And with this Rosette (#10b), I finished up The New Hexagon Millefiore Quilt-A-Long.
Contractually. At least according to the rules of the The New Hexagon Millefiore Game.
But I really hate the crenellated edges. I don’t mind the zig-zag edges on the sides, and have loved what others have done, by appliqueing the quilt down to a solid border.
But for this quilt, these colors, every border fabric I chose just looked terrible. Clunky. Admittedly they are kind of wild, but really, the quilt is kind of wild.
Instead, I’m try to fill them in.
You can see what the first two look like. There are 9 crenelations on the top and 9 on the bottom, so two down, 16 to go. This is actually not as hard as I thought, as the fabric choices have already been made, and it’s just sort of filling in and figuring out how the pieces will work. I am trying not to use just one-fabric half-hexie blocks, but instead, create interesting seamed fill-in pieces. I figure the sides will be faster–just a sort of background fabric from the nearest rosette.
Stay tuned.
Research photos (culled from the web, from Instagram and from the Facebook page):
This one looks great with the appliqued-to-borders treatment.Not technically a Hexagon Millefiore quilt, but those borders!
Another that is not a hexagon-based EPP, but I love the way they broke the borders.
This one filled in many edges, and moved a lot of the rosettes around.
Many of these quilts turned the design on the its side, or upside down. I should note that I also changed the lower edge of mine, melding 4 different rosettes into one gigantor rosette, plus I tweaked a few more places (there is NO star in the middle of my quilt, for example).
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My leftovers (paper pulled out that was still in good shape). I’m using them to build the edges.
A recent reviewer of Steven Pressman’s book Turning Pro, pointed out that:
“What is distraction, if not self-sabotage, sabotage of one’s future self?” Pressman, who wrote the War of Art, a must-read for creatives, writes about about the difference between being an artist and being an addict, about the difference between being a professional (focused on the work) and an amateur (talking about the work, but not really doing it).
Pressman has written three books, and as another reviewer described them:
“The War of Art discusses the decision to start, while [his second book] Do the Work takes on the concept of sustaining the discipline it takes to finish a piece of work. Turning Pro takes things up a notch by insisting the artist must establish a rigid discipline and trust the Muse.”
It’s easy to forget why we work at something. There we are, putting our focus on our machines and in our sewing spaces, cutting and sewing, and all of a sudden, it’s oh wait a minute, let me check what my friends on Instagram are doing.
According to Pressman, that doesn’t get the work done. What it does do instead, is turn our work, our lives, our posts into an endless loop of sort of getting things done, but not really forging ahead into new places.
As Jocelyn K. Glei put it, “I was particularly struck by his distinction between “the artist” and “the addict,” wherein the former is living out a productive, creative career, while the latter is caught in an endless loop of aspiration and yearning that never gets backed up with meaningful action. Glei also noted that: “The amateur is an egotist. He takes the material of his personal pain and uses it to draw attention to himself. He creates a “life,” a “character,” a “personality.” Using the term “shadow novel,” he draws out the life of a person is sort of working towards something, but not really. Like I was after grad school: wanting to be an author, but not writing a word.
I soon figured out that being a fiction writer was not the direction I was doing to go. I was able, however, to take my MFA training and love of the written word, combine it with sewing, in order to write about quilting — a completely unplanned, but incredibly satisfying endeavor.
Frivols #7, in process
Cindy and I have talked more than once about the world of social media (namely Instagram) and how it sometimes interferes with getting the work done. I love a good stroll through the posts as much as anyone, and I love to read blogs and see what creative juice is running through my community.
I recently watched the entire launch video of IGTV, that futzy little button in the top right of your screen. As they went through all the scenes of creators (our new name, I guess), I realized that they were all barely older than my grandchildren…and with that realization came the understanding that IG “allowed” me to have my community, but what they were really about was the selling of “new media,” geared to “young influencers” gaining followers, gaining media attention and earning money. Hence, the screwed up IG feed for the rest of us.
Chronology is out. Connectiveness is in (which is different from “connections”). Process is out. Profits are in, including the data mining of all our click and taps and touches.
Gridsters Bee Block for Leisa–July 2018
What does this have to do with artist/professional vs. addict/amateur?
As Pressman states, “The artist and the professional, on the other hand, have turned a corner in their minds. They have grown so bored with themselves…What were once their shadow symphonies become real symphonies. The color and drama that were once outside now move inside….When we [choose being an Artist], the energy that once went into the Shadow Novel goes into the real novel. What we once thought was real – “the world,” including its epicenter, ourselves – turns out to be only a shadow. And what had seemed to be only a dream, now, the reality of our lives.
It’s all about where you focus, where you put your attention. Make use of the tools that help you, but don’t let them dominate allotted time, or dilute creative energy.
To honor the 4th of July, I stitched up another tiny quilt. I love being patriotic, as the meaning has a sense of loving America and its peoples, the history and the early settlers, and those who set up the government in 1776. It helps that my nickname in my childhood was Betsy, but I do love the red, white and blue.
I went through my Orphan Quilt Blocks box, found one that wasn’t being used, and smallerized it, using this PDF pattern to cut it out: Fourth July Tiny Quilt Star Center
I put on two borders, quilted it (so fast because it’s so small) and put a single-thickness binding on it (cut your strip 1-1/2″ wide), gluing down the back binding and top-stitching it down. It is one of those quilt projects you can take at full throttle–no fussy cutting or intricate piecing. Put your pedal to the medal and crank out a 4th of July star tiny quilt!
It slips over the back of one of those cheezy plastic stand picture frames (under 2 bucks at Walmart). [More on the quilt underneath it at the end of the post.]
I made the quilt above quilt five years ago at the same time we had a government shut-down, and I was moaning about government needing to behave itself then. I now look back on that particular chaos with a wistful glance; would that we had that steadiness now!
Yet, I still believe that America is a Tune, and that we must figure it out — sing it — together, no matter how painful things are. After reading the book Hamilton, I value what those early fathers of our country (and mothers, too) must have faced and appreciate how much work they did and how inspired they were to come together and get the framework off the ground.
It’s the first of July, so you know what that means.
I pulled Frivols Tin #7 out of the closet, and about fell over. There are a billion little triangles in this quilt, well, okay, maybe only a couple of a hundred, but they are teensy weensy (each HST measures 1 3/4″ square, unfinished). Yes, I am beginning to question my sanity. Especially since, when I was in Utah, I saw Frivols tins for sale:
See that quilt there on the right? I should have just bought it, and saved myself the trouble. But making these Frivols experience is a learning experience, or so I keep telling myself. I’m starting early this month, as it may take me a while.
Luckily in the tin, they have included a sheet to copy so you can just sew through the lines and have perfect triangles, also available on their Moda blog. Good thing I really like that lovely Lisa Bongean and her shop near me, Primitive Gatherings (also in Wisconsin).
Here’s the cute freebie: a scissors “keep” with the polka dots on one side, and Moda’s name on the other.
[Note: I won those scissors last month while visiting Corn Wagon Quilt Company in Springville, Utah. My husband, who is used to being in quilt shops, got a Hundred Grand Candy Bar, just for coming in (very nice of them).]
Okay, so if you are doing this Frivol, download Moda’s triangles sheet: Frivols7-songbird-triangle-papers [NOTE: Please be sure to download first, print a test page, making sure the measurements agree with what is written on the pattern, and print at 100% (of course).] I’ve printed mine out on vellum, which is easier to rip off than regular paper. Since we have to do eleven sheets worth of these triangles, I figure it’s four pages a week, in order to finish. I’m just hoping that with the special stitch-and-sew technique, I won’t have to be truing them up. That chore is right up there on the Hated Chores List with folding laundry and emptying the dishwasher.
Happy Fourth of July to you as well, a day to celebrate the birth of our nation. Here are some photographs I took when we lived in Washington, D.C. for a (most memorable) year:
Department of State, Star
Jefferson Memorial, with Declaration of Independence on the wall