One summer night when we were sitting out in the garden, the year before all the mosquitoes arrived, we watched the bats dip and speed away, the tiny bird dash in to alight on the fountain. The night was calm, the sunset was unfurling in the background. We lingered, talked, until the stars blinked on and the twilight had slid into night. This quilt is about that kind of night, that feeling of letting the chatter of children, and friends, and a loved one float around you, when time is…timeless.

Sometimes ideas have to percolate a while in my brain. I’ve learned you can’t hurry them, anymore than you can recapture your sew-jo, as quilters like to say. Creative time comes on its own schedule. (This is Quilt #292 on the Quilt Index, above.)

I was also inspired by a trip in 2016 to Copenhagen and Stockholm, where I learned about the art of Poul Gernes, an artist who used strong colors, and simple shapes that expressed a wild traditionalism, if there is such a term.

(from here)

So somewhere between a summer night and a trip long ago, I started playing around with flowers on strong stems, then threw in the center tendrils to focus the eye. I’d been given a stack of Tilda’s polka dot flowers, which are not a typical palette, and I found some linen-look fabric for the background and leaves.

This was all I’d envisioned, but it just didn’t look “done.” So I ordered up more fabric–difficult to do when designers don’t label their colors (well, Kaffe does…)–and got to work.

It was during my New York Beauties project, so I kept going back and forth between the bright saturated solids of that quilt, to these inviting, musky deep colors of twilight.

I pinned everything together with short appliqué pins, and took it on the road — traveling to see grandchildren and the total eclipse in Texas.

Yes, I cut out the background of the flowers, and lined the centers of the flowers for a flat, solid look. (I glue-dotted the lining into place, to hold it until I would get it quilted.)

A couple of nights ago, I grabbed Dave and we went out to the side garden just as the light was dimming, so as to photograph the quilt. This light makes the details soft, the dense quilted foliage falling into the deep blue background, letting those simple Danish-inspired flowers rise to the front.

I wrote the pattern as I made this, and decided to add in three different sets of instructions, in case you were making it with raw-edge appliqué or needle-turn or machine appliqué. And then I added that outside border, so it’s thorough, with lots of patterns and words. But hopefully you’ll find your own design when you make it, and will add another garden to our world.

I went back and forth between Intermediate or Experienced Beginner, but in the end, decided that if you knew something about appliqué, it would go better. But other than that, it’s not a difficult quilt. I do have an extensive guide for laying it out, but it’s okay if you just want to use your own eye. I do reference a couple of quilters in the pattern, who I thought explained things well. One is Gladi Porshe, who writes about making vines and mixing appliqué styles.

Pattern is in my PayHip Shop here. Usually my patterns are $12 US, but I decided we all need more flowers so I have it for an introductory price until mid-November. Sometimes I post a coupon for a percentage off when I put up a new pattern, but this way, you won’t have to enter in a code, and can just grab the deal if you want it. All my patterns are downloadable PDFs.

Enjoy a night in a twilight garden–

Other posts with this quilt

February 2023 • This and That
Quilt Your Life, Quilt Your Stuff
Eclipse Road Trip 2024 (brief glimpses)