Patterns by Elizabeth of OPQuilt · Quilts · Sawtooth Stars · This-and-That

This and That • January 2026

I used a new-to-me number generator, rolling electronic dice and it came up with number 10. So Karen, you are the lucky winner of the pattern. I’ve already emailed you and we’ll get the pattern sent off. And just like a roll of the dice, we are off and running into this New Year, and I’ll start with a This and That post, as I’ve been saving them up for a while.

There always seems to be a pile of tips for the New Year, whether or not you are one to do resolutions. I prefer to think of these as tips for getting started on a road trip. How about these:

I thought some Route 66 stamps — which will be issued this year in honor of The Mother Road’s 100th birthday — need to join my stamp stash.

Head to the Route 66 Centennial website to see calendars, and to get your merch.

And these! Confession: I like small square things, like quilt blocks, stationary items or stamps. Always in our house we have stamps for about 300 letters because I love stamps. I saw some of Harriet Powers’ quilts when I traveled back to Boston, and met Carol there at the Museum of Fine Arts-Boston. Good memories.

Speaking of roads, did I mention I had two quilts accepted to next week’s 2026 Road to California quilt show? The quilts’ split portrait is above, in front of a local modern building I love.

I’ve had some great correspondence with Beth R., and she sent me a couple of her quilt photos, which I really enjoyed. I’d asked about them because she’d done some squircle blocks, and I was interested in her process for her quilt. She wrote:

“One of my favorite new things to do is when I make a more “regular” quilt, like all Log Cabins or all Courthouse steps (albeit wonky improv versions, with lots of scraps) is to make improv blocks at the same time as I am making the “regular” quilt, with the offcut smaller pieces that don’t fit into that regular design, and I just set them aside at the time, each day while I am making that “regular” quilt, to “clean up” the scraps of the day. Then as soon as I get the current “regular” quilt bound, I begin the very next quilt starting from those improv blocks, and add as many more blocks as I need, of the same/similar colors.”

I thought this was a really great idea, and also thought of my stuffed-to-the-max orphan block box, and how much easier it would have been to follow Beth’s ideas. I’m putting this out there for everyone else; thank you, Beth!

In browsing the news, I came across an article about Sue Bender, announcing her death. I still have both of Sue Bender’s books on my bookshelf. As a quilter who has done her fair share of Amish-type quilts (and recognizes that they were the genesis of today modern quilt movement), we quilters owe Sue Bender a thank you for bringing an understanding of those communities we might not ever visit. I have since ordered the third book in the Trilogy, Stretching Lessons, and was happy to see it was a signed, first edition. I hadn’t looked at Everyday Sacred in a long while, and I had forgotten that it was given to me by my parents, my Mother’s inscription on the fly leaf reminding me.

From the New York Times article (gift link, above):
“She wrestled with the tension between being a woman who hated housework and defined herself by her artwork and professional achievements, and her desire to internalize the Amish sense of identity that came from community, godliness and manual labor.”

One of my Amish-style quilts, from 1986

from Plain and Simple:
In writing about her To-Do lists: “I never thought to stop and ask myself, “What really matters?” Instead, I gave everything equal weight. I had no way to select what was important and what was not. Things that were important didn’t get done, and others, quite unimportant, were completed and crossed off the list” (p. 7, Bender).
“All work is important. All work is of value” (p. 138, Bender).
“What really matters?” (p. 148, Bender)

from Everyday Sacred:
” ‘Art is order, made out of the chaos of life.’ Saul Bellow” (p. 2, Bender)

Maybe a little bit too far back into the past for some, but it is lovely to read IN a time where the author wasn’t living with the instantaneousness of social media and the internet, but took the time to think about what she felt, and how she wanted to work. I find so much of the time I’m reacting to what is going on around me; certainly we live in an era of in-your-face politics and news. But the last few nights I’ve immersed myself in her writing and in her thinking, and it’s helped me cope with the terrible news we’ve been having this week (I’m not linking to it; either you know about it or you don’t).

I was struck by what many of you mentioned when you left comments last week. It was your relationships with your people, for one. Others had ways to keep their proverbial chin up and I especially liked Mary’s: “Look for things to be happy or hopeful about instead of focusing on the parts of our world that are going to hell.” Yvonne mentioned “dark chocolate” (a woman after my own heart). Kit reminded me to “Don’t rush. Enjoy. Life is not a fire drill.” These were just some of the tidbits of wisdom and slivers of your thoughts. Thank you all. (And I just appreciate Sharon’s illustration, even if it is from a couple of years back.)

I found the downloadable chart to be informative. Here’s the link. Thanks, Bob!

Zeitgeist is one of my favorite words. It’s that description when something is just all around you, and you see it different places, but they are not the same thing. Technically, it refers to history, but I use it more colloquially. Like the following two things. First, mine, from our Covid Year, 2020:

and then what I did with the rest of my ideas:

Twenty-three different types of Sawtooth Stars.

Now one from 2025:

Same idea, different execution. It’s in the zeitgeist.

I called mine Sawtoothmania, because it was kind of a like a celebration of Sawtooth Stars. (And weren’t we all a little manic in 2020?) I just put my pattern on sale and you can get it from now until the end of January for 25% off. I had a very nice birthday last week, so consider this my gift to you if you want to make some fun stars. And if you want Leila’s pad of stars, well, you have her name and will be able to find it. (She’s very nice.)

In other construction news, I finally made good on my threat to dump the 50-year-old “workbench” table (left) and replace it with something more modern. Of course, my timing was great as we don’t use much more than a screwdriver and a hammer these days, but hey: we’re equipped. The bulky item trash people have already been called, and will be here shortly to haul a lot of that junk away.

Found this message from the Workbench Gods while cleaning out.

New Year’s service at the local car place. Still working on my squircles. It’s fun to see these on Gladi’s blog, too.

I’m getting together some lists of blogs I like to read–starting to write a post about that. If you have a blog you enjoy, drop me a comment with the name of the blog, and maybe a link to one of your favorite posts. Thanks.

Truly, it was only a matter of time until AI found me; I love how the system just makes stuff up. Hope they enjoy hoovering up all of my blog and creativity! (I am working on my Aerial Beacon pattern.)

For my birthday, I asked for three things: a trip to IKEA to buy bins, a stop at Tokyo Central to have lunch, and a final check in at Whole Foods. All of these are about an hour away from our house. Do I like Hokka biscuits? (shown above) Can’t say they are my favorite, but since I am a box sort-of gal, I loved their tins.

Happy Birthday! Happy New Year!
Happy Great Food at the Tokyo Central Food Court!

(still quilting this)

300 and Beyond · Quilt Finish · Quilts

Build Me a Cabin of Light

Remember this cartoon from a couple of posts ago? Well, I decided to break the secret rules about Blocks of the Month quilt-a-longs and decided to finish up my quilt at Month Nine.

The world didn’t end.

I used a three-inch border, then some snazzy dots for the binding.

That sweet checkerboard on the back is another bit of fabric from Sherri and Chelsi. I’d been hoarding collecting their fabrics from their very first collection, and used only their fabrics in this quilt. The patterns are from the Sherri, of Sherri and Chelsi, and you can find them on her website, A Quilting Life. She’s already talked about her BOM (Block of the Month) for 2026 — lots of fun, there!

I did machine-stitched binding again for this one. My friend Lisa taught me to use two different colors of thread: one matching the binding, and one matching the backing. It went pretty quickly.

The title is from a poem by Kwame Dawes, as I liked the imagery in it.

My quilter, Nancy, did a great job on using one of my favorite patterns, Boujee by Urban Elementz. This is Quilt #310.

I superimpose the quilting design over a lightened image of the quilt, to help guide her on the size I want.

It’s nice to have it done, and hanging on the bottom of the guest bed. Thank you, Sherri!

And I think it’s okay to throw in a couple of other things, here. One is squircles (free pattern on this post). I’m seeing them pop up here and there, especially on Gladi’s blog, where you can see her squares in the background as she shows the basket she won from her guild’s show (which gave me complete guild-envy). She also shows them on her social media. I’m closing in on 80 of these little guys, and I’ll put them all up on my pin wall when I do make it to that milestone.

I’m seeing cheddar-colored fabrics in a lot of places. I have been collecting these for about a decade, and thought It Was About Time. Plus, Gladi has been working on a cheddar quilt, and Barb Veddar has more than one on her IG feed.

I’m using my Azulejos pattern and made some test blocks to answer my burning question: Do I like it better when all the scrappiness of the blues and cheddars are mixed up (the two on the right)? Or, do I like it better when there are only two different fabrics in each block, but the quilt will be scrappy?

I just couldn’t handle the chaos of the blocks on the right. The whole quilt will look scrappy, but it will have some order to it, or at least that’s what I’m hoping.

Autumn has arrived in the bedroom, with my pillow and the Nancy Rink Amish quilt, Shadow Owes Its Life to Light on the bed. Our weather is so strange — like it’s 82 right now as I type this (Saturday afternoon). In November!

The quilt remains folded on the end of the bed as it’s too warm, and we lift it off at night. Rain is supposed to show up next week, so maybe we’ll put it to use then.

This morning, I helped my sister figure out her artist’s statement for her art, which led me to think about another conversation I had with another quilter, about how she’s more interested in watercolors right now. Another is working hard at learning the flute. It reminded me of this quote, from Todd Plough:

As long as there is some kind of canvas (quilt, digital screen, thick watercolor paper, clay) and some kind of brush (needles and thread, a computer mouse, a paintbrush), you are good, in my mind. Of course this coupling of canvas/brush could be so much more than what I thought of. It could be food and a dinner plate. Or a bowl and some rising sourdough bread. Or wood and a bandsaw. I’ve scrolled through enough posts in my life to know that there are multitudes. And while you may start in one, you will probably end up with another, even if you continue with your first creative love.

What matters is what’s behind the brush, and that is you.

300 and Beyond · Patterns by Elizabeth of OPQuilt · Quilt Finish · Quilts · This-and-That

This and That • October 2025 • Quilt Finish

Boo!

This latest finish had a few mothers:

1) a bag of scraps from mine and Leisa’s Halloween in the Vegetable Patch quilt, and…

2) a need to make a quick quilt, which Azulejos is, and…

3) After the Great Computer Debacle and File Deletion Tragedy, I’ve been trying to put back together my pattern files, and Azulejos was the first one I finished. So I needed to test it out, and…

4) This cartoon from one of my favorites (Grant Snider) and a collaborator (Jon Acuff), and…

5) Realizing that I still had the 4th of July redwhiteblue quilt above this cupboard and now it was the orangeblackwhite season.

This is how it came together in two days (click to enlarge any photo below):

I kept the quilting simple. On the back were two leftover panel blocks from the original kitted Halloween Quilt, along with some rando orange dot fabric from the stash. I used the bits we’d cut off to border the panels, so they’d be large enough. And since this pattern — while quick and easy — calls for a template, I put tape on the back so it won’t move around, then I use a ruler to help in the cutting.

Quilt #308 | Halloween Mini-quilt | approximately 28″ square.

This is still one of my favorite versions of this pattern: SeaDepths. I have one more version to try, a deep blue and cheddar combo. Some of this is that I realize that every corner of my room holds the promise of a project/quilt-to-be. I’d been saving the scraps since last year and the bag kept kicking around the edges. GONE! I have been saving the deep blue/cheddar fabrics since 2019. They are washed, and stacked, ready to go next week. And yes, I threw away the scraps from the scraps, as there was so little left.

You know I wouldn’t want to miss America’s throwing itself a party. One of my signs was a cat print-out from Martha Rich’s art (used with permission), and the other sign was my husband’s (Protect Our Freedoms) with the wording he chose. We both wore yellow, as did others.

Bravo to all the unicorns who came out to walk and gather. Lots of flags, lots of good will and as I noted in my Instagram post, we detoured into the Korean chicken place mid-way. It was delicious. Then back to the march. Then home.

Our signs posed together in the Butterfly Alley, near the gathering.

Started the latest Thursday Murder Club listen: The Impossible Fortune.

How does he come up with these plot lines? I am really loving this.

Even though there are technically three more blocks to this A Quilting Life 2025 Block of the Month Quilt, I’ve using Grant Snider’s advice #6 — getting rid of rules — and calling it done here. It’s been a fun project and hats off to Sherri for her creativity and for sharing these free blocks with us. Now to figure out a border, and get it quilted.

Finally, Squircles will finish this edition of This and That for October 2025. The hashtag we’re using — #backtosquircle — showed up with two more squircle makers: Lisa and Betty, both from the mountain west.

Mine are on the above left, and Gladi has some that are shown on the above right, out of beautiful brocades and silks.

On the train to Strasbourg.

On the train to Colmar. I must admit that I looked out the windows a lot.

Now, with a new sewing box, courtesy of a run through Le Grande epicerie in Paris (where I purchased some cookies just.for.the.tin), this is me stitching in the airplane on the way home. In the dark (again). Why do we never put up our window screens anymore to see the miracle of flying through the air? Nevermind. #screensrule

I’m almost to 60 squircles finished, one-third of the way there.
Keep stitching, keep stitching!

Last Look

Other posts about Azulejos

Azulejos Pattern
Azulejos • Quilt Finish
SeaDepths • Quilt Finish
Color, Venice and Valentino • This and That July 2021 (showing quilting on SeaDepths)

Backside of my husband’s sign. As I was working on this, and having just been in Colmar, the town in France where the creator of the Statue of Liberty lived, I realized I didn’t know what was written on the book she holds. So I looked it up: the date of our Declaration of Independence from the king of Britain. I thought it was a good motif for Saturday.

From an old homework assignment in my Digital Art class. (They were all amused that I would use a quilt.)

300 and Beyond · Free Download · Free Quilt Pattern · PatternLite · Quilts

Did Vasarely get there first?

Maybe. Maybe Victor Vasarely got there first in the art world, but I’m guessing the origin of circles on squares, or even squircles on squares, may have come from all the mending the first woman did on her children’s clothes. Just a hunch. I really have no way of knowing this, but when my friend Dot mentioned the artist Vasarely as being reminiscent of our #backtosquircles project, I believe she was on to something. Have fun looking at his art.

My Tips and Tricks

Caveat: If you would rather fold laundry or scrub out the bathroom than do hand appliqué, I have a post on how to do nearly invisible appliqué on machine, using monofilament thread. It’s quick! It’s easy!

To cut out the shape: I would often iron on my freezer paper version of the pattern (I just printed it directly from the pattern). Other times I would just use a pin. Always I used my rotary cutter to slice around the fabric, and usually I was working with four layers of one polkadot fabric. (I learned in this project how many many many polkadot fabrics I have.)

In my past appliqué lives I have always cut out a bunch of the shapes out of freezer paper and pressed the fabric onto that. I would place shiny side up, and nudge the edges onto the shiny stuff and they would generally stick. When it was cool, I would take the pattern out and use it again.

This time I tried Old School Methods: spray some spray starch into the lid, and using a small brush, stroke it around.

Like this.

You can just see where it’s damp from the starch. Don’t use too much. I always lay down a piece of cloth on my ironing board to catch the dribbles.

Place a template (here I used mylar and punched holes in it — more on that later), pressing the corners and sides up over the template. The starch should dry and hold it in place. Let it cool, then remove the template. Duh.

I finger press some marks at the centers.

Then I arrange the cooled, pressed squircle by eye and pin it down. Sorry if this is repetitive for you experts — feel free to leave a comment if you have more tips; this is always helpful!

Sometimes you’ll get a little bump out. That just means underneath the seam allowance has its knickers in a twist. As you stitch along to this spot, with your needle, sweep the seam allowance away from the bump (in the directions of the arrows) and it should ease up and smooth out.

Sometimes I just put four pins.

Other times that squircle isn’t going anywhere.

I use the Thread Conditioner from Riley Acres, and I like the Super Bobs Bright Thread Collection. Rachel uses her own bees’ beeswax to make the conditioner, and I like how it feels, and it never gets hard.

I’ve sort of started evaluating my polkadots for this project. The ones on the left are rejects. The ones in the middle I was thinking about, but in the end, I only used the ones on the right: regularish-shaped dots, with not too much else going on.

Twenty-two done. I’m ahead of schedule, happily.

I made you a chart to keep track of our squircles. I added it to the pattern, and tweaked the pattern a bit, if you want to download it again:

Okay, that’s it for my squircle tips and tricks.

The mylar sheets can be found on the Great Store in the Sky, and I just slipped the pattern underneath and traced it off with a fine Sharpie marker. The Mylar cut easily with scissors. I punch holes in my Mylar so the steam doesn’t build up and warp the template. Although with the starch, I didn’t use steam this go round.

This little project will sink into the background for a while, so I promise, no more squircles posts for a while. But the pattern (free!) and the tips and tricks will stay here on the website for your use.

keyword search term on this site: squircles
hashtag on Instagram: #backtosquircles

I could listen to Rose talk about her job in the hardware store every day.