Quilts

Sentimental Journey: Bee Blocks for the Mid-Century Modern Bee, part II

June 5, 2015April 27, 2019 Elizabeth E.14 Comments

I’m back to the Sentimental Journey–a round-up of all the bee blocks I’ve made, and the quilts or collections where my blocks ended up. Carla, of Grace and Favour, inspired by Jen Kingwell’s Green Tea and Sweet Beans, asked us all for a sampler block with a texty background.

Here’s mine. Of course, I loved this quilt so much, I copied it for January 2015–now I have one too.

Another year, Carla dreamed up this terrific tutorial for making an arrow, and she combined it with a couple of other blocks, some neutral backgrounds to make this quilt.

Here was mine. This was fun because I was able to use a lot of stash fabrics and it still looks interesting and modern-ish.

A feather block, this time for Susan of PatchworknPlay, from a now-defunct tutorial by Anna Maria Horner. Susan sent us the greige background fabric, and asked us for the two-color combo shown above.

She ended up having some feathers in different sizes (probably because of some printer scaling not set to 100%), but I loved the way she set them all on the diagonal, making this beautiful quilt.

Inspired by a quilt she saw on Pinterest, one round Susan asked us for brightly colored solids with black background; above is my block. It took me forever to get her my signature block (I really miss my mind when it wanders) but she waited for me and added it to the back. Here is the front of her gorgeous quilt:

Linda of Flourishing Palms asked us for strip-pieced diamonds. The tricky part is to get the strips going the right way (trust me on this).

She also asked us for pink and green “bar” blocks, which she has now used to complete her “Strawberry Fizz and Lime Pop” quilt.

A gifted domestic-machine quilter, she has now started to quilt it. These photos are taken from IG, so aren’t that great, but click on the link to her quilt name and see many more!

Mary of Molly Flanders asked us for this set of triangles (above) as well as this set of blocks (below), but is planning on making a larger quilt using both, so doesn’t have a grouping to share.

These two fun pink Cross-X blocks were for Mary, of Mary on Lake Pulaski. She turned our blocks into this quilt:

And this is her collection of the Union Jack blocks she asked us to make for her. I won’t tell you where mine is, because even though I ripped it out three times, I still don’t think it was very good. It looks fine in this grouping, though, proving there is strength in numbers, even if the numbers are quilt blocks.

The final set of blocks and quilts are for Anne Deister, of SpringLeaf Studios. I loved making Anne’s blocks because I always felt as if I were in on a big secret, as she is a pattern designer and we were helping her figure out, and pattern test, her designs. So here’s one set of blocks, above, which turned into the quilt top below:

Which she then refined, and made up in her stash, turning out this beauty, above. She calls it Matrix, and it should be released soon (she gave me permission to post these photos). It was easy to make, and fun to see the finished product.

And then this block turned into this terrific quilt:

Anne calls this Tumble, and again, the pattern should be released soon. We’ll probably do a blog hop/giveaway, so I’ll keep you posted.

She has an artist’s eye for staging her quilts. I love this photo.

So that’s it for the originals. We have had some leave our group, and some newbies join us, which I have written about as I’ve made their blocks. It’s been a rewarding experience working with all these women!

Quilts

Sentimental Journey: Bee Blocks for the Mid-Century Modern Bee, part 1

May 11, 2015August 5, 2015 Elizabeth E.17 Comments

Cindy, of LiveAColorfulLife, called me up one day and said she had a great idea and a great name for a bee: Mid-Century Modern Bee, and that everyone had to be at least mid-century in age. Maybe it was the exasperation I felt that all the newbies were claiming invention of tried and true blocks and methods, or that I was ready for another bee, or that Cindy’s charm could not be turned down, but I jumped at the chance to be a part of this new group. We’ve been going strong for three years, so I’m dividing this post into parts, and am grouping them by the participant, rather than going through the calendar years. We now have a blog, courtesy of Susan and PatchnPlay, so I guess you could say we are all grown up. I wanted a place where all our blocks, quilts, and tutorials could be listed; you’ll find links to many tutorials of these blocks, so have fun browsing. The first project we did was Carla’s Church Dash quilt, with the tutorial found *here.* The next year, Carla (Lollyquiltz) had us make another block churn dash block for her, and the beautiful quilt above is the result. Carla is still working on this year’s batch of blocks, a birthday cake block using *this* tutorial. This bee also does signature blocks, which I love, and you can see the array at the top of her pin wall. My birthday cake block is the blueberry with mint filling, as one of the fun things she had us do was list what “kind” of cake we would make for her. If you use the tutorial, remember to set your print scaling settings at 100% so your block will be 12″ square. Cindy thought for her first turn, she would do the Winged Square Block with the tutorial found *here.* When I sent around the letter asking for photos of blocks/quilt tops/quilts, she sent me a photo of all the blocks together. For her second round, she fell in love with Rene’s spiderweb block (another member in our bee) and decided she wanted one too. This became common–we are so well matched that we borrow ideas for each other regularly, tweaking them slightly. We used *this tutorial* for these blocks. Using *this* tutorial, and again borrowing from Rene’, Cindy went with a rainbow Dresden plate, with a black and white center. Unlike the Always Bee Learning Bee, we make from our stash, not sending out fabrics to each other. It is fun to see how many of us have the same fabrics. Her last request was matched by another bee she is participating in, so her design wall was flooded with circles. Debbie, of A Quilter’s Table, asked for a variation of the Hugs and Kisses Block, but done in soft hues and colors (aka “Low Volume”). Her stunning completed quilt, above, titled Common Affection, has gone on to be published and to win ribbons. I love that blue wall, as it really shows off the low volume fabric choices. Debbie’s next block (in 2014) was a pair of rolling diamond blocks, from *this tutorial.* Here’s her completed quilt, Vivid, adding a few more to round out the original collection.Rene’ of Rene Creates, and who inspires many of us with choosing blocks, asked us for a spiderweb block (tutorial link found above), but in scrappy fabrics. She made this cool quilt with the colors moving all around–a real scrappy treat. She took it with her when the family did Christmas photographs together; I love the setting. Her 2014 block was this cool-in-blues-and-greens Dresden block (tutorial listed above). She laid them all out on her bed to show us how they look together. Because of different printing sizes, they range from smaller to larger. She plans to place them scattered across a solid background for her quilt. Deborah, Simply Miss Luella, asked for house blocks, and here are a few. Mine is in the upper left; link to the blog post about it, with the pattern is *here.* You can find her on Instagram. I made this house for Linda, drawing from my collection of free house patterns that I had worked up for my in-town sewing group. The reason she asked for houses, is that her house burnt to the ground, and she lost everything shortly before Thanksgiving of the year she was with our group. We all made houses, our hearts going out to her as she worked hard to rebuild her life. (to be continued)

Quilts

Sing A Song of Sampler Blocks

April 26, 2015April 23, 2015 Elizabeth E.16 Comments

Sing A Song of Sampler Blocks
Pieced, Appliquéd and Quilted
57″ high by 53 1/2″ wide
No. 146 on my 200 Quilts List

I went up to my university’s botanic garden to photograph these two quilts, loving the contrast of the rustic against the brightly colored blocks from my beemates in the Mid-Century Modern Bee.

I put out a call for a variety of blocks in 6″ or 9″ or 12″ sizes, and then as they came in, placed them all up on my design wall to see how they played together. I used some of the ideas from these friends to create a few more blocks, following Carla’s lead when she created hers. Like Carla, I also worked in the small signature blocks as part of the design.

One day I opened a card from Rhonda, another friend back east, and she’d made me a bird block to be added to my project, as she had read my blog and wanting to contribute to my modern sampler. So that spurred me on to making a few more birds as well.

Then I had to try some flowery blocks, two different kinds to go with all the other flowers, and a Dresden block, and once I got started, I also added a Road to California block (made four times so it would be big enough to add variety). It’s kind of fun to try making all different kinds of blocks. Finally I had enough, and the right size of blocks and I was able to sew it together. Happily so, thinking about my good friends.

I saved some of the smaller blocks for the back.

Happy Spring! Spring into some quilting!

Quilts

Welcoming Easter with This and That

April 3, 2015 Elizabeth E.14 Comments

This #1:

I finished the Bee Block for our Mid-Century Modern Bee; Stephanie was the Queen for this one, and she chose this paper-pieced block, which was published in Love Patchwork & Quilting Magazine, out of England. I purchased and downloaded the issue (they were having an Easter Sale!–$2.99 for each digital issue); the templates are on their website, but the directions are in the magazine.

This #2:

The beans are up and have leaves! Those of you who follow me on Instagram are used to the hashtag #goofyaboutmygarden, for I am indeed, goofy about my garden. With California’s mandated water rationing on the horizon, I’m glad we converted to drip irrigation systems and tore out our front lawn.

That #1:

I graded the third batch of essays from my college-level class, but you wouldn’t really have known it, given the number of errors and problems. I looked up the scores for the other two essay assignments, and this essay’s median scores are a full six points lower than the previous two. Maybe it’s time to retire?

That #2:

I was able to take my sampler quilt, with blocks from my bee mates, to the quilter. She was recovering from foot surgery and wasn’t taking any new quilts until April 1st. This is one of my happy errands.

That #3:

I made another neonatal quilt to give to my guild. I know I promised you a free pattern, but I need to try this one again. Bigger. There were waaaay too many pieces as it shown, and I’m trying to keep these little quilts easy and quick.

Final This ‘n’ That:

I’ve also finished up the hand-sewing for all the EPP Circles in my Circles Sew-Along (wait for the reveals in the next couple of months), and now am puzzling out how to put this quilt together. And I’m still sewing down the leaves on the Pineapple Quilt. And my list of things to finish for this quarter still remains pathetically long, but I guess the point is to keep going.

For at some point, as Atwul Gawande points out in his excellent book, Being Mortal (and which I just finished), we are all mortal and have a finite time on this planet. One study he mentioned which was fascinating to me was the idea that “how we seek to spend our time may depend on how much time we perceive ourselves to have” (97). He cited the work of Laura Cartensen, who devised a way to track and study this, finding time after time, that the choices that we make with our time depends heavily on how much time we think we have left. The young and healthy “believe [they] will live forever,” and are drawn to experiences in the Big Wide World, while those feeling like they have less time focus on the “here and now, to everyday pleasures and the people closest to [them]” (97).

Translated to quilt-ese, that means that as an older quilter, having lived through the first incarnation of popular topics such as Gee’s Bend, large blocks on the back of quilts, square-in-a-square quilt blocks, Amish/Modern, and so forth, I really have no desire to repeat those topics again in my quilting. My choices are informed by not only having done-this-already, but also on what I want from the quilting. It becomes more about a creative journey and relating to those also on the journey, and less about cranking out quilt after quilt after quilt. It is more about quality and less about quantity. Less randomizing and more focus.

So while I still love a good quilt magazine, I browse to see what they offer. Same old, same old? Pass. Some new ideas or a new way of looking at things, leading me to a stirring up of the creative juices for a day of happy working? I’m all in. And if I can further connect with quilty friends, you blog readers, have conversations and chats and trade IG quips, this version of the quilt world is what I aim for.

Happy Easter, everyone.