Four-in-Art

Doleket: Four-in-Art #3 Reveal!

Doleket Art Quilt-front

Doleket

While no one really knows how the prophet Abraham came to know God, many a rabbi has told a tale, a midrash, about this event.  One famous one is how Abraham came upon a castle alight — a castle doleket. According to many, the term doleket has two meanings: one is that the castle was radiating “brilliant light.”  But others maintain it was burning, being destroyed by flame.  Who is the master of this castle, asked Abraham, that they would build it only to allow it to burn?  And so, the midrash goes, he came to know God.

I wanted to convey this idea in my quilt — while something can be in flames, it can also be full of light.

Doleket detail 4

So I made the one-inch timbers of this creation stand strong and straight, then allowed some to fall at an angle, denoting fallen beams.  I kept the fabric intact, but left the edges ragged, and threads raveling.  The body holds together, but is mounted on a fabric with text, as the written word is both permanent and ephemeral.

Doleket Art Quilt-back

The implications for this idea of doleket are numerous and obvious.  We struggle through a searing experience, only to discover new strengths.  We recognize that often we make fumbling and brutal mistakes with this life we’ve been given, yet continue to work to make things right.  This quilt is less literal than my other two, but I could think about this idea for a long time, and in many of its permutations.  I’m glad I had the chance to think about flame, about fire, and to try to put it into art quilt terms.

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I have other companions in this quarterly art quilt foray.  They also have created quilts with the fire theme:

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Leanne, of She Can Quilt

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Rachel, of The Life of Riley

Campfire with Roasted Marshmallow

Betty, from Flickr

Doleket Art Quilt-label

Check back for the next post, describing some of my creative decisions, a veritable deconstruction of Doleket.

This is quilt #113 on my 200 Quilts list.

WIP

WIPs, early

I have the Four-in-Art reveal tomorrow, so am writing about my works in progress today.

DONE

TakeMeBacktoItaly front

Take Me Back to Italy, both a Schnibbles quilt and a Finish-A-Long quilt

Four-In-Art #3 (check back tomorrow)

Snapshot Label completed

And if you read my Instagram, you know I cleaned out my sewing studio drawers this week as I was looking for a spool of thread and one thing lead to another (plus I was doing Grading Avoidance, a truly marketable skill I’ve developed), but while doing all that, found this sweet little Polaroid patch that Debbie sent to those who participated in the Polaroid Swap last summer.  So I was able to get that stitched next to the label on onto Snapshot, and calling it FINISHED.

MCM4 quilt square

Not one, but two quilt squares for the Mid-Century Modern Quilt Bee.  I don’t tend to press the heck out of my blocks, as I don’t believe in wearing out my quilts before I get to use them.  So maybe the one on the right doesn’t look quite as spiffy as its twin.  But it is just fine, really.

WORKS IN PROGRESS, or  LOST IN SPACE

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Yeah, yeah, yeah.  I’m still thinking about it.  It’s my EPP quilt, and the top is completed, but I’m not going to show it until I’ve finished it.  It’s coming.

NewQuiltBits

A new crazy idea that surfaced one day last fall, and has taken this long to bubble up.  I’m showing you the bitsiest vision of it I can, because frankly, at this point, it’s really really a Work-in-Progress.

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Can I show the fabric that is headed this way?  I finally dipped my toe in the Spoonflower water, and purchased a ten-pack of fat quarters from their weekly contest.  I already have an idea.  This:

Facets Pattern-cover

Yep, I swiped this photo right from Anne’s website (she’s having a sale on her patterns).  I think the chickens will look fabulous running around this quilt.

Don’t we all have too many ideas?  And not enough time?  That’s my set for this week.

Linking up to Lee’s WIP Wednesday.

Creating · Housekeeping · Quilts

QuiltPro Quilt Software

I’ve used QuiltPro software for about a decade now, choosing it first because it worked on a Mac as well as a PC (I’m a Mac user, and Electric Quilt has ignored people like me).  I’ve been reading about another quilt software program that you rent monthly, and thought I ought to talk about an alternative to that, especially since QuiltPro is having a sale right now of 30% off. 

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What I like about this program is its simplicity.  It didn’t take me long to figure it out–click on the square icon and draw a square, click on the triangle (there are two kinds) and draw a triangle.  Click on the paint can and color in your shapes.  It does have a fabric library, but after a few times, I’ve skipped over that and just use the solids, coloring in what I want to show value and placement. (And sometimes I wonder if that’s not why we’ve had such a surge of popularity in using solids–we see them in our quilt software and then want to make those quilts? Who knows, but I’ve thought about it.)

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And if I want to, I can change the colors by double-clicking on one of the little squares.

QuiltProBlocks

There’s a block library if you want it, but I use QuiltPro mostly to work up a design that’s in my head, like this one:

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Which became this:

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and this

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Or this design, to make use of some lovely bits and pieces from a cherished set of fabrics, which became this:

HeatherQuilt

A quilt for a friend who needed some quilty hugs.  And I’m now thinking about how to make this one, dreamed up recently:

ManCharacterQuilt

Sometimes when I read quilty blogs, I get the feeling that whatever is being shown, or pitched, becomes an extension of that quilter.  That is to say, that if you buy this, or shop here, then that’s like a ‘vote’ for that quilter, and you say you like her better.  I don’t really care if you use QuiltPro or not.  I do use it and I’ve had great success with it as a tool to help me get done what I really do love: quilting, so I thought you might want to know about it.  I used to draft blocks using graph paper, pencils, rulers, drawing out the templates by hand.  This program does all that for me (yes, it prints the templates too, so I can measure them to use with my rotary cutter and rulers).  It’s my tool.  I’ve used this tool in my little quilt group, Good Heart Quilters, when we do our block swaps, or someone needs me to draft up how their chevron quilt will look.  It’s been very helpful in a lot of ways.

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Here’s a photo of Congresswoman Tammy Duckworth, who lost both of her legs in combat.  She was recently profiled in the New York Times–go read the article; it’s short and sweet and makes you want to cheer.  But I liked what she said here:

“Q: When you wake up do you feel a sense of loss when you realize what happened to your legs?
A: Of course. But I have a different perspective for what my legs are now. Now they’re just tools, you know? If I still had my legs, I would be in line for a battalion command, and instead I’m flying a desk.”

I want to fly my version of a desk–my sewing machine–making quilts and sewing and playing with cloth and squares and triangles and designs.  I love quilting and am happy to have my rotary cutters and rulers and yes, my QuiltPro software.  It’s just a tool, you know, to get the quilting done.

200 Quilts · FAL · Finish-A-Long · Quilts

Take Me Back to Italy!

TakeMeBacktoItaly front

I have this thing for Italy.  So when I saw Va Bene!, a line of fabrics depicting scenes and buildings and landmarks from Italy, it had to come home with me.  Many of our trips are detailed on my travel blog, Traveled Mind, which I’ve maintained for several trips, and it serves as a journal of sorts.  It’s always fun to go and read it to remember the perfect bruschetta pomodora in the courtyard just beyond the steps of Santo Spirito in Florence (and is why I put the snippet of fabric showing this on the quilt label).

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The facade of the church Santo Spirito, Florence

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Brushetta Pomodora (pronounced with a hard sound: brus-ketta)

Recipe is found *here.*

So with this memory floating in my mind, I fell in love with the tomato fabric and the sights fabric and the background fabric with the Venetian gondolas and knew that I wanted to make this for Another Year of Schnibbles that Sherri and Sinta are hosting.

Schnibbles Hat Trick Version 1

This was my first attempt.  I ending up snipping off the piano key borders — even though they are in the original pattern — because everything seemed “mushed” together.  I think a quilt should have strong focal point, or perhaps several places where the eye can travel to, and with the borders and this fabric, it just wasn’t working.

TakeMeBacktoItaly detail

I also quilted the nine-patches in the ditch, and then did a heavy stippling on the triangles to smash them flat into the background, hoping the nine-patch design would pop up a bit.  I think it also helped with that no place for the eye to rest thing I was talking about.

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Windows of Santa Croce

TakeMeBacktoItalyBack

I’d purchased this tea towel on a very hot day when we were touring Lake Como, and tucked it away in the suitcase.  You can’t always find fabric in distant places, but there’s always a tea towel or two, showing the sights.

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Florence Duomo exterior

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Tuscan countryside

My husband is a great traveler, very adventurous, and loves to rent a car and just drive around, trying new places to eat, finding the out of the way place, avoiding the tourist traps, although he will put up with a few if the sights are top notch.  So Italy fits us well.  Enough people speak English, the food is amazing, and the scenery is picturesque.

TakeMeBacktoItaly label

So what else could I name this quilt but Take Me Back to Italy?

This is Quilt #112 on my 200 Quilts list.

It’s also my second finish for the second quarter of Leanne’s Finish-A-Long,

FinishALong Button

. . . and my first Schnibbles in Another Year of Schnibbles.

Schnibbles

 That’s a pretty big pedigree for such a small quilt, but this one can handle it.

 It’s Italian.