Carrefour Quilt Show · European Patchwork Meeting · Quilts

Carrefour III: SAQA, Aotearoa Quilters, Libs Elliot, Esther Delgado, Caroline Simm, and the OZQuilt Network

This post covers:

• Venue 6: Espace des Tisserands, with OZQuilt Network, Libs Elliot, Caroline Simm, Esther Delgado, and the Aotearoa Quilters

I have a main Carrefour Quilt Show page that lists all the posts of all the meetings I’ve gone to, and includes the posts from this year too.

This exhibit place, call the Espace des Tisserands, is sort of like your town’s gym and event center, all in one. In the following photos, you’ll see some of the basketball hoops (drawn up) as well as all the partitions that Carrefour brought in to subdivide the large space. At the front door, they sold us booklets, stickers, and it was where we could pick up our tickets. Because I had done some writing for the Carrefour European Patchwork Blog, they had two wristband passes waiting for my husband and I, and I am grateful for Carrefour for providing these for me.

If you haven’t figure out yet what this is all about, every year in a small town in the Val D’Argent (Silver Valley), the Carrefour Patchwork Show is spread out over several small towns, and exhibit in event centers, churches, and other places. Plan now for September 17-20, 2026!

SAQA (Studio Art Quilt Associates) had a large area in Espace Tissurands. They also had companion interviews on Textile Talks with three of the artists who exhibited in France, and it’s worth a look to get the background on their work, and especially the giant blue lobster.

So much texture and that beautiful blue color, and I loved this piece for how interesting and surprising it was.

I’m showing these in random order; not all of the exhibit will be shown.

Once in a Blue Moon, by Lorraine Woodruff-Long, was “made entirely from repurposed men’s blue shirting.” First she made a giant Log Cabin block, then she cut it up and re-arranged it, while taking the Biscotti Quilt workshop with Brandon Wulff.

Indigo and the Murex: I lightened this as much as I could, but not so much you might miss the intense saturation of three kinds of indigo blue dye: (on the left) Isatis is European woad, and on the right, the stroblianthes curia hails from Asia. In the center, the Murex branders seashell is from the Mediterranean sea, and the artist, Carol Anne Grotrian, writes on her title card that the dye from this animal has a similar chemistry and is nearly identical molecule to the indigo plants.

Urban Grafiti, by Alison Charlton

(Note: photographs were taken by both my husband and I.)

MiJoo Jin, from South Korea; The Bond of Blue Flowers.

(Click to enlarge photos.)

Love You x2, by Joanna Ellis. Unfortunately, the title card photo was so blurry it’s difficult to read (the hazard of a quilt show!), but the artist does mention the Celtic knot, quilted into the center, which symbolizes a love that never ends–in this case, between a grandson and his grandfather.

I loved the shibori technique, coupled with the small one-inch hexagons. The smaller folded hexagons attached here and there bring to life the idea she writes about: “Blue as an emotion is always changing.”

Another creature! And so many blues and so many textures, not only in the Blue-Headed Tree Agama, but also in the quilting in the background..

Last one in the blue series for this post.

The SAQA blue quilts were sort of over in the far upper left of this building.

This is what greeted us when we came in: this triptych of folded and hanging quilts.

Esther Pico had quite a few quilts, and this is the title card from the one in the center of this group (unfortunately, no photos of the other title cards).

Turning to my right, I see this quilt, of the artist (maybe?) peeking out between the leaves of her plant.

And then just beyond the shy woman with the plant, was this burst of floral energy! We took more than a few photos:

This is how it looked most of the time: a place to gather with friends and to study and look at all those blossoms!

This is a piece from Linda Steele who belongs to the Ozquilt Network (OZQN), an Australian organization for art quilters and those interested in art quilts (from the catalogue). Tropicana is the title, and she writes: “I happened to be at a bird sanctuary at feeding time, and I was delighted to have birds flying all around me.” It’s not a huge piece, and I realize that this time many of the quilts did not have their dimensions listed, so it makes it hard to visualize the relative sizes (sorry).

This is also a smaller piece. It’s by Dianne Firth (also with OZQN) and is titled Evening. It was done with torn-strip appliqué, machine stitching and quilting. She writes: “Each evening the sky takes on a different characters. Sometimes it is clear and serene while at other times it takes on a brilliant display of red and orange.”

Julie Haddrick makes a keen (and startling) observation about the different mammals that are now gone.

Below is a collection of quilts by Caroline Simm, who lives in Western Australia, and who has been quilting for over two decades. She likes to use mixed media, art quilting, and collage.

This was a larger quilt, with complex construction and collage.

(Click in order to enlarge to read details.)

A design by Ruth deVos, who also has her own exhibit here!

Sammy. He was the mascot of the show, as shown by the T-shirts below. Details are in Simm’s IG post.

Click to see how Simm layers in different fabrics to bring out the texture in Sammy’s beard.

A trio of smaller quilts, now, of the wildlife in Australia and also by Caroline Simm.

In the far right, in the corner of the Espace des Tissurands, was a small exhibit with quilts by Libs Elliott. She was not there when we visited (probably teaching or speaking).

Are you still with me? Now some quilts from the Aotearoa Quilters, and as a treat, they gave me one of their giveaway pens (I’m big on souvenir pens). This organization is the only quilting group in New Zealand, “that operates at a national level. The principal objective of Aotearoa Quilters is to promote the art and craft of patchwork and quilting within New Zealand” (from the catalogue).

You could almost reach out and pet this cat.

Arden’s piece was a favorite of mine, with the different materials and that fabulous binding.

Organized Chaos, by Sheryl Madigan.

I love all the “hidden” piecing in here, in the background, in the figures, in the halo. So many interesting parts to study.

Oh, I want to meet this bird!

Here are two quilts constructed in the same way: with parts made by several quilters, and a band of pieced fabric at the top.

I love how I could learn about this area of New Zealand, just from studying the images.

While this quilt had the pieced bands at the top, it was not made in strips. It was, however, made by a group of quilters.

And now one that really caught my eye, to close out this post. I know this post was long, but there was a lot in this exhibit building, and I liked that it was all grouped together. So I kept it that way in writing it up.

Chris McDonald: My Little Corner of the World

She writes: “My Little Corner of the World refers to New Zealand’s location in the South Pacific Region. My quilt represents both land and sea. The flora and fauna which are featured are all native to NZ and are but a tiny number of the interesting species found here. Inspired by the Japanese quilter Harumi Asada.”

It was pieced, appliquéd, embroidered, and used the quilt-as-you-go method. Here are some more photos:

Thank you for reading about these quilts. It was a lot to take in, but so much beautiful work. I’m turning the comments off on this post, as it came on the heels of the other one. You can always reach me by leaving a comment on any post; I’ll see it.

Carrefour Quilt Show · European Patchwork Meeting · Quilts

Carrefour II: Lois Parish Evans, Ina Statescu, AFHAM, and ValPatch Quilters

This post covers:

• Venue 2: Osmont Pavillion, with Lois Parish Evans
• Venue 3: Église St. Louis, with Ina Statescu
• Venue 4: Église des Chaînes, with the French Ananbaptist and Mennonite History Society (AFHAM)
• Venue 5: Temple Réformé, with the ValPatch Quilters

I have a main Carrefour Quilt Show page that lists all the posts of all the meetings I’ve gone to, and includes the posts from this year too.

Lois Parish Evans, a quilter from New Zealand, has the skills to make a small, densely quilted piece come alive with design and stitching. I included the title cards after each piece to provide her thoughts and techniques. I also loved the way she finished the edges of some pieces: with blanket stitching, instead of traditional binding.

If you want to see further details, click to enlarge the photos.

I loved the festive colors in this mandala. And the next one is a veritable horticulture index, with all the different shapes of leaves…but still in reds and greens.

I was also intrigued by the insertion of thread lace in some of the cutouts. The title of this is Red Alert For Going Green. She writes: “We are at a critical point for going green. Using a variety of green leaves as a symbol for nature, against a red alert square and with some ‘dissappearing’ leaves, I have sought to portray the strength of the danger that our planet faces. Red alert means it is time to take action.” This was made in 2020.

Leaves? Trees? Reflections?

Reflected Light, 2022

Even though she was working in a series, the two pieces project different moods, given the colors.

I thought the use of hand-stitching completed all the machine stitching, especially that teensy meander in the background,

I fell in love with this one.

Her use of repetition, and drawing the trees in geometric shapes only enhances the feeling of being in nature.

Click to enlarge the photo on the left to see the complete mandala.

A different kind of small quilt, this time, with fabrics on a black background.

It’s easy to see that her attention to detail really elevates this work of art. I love the wafting of the breeze, the feathers on the fronds and the intricate reflections of the rock.

Her work is timeless, and intriguing. I realized that working in small scale can really open up ideas that would simply be overly repetitious if done in a large quilt (like all the stippling, or the hand stitching). It was a pleasure to meet her!

We come out of the Osmont Pavilion (Venue 2) and head up to Église St. Louis. I’m very appreciative of their good signage!

This is one of my favorite venues, with its beautiful stained glass art, in a light and bright old church. Ina Statescu, a Franco-Romanian artist, is exhibiting here. She uses a variety of shapes and materials in her artwork. Before we get to some of the smaller pieces, let me show her main work, up near the altar area.

I think my husband shot this photo (he’s taller), or maybe he did the next one. All I want to say is that he was a partner in picture-taking, throughout all of Carrefour.

Title card for Chemin de Lumière, which translates to Path of Light. Notice it took her four years for this one, and while I can’t give you complete detail (we were roped off from getting closer), here are a few detail photos:

Click to enlarge. Her technique is so interesting, with longer and varied threads and intricate embroidery.

Many of her quilts just had numbers on them, without title cards.

Please forgive the cell phone shadows. This coloring is very subtle, but exquisite.

Many years of people ascending to the choir loft bring a patina to the stairs.

Her colors are not contrasty, nor vivid, but are quieter in their intensity, such as the yellow and green pieces, above.

Saints watch over the quilts (one of the perks in exhibiting in a church, I suppose), the one above being St Therese of Lisieux. (A reader wrote to say that her brown habit is the clue.) I love the juxtaposition of the more traditional church iconography and art with the contemporary quilts.

In some ways, Statescu’s pieces remind me of Rothko, with great fields of color.

Then out we go into the sunshine (it was a fairly hot day) to head to the next location.

This church is just down the street, and holds the exhibit for the French Ananbaptist and Mennonite History Society (AFHAM), a society dedicated to the Anabaptists and Mennonites from France in honoring their heritage and past. It traditionally exhibits a large collection of traditional Amish quilts, and this year it carried on the same.

Love those red ceilings!

An exhibit at the front, with more traditional quilts. I would have loved to seen that variation on a churn dash hung up, as the subtle color shifts were fascinating.

That quilt is just made more interesting with that lower right variation. (Did they run out of cloth?)

Facing the organ loft.

To honor their Anabaptist/Mennonite heritage, at the Carrefour main building they had this buggy, with sheaves of corn.

Out the door to Venue 5, the Temple Réformé, another church. I include these photos of the town just to remind myself I’m in France, in a series of small towns and at a quilt show!

We walk down, and hang a right at this driveway.

ValPatch is a local association (the visitor’s guide says) “from the Silver Valley (Val D’Argent)” which is comprised of the the towns Sainte Marie-aux-Mines, Sainte Croix-aux-Mines, Lièpvre, and Rombach-le-Franc. Twenty friends “regularly meet up and share their passion for all textile arts. Some of the members have been quilting for over thirty years. They all have different backgrounds and experiences in the textile industry, which leads them to make pieces in a variety of styles” (from show catalogue).

I love this group, and was happy to see they were selling small items for sale. I bought this little owl and Michelline, the maker, agreed to pose for a photo for me.

Owls were their theme this year, with the focus being on autumn.

I loved seeing what the quilters in this area were making. I used to belong to a group here of about 20, but we have dwindled down to just a handful and no longer meet together. (I miss them!)

A happy, convivial group!

Now, out the door and onto the next venue which exhibits the SAQA collection, and others. It will be in the next post about Carrefour.

Hope you all had a lovely Thanksgiving, if you celebrated, and are ready to think about your end-of-year sewing and parties and gifting and surviving the holidays.

How many days until Christmas? (I don’t think I want to know!)

Michelline’s owl

I did some more decorating:
Stella di Natale is up, along with a tiny quilt (free pattern for this).

European Patchwork Meeting · Quilts · Travels

Paris Mercerie (Fabric) & Paris Markets

Now, where were we?

Everyone travels for different reasons. Some to go to a place and look around. Some to escape the routine and breathe some fresh air. Me? I go for fabric. Okay, I’ll look around and enjoy the sights, see the wonders, visit the museums, but it’s like an internal radar: where are the fabric shops?

We recently returned from a trip to the Carrefour Quilt Show in the Alsace region of France, with an additional few days in Paris. Yes, the quilt posts are coming (and will be spread out), but as I’m emptying my suitcase (singular — which is part of the challenge) and my backpack and unpacking what I purchased for souvenirs, I thought I’d share a little. Or a lot. This can also serve as a resource for others heading that direction.

One morning, after stopping by the local boulangerie (this one was Bo & Mie, and that babka cannelle went right into the bag), we headed up to Montmartre, a hilly, historic district in Paris’ 18th Arrondissement. From a previous trip I knew that at the base of the Montmartre basilica were lots and lots of fabric (mercerie or tissus) shops. As I mentioned before, I only had one carry-on bag, so decided to focus on ribbons (ruban), as I was also carrying what small amounts I’d purchased in Alsace at Carrefour.

We rode the metro up to near Montmartre then got off and walked up through streets. I’d typed in “mercerie” into my map program (I mostly used Apple Maps, but my husband used Google Maps and between us we usually made it somewhere).

I could see through the window that Frou-Frou had ribbons. Many people speak English; my husband speaks French, so I brought the bolts of ribbon that I wanted to the front desk. Right there, she measured off what I needed — no walking to a neighboring counter this time — and rung me up.

I purchased fun dots and some basic white ribbon for an article of clothing I needed to mend back home. The elastic, and a different width of white ribbon (for some reason, the size I wanted was out everywhere), were purchased at the next place we stopped…

…which was this jumbo place. There are several large stores in this area with lots of fabrics to choose from. It’s almost like going to the Los Angeles fabric district, but before ICE decimated the area with their raids. I never made it to the rooftop to see those trees growing up there, but I probably wasn’t allowed to go there.

On the first floor, you get the layout of the place, with long tubes of fabrics laid out on tables. This place also had mannequins dressed in sample dresses (in this case, very strange sample dresses–more like they were tucked, gathered and pinned onto the models). Click individual pictures to enlarge them.

The map in the stairwell gives you a sense of what’s on each floor and there is no elevator for customer use. Everyday is “leg day” in Paris.

On one floor I looked out the window to see the Sacre-Coeur Basilica at the top of the hill.

When I see all this, it’s easy to forget that our locations for fabric in the States have sort of dried up, with the closure of JoAnn’s.

This table reminds me of what I purchased at our last stop at the Carrefour Quilt Show: a thick geometric woven tapestry, plus cotton webbing to match. Because of this, I’m drawn to the fabrics on the table.

I found these on a neighboring table (it’s dangerous to walk around in strange fabric stores). There were many other shops to explore, but we pressed on to see the Basilica. Later, when we walked on the other side of the hill, we saw this shop:

Given the weight of the tapestries in my backpack, I asked the shopgirl to cut some small pieces that they didn’t already have cut. “Non,” the girl said. “We don’t have those in smaller pieces.” Given that the yardage above was there and waiting, and that she obviously was not going to cut anything for me, we left without any of this fun fabric, and went down the street for a yummy Cambodian meal at Le Cambodge.

In another section of St. Germain (5th Arrondissement), we window-shopped at Pierre Frey. We were on our way to buy my other favorite souvenir, table linens.

This is Jacquard Français, a linen shop, introduced to me by my big sister. I am a big fan of buying usable souvenirs, like cheap-o shopping bags (we live in a state where we bring our own to the grocery store). Last time we were here, we purchased placemats and napkins and every time we use them, we remember our time in France. We’d purchased cool colors (blues, greens) last time around, so warm colors was what I was looking for. (Available in the states through this shop.)

Julie, an owner of the shop here in Paris, agreed to pose for this shot for me: the cool blues of her suit against these poppy, yellow and bright colors. We bought two of the orange placemats and two of the Half-square Triangle placemats although she referred to them as “origami.” When I explained to her that I’d just been at a patchwork show in Alsace, and we called the pattern by a different name, she understood. “Ah! Patchwork!” she said.

Did I mention how beautiful this shop was? It’s a new one, she explained, as they just moved over from their old one, a few blocks down the street. (We did know, as we went to the old one first, courtesy of our maps.) (This is the correct location.)

The whole shop is just so beautiful, with curving lines, perfect use of backgrounds:

She rang us up and then presented me with a tea towel that was patchwork! It was made for a promotion their company recently did. I was honored.

I’ve written about the Marché Bastille, too, and put up some Highlights you can watch. The scarves (above) are from there.

I’ve posted about our day at the Le Marché aux Puces de Saint-Ouen at Clignancourt, or Les Puces, as everyone calls it, here and here. What I purchased in one shop is above.

I wrote up a document to keep track of the Thursday markets, but there is other info on this, as well as a link to a page that helped me keep track. (downloadable PDF)

Are you still with me? (Hope so.)

Thursday morning, after we went to the Bastille Market, we then walked down a neighboring street into the Marais District (follow the green arrows). We ate at Babka Zana, enjoying an amazing sandwich made on challah bread, and filling chicken salad on the side.

Found this fabulous chocolate shoe on this street.

Chocolate, no kidding.

Keep going along this street which has about a bazillion parfumeries, until you look into an opening and see La Mercerie Parisienne through the courtyard:

So much fun, so many ribbons. The last photo of threads on a rack is just for looks, she said. Real thread is….and she swung open a door to show all the threads. Tiny, but gorgeous. I purchased…white double-faced satin ribbon (again).

Part of being in a new place for a few days is noticing. Like this terrific jeans skirt.

Or The Sky of Paris On The Wall, 2025. Round a corner and there’s some new…

…object to appreciate or to capture with your camera.

Metro stairs, Abbess Station

It does help to be in a new place, for all the little miracles in our neighborhoods have already been seen a thousand or more times…so we don’t see them anymore.

Concorde Metro Station wall. (Notice the punctuation at the bottom.)

Rough translation: A little breath of poetry around our lives.

I might add that quilting is a little breath of poetry around our lives–

P.S. I’ll probably do another post about the Les Puces flea market and how to navigate that, but first:

In Bed with a Bad Cold by Pam Rupert

I’ve been sick in bed with a bad cold, and memories of Paris.

And more fun upon returning: my computer has eaten about a third of my files (long story, you don’t want to know), but if you are using iCloud as a back-up for your Apple computer, don’t. Get yourself a hard drive and back it up that way. iCloud is just so all your devices can talk to each other, NOT a back-up. And to those who ask, yes, I had both and yes I’m still having problems, but according to Reddit, iCloud is the problem. But what do they know? What does anyone know?

(And I’ll probably remove this rant in the future, but for now, this is the state of my life!)

European Patchwork Meeting · Quilt Shows · Quilts

Carrefour 2024: Quilts V

Carrefour Quilt Show was a lively, interesting and fascinating experience. This final post is about two different places in the 29th Carrefour European Patchwork Show (2024): 

  • Espace D’Exposition (Venue 15): EQA’s Imagine a Bird, France Patchwork guild quilts, Threaded Together, Justine & Cow, Marina Landi, Artextures
  • Église St. Rosalie (Venue 17): Ana Helena Abreu

A full listing of all the artists is found on the European Patchwork (Carrefours) website, here. Click on 2024.

If you want to read these posts in order, head to the European Patchwork (Carrefour) page, where I have both years listed.

Both times I’ve been to this show, it has rained, so when the skies started drizzling, it wasn’t unexpected. (We love rain, as we live in an area that doesn’t get much.) Last time, I was in the vendor tents, so I was happy this time I was in the car, driving to our last set of exhibits: Venues 15, 16, and 17. By this time in the day, we are getting tired, but don’t want to quit (sign of a good show!).

Just inside, everything is light and bright. The first quilts we saw on the left were the quilts from Krista Hennebury of Canada, and Lorena Uriarte, from Australia.

They were part of an exhibit “In Conversation/Threaded Together.”

Click to enlarge any of the gallery images.

We moved quickly to the next grouping, and I thought this quilt was fascinating, but I forgot to photograph her partner’s quilt.

A series of minis, all in conversation. Please click to enlarge; unfortunately the expired address above for the tinyurl doesn’t take you anywhere.

An Old Woman with Joyous Face, by Marina Landi was a fascinating layering of texture and color and quilting. Her skills with this were fascinating, and amazing. Close-ups, below:

It looks like she layered snippets of a silk fabric onto a darker background in a tight mosaic, then quilted it in directional lines. In her title card (below), she noted that the silk is all hand-dyed.

Old Man with His Dog, by Marina Landi.

This one has the same look, but instead is digitally printed; because of this, it has a softer definition. I was cropping all the quilts to give a clean edge, but below I show it uncropped so you can see the faced binding.

Summer Wind, by Marina Landi.

Here are a couple of quilts from France Patchwork.

The one just above is from the Milan series by the fiber-art work artists Daniela Arnoldi and Marco Sarzi Sartori, (DAMSS). They work in tandem; here’s an article I found about them, and their website is here. I loved how the threadwork depicted the Milan cathedral.

Gabrielle Pacquin, one of my favorite European quilters, had a quilt here in the France Patchwork exhibit Artextures.

Arc en Ciel de Lit [Rainbow Bed] is a quilt published in Issue 158 of the magazine for France Patchwork, Les Nouvelles. They publish this magazine quarterly, and if I could read French, I’d be subscribing. Their website can give you more information (and it can be translated by Google Translate, if your French-language skills need an assist).

Hiver Douillet [Cozy Winter], published in Issues 157-159. I will sometimes hold my hand floating above the quilt so you can get an idea of scaled. Look at those tiny pieces!

Les Pas Japonais d’Antonin [Anton’s Japanese Steps], published in Issue 160.

Now we’re heading into the Let’s Have Some Fun section. I loved this family tree, of sorts. It’s named, simply, Embroidered Portraits, and is by Justine & COW. I found her on Instagram, and a post from the time of this show said:

“Obviously, my Amish friends are my Amish.”
SMAM, the cradle of the Amish movement.

(SMAM = Sainte-Marie-Aux-Mines)

Take some time to visit her IG and be prepared for some lovely embroidery from the Alsace region of France (where this quilt show is held). Detail from her IG post is below.

Now do you understand why I think it is so lovely to go to France and to be introduced to all these new ideas?

Something to do with all your bags. Corinne Prévotel from France Patchwork wove this, again in the Artextures section. She had two there of this style, and called it Suite.

Lever le Voile [Lifting the Veil] by Ghislaine Berlier Garcia, from France Patchwork.

The title means “Moving.”

Around another corner and we find the EQA (European Quilt Association) exhibit of “Imagine a bird.” All these little mini quilts were wonderful and it was hard to choose just some to photograph.

Of course I loved this little one, with quilts on a quilt.

On the left is the representative from Italy, and on the right is the EQA person from Sweden (hope I got that right). I had a wonderful chat with them, talking quilt stuff around the world, as I was especially interested in how their guild quilt shows were faring after COVID (I was last here in 2017, before Covid-19 slammed the planet). The lady from Sweden told me that their last show before 2020 they had about 80 vendors. And now? they had only one in 2022. We talked about the factors of attrition, as well as vendors aging out of the business. I told them that our local shows were equally diminished, and wondered if they would ever recover. It’s good to get an understanding of how we quilters are faring all over the planet, yet also really lovely to find quilters all over the planet, too.

We climbed back in the car, the sun shining brightly, and head to our last stop: Église Ste. Rosalie, a small church in Rombach-Le-Franc. Yes, I am not posting every space or exhibit, so you’ll have to go there to see it all.

I’m standing just in front of the church, this little lane of this little town all bright and sunny.

I just want you to get a feel for how this quilt show is laid out. We are here to see Ana Helena Abreau, a woman who excels at geometric art in quilts.

As you can see, all the quilts are well lighted.

Even though I don’t speak Portuguese, and she didn’t seem to speak English, we used the time-honored communications of patting our hearts, and me, gesturing to her amazing quilts, while nodding and bowing. You can find her on Instagram.

I loved seeing her quilting, too.

Sorry about all the shadows — the lights were bright and helpful, otherwise!

Star Quilt, by Anna Helena Abreau. Machine pieced and quilted.

Dresden Flowers, by Ana Helena Abreau. Machine pieced and quilted.

Magic Cubes, machine pieced and quilted. Details of quilts, below:

And that’s it!

(Yes, I was the ham in my family.) It’s almost closing time, and we still have to meet up with our daughter and granddaughters and find some dinner. I’ve already put a wish out there to come back for their 30th anniversary of the show in 2025, and to enjoy this beautiful valley one more time. Happily, we’ve made our plans and our reservations and we’re set. See you in September!

Happy Quilting in a Different Land–

To get to the Alsace region:

We fly Delta from our nearest city direct to Paris. Land. Clear customs, and walk towards the train out along the long hallway following the signs, and take the escalator downstairs. Stop at Paul for refreshments, if you want it. Their food is consistently delicious. We use our Apple watches to pay for things in Europe; they are pretty seamless and common and it’s nice not to have to change big sums of cash.

Wait for the train to Strasbourg to flash up on the overhead screen, and then with ticket in hand, check-in and head downstairs.

We took the train to Strasbourg, about a 2-1/2 hour ride. Yes, we were just exhausted but a nap on the train helped get us through. We arrived to an old station completely encased in plexiglass gift-wrapping, or so it felt. We picked up rental cars there for the drive to our hotel in Mittelwihr, about another 35 minutes.

It was lovely. Our trip tag on Instagram. This post shows the whole arrival steps. I think once you get over the whole “it’s so far away” business, the journey becomes an adventure.

This past trip, after our time in Alsace we headed back to Paris, because why not Paris? and then flew home from there. There are a lot of hotels in the Colmar and SMAM-region. We find Booking.com to be a helpful site. But if you want to go — get your airfare now, your hotels now, and then get the rental car and the train tickets. While I can’t plan your trip for you, I’m happy to answer general questions. And if you can’t make it this year, plan for next!