100 Quilts · Creating

Family Tree

I really shouldn’t let this quilt show its face in the quilt world.  Really, it has that many problems.  But sometimes these quilts are fun to look and to remind myself of how far I’ve come as a quilter.

So the idea was, since we were headed to a family reunion, to make a banner for my husband and I, like I’d made for my mother.  Hers was more successful, and it’s all on account of the quilting.  I hadn’t yet taken a fusible class, so I was working with my old stand-by which unfortunately leaves the fabric like a slab of wallboard.

I cut out the tree, and then traced everyone’s hand for the leaves.  I slabbed on them on to a tone-on-tone background fabric (which, thankfully we don’t have around much as the fabric can change colors turning more yellow–I think the newer ones are better).

I then wrote our name using a Pigma pen, copying the style of my sister-in-law’s handwriting.

Then, for some strange reason, I decided to put it under my machine and quilt it.  Maybe I did that because this idea of quilting the quilt yourself was an idea that was percolating around; back in the Olden Days (when we wore skins and cooked over an open fire and used cardboard templates and cut everything out by scissors) there was no machine quilting on your own machine.  Either you hand-quilted it or you tied your quilt.  That was it.  Then the longarms started showing up, and then the idea came that you of course could do your own quilting.  This quilt is a testament as to why sometimes you shouldn’t.  Or you should take a class and get better.  (Which I’ve tried to do.)

Okay, here comes the prelude to the scary part.  Can you believe I switched out the color in the bobbin?  I did it again this year.  I’d better write this one down on the Things Not To Do list, and tack it up by my machine.

ACK!!! ACK!!! ACK!!!
Don’t you just love all the loose bobbin stitches, the globs of thread that burped out on the back, the horrendously balanced thread tension?  I give myself a little break because I WAS sewing through bunches of wallboard-glued-on-fused fabrics and that’s just about impossible.

But I have to say I learned a lot, and still am continuing to learn about the Big Three Elements of Free-Motion Quilting.  They are:

  • Speed of the machine (how heavy your foot is in on the pedal)
  • Speed of your hands moving the quilt around
  • Tension/Thread/Needle Size.

I now sew with a size 14 Topstitching needle most of the time when I’m machine quilting.  Sometimes I bump up to a 16.  I ALWAYS test drive the thread tension — it can change with the thread you use —  on a small quilt sandwich that I keep by the machine.  And I really hope I never use a different color of thread in the bobbin again. (Cue: sound of head banging.)

Here’s a photo of my parents’ grandchildren all lined up by age.  Not all of them are shown here, but overall there are 27 of them.  And now we’re working on the next generation with nearly 20 great-grandchildren (an adoption or two are in process).  We’ve been at our bi-annual Reunion this past week, where I got to see all those new cute little great-grands, and they got to meet their auntie–me!

100 Quilts · Creating · Quilts

Cowgirls Write Letters

My husband and I lived for a year in Washington, D.C. while he did his sabbatical at the Department of State.  (That’s what they call it.  Most of the rest of us just call it the State Department.)  I investigated any fabric store within reasonable driving distance and one of the ones was Material Girls in La Plata Maryland, about 45 minutes drive from where we lived.  Fast forward a year, and I went back for a visit to see my pal Rhonda, and of course, we had to hit some fabric stores.  Didn’t have a lot of room in the luggage, so I was drawn to the collection of fat quarters they had, and selected as many of this line as I could find.

But what pattern?  Luckily they had a whole rack of Schnibbles patterns, by Miss Rosie’s Quilt Company, and Rhonda and I each chose a couple of them.  I decided on this one, Decoy, then enlarged the blocks, cut them out, and had to piece the border because I was running out of fabric.

But what backing?  Of course it had to be a Western theme.  The cowboys were heavily represented on the front, so I went with the women on the back.

And I had lots of letter fabric, so I envisioned them all out on the plains, posting letters to each other as they herded the cattle wherever cowboys and cowgirls herd cattle.

We all know that the ladies are more frequent letter writers than the men.  So I titled it, Cowgirls Write Letters.  I made it extra tall for my own cowboy to use while he watches his spaghetti westerns on the television.  Thanks, Carrie, for such a great pattern!

Creating · Quilts

WIP–Lyon Carolings

Welcome to WIP Wednesday, hosted by Lee of Freshly Pieced Quilts.

Lyon, what? you are saying?  Lyon Carolings.  That’s my work in progress for today.The title comes from the name of the church–Carolingian–in Lyon, France, which was built by the Carolingian Dynasty from the 7th century, and alternately known as the Carolings. I snapped this photo of the patterned design on their ceiling, because you know us quilters.  It’s like a reflex. See pattern.  Take photo.

I obsessed wrote about the process of converting what I saw to a quilt block on another post; feel free to look it up. I’ve had this quilt top and back completed for a year now, and as my free time this summer is on its last gasp, wheezing its way to the finish line (where I REALLY have to think about school and lesson plans), I was determined to finish this.  So here’s my steps (pictures are below the STEP description).

STEP ONE:
Lay out backing, ignoring the fact that while you pressed it when you put it away last summer on a hanger it has developed new wrinkles.

STEP TWO:
Move the red bucket chairs because you need more room, leaving giant Xcircles in carpet.

STEP THREE:
Tape the backing to the floor, giving it a little tension to keep it smooth.

STEP FOUR:
Lay out the new kind of batting you bought, and realize that it will shrink 2%, which isn’t much, but if you’ve waited this long to quilt this puppy, you can wait a little longer while you squish it out in the newly washed kitchen sink, squish it some more, then drip your way to the dryer and dry it.  Spread it out again.

STEP FIVE:
Lay out the top, and even though it’s a billion degrees outside and in, lean over and pin the quilt, thinking cool thoughts, thinking of this as some kind of Pilates Stretching Exercise as you reach for the middle, sucking in your stomach while you hover over the quilt, safety pinning it to death.

STEP SIX:
Trim off excess batting, then stand back and admire the quilt.  This is an important part of the process because even though your husband really likes your finished quilts and is proud of you and loves to tell others about them, he’s not much interested in this part of things, so it’s you, baby, that has to bring the Atta’ Boy cheer to the table.  Atta’ boy, you say.  Or atta’ girl.  Whatever.

STEP SEVEN:
Begin quilting the blue, because that will stabilize the quilt as you ponder what to do next.  Some have a plan.  I have a desire to Get It Done and will figure it out as I go along.

That’s as far as I have gotten.  I like the puffing that happens as you start to quilt.  I use Superior’s Bottom Line thread in the bottom, with a distinct advantage that it’s thinner so you get get more on the bobbin.  I like the fineness of the thread and that it looks more delicate on the back.  In the top, I keep coming back to using Poly Neon.  For some reason this just works for me in most cases, although I have used other threads such as Superior’s King Tut and Poly Quilter.

I have no problem mixing threads, but do stitch out a sample on a sample quilt sandwich, identifying what I’m doing by writing on the section with a pen. Although you can’t see it really well, there are little numbers written inside those purple circles, above.

I’ve thought about using this flower, or the one below, as a template for how to quilt the yellow centers.  Which always leads us to Step Eight: Visit the fabric shop to pick up a marker to sketch in the flower.

In the post just below (published on my FSFriday last week), I write about how quilts stay done, when everything else doesn’t.  I’ll have another FSF post I’m working on, with a project that has been in process since last October.  Check back, if you want to, to read about that one.

Creating · Finishing School Friday · Quilts

All Is Safely Gathered In–FSF

Okay, before the large picture of the quilt, get a load of this quote:

“Of all cursed places under the sun, where the hungriest soul can hardly pick up a few grains of knowledge, a girls boarding-school is the worst. They are called finishing schools, and the name tells accurately what they are. They finish everything but imbecility and weakness, and that they cultivate. They are nicely adapted machines for experimenting on the question, ”Into how little space a human being can be crushed?” I have seen some souls so compressed that they would have fitted into a small thimble, and found room to move there.” –Olive Shreiner

Hmmm.  By focusing on finishing, am I crushing myself into a small space?  Am I creating a Tyranny of the Done?  That’s the danger in shifting words around in a language as fluid as English is.  I use that term–Finishing School– in an affectionate way, Olive Shreiner’s words notwithstanding.

When I was a young mother I moaned to MY mother about how I never got anything done.  The laundry always piled up;  sometimes as quickly I as I could move it from the dryer, fold it and put it in the drawers, it would be used, dirtied and find its way back to the blue plastic mesh basket in front of the washer.  Meals were a never-ending story and I resorted to “closing the kitchen” just so I could get the breakfast dishes washed and put away before it was time to haul out the peanut butter and jelly for lunch.  The bathrooms always needed to be cleaned, the floor rarely seemed to be free of crumbs or sticky places.  And those sticky places migrated from floor to doorknobs, to car handles, to walls.  If I could have strapped on the 409 in a giant backpack, squirting and wiping as I went I MIGHT have conquered the dirt.  Just maybe.  I began quilting because I wanted a “bedspread” (what we called it then) for my bed, however I soon saw the advantage of quilting: it stayed done.  I didn’t have to resew a seam as it didn’t unpick itself in the night.  The patches would still be there, done, when I was ready to assemble them into a quilt.  And then somewhere this stitching and patching and quilting took a turn and became my art, my way of expressing creativity.

I think I moaned to mother for years and years. Then the children grew up, the bathrooms needed cleaning only once a week, then the children left.  Dishes rarely pile up and sticky places don’t spring up like mushrooms overnight.  The dust and dirt of housework and I have made our peace with each other, leaving lots of room around my job as am adjunct college professor (English) to happily spend time cutting and sewing and creating quilts.

But there’s this healthy strain of ADHD in my family, and I can easily flit from pile of fabric to pile of fabric.  My intention was to take stock each Friday, slow down and commend myself on whatever I had accomplished in order to notice my work, to smile and be aware that I completed that which I set out to do.  To reap a little harvest from the sowing (sewing, too) that I had done earlier.

So, today, here is All Is Safely Gathered In, a quilt about sowing and harvesting.  I began this three years ago, trying to work with an original block I’d drafted–simple in design but it carried a nice big punch with those new large-scale prints that we were all investigating.  How to make them work?  Place them right up against each other in nice big squares and shapes–let that fabric shine. When I was casting about for a name, I talked it over with my husband.  How about something about harvest? he asked, and the phrase from a favorite hymn jumped right out at me.  When I was that young overwhelmed mother, I could think of nothing more satisfying than walking around the house at night, the last child in bed, the open book fallen to the floor, the night-light casting its golden glow on the cheeks and hair of these children who kept me so busy during the day.  I fell in love with them all over again, storing up these feelings of satisfaction every night against the onslaught of the day.  And now, many many years later those children walk their houses at night, picking up the books, bending over to plant a kiss on their children’s soft cheeks.

I sowed children and stitches and tasks uncompleted and time and more time and I am now reaping grandchildren and quilts and houses that don’t get quite as dirty.  While I’m not done, I feel like I have some sense of the law of the harvest.  And it is immensely satisfying, I must say.

I was drawn to not only the Kaffe Fassett fabrics (rich in coloration and detail) but also those of designer Martha Negley and Phillip Jacobs (who designed that border).  I loved making this quilt, but it did take me three and a half years from inception to this stage–awaiting its label on the back.

I’m actually doing two labels–this one and the dotty quilt label.  Hopefully that one will be next FSF–in the best sense of the term.

But few have spoken of the actual pleasure derived from giving to someone, from creating something, from finishing a task, from offering unexpected help almost invisibly and anonymously.” –Paul Wiener

Happy Sowing.  Happy Finishing School Friday.