100 Quilts · Quilts

Harvest Weekend

pumpkins

With pumpkins and tawny hues and brown grasses prevalent in the colors at this time of year and in the Northern Hemisphere, falling temperatures, it triggers the idea of harvest: cutting the wheat, gathering the last of the fall vegetables,  All Is Safely Gathered In, and that sort of thing. Well, what constitutes a harvest?

Amish Doll Quilt_detail

It all starts with seeds, a planting of an idea, a sowing of labor with the yield some time off in the future.  An idea, like beginning to learn how to make Amish quilts from a book, as I sat in the scorching heat of a Dallas Texas summer many years ago, sweat running down my back reading Roberta Horton’s Amish Adventure.

Amish Adventure_1

I had escaped to the back porch for three minutes peace from the marauding hordes of hot tired children in watching some movie on the VCR, steeping my mind in the stillness of these stunning quilts.

Horton Amish-Quilt-1

Strong graphic design and the muted, yet brilliant, colors enticed me, and I began small, with doll quilts, experimenting in the shapes, the colors.  At that time the best we could hope in terms of solid fabrics was a mix of cottons and polyester-cottons.  Purists would gasp now, but we had just barely graduated from using cardboard templates with taped edges to cutting out the lids of margarine tubs to use instead.

Amish Doll Quilt_2

Roberta Horton’s book, first published in 1983, rocked my tiny isolated world of quilting.

Amish Nine-patch

I moved from doll quilt-sized quilts to a larger wall quilt, still unfinished.  And then to a larger quilt, laid out in rows in the corner of my bedroom for weeks, while I refined the gradations of color.

Amish Sunshine and Shadow

I had drawn out Sunshine and Shadow on graph paper, trying to figure out the coloration, mimicking what I saw in fabric. This was early in my quilting career: all of my quilts on this post are numbers 10 and 11 quilts on my 100 Quilts list.  I also made a faceless doll to match what I’d heard were common in the Amish country.  And then, Amish Quilting was the first quilt class I ever taught, in a small shop in Arlington, Texas, now defunct, and yes, we made a doll quilt, and yes, we used Roberta Horton’s book.

Amish Sunshine and Shadow_back

Back to the Sunshine and Shadow, I figured out the borders, sandwiched with flannel (as she noted that Amish quilts were flatter than our fluffy renditions) and I began quilting it by hand, criss-cross, and then cut paper patterns for a twined-vine border design.

Amish Quilts Adventure Continues

The seed planted by Horton and her quilts and her book is now in a second harvest, if that’s possible.  Last summer, C & T Publishers put out a call for Amish quilts of all types to be considered for a new rendition of An Amish Adventure. I submitted my photographs and had one quilt accepted.  The book has now been released and is titled Amish Quilts–The Adventure Continues, and it as much a celebration of that first book in C & T’s publishing history as it is the style and cultural contribution of the Amish quilt–certainly a forerunner to today’s modern quilts.

Amish Quilts Book_2a

Here’s my doll quilt, made so many years ago.  I now consider it as an entry in the first round of strong bold graphic designs and solid fabrics.  In the book, mine is right next to Weeks Ringle and Bill Kerr, of the Modern Quilt Studio and Craft Nectar blog.  I certainly did do a happy dance in the kitchen as I opened up the package.

You can get the book from the C & T Publishing website and from Amazon.com.  My mother already has her copy, so I know it is shipping.  If you haven’t had a chance to make yourself an Amish quilt, perhaps now is the time, before too many more harvests stride past.

Amish Doll Quilt

I like to think about harvests, as to me it always indicates a leap of faith somewhere.  At some point I made a quilt, and now can “raise the song of harvest home.”

Quilts

A Quibble and A Muse or Two

Santa Quilt measuring

To prove to my Mid-Century Modern Bee, that I am on task, getting ready for their blocks, I decided to start on the center Santa.  And instead of raw-edge fusible applique, I went with needle-turn hand applique.  The directions are sketchy, at best, on this center square, just the big piece of art (shown in disguise, above) and a note to cut the finished center piece to 24 1/2″ square.  I didn’t catch that one at first, and started appliqueing.

Santa Pieces

I traced the pattern, in reverse (taped up onto a window) onto freezer paper, which I then ironed onto the top of the fabrics, and cut 1/4″ around. This pile was where I started on Saturday morning, while I listened to our church’s General Conference, a respite in the wild and crazy world.

Chopping off the Top of the Tree

I was pretty far along when I realized that the picture was too big for the alloted measurement, by 1/4″, and that was with no seam allowances.  So I cut the top of the tree off.

Santa Center appliqued

This is where I am tonight.  I must have really gotten excited about shrinking this as it now measures 22″ top-to-bottom approximately, but now I have enough room for a smaller inner border of red.  That’s the quibble.  Now to the Muse(s).

Grandchildren_1

My grandchildren came for the weekend.  This is the first set (4 girls) –well, three of the first set.  We made cookies that we later decorated when the second set (4 boys) arrived.  I’ve made each grandchild a quilt, so you could say their very arrival on this earth served as inspiration.

Men Ready for Meeting

The father of the four sons, Chad, is on the left and the father of the four daughters, Matthew, is on the right, flanking my saintly husband.  While they look fully grown to you, in my mind, their are young boys, scrappily fighting in the upstairs bedroom over who gets the Transformer toy, like Chad’s boys in our front room shortly after they arrived.  Boys will be boys, and that always involves a bit of wrestling around.

Sisters

I was the muse for my sister Susan, when she made me this beautiful shawl/scarf, which I’ve already used a couple of times to keep me warm while grading.  A noted historian, she writes comments on my blog like:

“I find the names of these blocks quite interesting in their historic nature. Fifty-four Forty or Fight refers to the battle over the Oregon boundary between US and Great Britain. It was a campaign slogan in 1844. Clay’s Choice no doubt refers to the great Whig politician Henry Clay, who helped broker the Missouri Compromise that would set back the sectional conflict until the eruption of the Civil War in 1861.”

I love her and was glad to learn about my quilt blocks!

Caitlin's Quilt Top

My quilt group is also inspiring–we’ve been going strong for about fifteen years, and Caitlin (above) is a new member with her first quilt top, just finished last Friday night.

Greek Fest Cross

I saw this when we went to Greek Days at the local church, just a couple of miles from us.  It reminded me of the Marcelle Medallion, which has been so popular around the web, and I can’t tell you how many pictures of stone floors I have from around Europe, quilt patterns in all of them.

Greek Fest Visit

I was quite impressed by the stories told by the priest, as he led us through his sanctuary, telling us of connections both modern and ancient, and it was an interesting point and counterpoint to the thoughtful talks I listened to in my church’s conference, as all these things remind me that we are more alike than different in our hearts and our minds, whether or not we worship the same.

Sunrise October

This morning, we tiptoed out of the house, the grandchildren still asleep before their big day at Disneyland, to see this glorious sunrise.  We stopped to take it all in, then moved on, pausing at each street, savoring the changing colors.  This, too, is a muse of grand proportions.

It seems that every time I hit a rough patch, it stills me enough so that I can move in a new direction.  Who would have thought that after finishing Kaleidoscope, with all its fussy English Paper Piecing, I would be appliquing a Santa down to a new square of cloth?  But this is the direction the Muses have beckoned me to follow.

I am always frustrated by the rough patches and I can hear my parents chuckling in the background, as they know I like things to always be still and placid and never, ever, in turmoil.  I’m a harmony junkie, if you will, not only in relationships, but everywhere in my life.  “This too will pass,” my father used to say to me when I’d come to them in tears, upset by something or another, yet I always found it hard to believe their soothing counsel.

But I feel quite enriched this weekend, in spite of the chaos of an afternoon of eight children.  I savored their noise and games, hoping it would never end, but of course realizing (that for sanity’s sake) it needed to.  The trip to the Greek Days Festival on a hot October’s day.  A visit to my sister last week.  A new sewing project.  Thoughtful and touching messages to the heart.  And last, but not least, the best inspiration of all: the anniversary of our first kiss, twenty-five years ago.

May your muses find you this week.  Happy Quilting!

200 Quilts · Quilt Finish · Quilts

Juxtaposition • Quilt Finish

Juxtaposition_front

I finished my quilt, and I’ve titled it Juxtaposition.  Every quilt teaches me something, and this one taught me to try again, to not get discouraged, to discover new ways of doing things.

Quilt Juxtaposition_front

This photo of the quilt, shows less of the texture–the quilting–and more of the color and pattern.  I love the pattern.

Facets Pattern-cover

It is Facets, from Anne of SpringLeaf Studios and as a lovely part of this quilt, she will be offering one pattern for a giveaway.  (UPDATE: Giveaway is closed.)  I only did one of the several versions of this pattern; mine was the simplest, but all of her directions are clearly written and easy-to-follow.

Juxtaposition_corner

The easy punch of the graphic design drew me to this, and I knew that the fabric I chose, Charleston Farmhouse, would be a perfect fit.  I just didn’t anticipate the difficulty of quilting that central square, but it didn’t take away my fondness for this pattern.  I’m already planning to make it again, using the blocks idea shown on the front of the pattern.

Juxtaposition Quilt Center drawings

I wrote about the frustration I experienced in quilting this, but sitting in my hotel room one morning (we were away at a conference), I realized that if I didn’t tackle and finish, this quilt, I probably would pitch it in the thrift store bag.

Facets Quilting_1(original quilting)

So I drew up two ideas for the center; both were generated by a comment of a reader who said that my ferns in my original design were facing the wrong direction.  I thought a long time about what she said, and as I drew, took in her ideas.  I let my husband and my quilter friend Beth vote on the one they liked, and I went to town.  I used a blue marking pen to assist me, but didn’t trace the leaves, as I still wanted that organic look to the quilting.

Quilt in high relief

After I finished, I had my quilt in one hand, camera in the other, walking around the hotel looking for places to take its picture.  This shot was taken in full sun, laying on the grass in the late afternoon and the texture of the quilting really pops. I used a faced binding again on this quilt, and I like how it looks.

Juxtaposition and CypressIt was lovely to come home with a finished quilt.  This is quilt #121 on my 200 Quilts Index.

FinishALong Button

It is also part of the Third Quarter Finish-A-Long, and I’m happy to say I finished one more quilt on my list!

FAL Tutorial Header

And also today, my tutorial on Y-seams posted at Leanne’s blog here, if you need a little help in that direction.

Giveaway Banner

To win a copy of this pattern (it’s a downloadable PDF), tell me about the hardest quilt you ever made, that really challenged you, but one that stuck with until the end.  Are you glad you finished it?  Do you hate the quilt?  Love it for what it taught you? Gave it away as soon as you could?

Leave a comment and I’ll pick a winner on Thursday evening.

Drawing is now closed.  Thanks for participating.

Quilts

Autumn Tote and Center Square

Hotel Room

This week I spent holed up in hotel room, sewing on fun things left and right.

Autumn Tote Bag

And some not so fun things, that turned out to be fun things, once they turned out.

 The Autumn Tote (above) is one of the fun things that turned out quickly.  It was my second time making this pattern, and I was able to use what I’d learned last time and make the needed tweaks to the pattern so it turned out much faster in the sewing time.

Autumn Tote Bag_3

This is the class sample for the class I’ll be teaching on October 22, Tuesday evening from 6-8:30 p.m., if you are in the area.  I’ll be teaching it at Bluebird Quilts in Grand Terrace, California (phone number is 909-514-0333).  I love the rich tones of autumn in this piece.  This tote is big enough that I can get my iPad in here with no problem.

Autumn Tote Bag Interior

If you decide to make it, pick something fun and whimsical for the interiors!

Juxtaposition in process

Full reveal comes in a future post, but finally! I was able to move this quilt from Problem Child to Model Student.  It all came because of a comment on my post from Linda, who noted that besides all the other things I mentioned, the ferns were headed in the wrong direction.  A redraw, and a few other tricks which I’ll mention later, and I was on my way.  Here it is in an interim step, threads hanging out and everything!

Pacific Grove

Tomorrow we leave from home after one last walk along the beach here in Pacific Grove (California), watching the colors on the rocks change as the sun rises.  It’s been a lovely time.