Quilting Techniques

Confessions of a former FPP Hater

Newly arrived in a bee in 2013, this was my first attempt at foundation paper-piecing, or FPP for short.

The Queen Bee had sent the fabric in graduated-sizes of strips; the cloth was finite which made me stress even more. This is what I wrote that day:

“Seventy-two pieces per block (4 quadrants).  It took me over 7 hours, closer to eight hours, to finish the two blocks.  I began wondering about this quilter–who would send out such a complicated block to the bee and expect us to do not only ONE, but TWO blocks? I began wondering about what a sheep I was to follow along, when I should have just sent back the unused fabric after the first block and the scraps for the little triangles, and kept it to one.”

I was pretty grumpy, and no, I don’t hate that quilter (she’s amazing). But I decided right then to hate all FPP and avoid those blocks whenever I could. In the double flying geese block, it was the figuring out how to gauge the size of what you needed to cut and how to arrange it so it covered the piece, all without running out of fabric. Whenever someone in one of my bees would bring up FPP, I shuddered and knew I would pretty much fail at this technique.

So why did I sign up for not one, but TWO, FPP classes at QuiltCon? Because I had because I’d seen this on Instagram:

This quilt won First in Piecing and Viewer’s Choice. Before going to Phoenix, I had even tried to give away this class; it was right after my finger injury and I couldn’t even write, let alone handle the mess that was FPP. To compensate, I swapped out her pattern for a smaller one of my choosing, the Lizabeth from Karen Ackva. I also knew that if your project is smaller, you’ll get more done. Instead of being out of sorts about my swap, the teacher at QuiltCon, Verushka Zarate of Pride and Joy Quilting, was always kind, polite, cheerful and called us “friends” throughout the class. She even started the class with us telling a joke–not everyone had one–so the day was off to a great start. Her demos were helpful, and she explained everything really well, and constantly walked around to make sure we were not drowning in FPP.

At one point, she mentioned her Online Class, and I perked up. It would be great to be able to follow up and have that resource. More about that in a minute.

I finished the head, the skirt, the neck in class. Here’s the rest:

I chose this pattern for its size (5″ wide) and because of the name (Lizabeth).

I also took Cassandra Beaver’s class at night, where she demo-ed on a light table. She went step by step and these two classes together really made a difference. (Plus I’ve been Cassandra’s fangirl for a while.)
This was her pattern:

I fixed the eye with a little reverse appliqué this week, changing from white (oops) to black.

I had ordered a different kind of roller, one made of hard rubber, and I liked it because it was flat and really set the creases. Cassandra gave everyone in her class pair of flowered tweezers, and I already had the fine tipped tweezers. Both work well for extracting the paper, which I’m still not so fond of, but I’ve gotten better.

Normal life after FPP. I use vellum paper when printing out my patterns, and it’s crisp and tears off really easily. It’s sturdy and slightly transparent, which also helps.

Today I found some time and watched portions of her online class. It sells for $45 and it is so helpful! (This is Verushka.)

She has the segments well-labeled and you work with the pattern we did at QuiltCon, which covers a wide range of FPP challenges. She has the BEST TIPS EVER for figuring out how to cut the correct shape of fabric to cut for the piece you are working on, and how to position your FPP so you’ll never get turned around. (I didn’t share them here, because they are her tips.)

I have seen the light.

I no longer hate FPP. I’m not like some people who Absolutely Love It, but I’m making progress. I even designed a leaf signature block for my Gridster Bee month:

I feel like I’m getting the hang of this, and have become a new woman quilter.

Last week I had a giveaway, and it took me too long to get responses to you–but they were all so lovely and so like poetry, I was determined to write you back. Susan won the pattern and it will be on the way to her soon. Thank you all for sharing with me your idea of “poems” to help smooth away the weariness.

A long time ago–showing me her first sewing project (a doll)

This next little while I’ll be assisting my grown daughter with her surgery in another state — my husband and I picking her up in a third state, driving her to surgery, helping with convalescence and then after a few days, driving her back home again. (All the details for that have kept me a bit preoccupied in the correspondence department.) I’ve got some EPP for the long road trip, and even a stitchery that is about 25 years old.

Happy Quilting FPP-ing–

Giveaway · Heart's Garden · Something to Think About

Writing Poetry

The famous and prolific writer Joyce Carol Oates was once asked,
“What do you do when you finish a novel?”
“I’m spent,” she said. “Can’t write another word of fiction. So I turn to writing poetry.”

Late Friday night, I finished stitching on the final border of the Heart’s Garden Mystery QAL (the slice of pink in the picture below). I sunk down into my sewing room chair, took a couple of photos and went to bed.

The next morning, her quip — about poetry — began boinking around in my head. I started my day by cleaning up my sewing space: emptying bins, throwing away junk-that-accumluates, vacuuming crevices and window frames. Then my husband came in and asked me to go out to lunch with him.

We happened on our town’s Saturday morning market and bought vegetables, a perfect tray of strawberries, and lunch at the local deli.

We ate outside on the plaza, escaping before the BoJangles Man set up with his amplifier, microphone and guitar.

We walked down the pedestrian mall and shared a Crème Brûlée donut complete with a crackling sugar top.

We wandered into Mrs. Tiggywinkle’s shop, and came out with this small Elenor Easterly figurine by Lori Mitchell. I sometimes find that aimless wandering and buying tchotchkes can often help a Mood.

Back home, I finished cleaning up. But I kept thinking about poetry. I used to write poetry, and was once Poet Laureate for University of California-Riverside as an undergraduate. I do have times when I hop onto Poetry Daily and just read for a while, sometimes typing in a search keyword but other times, just reading at random. It’s also great for quilt titles, if you need them.

I think, with poetry, there is an assumed connection between the external life and the interior life–one is linked to the other in a reciprocal relationship. But I feel that as well with creative or quilting projects. How I’m feeling internally will affect what I do externally, and if I’m exhausted or unsettled or wrung out, I have to deal with this. However, sometimes that creative connection is automatic — and I have to try to shut it down to relax (like wanting to take a photo of the table because it looked like it could be a quilt design or something.)

Oates’ poetry allowed her to keep creating, yet still leave the scene of her most arduous work. One example of this that we know all too well is our past two years which has kept us immersed in a strange world; many of us turned to our creative connection to help keep ourselves sane. We have all spent our two years chipping away at the gloom while trying to stay mentally and physically healthy. More than once I’ve wondered how my grandmother got through the 1918 flu, but she didn’t write about it. We’ve obviously found tiny slivers of poems (in the abstract sense) to help us — a child’s drawing, a phone call, or just taking a walk — things that can bring us back to ourself.

So after thinking about it, here were my poems for today:

I created a clean space.
I admired the completed quilt top Heart’s Garden on the design wall.
I created a space for me to listen the jet that roared through the skies, shaking our home, its contrails like two steaming taillights.
I opened the window to feel the breeze.

I let myself rest.
I let myself empty out.

Saturday afternoon, I sat at my neatened desk and read poetry, then copied and pasted two poems in below; hope you have time to glance at them.

And…I have already found two quilts that intrigue me, here and here.

(QCR’s Posh Penelope quilt, not mine)

I took a look at the quilt I started at Road, and thought I’d like to make some more blocks. I do have one extra pattern from that day, and will send it to someone, if you are interested. To enter to win the pattern, please tell me what your “poetry” is when you are wrung out–how do you restore yourself…to yourself? How do you replenish that creative urge? How do you find your way back to creating again after a long project?

Leave me a comment below!

Happy Quilting!

Links, etc.

That’s a statue of Eliza Tibbets up there in the collage, with her skirts flowing. Tradition has it that when the first batch of navel orange seedlings arrived in the United States from Brazil, she persuaded the Plant Importation Program to give her some. They sent two, and they flourished — so the story goes — because she watered them with her dishwater. (She really didn’t look like that, but I still love that statue.)

Poetry Foundation, where you can read poems daily, and from where I pulled the following two poems.
I also like Poetry.com for reading poems.

from here

My mother has gone blind over the last decade, but she sewed intricate needlepoint canvases. All three of my sisters and I worry about losing our sight. After reading this poem, I should probably take up crocheting.

poem is from the September 1918 issue of Poetry, from here

This poem is haunting, reflecting our world today, but instead of pink roses, we stitch blue and yellow patchwork. Armistice Day for World War I was a month later: November 11, 1918.

Leave a comment about what your “poetry” is, to enter the giveaway. Thanks!

Quick Quilt · Quilts · Tiny Quilts

Teeny Quilt for St. Patrick’s Day

May your pockets be heavy, and your heart be light;
May good luck pursue you each morning and night.

And may you have a few a minutes to stitch yourself up a little Teeny Quilt on a Frame for St. Patrick’s Day. Pattern is a free PDF download:

I’m adding this to the Main Page of Tiny and Teeny Quilts on a Frame, so you can always find it there.

This teeny quilt on a frame was inspired by two things: this March pillow from Stash Fabrics (from Riley Blake’s Year of Pillows).

And because a dear friend of mine, who is by all rights and purposes is Irish (even though she was born and raised in the United States), has had a bad dose of it this year, and I didn’t want her to be forgotten on her favorite day. She’s the one who would hand out pots of shamrocks to her friends on St. Patrick’s Day. She and her husband have also gone to Ireland about a dozen times, and I never tire of her bopping out with phrases in the way they say them in Ireland. She gardens like no one else, loves saints and sinners and babies and her family with a fierce love, including her friends in that welcoming aura.

While I machine appliquéd the hearts on the pillow, I decided that for such a small project, I would fuse the hearts on.

I put a light crease at the halfway mark — both ways — to get those hearts perfectly centered.

A simple topstitch with green thread, then a white echo, then stipple everywhere else. I’ve learned not to get too “over-the-top” on the quilting with these tiny quilts: the design is the most important, not the quilting.

I cut my binding strips 1 1/2″ wide and use the single-fold binding technique (post is also found in the Tutorials, Techniques, and Freebies, above). I use a glue stick to get it into place, then topstitch down the binding 1/4″ away from the edge and no farther. This ensures that you can slide your picture frame into the pocket on the back.

Happy Making to you all–

Happy St. Patrick’s Day!

Heart's Garden · Patterns by Elizabeth of OPQuilt

Heart’s Garden • Mystery QAL Part 3

This month is what I call a supporting month in the Heart’s Garden Mystery QAL. Of course you can figure out that flowers will be planted here next go-round, and so you’ll keep that in mind as you create your garden beds for them to grow in. There are three borders: the first inner one with large blocks and corner birds; a second one of interesting bits; and finally, a third one for stability and delineation for what’s coming next. All things rest on your creation this month, but first! some eye candy from Part 2 from Joan, Lisa and Susan:

Joan has put a butterfly in the center. Lisa (middle) also fussy cut her center and the striped border is really perfect. Susan decided to create a four-patch in the background of her Part 2 as she didn’t have any one piece of fabric that she liked. I’m really enjoying the creativity of these quilters!

This month includes making four sparrows in the garden.

I made more samples out of scraps to refine the pattern, but most of the fabrics I’m working with are Sherri and Chelsi’s line of Sincerely Yours, with a lot of warm pinks, reds and fun neutrals. After seeing the quilters above, I now want to remake it in something different.

Then the rest is cutting small bits, creating a background for what comes in Part 4–easy, peasy, right? I know it’s hard to create without knowing the future of a design, and my hat is off to Joan, Lisa and Susan for giving this mystery a go. As I mentioned in the last post, it was a bit of a mystery to me, too, after I scrapped the design of what I’d been headed toward and reworked it into a medallion quilt, but now I’m full steam ahead.

Here’s the front of this month’s installment. Parts 1 and 2 have come down, but all parts will be available in a stand-alone pattern, for sale in mid-summer. Our Instagram hashtag:

[UPDATE: The pattern is for sale in my online pattern shop.] Hope you enjoy making this third part. If you can post them on Instagram they will be fun to see! P.S. If you can’t manage another project, feel free to download for another time.

Happy Quilting!

P.S. This is how I feel about Daylight Savings Time.