Free Download · Museums

Quilt Care | Surface Designs

Freebie alert!

Now you can give them to the people who get your quilts. Download the freebie below by clicking on the button.

This is what it looks like: four to page. Print it out on cardstock, cut it apart and pass them out with your quilts.

I did have an old Quilt Care Card, but when my sister Susan needed one for the quilt she was making, I rustled up a new one. Much better.

As a person who often wishes she’d studied graphic design (our as they sometimes reference it: surface design) in college, I’ve been amazed by all the graphics I saw on our nightly broadcasts of the Olympics. I want to do something with them all, like making a heart block seen above. Or that very cool half-circle in segments. Another color way is below:

Here’s some links to gaze at, if you’d like seeing some of the graphics in motion:

The cool pictograms denoting the different sports
You know that box the Olympians receive with their medals? Here’s what’s inside.
I liked the little video on this post.
And the connection between the pictograms and a few sports.


Oh. Okay. (Need to update my thinking.)

Dreams Between the Earth and Sky, 2018 by Judithe Hernández from here

We went over to The Cheech [museum] last week, on the last day of Judith Hernández’s exhibit, most done in pastel chalks. So many intrigued me, but the two ladies on either side of this triptych were “clad” in the embroidered designs from huipils, a typical dress.

Here’s a snapshot of the huipil I brought back from Guatemala in 2019, when I visited my sister Cynthia (she has since returned from her church mission), and she took me to so many interesting places that involved needles, thread, looms, cloth. I could have stayed a week, but we only had a weekend.

Here we are, clowning around in a woven shawl. Don’t worry; I bought a couple.)

Three women, one of them just crowned Queen of her Village, all wearing huipils (woven and embroidered tops).

Patchwork quilt made of woven scraps, with some embroideries here and there. Somewhere I have about 10 of these parches, tucked away (of course). This entire post has more information if you are interested.

But back to the tryptich, above.

In the linked video, Hernández explains the iconography of the red ram in the center image. It’s that thing that seems to come around and interrupt the smooth flow of whatever you are doing. Of course, I’m paraphrasing. I’m all too aware of red rams in my life, in the life of friends far away, in our families. I loved that this idea was put into a visual image.

My husband and I walked on the beach this last week, as we had a mini-celebration for our anniversary. The waves drawing out the different grains of sand into patterns fascinated me.


Celebrate the bits and pieces of surface design you run across in your lives–

Post Script:

One can never have too much paper or too many pencils. The pencil above is a quilt clapper made by Modern American Vintage, with the loot from the Field Notes most recent sale: I’m a sucker for small notebooks. The pencil below is a Blackwing, purchased last year. It glows 🙂 in the dark!

trying to figure out the quilting

300 Quilts · Quilt Finish · This-and-That

Quilt Finish: (dreaming in color)

I have a 2-D Brain.

Yesterday we went to our town’s Maker Space which was filled with all kinds of machines from sublimation to a movie studio to laser cutters to several 3D printers, and it was on this last enterprise that they decided to train us. We filed into the computer room, filled with all kinds of computers (nice ones!) and opened up the program and started to design. I mean, I tried to design. The plane on which I was creating was wobbling all around, and then it would leave my screen, floating around.

Many of the design tools were like my Affinity Designer at home, but not really. I just couldn’t figure this thing out, even though I was madly clicking and trying. It was then I realized: I have a 2D brain. My final project in my Digital Art class many years ago was titled, Leaving Flatland. I won’t bore you with the details, but that exhibit came back into my mind as I sat at the fancy computer, desperately trying to leave flatland. At the end, I deleted my file of 3D doodles, and we went on a tour of the building. The very next room was a room filled with sewing machines.

Now we’re talking.

(dreaming in color) • Quilt number 289 • 24″ square

I’d been thinking about flat quilts this week, as I kept calling this “the flat houses quilt” while I was working on it. I wanted it to be a smooth 2D plane, where color would be the focus through repeated shapes. Simple. Flat. Repeated. Colorful.

In the 3D world, they did have this concept of printing something to help you print, a circular idea which still is rolling around in my mind. But that’s sort of how my patterns evolve: I am making the quilt as I’m writing the pattern, each process a support and discovery for the other. I originally imagined this as a large wall quilt. And then maybe I wanted it a bit smaller. And smaller yet, to fit a particular corner of my sewing room. And I wanted to try some reverse appliqué. I wanted it to be made in grunge fabrics. And I wanted to be able to make it with the windows >inset< rather than >applied.< By the time I was finished with the quilt, I was finished writing the pattern.

I spent time on three patterns this week:

This one, because it was old and needed a make-over. How old? It didn’t even have the one-inch key on the templates, as I didn’t know how to make that item when I first started out.

This one, because although it was mostly finished when I posted about the quilt last week, I needed to finish it up for someone who asked about it. This has three different sizes and looks.

This one, because it was finished, and I was ready to post about the quilt.

Like many of you, I watched the Paris Olympics opening ceremonies, and like some pundits, declare Mongolia’s outfits far and away more beautiful and interesting than some larger nations’ costumes (like why does the USA always seem to have the same ones, over and over?) I got a kick out of the boats on the Seine, and the various parts that sort of held together with luck and a prayer, but that last song by Celine Dion was incredible, as was the lighting of the cauldron. I loved it all.

The athletes have been featured in many different ads (Sara Blazer for Dior).

I knew it would happen: Christmas prints are finally back to Christmas green and Christmas red, after veering through pink and turquoise and whatever. While it was fun for a while, I’m happy to see these colors come back.

And this kept us on edge this week, too. This roaring fire was too close to my neighborhood and too big, and too fast and frightening. Our city’s firefighters tamed the beast, started by three teens with fireworks. As one boy was running away (as caught by a security camera), he turned and asked “Do you have a fire extinguisher?” The man of the house answered, “You are way beyond that now,” as the kid jumped into a silver pickup with his friends and roared off.

photo from here

I signed up for a class at our local-yet-national quilt show, Road to California, one where I wouldn’t have to think too much, nor buy too much, nor cart insane amounts of gear: blackwork embroidery.

A friend advertised on Instagram that she was So Done With This Quilt and did anyone want it? I was second in line, and this week it showed up. Absolutely gorgeous work, with every point pristine and every flower in place. I hope I don’t ruin it, but did order pattern and fabric to try and finish it. That will be my winter project.

This is my summer project, with my friend Leisa: a Halloween quilt. We are both suckers for Halloween quilts.

Quilting, while listening to PBS Newshour, which discussed Biden’s stepping away from the race, and Kamala Harris’ ascension to presidential candidate.

(This has turned into a This and That Post, sort of unintentionally.)

Happy [Olympic] Stitching!

The back of (dreaming in color) in the afternoon sunlight.