300 Quilts · Mystery Quilt · Something to Think About

A Wild Night, A New Road • Quilt Finish

Emily Dickinson’s phrase, Dying is a Wild Night and a New Road, accompanies me at times in my life. Dickinson first said it in a letter: “I know there is no pang like that for those we love, nor any leisure like the one they leave so closed behind them, but Dying is a wild Night and a new Road.” This past year, I said this phrase to my father, as we sat in the living room of where he lived with mother, who was on her own New Road that week. Life felt like a total slog in those early weeks after we lost her. I tried to get it together, but I felt so strange. Many of you wrote notes, send letters, welcoming me into this new club, and reminded me to give it time.

After a soggy winter and spring, this summer I let myself be pulled into this. I had no idea what it was going to be, or what kind of work it was. Yes, time does heal all wounds, but perhaps a little quilting wouldn’t hurt, either.

The first thing was to watch a video on how to choose fabrics, which was a great video. I could do this new thing. And when the first steps were to cut strips and sew them together, yeah — I was totally in.

Week by week, I cut and sewed and soon my file of print-outs and blocks was full:

It was like I was back in school, in a good way. In school, there’s always a syllabus, a raft of homework, a goal, a test, a completion. Working on this quilt I felt like I was accomplished something that wasn’t a duty. During this time I was getting quilts finished, but usually I have a lot of ideas and sparkles of creativity and things I want to say, but…it not this year. We had our kitchen torn apart, and then rebuilt. It was actually a relief to choose doorknobs, tile and countertop: a welcome distraction.

This article helped a lot with the sadness, letting me know that what I was going through was normal, would take time. Talking to my husband, my sisters, daughter, friends and my family was a solace. It’s all normal, yes, normal, normal, normal…but I wanted my old normal back, of happily diving into color and cloth, of not missing someone terribly.

I began to screenshot memes on Instagram, like this one, or the one below:

I retreated from life for awhile, but kept working on this Summer Camp quilt. Weeks Ringle and Bill Kerr, of the Modern Quilt Studio (who were running the Sew-A-Long) held “campfire talks.” Sometimes goofy, but always authentic, warm and interesting, I would join them a day or two late, and read through the posted comments. This project became my through-line.

I ended up with 52 blocks ( photo 1) which when placed on the wall revealed themselves to be Not Enough (2) and so I chose some of my favorite prompts and made more (3). I couldn’t see how this would ever become anything but a mush of color and line, just like I couldn’t see how I would ever feel like a life without my mother was something I wanted to have. She died at age 94, on November 13, 2022, a year ago. I’d had her all my life. I burst into tears at odd moments.

Finally, the Summer Camp Quilt-A-Long project turned a corner. Now I had to make something of these small blocks. I chose this layout, It’s a variation of one of their variations, with some changes suggested by my husband.

I finished quilting it this month, and made this label.

On the anniversary of her death, my husband and I drove to Utah. We picked up my father and drove to the cemetery in Paradise, Utah to see her gravesite, to remember her. Dad’s very old, and I’d forgotten to bring lawn chairs, so we were there about 3 minutes, 20 seconds. No lie. After he got back in the car, I took a few photographs, feeling a bit strange having such a cheerful quilt in this setting. While we were driving there, my father kept saying little tidbits like, “When she was a senior in high school, she was the editor of both the newspaper and the yearbook.” And, “She lived with her grandmother for a year the year before that.”

Hyrum Reservoir, by D. Eastmond

When we drove along the road beside this reservoir, he said: “We came along this way some time ago, and got as far as this bridge before we had to turn back. It was under construction.” They’d driven up there nearly every Memorial Day — or as they called it, Decoration Day — to put flowers on the gravesites of all those who had gone before. It felt very circular this day, me with my quilt, thinking about my Mom, as she always thought of her mother, her grandmother and others before her.

Back home several days later, I threw the quilt in the wash, and of course, it changed as quilts do, becoming something soft and cuddly and maybe perfect for a baby blanket? In the end I didn’t put the label on. I’ll send it out in the world without its history, letting it find its own way and purpose. I’m grateful for projects like this which are small bites at a time, helping me become reacquainted with why I like cloth and thread and quilts. I can’t always put my finger on where I am on this new road, but I feel better. I doodled a new design last night and I’m looking forward to making it.

My mother taught me to sew, first doll clothes, then enrolled me in a class at school where I made my first dress. Recently, I’ve had a couple of moments of deep remembrance, times when her presence has popped into my life, seemingly a reminder that she lives on, and still loves her daughter, and her quilts.

Thanks, Mom, for everything.

Quilt #282 • 45″ wide by 60″ long

Temperature Quilt

Temperatures are in the News!

Since it is not nice to be selfish, the West Coast and SouthWest are graciously sharing their high temperatures with the MidWest and East Coast. We are sorry. Climate Change is upon us all.

But the above image (which reminds me of my time when I lived in Texas) also reminds me of another subject.

Yes, it’s time for another Temperature Quilt. I have decided this for four reasons:
1) With the chilly temps this winter/spring and the highs this summer, the quilt will have a lot of good colors;
2) I like the new line-up (top row) of Painter’s Palette colors — they are softer, yet still strong;
3) I’m approaching a milestone birthday and feel it would help me appreciate this Milestone-Birthday-minus-1 year;
4) my sister wants my 2019 quilt.

My 2019 version of a temperature quilt. However, I’m moving on from Flying Geese, although I still love love the border.

I liked this one by Stephanie Hedstrom of Crafty Ninja Quilting. I like how she incorporated bands on the HSTs for the preciptation that day.

I had several other candidates (houses, birds, leaves, circles) but so much of it felt too fussy for this harder year, although I love all the ideas. Am I crazy for doing another one? It’s kind of like childbirth: you swear once you have that baby you’ll never have another, and then surprise! Another shows up a few years later. Yes, I’m crazy, but Temperature Quilts do get under your skin.

I get my weather info from Weather Underground, in their history section. LINK IS HERE for July and for a weather station in my locale, both changeable. I just take a screenshot of the finished month, and use that to work from.

I learned long ago that using 2 1/2″ squares of a color is better than the itsy-bitsy little swatches on the cards. I numbered the rows, then labeled the small squares with the row and the color number. They used to sell charm packs, but lately I’ve been cutting them from the fabric when I get a new color. And yes, I’m in the Painter’s Palette Camp for solids. 1000%.

This week my husband and I were treated like royalty. He’s been helping a refugee family (I have only done a little bit), and they invited us for lunch. It was amazing. And the mother had been in the hospital for two days, a day prior to that (she’s very shy) and they still hosted us. If we had known, we would have tried to reschedule, but the father kept that info to himself, as he wanted to thank us. Tahira, the young woman in the copper-colored scarf, speaks the most English, and told me that the bread I really liked was Bolani, and was filled with pumpkin and spices. The rice was amazing, and Tahira wrote to tell me it is called Qabole Paluo. Although this family doesn’t have much, they teach me about graciousness and hospitality every time I interact with them.

Right after my mother died, I had a chance to serve them by taking the four younger children (one is missing from the photo) to get language-tested for our school district. They were a light to my day that day, and for one whole day I wasn’t weeping. It was a gift, being with them, and all that I thought was complex and hard and difficult in my life paled by comparison to what they were facing: a new land, a new language, new home, and basically no earthly possessions. This time we saw them, they had new glasses (filled with Pepsi), a new-to-them kitchen table, rug and sofa. My niece, Emma, has taught me a lot about working with refugees. They don’t want handouts, but they will accept a hand in getting established. Anyway, it was a beautiful table and I thought you’d like to see it.

We took them a bag of tomatoes from our garden, but left this one home for us. We are in a race to the finish, the tomatoes and us. We put up the sunshade, but now they have been infected with wilt. Sigh. They are so delicious.

Finished my Summer Camp Quilt-A-Long blocks, but after working with some layouts, I think need 24 more the finish I have chosen.

I threw this up on the design wall (at night: hence, soft-focus) thinking of Jen Kingwell’s Boho Quilt. Yep. Not going to work, and I think it’s largely because of the soft contrast between the colors. We were steered toward a not-too-dark, not-too-bright palette on purpose, as the reason why would come at the end. So obviously, this isn’t the end, although I do know where it’s going.

While I stitched down the binding on the Raincross Challenge Quilt (due in September), I watched Fat Quarter Shop’s Kimberly Jolly do a presentation of the new Moda lines, and a couple of other fabric designers they’d chosen to carry. There’s a couple I’m interested in, of course!

Good luck with what you are toting–