200 Quilts

Beauty All Around

Beauty All Around Mini

Beauty All Around
Quilt # 162

Before I start on my market wrap-up posts (although Sherri of A Quilting Life has a nice array of photos of her Moda contemporaries), I wanted to show you some of the market sewing I did for Sherri.  She sent me some fabrics, I sent her an email with a design, then I got to work creating this little mini for her Moda booth.  She has the words “There is Beauty All Around” on the selvage of her one of her fabric lines, so I grabbed a bit of that for a title.  I got it wrong initially, thinking it belonged to this line, Desert Bloom, but it belonged to the previous collection.

She writes: “I love the name you gave your quilt, too; however, the selvage quote “There is beauty all around” comes from Valley…the selvage quote for Desert Bloom is “Nature’s beauty brings joy to the soul.”

Now you know them both!

Pattern 23 Beauty

It’s pattern #23 in my Craftsy Shop, and in my PayHip Shop (for EU readers).  It’s a fun little mini that makes up quickly.  Because it is a new little pattern and a wee little star at Quilt Market, it has a lower price for the first month, then I’ll put it back up to the regular price in my shops.

Beauty and Clutch

But that’s not all.  I also made Sherri a clutch out of her fabric, featuring a pinwheel to match the quilt.  I used Diane Stanley’s clutch pattern (she’s also known on IG as ylmommyx4), and it went together really quickly.Desert Bloom clutch inside Desert Bloom clutch back Beauty on Gate

Next up: my Starry Compass Rose at Market, plus a giveaway!

200 Quilts · Mini-quilt · Quilt Patterns

Summer 2016 Goals

Pattern Cover SpectrumTo introduce my newest goal, I need to talk about my new pattern covers.  I made them in a new software I’m trying to learn, Affinity Photo, fearful that any day my upgrades on my Mac will render my old copy of Photoshop more obsolete than it already is.  And no, I don’t want to pay a monthly fee to use their software (are you listening, Adobe?)  I just heard that Affinity Photo is launching a beta version for PC users, too, although it was developed as a Mac software.  So this is the first of my summer goals.

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They also have Affinity Designer, which I’m also trying to learn, but since I don’t know Adobe’s Illustrator very well, it’s like banging my head against a wall.  When my friend recovers from getting her daughter married off, I’m going to bug ask her to teach me a few things.

Long Man Novel Cover

To keep reading is another summer goal, and this was the latest book I finished, while quilting up a few things for my Riverside Sawtooth post.  It set me down so carefully in time and place.  No, it’s not a grip-you-by-the-throat novel, but a quiet one, filled with well-drawn characters from a time in our past.  I listened to it on Audible, which I would recommend, as the narrator really gets the sound of the voices and it adds another dimension to the story, I think.

Cal Primaries 2016

Can I mention Summer Events?  Here’s about the only political statement I’ll make on this blog: we recently (and sadly) lost our ability to have a primary election here in California.  We’d all been so excited, actually asking everyone “who are you going to vote for?” and really getting interested in politics in general.  We are one of the final primaries on the Presidential Election Schedule, and for once, we were going to Have a Say!  Except now we aren’t, because of the recent events (which has made great theater, I have to say).  So, hope everyone else in the United States had a great time voting–as usual, our votes won’t count.  H o w e v e r. . . I will be watching the conventions. After teaching Critical Thinking a few years, and having my students watch the conventions and have them analyze the speeches, the rhetoric, looking for the logical fallacies and spotting all the weakness in candidates’ arguments, I wouldn’t miss it for the world.  It’s going to be a long, hot summer out here, and hey! we need something to compensate us for not getting a Primary Election.

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And it that’s not enough excitement (!), we can always watch the Brazil Summer Olympics, although with all the talk lately, it may end up being like our primary.  Click on the link at the end of the post to see this colorful Olympics design in action.

In other news, my garden is growing well, I’ve got a few more projects in the pipeline, but my main quilty goals this summer are as follows:

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1. Finish My Small World.

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2. Quilt Shine: The Circles Quilt

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3. Quilt Riverside Sawtooth

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4. Keep working on this quilt.  Remember this?  It was one of the units in the New Hexagon Millifiore Quilt.  I’m halfway through, and my friend Laurel is all done with hers.  And her quilt is gorgeous gorgeous gorgeous, so I need to perserve and Be A Finisher. (However, notice I didn’t say “finish this quilt,” but instead wrote “keep working on this quilt.”  I am reasonable.)

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5. Finish this quilt top, and if possible get it quilted, too.

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6. And… this one, too.
I am all done with the hand-stitching.  Now just to figure out the borders, and get it quilted.
Easy, peasy.  We are coming right along in our Quilt-a-Long, with Step 5 coming up on June 2nd.

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Other summer goals:

7. Be a good citizen and follow the national political process.  Every other week ought to be about right.
8. Visit my kids and their kids. And my parents.  And my husband’s family.  That’s about eight car trips right there.  I’d better work on #4–if only to have some hand sewing for car travel.
9. Celebrate my one-year anniversary of recovering from my surgery.  I think a night in front of the TV would be appropriate, in my nightgown with hand-sewing on my lap, to memorialize where I was last year at that time.

Voting booths
10. And oh, yeah.  Vote in California’s Primary.  I’m so excited, yes yes yes.

Quilts

Not $ewing in Geneva

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I know what you are thinking: what? more traveling?  Well, my husband Dave is a scientist who studies genetic toxicology and was asked by the World Health Organization to come and work on a committee to discuss some chemicals and they would pay his way.  And I could go and stay for free, and fly using frequent flier miles, so why not?  I thought it would be like Lisbon, where I’d find cute shops selling fun sewing stuff, and when we walked by Mercerie Catherine B (above) on Saturday afternoon, I could hardly wait to go back and explore.GenevaSewing4

First, we had Mother’s Day and when we went to church, they handed out roses and pieces of chocolate to all the Moms.  Score!  That was sweet, even if everything they said was in French.GenevaSewing5

And we had to go and see one of the two tourist attractions in Geneva.  Which I did. . . multiple times.GenevaSewing6

I did scout out a few textile shops.  This one was right across from the Manor department store, but because Geneva is a waaaaay pricey city, I chose not to drop my Swiss francs in that shop.GenevaSewing7

Instead, I thought this a better investment, until I could back to Catherine’s, which was closed until Tuesday (4-day weekend).GenevaSewing8I went out to this place, which was a long tram ride out of the center.GenevaSewing8a GenevaSewing9

Yes, that is five bucks for a fat-meter of outdated material.  The Liberty cottons were 35 bucks a meter.GenevaSewing10

And regular quilting cottons were around 20 dollars a meter (the franc is nearly equivalent to a dollar this year).GenevaSewing11

The Manor Dept. Store (my home away from home, because I ate there a lot–picking up sandwiches and meals in their food hall. . . and why doesn’t America have food halls?) had this array of fat meters.  I didn’t check the prices on them.GenevaSewing12

While standing admiring this display of bias tape and ribbons — wound neatly onto cards and not tucked behind cellophane wrappers — I met Roxanne, another quilter, and we had a great discussion.  Quilters, the world over, speak the same language.  She said most of the quilters she knew in Switzerland ordered their fabrics online.GenevaSewing13

I did have fun noticing the European-style fashions in the windows.  I think style this would make a great dress for summer.GenevaSewing14

Check out the knees of this pair of jeans–little kitty faces!
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So back to my story.  When Catherine’s opened up, I went up there, expecting to buy something, but everything was incredibly expensive.  GenevaSewing16

I did find this small needle minder that I loved, but they were out of the matryoshka kit.  Good thing, because the house kit was 65 dollars for a square of linen, a pattern and the threads.  Yes.  SIXTY-FIVE. GenevaSewing17

I took a photo of the pattern company who designed that matryoshka kit: Un Chat dans l’aiguille and had fun looking around their website, following some links, which led to more links, and which led me to discover that I’d been doing some of my tried-and-true stitches incorrectly, proving there is always more to learn, at any age.  Here’s a link to some of my favorite series of videos in French, and even though it’s not a language I speak, the videos say it all.  And some great English videos by Mary Corbet are here.  So I left that day empty-handed, but full of admiration for the traditional embroideries found in Europe.GenevaSewing18

I even went back another day, when I bought half-meters of three different Christmasy looking braids, which I’ll put on the back with my label of the Oh Christmas Quilt (more motivation to finish it!).  I still couldn’t bring myself to buy much more than that.  And I just looked and admired and loved everything I saw.

I peeked in on the class they were holding, and every woman in there had a portable light, a stand with a hoop for her embroidery and an attached magnifying glass for working those teeny counted cross stitches over fine linen.  It really was quite inspiring, and made me think of ways to incorporate more hand stitching into quilting designs.  I have a few ideas and will let them percolate, as is my usual after taking in the sights and colors of different places.GenevaSewing19

But check out what I saw at the flea market on Saturday, the last day before we came home: a Bernina sewing machine.  It ran, of course, on 220 voltage and besides that my luggage was already full, but wouldn’t that have been a great souvenir!

Halloween QAL · Quilts

Hallowe’en 1904 QAL–Step Four

Step 4 halloweenQAL

It’s the WONKY STARS step!

If you are appliquéing your stars onto your smaller background blocks, go for it and we’ll see you next month.  For the rest of you, even those not making this quilt, I’ll walk you through a stack and slash version of a star, pioneered by Thelma of Cupcakes and Daisies.

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You’ve seen this before; this is an image I found on the web some time ago of the quilt we are making, Hallowe’en 1904 by Blackbird Designs.  Yes, we are again hard at it for the Hallowe’en 1904 Quilt-A-Long.  All of four of us will have quilts ready for Halloween, so I’m excited about that prospect. Well, maybe it’s more than four of you out there in the Internets, but at least two of us — Leisa and I — will be among those finished in time for that fall celebration.

Again, Leisa and I are making NINE blocks, down from the original twelve in the pattern.  I posted a version of smaller quilt *here,* using all twelve blocks and formulated by Mary Burton.  But we’re doing nine, with four appliqué and five star blocks.

A recap of last month’s sewing:

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Yes, all four are done, even the one with the weird-o leaf.  It’s staying put for now.

touching up stitching

Here’s my tip for touching up those stray bobbin threads that work their way up if you are doing satin stitch: get out a Sharpie marker in the color of your thread and color it in.  I also use it for errant free-motion-quilting oopsies.

And this time, we’re heading right into How to Make A Wonky Star.  If you want to go the traditional route, of cutting and appliquéing your stars down to your background, go ahead and get going, and we’ll see you next time, on June 13th.  Anyone else who wants to learn this technique, stick around.

crazy nine patch block

(from here)

It’s not a new technique as we used to use it to make things like nine-patch blocks: stack up a bunch of fabrics, cut, swap out the fabrics and sew.  I also found a version of this stack-and-slash used in a star block, and the copyright on the page says it’s from 2000-2005. And Bethany Reynolds is credited with the first national use of the technique known as Stack-N-Whack.  I tell you all of this to say there is nothing new under the sun, especially in quilting, but only new turns at an old technique or form or idea.

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We’ll get this far this month, but will do five of these blocks, saving the points around the outside for next month (although you are free to move forward if you want).

Get out your strips of fabrics, cut according to the chart.

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Different versions of the Stack & Slash Star pattern. I drafted and revised this star block multiple times, trying to get the proportions of the Stack & Slash pattern correct. For this reason, please print off only enough for your own use.  Please don’t print off enough for your mother or your girlfriend; send them here to get their own.  

Print off two: one to use for a template for your star patterns, and one to use as a map for when you are piecing.

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You’ll notice on the pattern that there are lots of little diamonds and slashes.  (These are your notches to help you get the thing back together.  It doesn’t matter if you use mine, or make up some marking system of your own, but please do this!)  Lay some clear template plastic over the pattern and trace.  Looks like mine got reversed somehow, but really it just doesn’t matter one way or the other.  Now pay attention to what is the center of the star (A1, B1, B2 and C1) and what is the background (all the rest).

Working with a single layer of fabric (yes, you can stack them up, but don’t put the fabrics back-to-back unless you want to have some “regular” stars and some “reversed” stars.  It will drive you a bit crazy, but it’s do-able, in case you forgot), lay out the background templates. (See example below)

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If you do the usual cut of WOF, you’ll have part of the fabric facing you and part of it will be facing down to the cutting table, because of that fold.  Unfold it before cutting and you’ll avoid this problem.  I just had to go back in and cut some parts “backwards” and I made enough for a star or two.  So  you’ll notice that some of my stars are wonky to the left, and some are wonky to the right.  It just doesn’t matter.  Really.

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Cut around them.

Start stacking up your pieces underneath the templates as you cut them

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VERY IMPORTANT:  To get the appropriate amount of wonkiness, you’ll need at least FIVE different background fabrics, because there are 5 different pieces to the background.  If you want to have the star pieces all different, you’ll need FOUR different star fabrics, because there are 4 different pieces to the star. But so you don’t lose your marbles in construction, cut FIVE different background fabrics and FIVE different star fabrics.

You’ll need to do some shuffling as you sew.

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This is the “map” of the Stack-and-Slash Star (another printed copy) so I could use it as a way to keep all the pieces straight.  Here you see five different star fabrics.

I cut, then laid out the five different background fabrics, too.

StackSlashMap

First we’ll do the BACKGROUND fabrics.  Leave the star fabrics along.

1–Leave background stack A3 (upper left in this photo) alone.  Starting with stack A2 (upper right), take the top fabric and move it to the bottom of the stack. Now move around the star in a clockwise fashion (or refer to the photo to the left which has the pieces listed).

2–Take C2: Take the top TWO fabrics and move them to the bottom.

3–C3: Take the top THREE fabrics and move them to the bottom.

4–B3: Take the top FOUR fabrics and move them to the bottom.

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All the backgrounds have been switched, but the star’s pieces are still in the same order.  Now we’ll do the STAR fabrics:

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1–Referring the map above, start with A1 (leave it untouched).
2–B1: Take the top fabric and move it to the bottom.
3–C1: Take the top TWO fabrics and move them to the bottom of that stack.  Now keep reading.

4–Since you have FOUR star pieces, you’ll need to do some switch the the top FOUR fabrics on the piece B2, and move them to the bottom of the stack.  I don’t know why, and no, this isn’t the Gospel Truth, and yes, I could have said it wrong, but that’s what I did to get them all different.  This way, when you sew that last star (star #5), you won’t have two the same on the last one.  If you do it differently, please let us know in the comments.

If this is all too confusing, on YouTube there are multiple videos — just type “stack and slash,” or “stack and whack.”  If you have a lot of time, *this* one is in four parts, but it’s very thorough.

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Now we start sewing them together.  Sew the A parts together.
Sew B2 and B3 together, then sew them to B1
Sew the C parts together.

Above I show how I’m sewing them in parts, always replacing them back on my “map.”

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Some sections need straightening up before I sew the next seam.  If they are too out of whack, just even them out.

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Now all the B-pieces are sewn together.

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Sew them to the C-pieces.

I evened out that edge.  Notice that monster dog ear at the top right.  Don’t even worry about it–just slice it off.

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Join the sections together, pressing the seams to one side.  All the outside edges are skitty-wampus, but it’s all sewn!

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Now it’s time to even them up to our Gold Standard Measurement of 5 1/2″.  Find the A1 piece and put that in the upper angle corner and then monkey your ruler around until you have a nice mostly-even space around all the start points.

I put tape on the 5 1/2″ mark so I could frame it up better.  Now you see better how I laid it on the wonky star.  Repeat this over and over.  You can cut and sew a bunch and it goes much faster, but have chocolate at the ready.

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Add on your outside large triangles, varying them from orange to black, as are your star points.  We’ll save the outside HSTs for next month.  So, get busy making wonky stars and we’ll see you on June 13th!

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Here’s our schedule:

Step 1 (Preparation): February 13,  2016–buy all the fabrics and find the pattern.  Buy your pattern from The Primitive Gatherings Online.  Link is *here.* The quilt measures 90 by 90, which is too large for me, so I’m only doing nine blocks.  Each block is 20″ square, and with the outer borders, that should come to roughly  65″ square.  I may change my mind, but this looks good from here.

Step 2: March 13,  2016–Cut out the quilt: the tan backgrounds of the squares, the border triangles, the smaller half-square triangles, strips for the wonky stars, but save the piano key border for later.

Step 3: April 13, 2016–Assemble four blocks and add large appliques; use Thelma’s method (of Cupcakes and Daisies) for adding the curlicue stem. Make and add half-square triangeles (HSTs) around these blocks, using the 8-at-a-time method of HSTs.

Step 4: May 13,  2016–Cut and make the wonky star blocks from templates and strips.  I’m doing five blocks, so will need to make twenty wonky stars and true them up.  Add on the large outside triangles.

Step 5: June 13, 2016–Assemble the rest of the star blocks, by adding their HST borders. In the pattern, they are mixed up and varied, but also harmonized (some have a mix of orange and black, some have just black, some have just orange.)  Make your own rules and go with it.

Step6: July 13, 2016–Arrange the blocks on your design wall and stitch together.  Cut the pieces for your borders.  Make the four corner pinwheels.

Step 7: August 13, 2016–Sew borders together and attach them to the quilt.