Quilts

City Quilter Gallery

I love to visit City Quilter in New York City, for not only do they have amazing fabrics, they also have an attached art quilt gallery.  The exhibit when I was there was Deb Hyde: Sunshine and Shadow.

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Sunshine and Shadow–Yellow

All the quilts were made of tiny pieces of fabric, fused to a grid, sewn then finished.  That makes it sound so elementary and perhaps the technique is, but it is Hyde’s use of color and pattern that elevate these quilts to a new level.

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The above are increasingly detailed photos of the opening image, and it’s easy to see that she makes good use of fabric that we might relegate to the side of the fabric closet.

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One of her talents is the way she defines the body, the shapes, but also makes the background interesting with varied tones and values.

IMG_8366Sunshine and Shadow–Turquoise

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Check out the use of batiks to make the eye realistic.

IMG_8375Wishful Thinking

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IMG_8379This quilt was up over the desk at the front of the gallery so I couldn’t get a good shot, but I love the way the light falls on the shoulders.

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I became interested in how she quilted these.  In my recent post I talked about Colorwash quilts and how we sewed millions of little squares together.  The newer method — of fusing them down —  is an easier way, but it does make the quilts stiffer, so I wondered how the quilting would enhance and become a part of the composition, since it would be more noticeable in the thicker texture.  This is a simple diagonal quilting style.

IMG_8373Random box pattern.

IMG_8381All over.  This piece (not shown in its entirety) is interesting because the grid appears to have been appliqued on top of the darker borders, with a scuffly, random stitching adhering and melding the two pieces into one.

The New York Times recently profiled the shop in this video:

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And while there, I glimpsed Amish With a Twist II, the newest Block of the Month quilt; I signed up for it, and the two installments of this BOM were waiting for me on the doorstep when I arrived home.  Quilting has kind of come to a halt around here, as my daughter and her three children have arrived for a week (circus circus, but really fun).  Yesterday, while I watched waaay too many episodes of Wizards of Waverly Place (with Selena Gomez as the star witch), I started cutting out the first two kits.  Other than losing my marbles with trying to figure out which color was which (Putty and Williamsburg Blue gave me extra fits of crazy), I successfully finish up the cutting last night.

Now I’ve got to run–time for breakfast for three little people and their Mom!

Quilts

Geek 8 Competition–Spoonflower Fabrics

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The link to look at the fabrics, read about the designers is *here.*

Like many of you, I’m a fabric geek–love the texture, the designs, love having a wide range of fabrics to choose from.  The theme of Spoonflower’s second annual Design 8 contest is “Geek Chic,” and the initial offering included all kinds of geekiness, including taped glasses, computer references, science allusions and designs–the whole range.  I think these final few contestants have captured the full range of geek chic.  I loved reading their biographies, as they live all over the world, from Santa Monica to Toulouse, France, and while they all begin differently with their sketching, they all end up on the computer, making their designs. Three of my four favorites are in the top row, and the other fav is the middle of the bottom row, so I’ll have to think hard about which one to vote for.

The contest voting closes next week, so hurry!  Cast your vote!

Quilts

First WIP Post of Summer 2013

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It’s the first post of summer–the first Works In Progress post, thanks to Lee, of Freshly Pieced.

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I put together the sections for the Schnibbles block, trimming it up as the pattern recommended (we’re doing Dulcina this month–see Sherri’s blog for more info).

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Whoa!  Big Shrinkage.  (The trimmed up squares are on the right.)  If I make this quilt in the future, I’ll try to figure out the dimensions so that the trimmed up block doesn’t lose an inch in each direction.

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Final center section, all sewn together.  Now the borders.  Because I have so much going on in the quilt, I’m looking to build some quieter borders than are shown in the design.  But I’m putting this aside for now, to tackle my Big Project: Quilting the English Paper Pieced Quilt:

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Click back over to Lee’s blog to see other quilts that are in progress.  And happy summer!

Quilts

Punching the Creative Buttons

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{NOTE: If you are looking for the teensy scissor giveaway, you can find it *here.*}

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Manhattan Skyline

If you’ve never traveled to New York City, the question of whether that city is worth all the hype may cross your mind.  I can’t answer that one, but  from a quilting perspective, the stimulus provided by this “town,” as the cabbie called it one time, gives me a chance to look at things in a different way.  I’ve had the unique opportunity to travel there three times in the past year and half and have come at the city as a tourist, not as a resident, so can’t answer whether it would be lovely to be there 24/7. Is my experience so different from any travel, anywhere? Don’t know that, but here are three things that punched my creative buttons this past week (along with some quotes on creativity).

“Creativity now is as important in education as literacy, and we should treat it with the same status.” –Ken Robinson

Five Pointz, Queens, New York–scheduled to be demolished in September of this year (2013), so hurry if you want to see it

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Take the 7 train from Grand Central towards Queens, and as you round the curve, the elevated track passes an old factory, completed decorated with street art.  Yep, like you, I don’t really want this on MY house, but here in its urban setting, it was amazing.

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On Memorial Day when we were there, the area was deserted and quiet, with only a few tourists like ourselves strolling around, cameras clicking away.  I put quite a few of these up on my Instagram feed and within hours, the street artists were identifying each other’s work, noting for me who created these and in some cases, which country they were from.  The taggers (but most of these weren’t really tags, but full-fledged art) have to get permission to put their art up here, and I felt like I was interacting with a community as tightly-knit as our quilting community.

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Detail of above

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I liked also how people interacted with the art.  This family was from France.

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This young woman was there with three of her friends (can you see her in the middle?), and they did yoga poses in front of several pieces.  We talked to one set of spray paint artists (the best paint is apparently purchased from art stores–no Home Depot for them) as they worked, and they said this building could look completely different next week, as it continually being painted over.  There is one man who kind of runs the place, and to be able to paint here, new artists have to work their way up from scraping and cleaning the site, in order to adorn a wall with their creation.

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As quilters, we have quilt shows, blogs, and places to show our art.  And while the street art at 5Pointz may not be your thing, I thought it was interesting how this community had evolved in this particular place and time.  I hate the blight of graffiti on my town, the tags scrawled across buildings, defacing them.  But I loved coming here. My takeaways: passion for your art, dedication to completion, ability to put it out there and let it go, colors, shapes, novelty.

“You were probably steered benignly away from things at school when you were a kid — things you liked — on the grounds that you would never get a job doing that: ‘Don’t do music, you’re not going to be a musician. Don’t do art, you won’t be an artist.’ Benign advice — now, profoundly mistaken.” –Ken Robinson

El Anatsui–exhibit at the Brooklyn Museum  (click on this link and watch the video of them putting up the pieces–reminds me of hanging a quilt show.  Sort of)

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El Anatsui is a Ghanian artist working in Nigeria and is a master at using materials at hand to create his art.  These squares are all bottle tops, bent and shaped and then put together to create massive “quilts” of color and form and shape.  In a video at the exhibition, he used the word “patchwork” to describe his work of creating pieces and put them together.  There are a lot of similarities to what we quilters do, only ours are cloth, not liquor bottle tops.

ElAnatsui bottle tops

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My sister had gone the week before and said it was an amazing exhibit.  Be sure to watch the video on the Brooklyn Museum’s website about how they installed these pieces.  Although they are huge, they look as light as air. Takeaway: explore all kinds of colors, materials, shapes and forms.  Don’t be afraid to reshape or move things around to get a different result.

“Human life is inherently creative. It’s why we all have different résumés. … It’s why human culture is so interesting and diverse and dynamic.” –Ken Robinson

Punk: Chaos to Culture–showing at the Metropolitan Museum of Art

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Like the above street art, I am not drawn to punk naturally, but this exhibit at the Met I thought was brilliant, because it talked about the influence of punk fashion on the greater world of fashion–and it brought together some of the things I’d been seeing this week in my touristing. [All photos are from the internet.]  To get a fuller perspective on the show, watch the video, narrated by Andrew Bolton, the curator.

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This gallery, titled Bricolage, was where the culmination of recycling trash to treasure was noted, and I loved what what used in the skirt and shirt below:

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Bottle Tops!  Couldn’t believe it. They also had dresses that had graffiti sprayed on them, and how graffiti can be incorporated into T-shirt and dresses.  I thought of the current obsession we have with text on cloth, and wondered if we were also feeling a wave of punk influence, in a more refined way.

“If you’re not prepared to be wrong, you’ll never come up with anything original.” –Ken Robinson

I won’t show you any more of that exhibit, as it was punk-ish, after all, better seen in context, as is all art.  But I will leave you with one more picture:

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This is the grave of Elias Howe in the Green-Wood Cemetary in Brooklyn (hey–it was Memorial Day, after all), in the who we all owe a great debt, as he was the inventor of the modern sewing machine.  Apparently the biggest sticking point was where the eye of the needle should go, and this account from a family story, tells how he came to invent this (from Wikipedia):

“He almost beggared himself before he discovered where the eye of the needle of the sewing machine should be located. It is probable that there are very few persons who know how it came about. His original idea was to follow the model of the ordinary needle, and have the eye at the heel. It never occurred to him that it should be placed near the point, and he might have failed altogether if he had not dreamed he was building a sewing machine for a savage king in a strange country. Just as in his actual working experience, he was perplexed about the needle’s eye. He thought the king gave him twenty-four hours in which to complete the machine and make it sew. If not finished in that time death was to be the punishment. Howe worked and worked, and puzzled, and finally gave it up. Then he thought he was taken out to be executed. He noticed that the warriors carried spears that were pierced near the head. Instantly came the solution of the difficulty, and while the inventor was begging for time, he awoke. It was 4 o’clock in the morning. He jumped out of bed, ran to his workshop, and by 9, a needle with an eye at the point had been rudely modeled.”

Wikipedia also notes that “Howe received a patent in 1851 for an “Automatic, Continuous Clothing Closure.” Perhaps because of the success of his sewing machine, he did not try to seriously market it, missing recognition he might otherwise have received.”  In other words, he invented the zipper, too.

Sorry for the long post, but sometimes it’s interesting to note where we get “refilled” when we’ve run out of ideas, or are tired, or have too many UFO’s lurking in the closet and have lost our creative mojo. (Plus, we had a great time in The Big Apple.)

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Quotes are from Ken Robinson, who has given many TED talks on creativity and our educational system.