Quilts

Stopping by Woods on a Snowy Evening, a Four-in-art Quilt

4-in-art_3

StoppingbyWoods_front1

Stopping by Woods on a Snowy Evening
#1 in the Literature Series
Quilt #142

Moving a different direction, the Four-in-Art quilters have chosen a year-long theme of Literature for this current series, and within that, we each have chosen our own way to think about literature.  Some have chosen to focus in fiction or non-fiction or others have chosen children’s literature.  I have chosen poetry.

StoppingbyWoods_detail

Robert Frost’s poem, “Stopping by Woods on a Snowy Evening,” is one that I taught in my literature class at school, which gave me a chance to really research it, to hear a recording of him reading his work, to explore what others have thought about it.  Depression runs in our family, and many writers have commented about the intimation of suicide — the struggle over this — buried deep in the implied meaning in many of the lines.  Frost, of course, has denied that, but I think that while the writer may write the lines, it’s the readers who get to interpret what they see in the poem.  Time for you to see the poem:

“Stopping by Woods on a Snowy Evening”
by Robert Frost

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

In class we study the iambic tetrameter, the rhyme scheme, the internal rhymes and then focus in on those repeated lines.  When you watch Frost read his poem, the first line of that last stanza really comes through that the woods are dark and deep, although lovely, and then he raises his eyebrows, almost in a shrug, saying he has promises to keep, as if that prevents him from exploring the darker woods before him.  And many times our obligations do keep us on a certain track, keeping us from veering off into depression or getting lost in other ways.  When you have to put food on the table for your young family, you have fewer minutes to ruminate or cry or sit in the corner and stare out the window.

StoppingbyWoods_detail2

I think the first line, “And miles to go before I sleep,” might refer to the tasks we all face: the laundry, work, family and social obligations, that daily list of compiled chores that pile up before us.  I know I certainly had a week like that, and even though some were delightful obligations that brought great pleasure, there was no extra space on the calendar, no breathing room to stop and look at woods filling up with snow.

Perhaps that second repeated line refers to the longer view, past calendars, past busyness, past the To-Do list.  We all need purpose in our lives as it is the engine that drives us to get up and get dressed, to engage with the world and to lay out our days in ways that not only contribute to the lives of those around us, but more importantly, lets us focus on the miles both behind us and in front of us.  Frost’s genius lay in crafting the lines that cause us to reflect on the bigger picture.  His poem reminds us to pay attention to the journey of our lives, rather than than the mere detritus of our lives.

StoppingbyWoods_back

While some may think of the quilting as just a hobby, for me it has become part of my purpose in life: to explore and to create, to reach across the world or country and build friendships, like this small art quilt group.  Certainly I can outline the big ideals that inform my choices, but when traveling miles to bring a quilt to fruition, I take heart in Frost’s reminder to keep to the journey.

I like this new challenge for this year.  I’ve already chosen my poem for the next reveal, which is in May, and yes, all mine this year will have a seasonal theme.

Tiny Nine-Patch

Please take time to visit the other Four-in-Arters, who have also put up their Challenge Quilts today
(just bits and snips of their quilts are shown–be sure to see the full quilt at their sites):

Betty Lit1
Betty at a Flickr site: http://www.flickr.com
Katherine Lit1Catherine  at Knotted Cotton
Elizabeth at opquilt.com (you are here)
Jennifer Lit1
Jennifer at her Flickr account
Nancy Lit1
Nancy at  Patchwork Breeze
Rachel Lit1
Simone Lit1Simone at Quiltalicious
Tiny Nine-Patch
PS: My blogging software places ads here so I can use this site for free.  I do not control the content of these ads.
Quilts

False Dawn (and a Giveaway!)

False Dawn_front

False Dawn
Pieced and Quilted by Elizabeth Eastmond
#138 of 200 Quilts
41 1/2″ high by 36″ wide

Made for the Modern Quilt Guild Cotton Couture Classics Challenge

Cotton Couture Solids QC
MMillers fabrics

Michael Miller, a manufacturer of fabrics, sent members of the Modern Quilt Guild a packet of fat eighths in pastels, for their challenge this year, and to try their line of solid fabrics.  I know that pastels only makes a dull quilt, with no contrasts, so I reciprocated MMiller’s kind gesture by buying some darker colors in their fabric line.  I had one design all laid out, but then re-read the contest rules and it said it had to be predominantly made from the packet they’d sent.  I decided to obey, but in scanning the IG feed of those quilters who had submitted in this category, I noticed most ignored this rule.  Maybe I should have too?

Beginning False Dawn

This is how it started.  This line of solids is lightweight and would be perfect for making French-sewn dresses, or smocked clothing for children. The weight is more like a batiste than a broadcloth, but it is strong and has a lovely finish and hand.  Since I’m used to working with Kona Cottons, a more mid-weight line of solids, I had some challenges working with the Cotton Couture line.  I found that even though I pressed it and starched it, it was still more prone to wrinkling.  The quilt, however, weighs next to nothing when finished, so it would be a perfect line for a lighter quilt, or those in hot climates.

False Dawn_quilting detail

Because of its lighter weight, it quilts up easily so I had fun layering on thread in narrow zig-zags and loopy-loos.

False Dawn_back

We also had to use Michael Miller fabrics for the back, and I had enough yardage of this Parisian print, choosing a jewel-like print for the binding.  I named it False Dawn, hoping to bring to mind that luminous light before the sun rises.

False Dawn_labelWhile I did enter it into QuiltCon’s Challenge, it was not accepted.  Even though I have no way of knowing what the criteria were, other than “predominant use of the Cotton Couture Pastels” and all Michael Miller fabrics, I’m not that put out.  I followed the only rules available to me, I finished a quilt made with gifted fabric (and purchased some more) so I figure I fulfilled my part of the bargain.

Giveaway Banner

MMiller Solids GiveawaySince it’s my birthday this week, and I think that’s a terrific time for gifts and presents, would you like some of these fabrics?  I know that many quilters love this line, and like I said before, it has a lovely smooth hand.  If you would like my leftovers (about 2 yards in a variety of colors), please leave me a comment below, making sure I have your email address.  Since we are all recovering from Christmas, I must limit it to domestic (USA) readers this time around.  Maybe your New Year can be welcomed in with a new project?  This will close Wednesday night, the 7th of January.  I’ll announce the winner in the next post.

Quilts

Pineapple Blocks

Pineapple Blocks Dec 2014 All

Before I descend into cooking and cleaning and more cooking and a bunch of dishes and family for Christmas, I thought I’d post all the pineapple blocks together.  This is a combined effort of the Always Bee Learning Bee, the Mid-Century Modern Bee, plus a few I whipped up too.  I took the papers off the remaining three tonight while watching How To Train Your Dragon 2 (amazing animation), and now I need to vacuum the family room again.  I have more things to add to this quilt, and hope to be working on it over the break.  But then again, my life may be like yours, full and lots of the things from the first sentence of this post!

Quilts

Colorwheel Blossom is Finished!

Colorwheel Blossom_front

Colorwheel Blossom
Pieced, Appliqued and Quilted
48″ square
No. 140 on 200 Quilts List

Colorwheeel Blossom_quilt top

This was the quilt top in April 2014, held aloft by my husband.  Then it went AWOL for a while, as I’ve mentioned before.

Colorwheel Blossom_quilting

Realizing it was do-or-die time, I printed out several of these “faded” photos to doodle on, to try out quilting.  I thought about quilting it all in lines, a la “the hard-edge industrial look,” but I wanted it to represent garden, blossom, flower, soft, and fragrant more than I wanted it to look like it had been scraped by a saw.  I’ve read lots of print articles about how to quilt a quilt.  What they don’t tell you is that starting to quilt a quilt takes massive doses of courage.  Gigantor-sized, even.  Sketching it out helps me visualize what I’m doing and sparks that bit of courage to get going.

Superior Threads Colorwheel Blossom

I have good success with Superior Threads’ line of threads called So Fine, but I filled in with Gutermann, which also works well for me. Yes, I kept filling bobbins to match all the quilting in the flower part of the quilt, but for the rest of the quilt, I used  a neutral-colored Bottom Line (in this case, white) in the bobbin.   Bobbin Statistic: 10 (in other words, how many bobbins it took to get this thing quilted)

Thread Matching

Matching the colors, section by section.  Where did I get this idea?  Look on your iPhone home screen for the Photos button.

Colorwheel Blossom_drawn featheries

I needed to draw on the feathery components with my marker.  That’s called Finding More Courage.  I don’t know why I thought you had to just go at it without marking anything.  Marking (in blue for longer time and purple for shorter time) is my new best friend.  Just keep it away from the iron and out of the sun.

Colorwheel Blossom_inner quilting

I loved seeing the quilting in the last light of day, the deep shadows calling the stitching into relief.  Another Courage-Enhancer.

Colorwheel Blossom_detail2

Colorwheel Blossom_detail1The last two pictures are shots taken outside, for its formal portrait.

Colorwheel Blossom_back

The backing fabric is Wild Garden by Dan Bennett, for Rowan/Westminster Fibers.  Now you can see my hanging system!

This quilt was a turning point for me, in terms of gaining skills for free-motion quilting.  I learned about marking, about when to mark.   I slowed down, remembering what my teacher this summer used to say when she’d watch me: “Elizabeth.  Be more deliberate.”  It helped to repeat that often as I stitched, and helped me avoid many of my earlier mistakes.

I learned to depend on the wisdom available through social media.  Two quilters on IG, Linda, of Flourishing Palms and Leslie, of PlainandFancy were always there with tips and tricks.  But without all the lovely likes and happy face-emoticons and positive comments from all the readers, I wouldn’t have been so courageous, I’m sure.  It was if after every quilting session, all the fans in the bleachers around my sewing room would stand up and cheer me on.  So gratifying, especially as I felt like I was on thin ice most of the time.

Colorwheel Blossom_DadsNote

One day in the mail, a card arrived.  It was my father’s stationary, my address written in his bold Montblanc pen, which in this note he called his Meisterstuck.  My father has been one of my best cheering sections in my life, right along with my mother and my husband. I’ve written about my father before, his courage in renting himself a studio after he retired and pulling out paints and brushes, a good example to all his seven children.  His brief, descriptive note now hangs near my sewing machine, reminding me that my work extends sometimes far beyond my little room, far beyond my own little place.  And, on this day in December, I honor him: Happy 89th Birthday, Dad!  You are a treasure.

Because of you, Dad, because of so many people, and because the creative urge is made manifest in me through quilting, Colorwheel Blossom is finished, and is hanging in my hallway.  It’s a nice feeling to walk by, letting my fingers run across the soft trellising, the vines and flowers.  It brings a smile to my face as I pass by this garden.