If I Do This, Can I Do That? April 2025

April 18, 2025April 17, 2025 Elizabeth E.9 Comments

If I go to see all my kids, will I be able to recover from the trip? If I buy this, can I buy that? If I choose to sew this project, will I have energy to tackle that other thing? Or, this is all another way to title a This-and-That post for April 2025. First, the mundane and then the sublime. (Hint: an introduction to one of my favorite artists.)

Feeling a lot of the time like a blue-footed booby; this photo was harvested from Bluesky, from the #naturesky tag. Bluesky is also where I have a new account. We need more quilters over there (tag: #quiltsky) so come on over. If you set up an account, I’d love a follow: OPQuilt on Bluesky. (If you need to know more about this platform, search, and research, buy this book, or ask me a question.)

Apple’s Photo app has a new fun toy: Clean-up, behind the three sliders at the bottom of a photo (apparently not on all phones, my husband tells me). I click on that, then follow the instructions. Can you see what I did in this next pair of photos?

I probably wouldn’t use it to clean up everything, as that can give your photos (this one, of my neighbor’s cactus flower) a sterile and weird look. Life is messy, life has hoses in the foreground and angels in the background.

Early warning notice. I did none of those when the earthquake came, but did decide to hold off on getting in the shower. Just in case.

I sewed up my next batch of 25 Economy/Thrift/Square-in-a-Square blocks. In my first post about these, I noticed that one of the quilters I mentioned had sewn each of hers to a background block, so I decided to do the same. Eventually I will sew them into blocks of 10-patch units, as suggested by Taryn, who is running this (9-patch units? 12-patch units?).

To make all my economy blocks, I opened my drawers and just used up old scraps, cut nearly a decade or more ago. It’s a lovely time-travel experience. Most centers are not fussy-cut, but this one spoke to me, as my heart aches a lot for what is going on. Other centers of other blocks also hold meaning, but I won’t detail them here.

I can’t work if all my projects are stacked up around me, calling me to come pay attention. So after completing this batch, I carefully put them away until some time in May, giving me some mental space. (Fun video, here, with a perky little tune.)

So, March’s 25 blocks are done.
April’s 25 blocks are finished, too.

This came out next. It’s Sherri’s BOM for 2025. April’s block is finished, and now I’ve tucked that away, too, until May.

Posh Penelope blocks are up next, but I’ll wait to work on them until after Easter. (It makes a big happy mess in my sewing room.)

Every April and October, our church holds their Semi-Annual General Conference, which we listen to via streaming broadcast. Through all the talks, I sink deeply into thinking about ways to better my tiny life, but this year I also enjoyed the sights of this young choir, dressed much as I did back when I was their age: hair streaming down from a middle part at the top of their head, their dresses all smocked and ruffled and gathered and puffed sleeves, too! I didn’t have a camera when I was 17, nor were many photos taken of me, so you’ll just have to trust me that I looked like them.

I also like to sew while I listen (hence making good progress on the economy blocks!). I tried sewing them without paper, but it was harder to keep them square. So, here I’m using the freezer paper method. Here’s a free handout, in case you missed it on the last post:

Two Sizes Economy Blocks_OPQuilt Download

My husband Dave and I took a trip up to see grandchildren and family, as I mentioned.

We also had a chance to visit some of our siblings. My sister showed me the wonderful tree of life weaving she purchased on her last trip. I love all these birds perched on the branches, with companions flying all around.

Another highlight of the trip was to see a mid-career retrospective of the artist Brian Kershisnik at BYU’s Museum of Art. Kershisnik’s exhibit began with a video of him working and talking and interspersed in between were snippets of his TEDx talk, which is worth watching, ending with something to think about. Kershisnik has long been a favorite of mine; he paints the quirks and slivers of human life that we are all familiar with, but don’t seem to see in traditional paintings. He also has a sense of humor about things, so valuable these days.

In this trio of paintings of women, the titles read (left to right):
Holy Woman, 2001
Climbing Mother, 2013
Madonna and Child with the Infant John the Baptist, 2003. Yes, the infant Jesus is poking young John in the eye.

from title card: “While not undermining his holy nature, the baby Christ (still with a visible halo) acts more like an actual child than most traditional versions. Kershisnik humanizes saints and holy figures, suggesting that perhaps they are not as different from us as we might have previously supposed.”

I found so many paintings that echoed into my life. As my father would have said, it was a peak experience. Since this is the week before Easter, here’s a few more.

Even if you aren’t religious, Christ’s palpable straining to let the souls of hell escape their awful fate helped me understand the whole idea of sacrificing for others in a most visceral way. And Christ gesturing, says, “Go.” Get going, get doing, make something of yourselves. Below is a link to a video clip of Kershisnik below where he says he is reticent about “explaining” the meanings of paintings for others, not wanting to limit them. I also don’t want to limit you. This is just my take, after standing there gazing at this enormous painting, a couple of weeks before Easter.

Death has hung around my life in a significant way in the last couple of years, so yeah, I lingered at this painting.

Are we like these little ones in Kershisnik’s painting, Jesus and the Angry Babies (2014)? Maybe. The angels in the background are there to help. (video clip of the artist discussing this painting) Last one, with a theme pertinent to our sewing experience:

The morning after we arrived home, I took a walk in our local park. Right after that photo I saw that some children (not angry babies, not angry adults) had decorated up the sidewalk with all colors of chalk, including a hopscotch diagram, which I most definitely took time to jump through, before continuing. I conclude one of the artist’s names, below.

Happy Easter, everyone!

I had a field day listening to Brian talk on numerous videos. I’m putting these here so I can come back and listen.

Spring Open House Video (long)

On his painting, Bearing News

Brian Kershisnik’s Instagram

On Interpretations [On What Paintings “Mean”]

Working with [Your] Media I love when he says “you have the let it [the media] do what it does.” Boy, do we know this about our fabrics and threads!

Smile!

March 2025 This and That

March 22, 2025March 23, 2025 Elizabeth E.11 Comments

A post where I go wild with cultural references, quilts and art, but don’t worry–everything fits right into a This-and-That.

My friend Jamie sent me this photo of one of my quilt designs in the wild. I did a Quilt Guild visit there; it was the last one before Covid-19 hit, and this was their project. That’s five years ago this month, and wow — so glad to see their Guild is still having fun.

As many of you know, I’ve been cleaning out my Quilt Orphan Blocks where I found this. It’s really only 1/4 of the quilt, and yes, it was a class taken online. I think I realized pretty quickly that I was not cut out to do wobbly cutting. I tried it her way at the beginning, but by the end, I had my rulers out and the quilt changed dramatically. But I love it.

The pattern is called Finger Paints and it is by Laura Loewen. Should I finish it? IDK. I think it can stand on its own. The plan is to quilt it while testing out some new threads.

We’ve been planning a trip overseas (hope we Americans are still welcome), and laughed at the photo of this room for rent. My BIL told me it was reminiscent of the scene from Willy Wonka, with all the grandparents in bed. Only with this model, they could have a table to eat at. (No, we didn’t book that one.)

I have a new thing: when I see a fabric bundle I like, I save the photo and keep it on my desktop for a while. Hey, I’ll even print it out every once in a while, and pin it to the design wall. I don’t do very well sewing from a bundle, which is unfortunate because there are a lot of beautiful bundles out there. But often I fall in love with a bundle because of the colors, and in this case, it was those blue-purple fabrics in the upper left that caught my eye.

Judging by the colors shown on the catwalks for Fall Fashion 2025 in Paris, this color must be in the zeitgeist, and *slouch* must be the posture.

More from the runways, from left to right:
(1) A designer coat that looks very much like our quilty coats.
(2) A giant bra shirt?
(3) A shopping bag shirt?

I got a degree in Clothing and Textiles in another life, so the fashion shows have always held a fascination for me. I did once see a woman at the Houston quilt show who had made a vest out of the souvenir bags…complete with all the handles hanging down in loops around her hips.

I had to mention this Tilda pattern. I see quilts like this and think I’d like to try it, as I have acquired a stash of Tilda fabrics. But after doing the cacti quilt, it will be a long while before I try all those itty-bitty pieces again. It’s a free download on her website.

BLOCK OF THE MONTH 2025 PROGRESS

I finished Sherri’s Block of the Month for March.

And here are the first three. I’m using a collection of her fabric lines, and on the right side, the strip that’s north-south is (I think) from her first line of fabrics. It was very Southwest in flavor — and her subsequent fabrics have shifted from that motif and palette. My most favorite Sherri fabric is the yellow north-south strip on the outside of the second block. I once purchased 3 yards of it, and I’m getting down to the end of it.

POSH PENELOPE BLOCKS PROGRESS

Here’s the danger: doing this (more-complicated) block only once a month causes an occasional oops. I was trying to do this in a hurry and whacked off the seam allowance. And then I ran out of the yellow strawberry fabric. But I had enough of the original background fabric that I think it turned out okay:

This round, after I got going, seemed to be about switching out the backgrounds, and keeping the petals all the same. I still like the violas in the top photo the best. (Or you might call them Johnny-jump-ups.)

In this view, all those fancy petals are slightly distracting. I guess “read-as-a-solid” or in that general direction might be the best choice for the petals. Still not a fan of that purple one in row three, though. Fifteen blocks are finished out of the 42 that Carol and I have planned.

Speaking of petals, we went to Austin TX to visit family, and I fell in love with these towering shapes at the Blanton Museum. Head to this website to read more. This website also calls them “petal-like sculptures” and has more info on the museum. Regretfully the small chapel, Austin, by Ellsworth Kelly was closed, but we still enjoyed ourselves at the Blanton, enamored of the exhibit that included this:

The title of the car is classic: El Muertorider Katrina Car, 2006
(Muerto means death in Spanish)

From the title card: “[Artemio] Rodríguez collaborated with John Jota Leaños on El Muertorider Katrina Car, a refurbished 1968 Chevy Impala. They painted it a sleek black with white skeletal designs reminiscent of Posada’s elaborate figures. Rodríguez and Leaños center the Catrina figure on the car’s hood, altering the spelling of “Catrina” to “Katrina” to make a dedicatory reference to the victims of the devastating Hurricane Katrina that ravaged New Orleans in 2005. Recurring references to oil and money throughout the car’s imagery refer to the Iraq War (2003-11): the slogan “War Is Money!” echoes war protestors’ frequent chant: “No Blood for Oil!” Thus, El Muertorider embodies several cultural practices: lowrider culture, political protest, Day of the Dead commemorative practices, and La Catrina’s enduring symbolism among contemporary Mexican and Chicano communities.

More photos of the entire car are here and here.

Calavera de la Catrina [Skeleton of the Female Dandy], circa 1910

It was also a treat to see this photo-relief etching by José Guadalupe Posada [1852-1913].
[Source: The Blanton Museum of Art, The University of Texas at Austin, Gilberto Cárdenas Collection, Gift of Gilberto Cárdenas and Dolores Garcia.]

I used her image in a guild challenge quilt when I made her the center of a quilty ofrenda. I threw everything on this one, including the little milagros attached with ribbons. I enjoyed seeing one of the original prints of Catrina.

From the title card: “Posada invented this famous skeletal character in 1910, just as the Mexican Revolution was catching fire. At first, he called her La Calavera Garbancera, using the derogatory term for Mexicans who claimed solely European ancestry and rejected their Indigenous roots. In her ostentatious hat, this bony fashionista was intended as a symbolic epitaph for the wealthy privileged classes, a satirical emblem of the sins of vanity and greed, and an allegorical representation of government corruption under dictator Porfirio Diaz (1830-1915). However, her naive, beguiling nature soon endeared her to the disgruntled masses. Posada renamed her La Calavera Catrina, after catrin or ‘well-dressed.’ Reproduced repeatedly in the penny press, La Catrina became a national icon among popular folk, who embraced her as a demure champion of the underdog.”

Now you know.

Austin food: two plates of tacos from Velvet Taco, and they were all standouts with an interesting combo of flavors. Unfortunately, the closest Velvet Taco is in Phoenix. My husband Dave said that the “fish and chips” taco (lower left) had bits of potato-like chips under the fish, which was topped with a yellow curry sauce. Who dreams up these things? I don’t know, but an award to them. And then this impulse purchase of pineapple-flavored popcorn at Buc-ee’s, which now I have to order from the Evil Overlord in a box of 25. It’s always good to expand your food horizons, but it can get more expensive.

And the penultimate image is of a cool Lego spray of flowers, courtesy of my son-in-Austin’s passion of building with Legos. It was amazing to stand in his “Lego room” and see all the things he’s built. Long ago, when all the children were at home, he and our other son built a Lego village that encompassed the top of all the dressers, desks, TV tables in his room. He would have probably put some Lego houses on the bed, too, but I said no.

I think his passion is just like our passion for quilts and color and shapes and making. And while we like our quilts, isn’t the messing-around-in-cloth the fun part? In the Life Kit podcast last week, Dr. Stuart Brown, founder of the National Institute for Play, said that “when you’re doing something for the end result, you lose joy in the process.” I realized that pulling a quilt or too from the closet to put on the beds for our new guests (daughter and granddaughter below), was just this: I enjoyed the process of making my quilts, so that others can gain joy from them as well.

My granddaughter and I spent time one night at the dining room table, each of us working on our stitcheries. We visited, chatted, and she learned a new stitch: French knot, to put in the center of her flowers. It was a lovely time.

Oliver Burkman: “When you get to the end of your life, the sum total of all the things you paid attention to will have been your life. If there are some friendships there that you never actually paid any attention to, well, you didn’t really have those friendships, right? I mean, if there was an interest that you had, that you never actually spent any attention pursuing, well, you didn’t really have that interest. So it really matters what we’re paying attention to because it just adds up to a life.” (from Life Kit podcast)

Whether it be fashion or tacos or art or popcorn or embroidery, enjoy!

Visiting Ladybird Johnson’s Wildflower Center.

Lego and Hexie Mania

Headed to Home Sweet Home.

This hexie project was something I just grabbed at the last minute. However I am curious: what do you like to take along to keep your hands busy?

Quilts · This-and-That

Why do I do this? • February 2025 This and That

February 2, 2025August 23, 2025 Elizabeth E.5 Comments

BlueSky comment: “What a great hobby (and don’t be upset if it’s more than a hobby). These quilts are beautiful. Quilting is fascinating to me.”

Hobby. Hmmm. (This person obviously doesn’t know quilters.) I did hit a goal of mine on BlueSkySocial, but that’s not really what I’m looking for on there. (And if you are trying to learn this new space, the advice I got on Reddit was to skip the on-the-phone-app and go straight to the computer, as it’s easier. They were right.)

I’m looking for more of a retreat from Instagram/Meta/Facebook conglomerate, accelerated by logging into Facebook and checking the following:

Off-Facebook Activity, or in other words, all the info from OTHER businesses, not Meta. They funnel my data to Meta to build my profile; I had about 25 different entities who were sharing my info with Facebook. From following the instructions on Facebook, I learned I could download what Meta knew about me, etc. which was kind of interesting and scary all at once.

They believed I wanted to see posts about dogs, sports, cars, cars and trucks, types of sports, and I stopped reading there. A few of my friends have close relationships with *their* pets, so maybe that’s why on that one. But trucks?

Apparently I speak English, Spanish, French, Swiss (I assume that’s zh?), have no idea what “pt” is (Portuguese?), Italian, and Korean. One of my “Locations of Interest” is Melbourne, Australia. (Hi, Susan!)

This is my earliest Instagram profile. My first Instagram comment was in May 2012, to my friend Krista, as it was she who got me started on social media in the first place.

The real treasure was a huge file of all my Instagram posts (images and caption). I’ve been trying to build some Chatbooks, but apparently that company doesn’t talk to the Instagram code like they used to, so it’s been just me, filling the pages of my books slowly. This will help me go much faster to get them produced and printed. I saved that file on my photos drive, and have promised myself I will be checking that Meta setting again sooner, rather than later. Note: This above info is only the data from the Meta bunch. I wonder what I would have found if I’d downloaded everything from everyone (shudder).

A few photos from this week, beginning Monday, ending Saturday:

Final series of blocks, cornerstones and sashing. The center of the quilt is Cat’s Cradle blocks, sashed with cornerstones and pieced rectangles. Quilt design: Lisa Alexander & Susan Ache

I still have to do the borders. In the fourth photo, I am auditioning fabrics as I was running out and was determined not to buy more (can’t, really, because most of our fabric shops have closed down in our town, anyway). I went through everything, and found a few strips in my string-piecing bin, some other contenders deep in the stash stacks. So tonight while I listened to The Thursday Murders Club, Book Two, I finished piecing this section. I hope there are no mistakes.

Just in case you need this info.

Back to the quilt. I’m a person who generally averse to buying pre-cuts of any kind, but then had to ask myself as to why I hadn’t done something with what few bundles of fabrics I had? The collection of grey-green-cream was probably eight years old, with some fading along the folds (but it didn’t seem to affect how it looked, once cut up into all those wee triangles). I wanted to finish the bulk of the piecing in one week. Many reasons for this, mostly because I remembered when I used to crank out these heavily pieced quilt tops. Could I still do it? And then I ran across this quote:

I do not believe there is an artist in history who hasn’t asked themself — at least once — “Why do I do this?” The designation of “creator” may make for a glorious calling card, but as an occupation, it involves a disproportionate amount of spirit-crushing struggle and relatively few rewards.
–Mary Gabriel

Current Events (you know we talk about most everything on here)

A word or two about January’s Current Events: Many of us on Instagram & BlueSkySocial have been writing about our “spirit-crushing struggle” this week. My feeds have been filled with memes:

I knew there would be a transition between President Biden and President Trump, and I expected some chaos, given how things were the last time he was president. But I didn’t expect what we’ve had, and the plane crash after all the firings of the air safety personnel was really hard to take. But many people I know and love voted for him. I will do my best to give grace, because of them.

However, I will continue to monitor the situation where DOGE was given full access to the federal payment system (confession: my hair is on fire over this one). I can see the irony in my fretting about what Meta has on me (above), as compared with what the government has. I don’t think there is anywhere I can petition and download a file to see what personal information is being given to the owner of Twitter, a platform I quit because I didn’t trust their ability to keep my info safe and secure.

In a book I read this week, I found this: “Good work is a stay against despair” (Terry Tempest Williams). I need to work. I need to create. And even though it can make me wonder Why Do I Do This? once in a while, I still want to pull fabric from bins and stacks, cut it all up and put it back into a new order.

I’ll leave you with some pretty blooms from my February garden.

And a wonderful conversation with Peter Brown, the man who wrote The Wild Robot. (illustration from here)

Christmas Quilts · Gridsters · This-and-That

Getting Unstuck • This and That December 2024

December 13, 2024August 23, 2025 Elizabeth E.11 Comments

What do sunflowers have to do with getting unstuck? And why on earth does the term “Fibonacci” sequence come into play?

I happily pinned up this quilt, finding some cheerful plaid backing in the never-ending stash closet. I rolled it up, set it on the machine and…then what?

I printed off the quilt in a 50% saturation, and started doodling. Some ideas came right away, but I became stuck on the petals right away, finally breaking through those with the sketch in the upper right (“yes”). But those giant centers!

So I decided to go to the source: the sunflower plant. And on the way I found out the official name (Helianthus annuus, L.) and then I added the search term Fibonacci to the mix, and found myself deep into mathematics. This site, which combines sunflowers and coding, had some beautiful arcing designs of the path of the sunflower seeds. And the picture above came from a website called Synchronicity, which was a fascinating read. When I watched the video explaining this principle, I learned a lot, getting only a little bit lost at the end when square roots entered the picture. That I didn’t get more befuddled is a tribute to my high school math teachers.

I went into my Affinity Designer program and using their spiral tool, I drew this. And when you know, you know. I think I will add a little bit of arcing grid at the tops of the petals (shown in the sketch, above), but we’ll see. Sometimes Mies van den Rohe said it best: Less is more. (Also said by Robert Browning, apparently.) So now I can get going, after being stuck. Sometimes it just takes a bit of time to figure things out, and while I am certainly One Who Likes a Project, I’m thinking maybe I had too much going on at this time.

Like the church Christmas breakfast that I agreed to be in charge of. Our church had always done nighttime parties, but this year we tried something different, asking the members to gather Saturday morning at 9:30 a.m. Here is the church hall night before, as we finished decorating and setting the tables. The real Christmas miracle was that we handed out the recipe for 14 breakfast casseroles and all they all came in looking the same, save one (they’d used a tin foil pan, rather than a glass pan).

Again, if you know, you know. That so rarely happens!

On our way there, we picked up the cinnamon rolls/sticky pecan rolls from our grocery store (Ralph’s). Thank you, Ralph’s, for your baking. We served the casseroles and sweet rolls with fruit salad, orange juice; we entertained people with a coloring contest and a piñata. We all had a great time.

I finished off my time in a bee with an old favorite: the Block Lotto birds blocks (she asked for three).

We did some decorating with nutcrackers, little figurines and quilts. Yes, that’s our “tree” there on the center small table.

Molly Christmas has joined the guardians of Christmas: an angel and Santa. They are in my office during December, keeping it festive.

One morning while my husband was out, I felt like making hummus. In he walks a few minutes later with the freshest pita bread I’ve ever tasted. Good karma, I’d say.

Go to Trader Joe’s right now. You NEED these.

We made a stop here, too, at See’s Candies, looking positively celestial.

Thought this was a nice pairing. If I manage to get out of my pajamas yet only go walking for 30 minutes a day, I evidently leave some benefits on the walking trail. Is less…more…in this situation? And who dreamed up that chart on the left anyway?

One nice thing about darkened skies/shorter days, is lighting candles, with the tablecloth from your mother and your Christmas dishes on the table. And soups seem to be on the menu a lot. Above, my husband made Creamy Spicy Pumpkin soup (topped with squares of ham and peanuts), which we served with baked puff pastry squares, topped with roasted fennel bulb and brightly colored persimmon wedges.

The next day I chopped up all the fennel stalks and treated them like celery, in making a mirepoix of onion, fennel stalks, carrot and a bit of garlic, with a wave of kosher salt and a grind or two of pepper. Cook on low heat in 3 tablespoons butter and a wave of olive oil until the vegetables are translucent but not browned; then add in 2 quarts of chicken stock, a teaspoon of fines herbes, and a shake of celery seed. Simmer for a bit. I then added half of a chopped yellow bell pepper, 8 ounces of pasta, and one more carrot, thinly sliced. Simmer until pasta is done, then add a squeeze of fresh lemon juice.

Last thing: my daughter (who was baking for the thousands this week) called up to ask if my recipe for cheesecake had sugar in the crust. It took me a while to find it as I hadn’t made it in years. It came out of this bible of cooking, the Better Homes and Gardens Cookbook, which I bought when I was in college. Click on the recipe to get the whole thing.

Happy mid-December!