Road to California 2014, part I

Plaid Geese Quilt

No matter how many times I go, I’m always excited to walk in the front door of the convention center, see these hanging quilts (this one is by Nancy Boyce Geese in the Fields) and know that the quilting game is ON, specifically that the Road to California show has opened for another year.

Road to California Logo

I’m trying something different this year.  I noticed that the Road to California has put up good, high-resolution photos of the quilts that far surpass any of my snapshot renditions (largely because they are able to go around earlier, with a tripod and a good flash camera), plus they have many of the quilts that I may pass by.  Click *here* to go to that listing and enjoy their show.  What I’ll do below, is list some of the ones that interested me, make some commentary here and there (good and bad) and sum up the social aspect of the show.

Schamber Grand Prize

This is the Big Kahuna of winners, and no surprise, it was won by Sharon Schamber.  Titled Once Upon a Time, she started making it in 2000, then put it aside for over 10 years.

Schamber Grand Prize2

I’m interested in her quilting, for that it how she gained her fame.

Schamber Grand Prize3

See

Cheryl See’s quilt, Tatted Hearts had 20 yards of her great-grandmother’s hand-tatted lace and a doily. Never could locate the doily, so I assume it was used in the construction of this whimsical quilt, but the yards of tatting are evident.

WilsonMagicCarpetRide

Magic Carpet Ride reflects the childhood of maker Janet Wilson, when she noted that she grew up with Turkish carpets all over their floors.  She set out to create a design that was a colorful quilted, version of these carpets.

WilsonMagicCarpetRide_3

This is a quilt that gets a thumbs up on the use of crystals (generally, I think it is WAY overdone in show quilts), as they were used to be a integral part of the design and only for accent.  But using French knots would have been okay with me too, in those spaces where she put some bling.

WilsonMagicCarpetRide_2

How do you like that fringe?  Wilson is a clever quilter, and skilled with her quilting (below is the back):

WilsonMagicCarpetRide_back

GunnZenGarden

Zen Garden was made and quilted by Margaret Solomon Gunn, and is based on the “Blooming Carpenter’s Star.”  She noted that all the fabrics she used were from her stash (certainly noteworthy!) and she used a longarm machine to complete the quilting.

GunnZenGarden_detail

On this next quilt, first I’m going to show you some of the details before showing you the full quilt:

CrineWillow_detail2

CrineWillow_detail3

CrineWillow_detail4

CrineWillow_detail1

CrineWillow

And here it is: Willow, by Debra Crine.  She used hand-dyed fabrics over a silk background, and her technique was to fuse them, then appliqué them with a double blanket stitch.  She also quilted it.  This was not a large quilt, nor was the Magic Carpet Ride.  Crine doesn’t say whether it was a domestic sewing machine (DSM) that she used to quilt it, or a long arm.  Of course, my bias is to see people quilting on a domestic machine, as that’s what most of us have.

I love reading Linda’s blog, Flourishing Palms, as she is trying to adapt many of the longarm techniques to our DSM, applying some of their tricks and tips so that the resulting finish can have a similar technical excellence to them.  I began to look for quilts that indicated that they’d used a DSM, chuckling a bit at the phrase “hand-guided longarm quilting,” although I know that this label is appropriate.

LegerMarinerCircle

When I read in MaryPat Leger’s artist’s statement that her quilting was inspired by Leah Day’s free motion quilting class, I knew I was seeing a quilt that was done on a DSM.  Leger tried out many different patterns on her Mariner’s Circles, and although the next picture is blurry (they have strips of plastic stretched across the quilts so it does make it hard to get good photos), you can see how many different stitches she tried on her quilt.

LegerMarinerCircle_detail

CrineTasteofParadise

Debra Crine’s been busy.  This is another quilt of hers, titled A Taste of Paradise.  Taken from an illustration, she hand painted the fabric with acrylic paints and a used a variety of threads for the thread painting.  She also quilted it, but no word on whether it was a DSM or a longarm.

CrineTasteofParadise_2

CrawfordBrittany

Lenore Crawford came upon an art class of teenagers sketching in the streets while on a trip to northern France, then returned home to create her quilt Capturing Brittany from what she saw.  She used raw edge fused appliqué, and quilted it herself.  This was another quilt that we were prevented from seeing up close, due to the barriers.  I just wanted to stand there all day, enjoying her scene and her skills at bringing this to us.  Click on this quilt on the Road website to see it larger.

We interrupt this quilt show to bring you an advertisement for more sparkles.

Sparkles 1

Sparkles 2

This is the BACK of the quilt, a sign proudly proclaiming “over 22,000” crystals.  Would it surprise you to know that this quilter had a booth, and was selling crystals? Certainly a masterpiece of quilting and technically perfect with applied crystals, it represents the high point (or low point, depending on your point of view) of the Crystal/Sparkle/Bling phenomena.  (I don’t know who the maker was because I was not impressed with the front, and I don’t like to give out the names of quilts I diss.)  We now return you to our regularly scheduled quilt show.

WilliamsPrettyPieces

Lorraine Williams, who made this quilt titled All The Pretty Pieces, notes that it comes from a pattern, but doesn’t mention which one.  (I’m guessing this one from Jen Kingwell Designs.)  But it was lovely and refreshing and I’ve already participated in helping to make a variation of this pattern for one of our Mid-Century Modern Bee quilters.  I like the look of this one, as if someone had been piecing blocks all along, and then it just came together naturally.

WilliamsPrettyPieces_2

Williams also quilted her blocks differently, letting each stand out.  I thought she used varying backgrounds quite successfully, and her color palate was harmonious and brought the quilt together.

Gallery of Flowers

One of the odd (and maddening) things about the way they hang their quilts at Road, is this unfortunate habit of grouping all like things together (p.s. have they ever heard of “habituation?”).  The downside is that a viewer’s eyes begin to glaze over. . .oh, another flower. . . oh, another animal. . . oh, another whatever. . . after seeing 10 of the same subject in a row.  The upside is that you can always find them again if you want to find them again “It’s in the flower section,” like we are at a garden show and all the lilies are grouped together or all the orchids.  It’s been this way for quite a few years, and nothing I ever say will change that–it’s just one of Road’s idiosyncrasies.  But since I’m trying to bring you the essence of Road, that’s just part of it.

TurnquistSunflowersWept

Sue Turnquist started her quilt Even the Sunflowers Wept shortly after her mother passed away in 2009, and she referred to it as her “mourning quilt.”  I’ve seen a few of these in quilt shows over the years, and I like the idea that a quilt was made to help process grief and in remembrance.  She writes “Even though the sunflowers weep, one cannot remain sad in their presence.”

GunnRainbowNouveau

Rainbow Nouveau is by Margaret Solomon Gunn, using batiks, hand-dyes, and gold acrylic paint for accents.  She quilted it herself: “quilting is hand-guided,” meaning longarm machine.  Her original and whimsical appliqué kept my eye moving over the quilt.  It was fun to look at.

GunnRaindowNouveau_2

Random Quilt

I apologize for not having the maker’s name, nor the title, but I found it on my camera.  Something about it caught my eye.  If anyone has any information about this, please let me know.  I really liked the use of those four small squares set on point to act as a type of sashing.

ElenbaasBeauchampHappyHauntings

Always fun to have a Halloween Quilt! Debra Elenbaas pieced the top and Diane Beauchamp quilted Happy Hauntings.  It’s taken from a pattern by Verna Mosquera of The Vintage Spool, and has lots of appliqué.

HappyHauntingsdetail

I thought the spiderwebs in the borders were classic!

LabodaStarsLightYourWay_front

Kay Laboda made and quilted Stars to Light Your Way, a black and white quilt where each block is different from the others.  She says she “loves paper piecing” and gave this to her son and new daughter-in-law.

LabodaStarsLightYourWay_detail

KayQuilted Northern

Now I’ve seen everything.  Yep–the title of this is The Real Quilted Northern.  Maker and quilter Jerry Kay writes “The TV commercial showed little old ladies with knitting needles making quilted northern.  I wanted to show the ‘REAL’ thing!”

I’m going to close out this post (there’s more coming–stay tuned) showing one reason why there are fewer and fewer judged quilts at Road.  It is because these collections of quilts — sponsored (read:$$) by a shop owner or a store or a corporation — have become numerous.  I counted about five different ones, but here’s two.

Gallery Show Angels at Road

This one was huge (I’m only showing half of it) and had mounds of white fluffy batting to denote “clouds” as this show was about angels.  Some of the quilts were interesting, but many were not.  Wasted space.

Gallery Show at Road

Because I’m involved in an on-line art group, I took time to look at this gallery of “art quilts,” also 12″ square. I thought some were interesting, but many were not (sound familiar?).  Some wasted space.

I’m guessing that the economies of sponsorship outweigh the showing of quilt-show quilts, but am saddened by the shrinking number of quilts, and wish, somehow, we could have more individual quilts, fewer galleries of quilts.  The category of wearable art seems to have disappeared this year, and the doll exhibit was substantially reduced.  Here’s a couple:

IMG_0182

And one doll from my favorite doll maker: Elinor Peace Bailey.  She’s the best.

IMG_0184

IMG_9937

This traditional Dresden Plate design is updated in a pink and green setting with central blocks to allow for fabulous quilting.  Quilting designs are “hand-guided.”  Margaret Solomon Gunn titled this Big Bertha, and it was a stand out quilt, as you can tell by that fancy ribbon hanging on the side.

IMG_9938

IMG_0158

At the front of the hall, just behind the harpist selling his CDs, was this exhibit which was a communal effort of many quilters.

SacramentoRiver

And the Sacramento River ran through it all.

IrvineChinaGardens

China Gardens by Roblee Irvine

BurrisTableMountain_river

Table Mountain in the Bend Area, by Alice Burris, Violet Skeeters and Beula Alioto

IMG_0160

Sims Flat by Patty Schuler.  She says the three women about ready to head into the river “represent my sisters and me.”

WhiteSouthFork

Headwaters Along the South Fork of the Sacramento River, by Jacque White

Part II of Road to California 2014 will follow, which will include my favorite quilt and my nominees for the Most Ugly Quilt (I actually have several this year).  I just found out that the Quilt Inspiration blog has also liked some of the same ones I have.  Click *here* to see their first post, then follow the links to their second post.

9 thoughts on “Road to California 2014, part I

  1. Thanks for the guided tour–it was almost as if I were there too! Altho’ you share lots of fabulous quilts, I think my favorite are the Sacramento River series. I like its collaborative spirit and how the individual works, each telling their own stories, add up to a visually impactful piece.

  2. thanks for showing us the quilts, some really lovely ones there. I’m not a big fan of crystals either 😦
    I’m looking forward to seeing the MUQ nominees 🙂

  3. Ooh – I love all your detailed shots and commentary. That helps me with see some of the things I missed! The toilet paper cracks me up. Somehow I missed that one, LOL!!

  4. So many to love! I’m divided between the pictorial/representational quilts and the more traditional (and less traditional) geometric ones. It’s almost two different art forms, isn’t it?

  5. I enjoyed your account. The batting clouds and the TP quilt made me giggle. (At least there wasn’t the backend of bear with the TP trailing…..) I hate those Charmin commercials!

Your turn to have a say:

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s