Quilts

Pineapples and Crowns

April 22, 2015 Elizabeth E.29 Comments

Pineapples and Crowns
Pieced, Appliquéd and Quilted
61″ square
No. 145 on my 200 Quilts List

The pineapple blocks were pieced by two different bees and I over six months: the Mid-Century Modern Bee and the Always Bee Learning Bee.

I had forgotten to piece all the signature blocks into the backing from Mid-Century Modern Bee, so I just kind of swooped them onto the back. While they may look a bit unusual, I figure the back of my quilt is like looking in my clothes closet–no one will see it but me–and this way I won’t lose these precious tiny blocks. I wish I had a signature block from the other piecers of the blocks, but that bee didn’t do them, and that bee is now scattered.

The background is a series of petite prints on a white or creamy colored ground–no beiges or grays to muddy the clarity of the colors–and is a contrast to the solids of the pineapple steps and the crown petals.

I quilted this quilt over a week, using seven and a half bobbins, in a free-swirling pattern, outlining the leaves and stems in the border. I got the idea for my border from the masters of borders, the Piece O’ Cake ladies, but varied it somewhat to fit what I needed. I was interviewed for an article on quilting last week, and I noted that if we think we are making something original, we are slightly delusional. Actually I wanted to say we are straight-up delusional, for everything comes from somewhere else, but I qualified it so quilters wouldn’t have their feelings hurt. The idea, I think, is to make that snippet of influence new for you.

Mark Ronson, the well-known DJ-record producer, noted in his TED talk that we are all sampling from everyone else, sampling being his word for when recording artists slip in a line or two from someone else’s recorded song to bring a texture or a reference to the work that has gone before (cue at 6:15 for his discussion). So you might say I sampled some early pioneer in the use of her pineapple block and the Piece O’Cake ladies for the border, and both of these were probably sampled from somewhere else, somewhere. I feel richer for being a part of this quilting universe, with good ideas slipping in from places beyond.

Yes, you did a notice another quilt in that first photo. Stay tuned.

These photos were taken in our local university’s botanic garden, in the gazebo near the iris section, overlooking the creek gully. It’s a very old gazebo and I fully expect that one day I’ll arrive with my quilts and it will be gone. Until then, it will be sampled into my photos, my coda on the making of a quilt.

Quilts

Patchwork Blocks and Ennui

March 8, 2015 Elizabeth E.8 Comments

In a recent email exchange with my father, he mentioned the idea of ennui. It’s not quite boredom, nor fatigue. It is more of a lack of interest in what lays before you, a dis-interest, if you will. The dictionary goes one step further: “a feeling of utter weariness and discontent resulting from satiety or lack of interest.” We quilters often describe it as “lack of sewjo,” playing off that phrase of “lost my mojo,” which after reading about in Wikipedia, all I can say is I had no idea.

Of course, having a stack of grading doesn’t help the ennui, but with the students dropping like flies (long story) I had fewer to grade and they actually performed really well, so it went quickly. (Bad essays take longer to grade.)

And this lovely distraction also came for a couple of days while the family was moving between houses.

But as Susan of PatchworknPlay and I chatted on Instagram, I noted that sometimes just sewing a block or two can help beat the ennui. Here’s a new one from the ever-talented Jenny Doan of Missouri Star Quilt Company, from her latest magazine BLOCK.

I get these every couple of months as I signed up for the subscription and I always enjoy reading them. At QuiltCon they gave us all a copy of MODBLOCK in our swag bags.

Here’s how you cut it. She has the measurements in her magazine. But when I posted it on IG, Krista of Poppyprint mentioned that at their guild sew day, lots of quilters were making the same thing into a star block. I found that tutorial online *here.*

Bird blocks which can be maddening, but also fun, once you get the hang of it. I’m using a tutorial for “free-form” birds from my friend Rhonda, which she gave out to her class. There’s also a tutorial online, which is much more orderly, and if you are into the cookie-cutter precision of paper-piecing, there’s also one of those.

The last block I made last night, while listening to my latest Inspector Gamache mystery, was this basket block, also shown at the top of the post. It was late and I was tired, knowing that I’d lose an extra hour of sleep due to the dreaded Daylight Savings Time switch (I need to live in Arizona where they never switch). I found *this tutorial* and modified it the measurements I needed, plus used extra leaves from the Pineapple Blocks quilt border (yes, still working on that) to fill the basket. I needed the block to measure 9″ finished. One detail is those lower snowball corner on the basket: they were 2″ squares that I snowballed on. The rest was done by cutting as I went, loosely following the tutorial.

This is why I’m making blocks to beat ennui. My Mid-Century Modern beemates sent me a whole wall of blocks in January, and I’ve been adding to them, having no plan, but only relaxing fun. I added the Disappearing Hourglass, the Dresden Plate, the basket, the birds and a couple of fillers. I’m still playing, still arranging. Happily, the ennui is slipping away.

Quilts

Straighten Up and Sew Right

August 21, 2014 Elizabeth E.14 Comments

(from *here*)

It had been nearly a month since I’d threaded the needle of my sewing machine and sent it to humming, and I felt like the sad seamstress in the photo, above, pining away. I wanted to get to the machine and have a good sewing session and have something to show for it. As one Instagrammer said, “My sewjo is missing.” But I wasn’t idle. First, I had a root canal, which ought to occupy anyone for a few days. And I also cleaned out the stash a bit, filling two large mall shopping bags with swatches of fabric to let my quilting group, the Good Heart Quilters, rummage through before donating the rest to our quilt guild. And here’s some photos to prove I have tidy cupboards, before I start messing it up again:

I like to organize mine by color and value (light-to-dark).

The lower half of the cabinet. Inside the pull-out box are browns and blacks–easier on the back this way. I keep the Kaffe Fassets in another place, and I also have a stack of cream/tans and a stack of “low volumes” (neutrals or pastels), and stack of predominantly white/light background fabrics.

Here’s a close-up of my Molly Qee collection (the characters with the crowns). They are hard to find in the States. I started my collection when my sister Christine and I happened into a collectibles shop in Lyon, France.

And on the other shelf are other doodads. My husband gives me the little Japanese dolls (ningyō). And those fabric-covered binders are all my journals, began when I was a young woman of twenty-one years old. Since the advent of email and cheap phone calls, I’ve stopped writing them, but I love having them around (they hold all my secrets!).

So after a busy month, I pulled out the machine and got started. I decided to ease my way in slowly, making a selvage block.

When I begin, I use my standby translucent paper, cutting, then pasting a strip on one side so it measures 10 1/2″ square. Then I draw lines on it to keep the selvages on straight. Do I cut all my selvages off when I buy fabric? No. I like having them on to keep track of the newer stuff in case I need more. Most of these selvages happen when I’m going through older fabrics that are in my stash (like those to be donated), of which I know I’ll never need the information again. Then I slice it off, leaving about one-inch to 1-1/2″ of the fabric on top of the selvage so I have Lots of Options.

I get started by cutting two 4 1/2″ blocks, then slice them on the diagonal to make up the four triangles you see in the center above. I pin them down, then start sewing on the selvages, placing the selvage edge 1/4″ in from the raw edge of the triangle, as shown. Sew closely along the edge. I like it best when the first selvage next to the color is the same, or nearly all the same, so I look for a longish piece. I think it just helps set the stage. Sometimes I piece selvages to get the printed symbols and the words closer together (above) and other times I just let it be. Then it’s random, random, random after that, some thinner strips, some thicker strips. Some people like to trim the fringey pieces, but I just leave it that way. Sometimes after I sew on a strip of selvage, I’ll go in and trim down the underneath piece just to keep it tidy.

Sometimes I get things off balance, like in the pink block way above (too much deep maroony-pink in the lower left) but then I figure I’m teaching myself how to let go a bit and just enjoy the process. And I do. I now have five colors of four 10″ (finished) blocks, so the block will be twenty inches square after all four parts are sewn together. This is going to be one big quilt, but I’m in no hurry.

To close with, here’s a quote from The Rise, by Sarah Lewis (the book I wrote about in the Creativity post):

“Perhaps we have grown impatient with the incomplete. We are part of a generation that, as the African proverb goes, wants to eat dinner in the morning, that longs for the immediate, fully prepared for consumption. Yet the strength to linger over the long-left unfinished reminds us that something inexhaustible in us is empowered by striving, that we sense unnaturalness in blunt ends of journeys, of lineage. And that power comes from where we least expect to find it.”

Go tackle something incomplete, and enjoy the power of taking another look at something that in our hands, has had a long journey.

Quilts

Happy to Be Home

July 10, 2014 Elizabeth E.15 Comments

Well, the laundry is done, but I’m still walking into walls, as the jet lag recovery seems fiercer this time, perhaps complicated by the arrival of my son and his family 24 hours after we arrived home, but who can say no to seeing the grandchildren? The trip, above, was delightful, with the appropriate number of highs and lows. If you want to see some of my photographs, there is a pretty extensive collection of them on my Instagram feed (button to the right), and once I start posting about the trip, many more will be on my travel blog. One of the positive things is that I now know where Croatia is. And Slovenia. And know that Hungary has this massive lake in the middle of it that stretches for miles and miles, or at least it felt that way, as our train from Zagreb (Slovenia) to Budapest (Hungary) stopped at every single station along that lake. And I also know that I need to figure out how to make gulyas (goulash) the Hungarian way. It was amazing. I was able to read all your comments while I was gone, and hoped you enjoyed the continuing posts. Thanks for the messages you left.

I pretty much did nothing for the first few days home, but then eased back into sewing with our Mid-Century Modern’s Bee block for this month.

Susan, of PatchworknPlay liked this quilt, so asked us all to make a 12″ star with a black background to begin her collection. Beginning with one that I liked from my Jolly Old St. Nicholas quilt (post *here* with lots of 12 blocks with templates), I subdivided and added, so it would be more snazzy, with more colors. You can download a PDF file of the templates by clicking on this link: Snazzy Star. Enjoy! It’s my welcome home gift to you, making up into a 12″ block.

I used my QuiltPro program to do this–it’s a simpler, older version of an electronic quilt program, but it works great for me. So, cross two things of my list: a Bee Block for July, and Getting Back Into Sewing!

I picked up lots of ideas for the Circles blocks–a richly decorated church in Slovenia had them painted everywhere–so right now I’m working on the EPP Circles block #3 (named “Ljubljana”) and will post that the first part of August.

I am also working on our Contrasts challenge for our Four-In-Art reveal August 1st, so keep your fingers crossed that I’ll make my deadline (I’m starting earlier this time, as my jet lagged brain is still fogged in). In keeping with the laundry-list theme of this post, I’m also the Queen Bee for the Always Bee Learning Bee in August, and in this bee, fabric is mailed out along with the block, so that’s in the works as well. And I’ve just got to get to the beach this summer, don’t you think?