When you are stuck, it is. I love those houses, but…No.
New favorite. I ordered two more yards.
I love having scraps of batting that are just the right size.
Letting us both rest after a few hours of quilting.
Here come the beauty shots. (Isn’t that little bee with the branch arms the cutest?)
I quilted whatever came into my head.
I haven’t measured it, I haven’t labeled it, but the saga of the Orphan-Blocks-into-Table-Runner is now complete. I’m sorry to say, it didn’t empty out my orphan blocks bin much. Now I have to think up another way to use some of those up. And I have to think up a name. These orphan blocks came from when I taught the First Monday Sew-day class of beginners about Square-in-a-Square, or Economy blocks.
I still love these little houses. Now I have the beginning of another quilt! Get the Pattern Lite here.
Happy Memorial Day Weekend.
Or, as my mother would say, Happy Decoration Day (some fascinating reading in this link). The weekend before Memorial Day, my mother and father would go out and decorate the graves of their grandparents and great-grandparents with flowers, the cemetary made beautiful with pots of mums everywhere. This is the gravestone of my Scottish gr-grandmother. I have two namesake gr-grandmother Elizabeths and I remember them both on this Decoration Day. While the origins of Memorial Day are generally thought to be about the war dead, because of my mother, I remember it also as a day to honor those long gone.
Recently QuiltMania Magazine and I entered into a collaboration — one of those collaborations that finds you in the middle of the night cleaning out the front closet, or tidying up the bookcase in the family room, or hunting all your sewing studio for your favorite piece of fabric. So I tidied uprewrote wrote a new finishing pattern and it’s now up for sale on PayHip. This pattern provides the setting templates and instructions for putting all those circles together cohesively.
Eventually I’ll put out a pattern with all the blocks, but for now, the Shine series consists of the free ones on QuiltMania, four more blocks for purchase, and this pattern to set the quilt together.
The original pattern was from my write-it-up-in-Microsoft-Word days, all the while plugging in poorly lit photos of the steps. Now it has many illustrations, as I’m finally getting the hang of my creative software, and what I don’t know how to do, I’ve figured out a few workarounds. The above illustration was one of those.
I made up a new EPP circle pattern, Summer Day, and threw that in at the end, figuring whoever checks this out would like a freebie.
Last week I taught a live-online lecture for the Alabama Station Quilt Guild, and the Criss-Cross Quilt below was sent to me by Gisele, one of the participants. I love the colors she chose and thought the quilt was really terrific.
A few weeks ago my friend Mary of ZippyQuilts sent me a photo of her version of my Merrion Square pattern, made larger as it had a specific size need. I love her interpretation and the cute bunnies in the town square.
Last year, in April 2019, I received this comment from Karin on an old post:
“I’m just embarking on making this quilt (Crossed Canoes) as a memory quilt for my parents. We lost my brother, an avid canoeist, in December. Thank you for that idea! I’m making mine with my brother’s shirts and a few other fabrics from my stash for extra vibrancy.” My original post was about my sister and her group of friends making a memorial version of Crossed Canoes quilt for a friend. I love this pattern, and this post tells that story as well as provides a free downloadable pattern of this block.
Last post I had put up our Gridsters Bee Block for September, attributing it to a variation of Puss-in-the-Corner block.
On further look, it is more like a variation of Illinois, from the periodical Hearth and Home, published from the 1880s to the 1930s.** What a difference a few well-placed color shifts can make! What would happen if I made a few color shifts, or line shifts, I wondered? The following riot of squares and triangles ensued. In my defense, it was late, and I was too tired to do the dishes, so I sat down to play with what my friend Janet calls “a quilter’s video game,” our quilting software.
These are grouped by first, the block, then a grouping of possible quilt designs. There’s a lot so feel free to just scroll quickly.
The basic Puss in the Corner block. I guess those little square blocks are the farmhouse cat, tucked away in the corner sleeping.
Basic Quilt with no sashing. If you squint, you can start to see a secondary pattern emerge. #needshelp
So I added some color. It needs some value shifts, I think.
Variation. I cleared out the undergrowth.
This final rendition has some different versions of coloring the blocks, along with some sashing.
I thought the prominance of the flying geese might make for some goose tracks throughout the quilt.
Here’s the basic Illinois block, in the coloration from Hearth and Home publication.
Okay. Maybe we could do something with this one.
I must have been really tired to use so much purple.
Okay, how about I keep the flying geese and Puss-in-the-Corner corner blocks, but just turn them all inward-facing?
Busy, but could be fun as a scrappy quilt, playing around with where the blocks touch. Of course, our quilting foremothers would have always had sashing, right?
This was a neighbor to Puss in the Corner, and is called Big T.
I went this direction first, swapping out the center. Nah.
Here’s the variations of that block. I kind of like how it looks like the corner edges are folded down.
Here’s what I played with, all capsulized. And below are the blocks in white, and then further down, a PDF of the pattern templates.
Final thoughts: The top left block looks like it has more possibilities, less places to call a halt to other ideas. The other three blocks kind of box in the quilter, confining the creativity to the block itself. I would like to try matching these up with other nine-patch variations, and see what kind of quilts those combos could yield.
Here are the basic block PDF files for download. They all make a 12″ block.
The wheeled devices in the So Very Cute Project I lost my mind and decided to do are completed. It’s nice to see it before it goes to a Time Out in my closet, so I can get some Real Quilting Work done.
But before I tell you about the basket of flowers in the back of the truck, you need this chart from Whip Stitch:
Head to her website to read all about it, or download it here. Trust me, you’ll want this, as the weensy little instructions with the Clover bias tape makers will drive you batty.
This is Lori Holt’s logo for this delightful project. Notice the dog in the back of the truck.
Notice how the people who live in my quilt realized that they needed the space in the back of the truck for hauling baskets of flowers.
Make 1/2″ mini-hexies for the flowers, fussy-cutting a couple. Cover some triangles, sized in relation to the flowers, then give each a pleat in the lower edge before sewing them on. I used three “leaves” and five flowers. I used the lower edge of piece D8 as a pattern for the basket, then turned it upside-down to get the wider edge at the top.
It is really dense in that section, with the layering of fabric. I’m one who cuts away from the back whatever I can to lighten it up for quilting:
The Guidesheet for this week can be found in the tab above, Bee Happy Tutorial Sheets, under Projects for 2020. See you later, Bee Happy-Sew-Along-gator!
I’m still working on this quilt, which I call Ladybird, because it reminds me of a ladybird beetle (sometimes called a Ladybug).
I finished the first book (long, but good) and am now onto another:
And this happened. Yes, no more PT. Now I’m getting ready for my project for tomorrow, Flag Day, the day when we find our rolled up flags in the front hall closet, and hang them out front, a prelude to the month of July, when it’s all red-white-blue all the time.
Okay, my wannabe flag quilt morphed into this flag-like wall hanging. I say flag-like, because I read one Instagrammer say that she had to make another lessflag-looking quilt because her family didn’t want to lay hers on the ground for picnics.
I opened up my QuiltPro program, guessed out the proportions and figured it out. There is no pattern in my worksheet, because I do assume that you’ll figure out how to make this, if you really want to. Again, if either of my arrangements bother you, make one that you like. I was inspired by a lot of what I saw on this post from Quilt Inspiration, where you can find lots of free flag and flag-like quilts for your patriotric needs.
Here’s my worksheet, with all the dimensions, in a downloadable PDF file: Betsy’s Creation_OPQuilt I named it after the original creator of the flag: Betsy Ross.
Mary, of NeedledMom, chose this block for her June turn as Queen Bee of the Gridsters. Originally found on Wombat Quilts website as a free illustration, I redrew the block to Mary’s specified 6-inch (finished) size. Four of these blocks are put together to make Mary’s larger 12-inch block.
You’ll need four copies to make one 12-inch block, as shown below:
Notice there are FIVE colors per Mary’s larger block. Four corners have the same color, which when sewn together make that center star. But in looking at the way she designed it, the colors are to be distributed throughout the quilt. You can see her initial thinking about this version on this blog post (where you’ll also get a glimpse into her gardens and cooking. I love reading her blog).
You can see that she’s diagrammed the main stars (in the center), and the secondary stars in the corners. We Gridsters each chose two blocks, identifying our choices using her coding on the sides and are now sending them to her.
I recently had two birthdays to celebrate, that are near each other in the calendar. I cut up my precious Frida Kahlo canvas fabric (made by Alexander Henry), yielding two bags from one yard.
So I wrote a little tutorial, for everyone should know how to make a bag out of fabric. Hope this helps.
Do the same cutting with your chosen lining, trimming 2″ off the upper edge of the lining, as you want the lining to be slightly shorter than your Frida fabric.
Keeping Frida on her feet, seam the selvage sides Right Sides Together (RST), and then sew across the bottom.
Sew the lining bag sides, then across the bottom seam BUT LEAVE A 7″ OPENING IN THAT SEAM at the bottom of the bag. You’ll need an opening later in this construction process, and leaving the bottom seam with a gap will later allow you to turn the bag.
To make the bag have a flat bottom, you’ll line up the bottom seam with the side seam (where there wasn’t a seam, I pressed the side edge with my iron). When you get them lined up, pin. I went for a six-inch bag bottom, so I lined up the middle of my ruler along the seam, and drew a line.
You can see the faint pencil line here, on the lining. This is from the folded side of the bag, and you can see the ironed crease in the side, heading up to the point.
Stitch along that line, then 1/4″ away from that line, into the peaked corner.
Cut off the excess, leaving 1/4″ seam allowance.
Matching the edges, stitch around the top of the bag using a 1/2″ seam. Turn inside out through opening on bottom. Line up the bottoms of the bag and lining, allowing the Frida fabric to roll over into the inside:
I pressed the seam towards the lining fabric, into the bag.
Stitch in the ditch, just above the fold of the lining, using thread that matches the Frida fabric.
Stitch the opening in the lining bottom closed, by topstitching the two edges together. It can also be done by hand with tiny stitches.
Time for handles. On the front of the bag, find the center (matching up sides). Mark with a pin. Each bag handle is placed 3-1/2″ from the center.
How long to cut the webbing? It depends on your use and how tall you are. I wanted these to go over my shoulder, yet stay off the ground when using the handles to carry, so after pinning it at different heights to try it out, I finally cut two pieces of webbing 27-1/2″ each.
Pin them to the bag, making sure each handle stays on the same side of the outside. In other words, don’t attach one end to one side of the bag and one end to the other. The bag handles should be attached the same side of your bag (otherwise it won’t open widely).
I placed the handles lower than the top edge of the bag, leaving an inch free. I then sewed them down with a cross-in-a-box design:
Done! I marked one side of the bag, so the user can find the “front” easily. One has Frida’s Garden selvage label (shown above).
The other one has a woven ribbon that says Ahali, which means “family relations.” (It’s for my sister.)
Now you have a quick tote, that is perfect for everyting, and because it’s lined, it’s sturdy and looks neat. It took me a couple of hours from first cut, to this photo, for both bags, but having done this multiple times, I’m kind of fast at this sort of thing. My grocery sack tutorial is a similar bag, but unlined. That site has a downloadable instruction page, if that works better for you.
I wanted to close out this post with a couple of photos from two women who attended my workshops. It’s always a delight to see how others interpret the pattern. If you have made one of my patterns, don’t hesitate to send me an photo! You can also tag me on Instagram: @occasionapiecequilt.
To honor the 4th of July, I stitched up another tiny quilt. I love being patriotic, as the meaning has a sense of loving America and its peoples, the history and the early settlers, and those who set up the government in 1776. It helps that my nickname in my childhood was Betsy, but I do love the red, white and blue.
I put on two borders, quilted it (so fast because it’s so small) and put a single-thickness binding on it (cut your strip 1-1/2″ wide), gluing down the back binding and top-stitching it down. It is one of those quilt projects you can take at full throttle–no fussy cutting or intricate piecing. Put your pedal to the medal and crank out a 4th of July star tiny quilt!
It slips over the back of one of those cheezy plastic stand picture frames (under 2 bucks at Walmart). [More on the quilt underneath it at the end of the post.]
I made the quilt above quilt five years ago at the same time we had a government shut-down, and I was moaning about government needing to behave itself then. I now look back on that particular chaos with a wistful glance; would that we had that steadiness now!
Yet, I still believe that America is a Tune, and that we must figure it out — sing it — together, no matter how painful things are. After reading the book Hamilton, I value what those early fathers of our country (and mothers, too) must have faced and appreciate how much work they did and how inspired they were to come together and get the framework off the ground.