Blog Strolling · Quilt Shops

Ginger’s Quilt Shoppe

Ginger’s Quilt Shoppe is about 30 minutes from my house, and that’s the place I went to when I was agonizing over what to put in Scrappy Stars to finish it off.  While I love online shopping, there’s nothing like a brick-and-mortar shop.  The address is 1120 Dewey Way, Suite B in Upland California.

The phone number is on the door, and the place is well-marked.

The first order of business was to get a bunch of bolts of fabric to try out my stars.  The lady who helped me was VERY cheerful about this, and made the final suggestion:

I loved the linen look of this fabric and was really happy with it.  After we settled on that, I picked a couple of more fabrics “for the stash,” then got her permission to roam around the shop and take photos for this blog.  As you can see, they have a lot of batiks, a well-stocked notion and pattern section, cute decor and a big room with a long-arm.  I haven’t been there enough to know the ins and outs of the shop, but my friend Tracy is a fan, and if she’s a fan–it’s a good place.  And interestingly enough, when I went to Utah to see my mom and went to her local quilt shop, one of the women who worked there, knew of Ginger’s and went on and on about it.  I’ll need to return–and soon!  (We do have a Quilter’s Run/Shop Hop coming up this summer.)

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WIP

Gingham on my Mind

Well, I have gingham on my mind, but other things too.

Like these three grandsons of mine who showed up for the weekend.

Like this stack of papers who arrived on Wednesday and are Still Here.  (Definitely a work in progress.)  (Right now I’m taking a break.)

But this one is somewhere in between there and here, in terms of Works In Progress.  Here I’m sewing the borders on, but I finished (yay!) and it’s at the quilter’s right now, getting all stitched up.

Here’s some gingham things I’ve found while trolling the net. . . a book.  Is it me, or does that person they identify as “Jakie Kennedy” NOT look like Jacquie Kennedy?

I think the heel has some sparklies that move around.  Talk about elevating gingham beyond where it should go.

This is what I look like when I grade papers.  Ewwww!
However, her shirt is cute, don’t you think?  Love the covered buttons.

Now head over to Freshly Pieced to see what Lee’s got on her mind, at WIP Wednesday.

Quilts

Gingham Fabrics

I know Krista and I scored a bunch of vintage ginghams at a garage sale, but I was curious to see if I could still buy them commercially.

Yep.  JoAnn’s had them in the “homespun” section, along the wall.  They had a range of large to small checks, even micro-checks measuring 1/8″ inch.  I hope you’re not wanting an exotic color or anything.

Fiber content: I have been used to ginghams in the 50-50 range, but this one is 65% polyester-35% cotton.  What this means is that is has a bit different hand, or how the cloth feels when you touch it.  The polyester, since it is over 50%, will be dominant, so the surface will have more of a commercial feel, rather than a homemade feel.  It will be more wrinkle-free, and probably won’t shrink at all.  The colors most likely will not run or bleed, so you can combine any combo you want.  No need to pre-wash this either, as the character of the fabric won’t change much.  It will wear like iron.  I once made a dress out of gingham–it was a Betsey Johnson Vogue pattern, way back in the 1970s on Betsey Johnson’s first go-round. Because this is more poly than cotton, the drape will be finer and the fabric will feel a little lighter-weight.  I say all this not to scare you off, but to reassure you that when you take the fabric in hand and touch it, what you are feeling is normal especially if you have been sewing with only cotton.  As far as the China part, over 90% of the world’s clothing and textiles and thread and trims comes via China.  As quilters, we’re more used to Japan for thread and fabrics.

I saw an apron done by my mother-in-law with chicken-scratch embroidery on it.  I guess I could have ironed it to show you, but I just pulled it out of an old sewing basket up on top of my armoire.

This is how far I got–the square of gingham cut out, the embroidery half-way across.  Add this to list of Things To Do When I Retire.

Doesn’t gingham just remind you of days gone past?  It has such a timeless quality and that’s why I suggested to Krista that we try to use up our little find by combing it with some Kona White or something and seeing where it goes.  Some times it’s interesting to get an idea and explore it, without a pattern or pre-determined place to arrive.

You can buy gingham-look-alike fabric.  This one’s from an Etsy shop online (I did a search for gingham and Denise Schmidt, as this is her fabric line.)  But the unique quality of gingham is the fact that it is yarn-dyed, and that the plaid is made from the white threads crossing the colored threads.  I much prefer that to printed ginghams.

Luckily for you, Robert Kaufman has yarn-dyed ginghams listed on their website, and it looks like you can order directly from them.

I also found these at Fabric.com–look for the Carolina Gingham fabric, as it is yarn-dyed, and that’s what you want if you are looking for a true gingham.

Books · Finishing School Friday

Friday Finishing School–This and That

I’m almost done with the quilt blocks I’m not yet revealing, keeping it under wraps for a variety of reasons.  Soon, soon. I have this tiny little window of quilting before the research papers hit (I know I keep talking about them–all English teachers dread this particular paper because they are so time-consuming to grade).  So count this for my Friday Finishing School, a project I take up now and again.

American cover on the left; British cover on the right

While I cut and sewed, I listened to The Sense of an Ending, by Julian Barnes, a British author who has written twelve previous novels.  This is another gift from my mother–she decided to start listening to audiobooks, and I signed us up for an Audible account.  She chooses the books, and when I was there last weekend, we downloaded four new ones, The Sense of an Ending being one of them.  I liked this book because it’s written from the viewpoint of an older man, reviewing his life.  While I listened, I could see some of myself in the portrayal, then some of my father, who is 86 and still painting up a storm.  But at the end, I only saw the character and the sense of his ending–the life he is left with after decades of choosing to be “peaceable.”  Note: the younger self of the main character in the novel seems obsessed with sex when he’s at college, if that sort of thing makes you squirm.  But it does all fit into the picture expertly drawn by Julian Barnes, who won the Man Booker Prize for this novel last year–equivalent to our National Book Award.

My mother and I have also listened to Penelope Lively’s novel, How It All Began, about an older woman (do you see a theme here?) who is injured in a mugging (that occurs offstage and is not violent–a purse-snatching).  The novel examines how many lives are affected by this act, and Lively draws an entertaining group that react to the “Butterfly Effect” of the main character’s injury and recovery.  I remember in grad school how I read umpteen books about young people’s coming of age, that shifting tectonic plate between leaving home and settling into a life.  I got soooo tired of all the sexual angst–not that it wasn’t real, but a steady diet of one facet of life’s prism can be wearying.  As an older student I often wondered where the novel was that spoke to my life, the novel that I could emulate?  I seem to have found the mature, nuanced view in several British novels, and I’ve enjoyed them immensely.

A quilt cartoon for you.  I smiled when I saw the cartoonist’s version of a quilt.

More This and That: This is the shot of a bolt end of Thermolam Plus–the stuff I have up on my pin wall.  It looks like quilt batting, but it’s not.  A friend was asking me about how I built my pin wall: 2 sheets of 1/2″ foam core art board taped side by side, covered with gridded flannel (I wrapped this to the back and stapled in place using really short staples, then covered that with tape.  I then affixed it to my wall by using door jamb covers–long rounded metallic bars, each about six feet in length.  I used four: two for each side, top and bottom).  Over that, I layered this Thermolam Plus, using straight pins to anchor it into place.  The fabric really sticks to it–like magic, and when it gets all thready, use one of those sticky roller things that is used to clean off clothes.

Anyone interested in my scraps from Scrappy Stars?  They are not really big pieces–mostly 8″ or less in odd shapes, but they are a range of reds, with some coordinating accents.  They’ll fit neatly into an envelope and I can mail them off to you.  Let me know in the comments.

And if you are interested in making the Scrappy Stars, I have about twelve of the vellum sheets with the diamond paper-piecing pattern on it.  I can mail those to you, too.  I was going to just file away the sheets, but I noticed that a couple of you are going to try making this quilt, and I thought you might like these.  Again, leave a comment and I’ll be in touch.  You’ll need six sheets for every star, so this stack will make two stars.  I guess you could just make the front and back of a pillow; the star finishes at about 16-20,” depending on which way you orient it.  They are Big and Bold–lots of fun to make.  And use a fabric that reads “solid” for the setting diamonds–save yourself some quilting angst!

Today I’m going to finish up the quilt top mentioned at the beginning, because I want to get it over to my quilter.  Since I don’t want to start another book (which will leave me wondering what’s happening and I have to grade *those* papers), I’ll listen to This American Life or RadioLab podcasts, brushing up on either quirky stories about people, or interesting science-based tales. If I get bored with that, there’s always the NPR on the radio.

What do you like to listen to when you create?