need them.

Christmas Tree Block Swap, part 2 More frivolity. This is like…EIGHT YEARS AGO! That is just bonkers.

Tiny Tree and Teeny Trees — if you want to make little ones, this post gives you instructions for how to make wee quilts that slide over dime-store plastic frames. Again, free pattern.

300 Quilts · Patterns by Elizabeth of OPQuilt · Quilt Finish

Mercato Square • Quilt Finish

You’ve seen this quilt in a sketch — before — but here it is finished. In that linked post, I showed all different kinds of ways to color this quilt, and in different sizes, too.

Since this quilter lives far away from me, I can’t show with my hands how big I want the panto to be. So I mock it up on an illustration. (Thanks, Affinity Designer, which is now half-off in price.) I sort of obsess about the right panto for the right quilt; in this one I didn’t want any sharp points, but I didn’t want any curlicues either. In a “what do you think about this quilt design?” discussion, and Carol said “that one works” I felt better about it.

When I opened the box when it was returned to me and unfurled it onto my living floor, I fell in love all over again. In the end, I had the Greek Key design lean to the left, for no apparent reason. You have to call them like you see them.

Last year, I scooped up the backing fabric for a song when our LQS closed (sad sad to see them go), and I ended up loving this bright fresh green against that poppy red fabric.

Many of these blocks were made for me by members of The Gridster Bee; some are missing because of health reasons — theirs or a loved one. I finished up what blocks were missing, and sent it off to my quilter. I started the Gridster Bee several years ago, and when I needed to retire, Patti took it over. This year I joined for one last time. As a thank you, I sent Patti this little badge: she deserved it. (badge from here).

We went over to a favorite place for photos: the exterior entrance of the California Air Resources Board. We had about 6 minutes of sun today and that’s when we snapped these photos. This is quilt number 295 in my Quilt Index. I also get to put it up on my Portfolio of Group Quilts. And I’m thankful for my husband, who gamely goes with me to hold my quilts, and cheers me on.

Twenty-one quilts made with friends: quite a history. Something more to feel grateful for this week.

Other posts about this quilt:

Mercato Square • New Pattern

This and That • October 2024

Pattern can be found on PayHip, my pattern store