200 Quilts · Quilt Finish · Quilts

Juxtaposition • Quilt Finish

Juxtaposition_front

I finished my quilt, and I’ve titled it Juxtaposition.  Every quilt teaches me something, and this one taught me to try again, to not get discouraged, to discover new ways of doing things.

Quilt Juxtaposition_front

This photo of the quilt, shows less of the texture–the quilting–and more of the color and pattern.  I love the pattern.

Facets Pattern-cover

It is Facets, from Anne of SpringLeaf Studios and as a lovely part of this quilt, she will be offering one pattern for a giveaway.  (UPDATE: Giveaway is closed.)  I only did one of the several versions of this pattern; mine was the simplest, but all of her directions are clearly written and easy-to-follow.

Juxtaposition_corner

The easy punch of the graphic design drew me to this, and I knew that the fabric I chose, Charleston Farmhouse, would be a perfect fit.  I just didn’t anticipate the difficulty of quilting that central square, but it didn’t take away my fondness for this pattern.  I’m already planning to make it again, using the blocks idea shown on the front of the pattern.

Juxtaposition Quilt Center drawings

I wrote about the frustration I experienced in quilting this, but sitting in my hotel room one morning (we were away at a conference), I realized that if I didn’t tackle and finish, this quilt, I probably would pitch it in the thrift store bag.

Facets Quilting_1(original quilting)

So I drew up two ideas for the center; both were generated by a comment of a reader who said that my ferns in my original design were facing the wrong direction.  I thought a long time about what she said, and as I drew, took in her ideas.  I let my husband and my quilter friend Beth vote on the one they liked, and I went to town.  I used a blue marking pen to assist me, but didn’t trace the leaves, as I still wanted that organic look to the quilting.

Quilt in high relief

After I finished, I had my quilt in one hand, camera in the other, walking around the hotel looking for places to take its picture.  This shot was taken in full sun, laying on the grass in the late afternoon and the texture of the quilting really pops. I used a faced binding again on this quilt, and I like how it looks.

Juxtaposition and CypressIt was lovely to come home with a finished quilt.  This is quilt #121 on my 200 Quilts Index.

FinishALong Button

It is also part of the Third Quarter Finish-A-Long, and I’m happy to say I finished one more quilt on my list!

FAL Tutorial Header

And also today, my tutorial on Y-seams posted at Leanne’s blog here, if you need a little help in that direction.

Giveaway Banner

To win a copy of this pattern (it’s a downloadable PDF), tell me about the hardest quilt you ever made, that really challenged you, but one that stuck with until the end.  Are you glad you finished it?  Do you hate the quilt?  Love it for what it taught you? Gave it away as soon as you could?

Leave a comment and I’ll pick a winner on Thursday evening.

Drawing is now closed.  Thanks for participating.

Quilts

Sand, Sea, Schnibbles and Y-seams

Joyce Carol Oates, the very prolific American novelist and writer was asked what she did when she finished a novel.  Did she go on vacation?  Did she stare into space? “I read poetry,” she said. “I find it is good to let the mind rest a bit from the ardors of a novel.” Well, at least that’s how I remember it, when I attended her lecture as a graduate student at our local University of California.

Sea and Sand Quilt Top Schnibbles

After last week’s wrestling of the difficult quilt (coming up), this is my poetry after a novel, say, The Brothers Karamasov, or something.  I missed last month’s Schnibbles outing–too busy with the beginning of the school year, but I was pretty determined to do one this month.  It was a squeeze play, especially after I started reading the directions.  I couldn’t make heads or tails of them, as it was a pattern geared strictly to pre-cuts, which I don’t generally buy.

Back Sea and Sand

(I like the back with its little open four-patches seam allowances.)

I stormed downstairs all lathered up about my frustration, but luckily my sister Susan had given me a treat to assuage the raging quilter within: some delicious cookies from Joan’s on Third in Los Angeles.  It rescued me, and I went back upstairs, figured out how to cut strips from my fabric and get going.  If you are not a pre-cut user, you have been warned.  However, there is a nifty method for making those pieced triangles/checkerboards in the corner, so Miss Rosie’s pattern company was redeemed again.  (Still think there should be directions for those of us who use fabric-by-the-yard!)

Mercerie

The original pattern’s name is Mercerie, and they do it in many different fabrics, hence, the need for charm pack directions.

And the Y-seams?

FAL Tutorial Header

On Tuesday, I’ll be doing a guest-blog post about how to sew the Dreaded Y-seam.  Stop by Leanne’s, of http://shecanquilt.blogspot.com to see the secrets.

In the meantime, read some poetry.  Here’s one from the Poetry Daily website:

On My Seventieth Birthday I Try to Skinny-dip in Boston Harbor
by Sandra Kohler

I cover my nakedness this morning
with an outsize purple tee, “Outrageous
older woman” scrawled in pink across
the chest. A gift from my son, daughter-
in-law. Beneath it, the only part of
my body where my skin fits me still,
unmarred by time—my shoulders.

Sunrise, ebb tide, half an inch of water
covering Tennean Beach’s pebbles, mud
I sink into as soon as I step out toward
dawning sun. Planning this baptism I
forgot to check tide charts: I’d have to
wade through seventy feet of muck to get
my feet wet: no quick strip and dip here.

Turning seventy: I never imagined this.
Years ago, when I’m visiting my eighty-
something mother-in-law, she’s gossiping
about a neighbor, calls her “an old lady”
—stops herself, says, “I know I’m old
too, but not inside.” Inside, what age
am I? Thirty, eighty, fourteen?

Will sinking into this muck renew me?
On the drive home, passing a shallow
wetland between abandoned factories,
I see a flash of white: two egrets gingerly
wading, stepping, spreading their wings
in the risen light over a brood of hatched
fledglings, as new as aging is to me.

Quilts

Autumn Tote and Center Square

Hotel Room

This week I spent holed up in hotel room, sewing on fun things left and right.

Autumn Tote Bag

And some not so fun things, that turned out to be fun things, once they turned out.

 The Autumn Tote (above) is one of the fun things that turned out quickly.  It was my second time making this pattern, and I was able to use what I’d learned last time and make the needed tweaks to the pattern so it turned out much faster in the sewing time.

Autumn Tote Bag_3

This is the class sample for the class I’ll be teaching on October 22, Tuesday evening from 6-8:30 p.m., if you are in the area.  I’ll be teaching it at Bluebird Quilts in Grand Terrace, California (phone number is 909-514-0333).  I love the rich tones of autumn in this piece.  This tote is big enough that I can get my iPad in here with no problem.

Autumn Tote Bag Interior

If you decide to make it, pick something fun and whimsical for the interiors!

Juxtaposition in process

Full reveal comes in a future post, but finally! I was able to move this quilt from Problem Child to Model Student.  It all came because of a comment on my post from Linda, who noted that besides all the other things I mentioned, the ferns were headed in the wrong direction.  A redraw, and a few other tricks which I’ll mention later, and I was on my way.  Here it is in an interim step, threads hanging out and everything!

Pacific Grove

Tomorrow we leave from home after one last walk along the beach here in Pacific Grove (California), watching the colors on the rocks change as the sun rises.  It’s been a lovely time.

100 Quilts · Finish-A-Long · Quilts

At the Bandstand, Under a Starry Night

BandstandStarryNight_front

 At the Bandstand, Under a Starry Night, front

I’ve written about this quilt on this blog before, where I referred to it as Hunter’s Star, a description of the block.  But now it is finished, binding and all, and has a new name: At the Bandstand, Under a Starry Night.

SFO Bay Bridge_1

I’ve done a couple of “under the starry night” experiences this past week, and there’s also been some bandstanding, or music.  The photo above is of the San Francisco Bay Bridge, where they have an LED art installation, The Bay Lights, which makes patterns with fish swimming across the bridge, clouds, waves, shooting lines, sparkly doodads and all sorts of patterns.  We drove up to San Francisco to see this, as it’s only here for two years.

SFO City LIghts

And here’s The City’s lights, with the Ferry Building in the foreground.  I had first made this quilt for my youngest son’s college quilt.  He was enamored of music of all kinds, acquiring the nickname of Audioman, so I incorporated music-themed fabric into the Hunter’s Star design, a personal favorite.

BandstandStarryNight_back

 At the Bandstand, Under a Starry Night, back

However, he took one look at it and kind of squinched up his eyes, subtly shook his head and didn’t say much.  I figured it out, and made him a different one (#43 on the 100 Quilts List), which he liked much better.  This one sat around.

BandstandStarryNight_detail2

I pulled it out because I’d put it on my Finish-A-Long list, rummaged through my fabric stash, finding the borders already cut out.  I slipped in the yellow inner border for some variety (funny how your quilting tastes change), found a large piece of IKEA fabric and put a back on it so my quilter could get it quilted for me.

BandstandStarryNight_back detail

Back detail

As you all know, it had been a beyond-stressful week for me not only for my own puny reasons, but troubles within my larger circle of people I love.  And then the landline phone on the house telephone went out.  That’s it, I said.  So I sat down and put on the binding, and Friday morning found me traveling north with my husband to a scientific conference.  I happily stitched as he drove.

BandstandStarryNight_tree1

 quilt on a large cypress tree, outside our hotel room

So we found ourselves here in Monterey and it’s the jazz festival — a Big Deal, with Big Names — jazz in the lounge, on the stereo, musical instruments being seen everywhere.  And I thought of the best kind of music, being played with great affection and intensity under a starry night, perhaps even by a band on a bandstand on a summery night, and so the quilt found its name, and its finish.

BandstandStarryNight_tree

FinishALong Button

This is one of my project on the Finish-A-Long list, and quilt #47 on my 100 Quilts List.  Yes, I went backwards.  (Although now I only list them when they are completed, earlier I slipped in a couple of tops only.)