Creating · Quilts

WIP–Lyon Carolings

Welcome to WIP Wednesday, hosted by Lee of Freshly Pieced Quilts.

Lyon, what? you are saying?  Lyon Carolings.  That’s my work in progress for today.The title comes from the name of the church–Carolingian–in Lyon, France, which was built by the Carolingian Dynasty from the 7th century, and alternately known as the Carolings. I snapped this photo of the patterned design on their ceiling, because you know us quilters.  It’s like a reflex. See pattern.  Take photo.

I obsessed wrote about the process of converting what I saw to a quilt block on another post; feel free to look it up. I’ve had this quilt top and back completed for a year now, and as my free time this summer is on its last gasp, wheezing its way to the finish line (where I REALLY have to think about school and lesson plans), I was determined to finish this.  So here’s my steps (pictures are below the STEP description).

STEP ONE:
Lay out backing, ignoring the fact that while you pressed it when you put it away last summer on a hanger it has developed new wrinkles.

STEP TWO:
Move the red bucket chairs because you need more room, leaving giant Xcircles in carpet.

STEP THREE:
Tape the backing to the floor, giving it a little tension to keep it smooth.

STEP FOUR:
Lay out the new kind of batting you bought, and realize that it will shrink 2%, which isn’t much, but if you’ve waited this long to quilt this puppy, you can wait a little longer while you squish it out in the newly washed kitchen sink, squish it some more, then drip your way to the dryer and dry it.  Spread it out again.

STEP FIVE:
Lay out the top, and even though it’s a billion degrees outside and in, lean over and pin the quilt, thinking cool thoughts, thinking of this as some kind of Pilates Stretching Exercise as you reach for the middle, sucking in your stomach while you hover over the quilt, safety pinning it to death.

STEP SIX:
Trim off excess batting, then stand back and admire the quilt.  This is an important part of the process because even though your husband really likes your finished quilts and is proud of you and loves to tell others about them, he’s not much interested in this part of things, so it’s you, baby, that has to bring the Atta’ Boy cheer to the table.  Atta’ boy, you say.  Or atta’ girl.  Whatever.

STEP SEVEN:
Begin quilting the blue, because that will stabilize the quilt as you ponder what to do next.  Some have a plan.  I have a desire to Get It Done and will figure it out as I go along.

That’s as far as I have gotten.  I like the puffing that happens as you start to quilt.  I use Superior’s Bottom Line thread in the bottom, with a distinct advantage that it’s thinner so you get get more on the bobbin.  I like the fineness of the thread and that it looks more delicate on the back.  In the top, I keep coming back to using Poly Neon.  For some reason this just works for me in most cases, although I have used other threads such as Superior’s King Tut and Poly Quilter.

I have no problem mixing threads, but do stitch out a sample on a sample quilt sandwich, identifying what I’m doing by writing on the section with a pen. Although you can’t see it really well, there are little numbers written inside those purple circles, above.

I’ve thought about using this flower, or the one below, as a template for how to quilt the yellow centers.  Which always leads us to Step Eight: Visit the fabric shop to pick up a marker to sketch in the flower.

In the post just below (published on my FSFriday last week), I write about how quilts stay done, when everything else doesn’t.  I’ll have another FSF post I’m working on, with a project that has been in process since last October.  Check back, if you want to, to read about that one.

Creating · Finishing School Friday · Quilts

All Is Safely Gathered In–FSF

Okay, before the large picture of the quilt, get a load of this quote:

“Of all cursed places under the sun, where the hungriest soul can hardly pick up a few grains of knowledge, a girls boarding-school is the worst. They are called finishing schools, and the name tells accurately what they are. They finish everything but imbecility and weakness, and that they cultivate. They are nicely adapted machines for experimenting on the question, ”Into how little space a human being can be crushed?” I have seen some souls so compressed that they would have fitted into a small thimble, and found room to move there.” –Olive Shreiner

Hmmm.  By focusing on finishing, am I crushing myself into a small space?  Am I creating a Tyranny of the Done?  That’s the danger in shifting words around in a language as fluid as English is.  I use that term–Finishing School– in an affectionate way, Olive Shreiner’s words notwithstanding.

When I was a young mother I moaned to MY mother about how I never got anything done.  The laundry always piled up;  sometimes as quickly I as I could move it from the dryer, fold it and put it in the drawers, it would be used, dirtied and find its way back to the blue plastic mesh basket in front of the washer.  Meals were a never-ending story and I resorted to “closing the kitchen” just so I could get the breakfast dishes washed and put away before it was time to haul out the peanut butter and jelly for lunch.  The bathrooms always needed to be cleaned, the floor rarely seemed to be free of crumbs or sticky places.  And those sticky places migrated from floor to doorknobs, to car handles, to walls.  If I could have strapped on the 409 in a giant backpack, squirting and wiping as I went I MIGHT have conquered the dirt.  Just maybe.  I began quilting because I wanted a “bedspread” (what we called it then) for my bed, however I soon saw the advantage of quilting: it stayed done.  I didn’t have to resew a seam as it didn’t unpick itself in the night.  The patches would still be there, done, when I was ready to assemble them into a quilt.  And then somewhere this stitching and patching and quilting took a turn and became my art, my way of expressing creativity.

I think I moaned to mother for years and years. Then the children grew up, the bathrooms needed cleaning only once a week, then the children left.  Dishes rarely pile up and sticky places don’t spring up like mushrooms overnight.  The dust and dirt of housework and I have made our peace with each other, leaving lots of room around my job as am adjunct college professor (English) to happily spend time cutting and sewing and creating quilts.

But there’s this healthy strain of ADHD in my family, and I can easily flit from pile of fabric to pile of fabric.  My intention was to take stock each Friday, slow down and commend myself on whatever I had accomplished in order to notice my work, to smile and be aware that I completed that which I set out to do.  To reap a little harvest from the sowing (sewing, too) that I had done earlier.

So, today, here is All Is Safely Gathered In, a quilt about sowing and harvesting.  I began this three years ago, trying to work with an original block I’d drafted–simple in design but it carried a nice big punch with those new large-scale prints that we were all investigating.  How to make them work?  Place them right up against each other in nice big squares and shapes–let that fabric shine. When I was casting about for a name, I talked it over with my husband.  How about something about harvest? he asked, and the phrase from a favorite hymn jumped right out at me.  When I was that young overwhelmed mother, I could think of nothing more satisfying than walking around the house at night, the last child in bed, the open book fallen to the floor, the night-light casting its golden glow on the cheeks and hair of these children who kept me so busy during the day.  I fell in love with them all over again, storing up these feelings of satisfaction every night against the onslaught of the day.  And now, many many years later those children walk their houses at night, picking up the books, bending over to plant a kiss on their children’s soft cheeks.

I sowed children and stitches and tasks uncompleted and time and more time and I am now reaping grandchildren and quilts and houses that don’t get quite as dirty.  While I’m not done, I feel like I have some sense of the law of the harvest.  And it is immensely satisfying, I must say.

I was drawn to not only the Kaffe Fassett fabrics (rich in coloration and detail) but also those of designer Martha Negley and Phillip Jacobs (who designed that border).  I loved making this quilt, but it did take me three and a half years from inception to this stage–awaiting its label on the back.

I’m actually doing two labels–this one and the dotty quilt label.  Hopefully that one will be next FSF–in the best sense of the term.

But few have spoken of the actual pleasure derived from giving to someone, from creating something, from finishing a task, from offering unexpected help almost invisibly and anonymously.” –Paul Wiener

Happy Sowing.  Happy Finishing School Friday.

Creating · Quilts · Sewing

WIP–What About That Quilting?

Thanks, Lee! and here we go again.  To return to Freshly Pieced, click *here.*

Q: What do you call a quilt that is pieced, quilted, bound–but no label?

A: Work In Progress, I guess.  But it feels good to get this far.  I’m going to write the label on this in Pigma Micron Pen, so it won’t come unattached.  I’ve been trending that way on quilts that are gifted, and this one will be gifted.

I have another quilt that is at this same stage, but before I show that (check back here on FSFriday for a reveal) I want to get that one labeled.  I’ve collected a few more quilts from friends to photograph for my magnum opus–my journal about my quilts.  Jen of Stitch Hack and I were talking about a list that her grandmother kept, so she wrote back and told me that her grandmother had quilted (hand-quilted) over 2,000 quilts in her lifetime!

The big WIP is the quilting of the dotty quilt, based on Everyday Best, by Becky Goldsmith and Linda Jenkins of Piece O’ Cake Designs.  I’ve titled mine Come-A-Round.  I had sent it to the quilters for anchoring the quilt together and now I’m doing detail work.  But okay–I need your vote.  Here’s the dilemma: I began quilting the leaves and stems in green, and like any good sewer loaded the bobbin with green to match.  After doing this, I switched out to white (who knows why?) and now I have what my husband calls “green branches” on the back of the quilt–but only along the bottom side.

It’s on the back, but the rest of the quilting is in white.  I tried to unpick a bit today, and I can see that if I do choose to unpick ALL of this, it will take me the better part of a day to get that done, setting me back a day.  So, what say you?

Option #1: Keep moving: Leave it alone and chalk it up to experience.

Option #2: Cope.  Flip the quilt upside down, make this the top and put a humungous quilt sleeve on it, that would partially cover this.

Option #3: Sigh.  Be obsessive.  Unpick and re-stitch, but watch a good movie while you do this.

Reality Check: Even though I am fairly skilled, I’m doing this free-motion by hand, so I know I’ll never win any prizes.  But I do want to enter it into the local quilt show, and would like to put my best foot forward.  I’ll be curious to see what you think.

Creating · Quilts

Machine Quilting: WIP

I’m still quilting along on this one, a quilt that seems to go on forever.  Perhaps it’s because I decided to quilt it all very close together.  Generally I don’t like this for a lap or bed quilt, because it makes it too stiff.  But this one’s art–a quilt to hang on the wall–so rigid isn’t necessarily bad.  I sometimes long for ideas in quilting, so have taken to hunting up pictures taken at quilt shows showing interesting patterns.  Other times, I just lay my translucent paper of the patch being quilted and draw until I’m happy.

Our local quilt show is fixated on heavy machine quilting, so much so that it’s skewed the typed of quilts that are displayed.  One year they gave several longarm quilters the same mini-quilt and let them go to town on the quilting. Here’s a sampling:

The lighting was bad on this side of the hall unless a flash was used.  But then the quilting would have been blanked out by the light, so hope you don’t mind the slightly blurry (but can see the quilting) photo.

So I liked some of these, but I have to admit to some discouragement, as a non-longarm-owner, in terms of how I could finish my quilts.  And while I love being inspired by some of these squares, some are just completely out of reach.  Like the next one.

It looks like those old Spirograph toys I used to have as a girl, where you do overlapping circles in a controlled design.

But, can I just say that this is a bit over the top?  That the machine quilting obscures the piecing design?  I get that it’s supposed to–I’m not that dense (well, at least not this morning).  But I always think a fine piece of art should harmonize on some level, and in cases where there isn’t enough quilting (I’ve done those quilts) or too much quilting (like the sample above), I think the quilt is not balanced.

Here’s another example.  This to me, is just thread-painting, a type of quilting art by itself (reference some of Hollis Chatelein’s work).

I thought the flames here were interesting and highlighted the yellow/blue piecework.

I’ve tried quilting feathers. . . and have mostly failed. Lots of picking out of stitches when I try them.

Don’t like this one at all, but it’s probably like that old line: “You say tomato, I say tomahto.”
In other words: “To each his own,” said the old lady as she kissed the cow.
(That’s an old bromide my father used to say.  I grew up in a family of seven children and you can bet that there were lots of differences of opinion!)

The quilting in this blue corner reminds me of the block Storm at Sea for some reason.

Check out the checkerboard in the blue corner.  A (mostly) blank square alternating with a square with the teensiest stippling stitch which creates a relief, almost like trapunto, to “pop” those squares out.  Sometimes what we don’t quilt adds to a design.

I have to say I walked away from this just wondering about the direction of quilts in this day of machine-machine-machine, quilts stitched to within an inch of their lives.  And sometimes killed in the name of “surface embellishment/machine quilting.”  One of the more beautiful quilts I have seen on this theme, was a whole-cloth quilt, where the machine stitching WAS the point.  It’s when we try to balance it with the piecing that I think we can run into trouble.  I had that experience sewing on my WIP.  Sometimes I wonder if I quilted it too heavily for the fabric, and in some blocks I stitched a design and ripped it right out again (which is one reason why it’s taking me sooo long!).

Here’s a couple of quilts that show varied stitches for inspiration.  Fabulous ferny feather to the left of the lower flower.

I liked this photo because it shows that even echo quilting can be effective.

I remember listening to an elderly speaker once who held up a three page letter someone had written him, all done on the computer.  He made some reference to if it were written by hand, the wandering prose might have been reigned in and the letter’s author might have gotten to the point more quickly. I sometimes wonder if we don’t suffer from the same sort of lack of editing with our swift and powerful machines these days.  I can admire a heavily stitched quilt and can emulate what I can on my smaller, regular machine, in order to get my quilts made.  But when I look at what Suzanne Marshall has done on her quilt (below), The Legend of Guimar, I often wonder if we might need to reign it in a bit.

Her hand-done quilting enhances the design, augments her beautiful applique.  I realize by writing this post, I sound very much like that Granny character in Toy Story, who drives an old Model-T.  We type-cast those older folks as out of step and unable to adapt and change.  But perhaps they see things we can’t, as in love as we are with our technology.

I guess I want it both ways: I want a quilt to be well-quilted and hope that the quilting harmonizes, augments and enhances the design, instead of running over it in a flurry of stitches.

Thanks to Lee, for hosting WIP Wednesday!!