When I mean rounding up the grannies, I don’t mean that we captured all the grandmothers and took them out west and let them roam the prairies under watchful eyes of cowgirls. I mean that I gathered up all the Granny Square blocks I’d made from May, June and July and the final six, so now my herd quilt was complete.
The first block of the quilt is on the left, and the last one is on the right. The hashtag was #ohgranny2026, but I noticed a lot of creativity in how our group marked them, and every variation of that hashtag made me smile.
To backtrack: This started in May, with the free pattern handout here OR here. I developed the pattern so it’s quick and painless, and after making 30 blocks, I can say the process generally went quickly. I really did have a great time putting combinations together; it’s funny how attached we can get to our collections of fabrics, gathered over many years (my oldest scrap is about 50 years old). This quilt is my very own quilting stash index, and is one of two possible quilts that will go with me to the fabled Old Folks Home, that event hopefully far off into the future. (The other quilt.)
Group 1 (8 blocks) • May 2026
Group 2 (8 blocks) • June 2026
Group 3 (8 blocks) • July 2026
Group 4 (6 blocks) • August 2026 • Final Set
So here it is: Oh, Granny! I used small cornerstones (1″ finished) and simple sashing.
The back was a Denise Schmidt cheater cloth with a Pickle Dish design. In pink!
The label. This time I put it against the side, kind out of the way of the quilt backing’s design. We went down to one of our favorite places for some pictures:
Thank you, dear, for holding my quilt.
My friend Rosalyn called me last month and asked me to come over and look at the quilts that her husband had inherited, and lo and behold! there was a granny square quilt. It was made by Carmen Ursul Davis Poole, his grandmother, who was born in 1903 and passed away in 1993.
Some close-ups of the squares.
And it was made by hand! You can see the little stitches on the sides of the pink gingham square.
I’ve had the best time looking for, and looking at, all the fun Granny Squares from those who decided to sew along: Carol • Allison • Linda (who is making smaller squares) • Susan • Ramona • Melanie • Wendy • Juliann (All of these are Instagram links)
Let’s begin this overdue missive with the mundane: the stair rails in our house. This sticker belongs to Bryan, who I finally called in to finish the project after mucking around with it since March 6th.
I need a sticker that has the words “finisher” and “quilter” in it, although I haven’t yet figured out in which order the words would go.
This is when I called him. We’d had other recent attempts at this project of refinishing the stair rails, including a feeble attempt by Yours Truly, but in the end I called Bryan of Fine Wood Finishers to get the job done. It was needed as they probably hadn’t been refinished in the life of the house (about 50 years).
Do we exude this kind of confidence and fun? He spent some time trying to get it in his shorter van, and in the end needed a bit of a red flag. I’m your gal! I called as I zipped upstairs, ripped off a strip of red fabric and brought it back down to him. Now we just let him do his magic; I’ll keep you updated. (He does have a bigger van for delivery; no worries.)
Apparently all our businesses are in warehouses now. I took my husband to his physical therapy and was off by one block. We were at Jump and Shout Therapy, instead of Marketplace Therapy. While he was in there, I sewed squircles while I waited in the car…
…but first I took a walk around the complex where I took photos. (I’m always taking photos.)
That skeleton of metal reminded me of this sweet little chapel in the Blois Chateau in Blois, France, where even the ceilings were amazing. And this reminded me that I wanted to show you this:
Now that you know there are 640 of them, and that she made each one different, you’ll want to see some detail shots (click to enlarge any photo):
This is a quilt from the Pour l’Amour du Fils show in Nantes, France. I did include some more photos in the most recent post, but rather than overwhelm you, I’ll drop some more in here and there over the next while, like this one with 640 different little purses and dresses.
My sister Susan also did some traveling, but to London. She’s become an avid sewer, getting me interested again in garment sewing. She’s a fan of Merchant & Mills, so traveled out to Rye to see their enterprise and buy fabric. While there, they photographed her for their well-known inspiration called Social Club, and put her up on Instagram. Wow! (Doesn’t she look fabulous?)
I squircled while in doctor’s offices this month, too, keeping vigil while my husband was there. I’m really getting close to done, as I’m trying to keep up with Gladi, who has finished her squares.
Our church is dedicating a new temple not too far from our house, the Yorba Linda Temple, and we had a chance to go for their Open House to tour the building before it’s closed to the public. As always, I’m drawn to pattern and visual texture, so I loved the stained glass, done by Holdman Studios.
My photo at dusk, on the left. Another photo of this motif, from the Holdman Studios’ Instagram, is on the right (which also has more pictures). That would make a marvelous center to a quilt, right?
I tend to carry home smaller things from my travels, like stickers and an elegant candy box. Sadly, I ate the last one of the little sweet bits inside while writing this post.
But water bottles are also a prime souvenir for me, as they remind me of my experiences. Oh, and tote bags for my grocery shopping (our state has a no plastic bag rule), but I won’t show you my collection at this time.
One last quilt from Nantes: a granny square-inspired quilt, with “granny lanterns.”
Besides the one you saw a couple of weeks ago, here are four more. I need to make eight total for May’s allotment, so have a few to go. Others who are playing along have posted theirs, too, on Instagram:
Since hashtags are dead in Instagram, if you want to join the gang, either leave a comment on this post, or on This Instagram Post, and I’ll add your account to the list I’m keeping on that post. If you have a a photo and don’t use Instagram, I’m happy to post it up here, or link to your blog. I’m also on BlueSky for those who have left Meta behind, although I don’t know if you need to join to see my blocks on there.
I’ve also reworked some earlier handouts and patterns. This is a digital image of four pinwheel blocks, but I really only made one. The original post shows it in red and white; here’s the free download, if you want it:
Oh, my! We are already seeing blocks on your design walls, in your IG feeds and on your sewing tables. We’re happy to have company for making Oh! Granny squares. This post is just a quick update, before I start writing/posting about my trip to Nantes and the quilt show there.
Carol and I were finally able to touch base about the timing. The following schedule is just a suggestion…if you need to slow it down, or if you are on a hot take and Want This Thing Done, please make at your speed.
Can you manage two a week?
I timed it out and either the 3-squares block OR the 4-squares block (see previous post for info and/or scroll down for free download) take me about 30 minutes. Of course, choosing your fabrics will take you some time, but as many of us are taking from the scraps from our already beautiful coordinated stashes (haha), so probably not as long as you think.
I’m using all the same white for my backgrounds so I can precut the rectangles, as I’m going to follow on the track of the image above: 5 blocks, six rows, 1″ sashing with corner stones at the intersections and a simple binding. Some of my illustration blocks are repeated. Some I went with the “criss-cross” effect and some I didn’t.
If we do about two a week, that’s 8 per month, which will take us about four months to build a quilt the size above.
Or, you could do it this way:
Whatever works for you. Then, by fall, you could have it draped over the back of your sofa, or wherever you put your newest quilts.
So I have two free downloads for you. The first one (below) is the complete package: how-to’s, pattern directions, etc. AND the schedule. I also put the illustration shown at the top of this post on the last page.
The second one (below) is JUST THE SCHEDULE, complete with little boxes you can check off as you go. Or scribble out. Or put stickers on, whatever floats your boat. Admittedly, I only did it for 30 blocks, but if you decide on a bigger quilt, write them on.
Just for fun’s sake, I decided to do an Instagram search for samples of the ever ubiquitous and pretty famous Granny Squares quilt because the marvelous Carol Gillen and I wanted to do another quilt-a-long with each other in 2026. (I think this will be our fourth?) Come along if you want. First up: the eye candy. I put a conglomeration of links afterwards, and each image is named with the Instagrammer (right-click on any photo to see it in a new tab, and you’ll see the “name” that way, along with the number showing what slide it is).
I think there must have been a lot of Granny Square quilts made in 2020, as a lot of the pictures are from around then.
A bunch of Instagram links that have the quilt, but which don’t necessarily correspond one-to-one to the above gallery:
From what I saw, there are two basic kinds: the three-squares-across version and the four-squares-across version — an iteration of the original. (Ignore the photo above with six blocks across; that maker may be an overachiever and she freely admits she only made this one block. And while I admire the quilter who did hers by EPP [shown in the top row], we’re doing Old School Piecing.)
The “OG” Granny Square is the block on the upper left. We also call the one on the upper right a Granny Square, but the original name (according to Brackman) is the Garden Patch block, published in Quilt World in the mid-1970s; the color placement does differ slightly.
I saw a lot of posts, and websites, and perused videos, but I never found the source of the urban legend that says that the center of the block represents the baby, the next row represented the mother (the baby had four mothers?) and the next row was the grandmother (now this child has 8 grandmothers?). Wherever that came from it certainly wasn’t on the radar of quilt historian Barbara Brackman. The block in her book (the Bible of quilt blocks) is called Grandmother’s Pride, and hails from around the 1930s, from a mail order source called Home Art Studios.
Another blogger had it the other way: the center is the grandmother, the four surrounding blocks are her daughters, and then on to grandchildren. Okey, dokey. I think the origin of this quilt square might have come from a quilter who was trying to mimic the ubiquitous crocheted granny squares whose first origins are from the 1880s, but I have no way of knowing.
On to the making. Here’s a slideshow with pictures of my first test sample:
Three-square row blocks using 2 1/2″ squares trims out to be 9 1/8″ which is a block size I can work with.
Here’s the test sample for the 4-square block, again using squares cut to 2 1/2″ EXCEPT FOR THE WHITE BACKGROUNDS, which I cut differently (info in the free handout, below):
The dimension after trimming is 12″ square. Again, while it feels counter-intuitive to not know the finished size of a block when you begin, it’s probably easier to figure out what size square you want to work with and cut those, and then figure out the dimension of the final block once it’s all trimmed up.
I give you more dimensions and block sizes in the PatternLite Download, which for a while, is free. After that, it will move to my Pattern Shop and will probablymaybepossibly retail for less than a fancy drink in your favorite restaurant. So download it now, while it’s free.
(This is the updated mini-pattern with the quilt-making schedule.)
Another Hint: color is the thing. Decide what you want in the middle (light, dark?) and in each surrounding row. I did like the quilts that had different colorations, so sometimes you could see crosses going across the block. Two ways to put it together: sashed? Not sashed? A million different tutorials out there in Quiltland. Once Carol and I get rolling, we’ll probably post up our ideas, but for now, let’s just get started on making blocks.
We’ll probably start somewhere in May-ish? We haven’t decided yet. We’ll put it up on my least favorite-which-used-to-be-a-favorite social media, Instagram. Here are our addresses: Carol and Elizabeth. I’ll also post my blocks up on BlueSky, too, and Carol has Threads. Which block am I going to sew? I’m learning towards the 4-square version, although the 3-square version is also tempting.
Final Throught: Hashtags appear to be pretty useless now in Meta’s world However, I will be tagging my posts for organizational reasons: #ohgrannysquare2026 It might be easier just to follow us on Instagram, Threads or BlueSky or type in the words Oh Granny Square and let’s hope for the best!
OccasionalPiece--Quilt! 