Riverside Sawtooth, a finished quilt top

Riverside Sawtooth_labeled

Riverside Sawtooth, the name I’ve given for this original block of mine, has been finished — or at least the top has. It is a compilation of bee blocks from the Mid-Century Bee, as well as several of mine.  I started making these in the Alison Glass blues fabric, but trying to describe what color of blue that was to people all over the United States was a challenge: I finally settled on “painter’s tape blue.”  I like this quilt not because of that color and that block, but also because it’s a scrappy two-color block.  Have a bunch of greens, or pinks, or reds that need to be gathered together into a quilt?  This would work great.

Riverside Sawtooth_small1

Through the process of arranging and cullling and making more blocks to balance colors, I had enough blocks for another small mini.

The genesis came from seeing a similar antique quilt, but that maker had done a more traditional construction (and sorry–there was no name on that old quilt).  I wanted to see if I could make it as a block, the sawtooth incorporated into the construction process.  It took me several weeks of working on it, then testing it.  I wrote up the pattern and sent it as a test block out to my beemates and incorporated their tips and tricks into the pattern wording.  Now thoroughly tested, I tweaked the pattern and at long last, have it available for download in my shops at Craftsy and PayHip (for EU customers).  The pattern includes lots of detailed photos and walks you through it the process, so it’s good for anyone’s set of skills, beyond the what-is-a-rotary-cutter-and-how-do-I-use-it barely beginning level.
Riverside Sawtooth_small2

Here’s another mini full of full dotty blocks.  I loved working in this tonality of blue — hey, I love blue in any tonality — but the inspiration of Alison Glass’ fabrics kicked me into finding blue fabrics that coordinated with hers.  The large quilt (72″ square) is in the line-up to be quilted, and then I’ll probably label it and get it up on the 200 Quilts list, but for now, I wanted to make it available to you, if you want to try your hand at an updated fun version of a block.

Riverside Sawtooth_detail1 Riverside Sawtooth_detail2 Riverside Sawtooth_detail3a Riverside Sawtooth_small3I’ve been working on a few more patterns and I’ll roll them out one by one over the next several weeks, as I get the typos expunged, the photographs completed and then uploaded for purchase.Riverside Sawtooth_small4

tiny nine patches

From Baskets to a Museum–more quilts in Utah

Nat'lHistoryMuseum
While visiting relatives in Utah, just before I tucked into the new semester of teaching (which would explain why I have been AWOL for a couple of weeks), my husband and I headed to Salt Lake City’s newest museum: The Natural History Museum, high up above the University of Utah.  It is a gorgeous museum, complete with artifacts, history and dinosaur bones.

Nati'l History Museum Baskets

But I was more interested in the woven baskets in the Native People’s exhibit.  I guess I’m fascinated by color and pattern, in all forms.

Lino Quilt

Which is why I found this piece of art, in the Millcreek Library so fascinating.  That library, where my sister-in-law Annie works, has a Senior Citizen’s center, a gym, a cafeteria and of course, art.

Lino Quilt detail

This appears to make of some sort of plasticized material–almost like a thin linoleum, cut and sewn in quilt patterns.  I loved it.

Polaroid CameraQuilt

I had brought up my Polaroid Quilt to show my mother, and my dad held up his finger as if to signal a pause and came back carrying this: a genuine, bonafide Polaroid camera.  Of course, there’s not any film to be found for it anymore, but I thought it deserved a picture with the quilt.

Springville_Toone

On the way home, we headed to the Springville Art Museum, which hosts a quilt show every August.  I snapped a lot of photos, but here are just some of them.  This one is titled Juxtaposition and is by Marilyn Landry Toone, and was inspired by her daughter’s choice of fabrics from her “fabric stash of 40-plus years.”

Springville_Thompson

I’ve Had the Blues is made by Jacque Thompson and quilted by Kim Peterson, and was made “entirely out of scraps using one-inch strips.”

Springville_Thompson detail

Detail of the beautiful quilting.

Springville_Roylance

Kristen Roylance’s quilt Posy Patch was made using a modified disappearing 4-patch block, and was quilted by Molly Kohler.  The dimensional flowers were charming.

Springville_Roylance detail

Springville_quilt detail

I snapped this one without noting who made or quilted it–it’s really beautiful and detailed.

Springville_Olsen

“Look, honey,” I said to my husband.  “A Dear Jane quilt!”  “Dear what?” he said.  The title of this one is Dear Jane Invites Hannah for a Dutch Treat, and is made and quilted by Shirley Olsen.  It was a masterpiece and earned an Award of Excellance from the judges.

Springville_McClellan

Marion McClellan’s Bottle Cap Bangles is a fun use of hexagrams and fussy-cut fabric.  She also quilted her piece.

Springville_Jacobs

This quilt, Zinnia Basket, was made and quilted by Patti Jacobs, from a Kim Diehl pattern.  Apparently she used to think that quilters were nuts to “spend time doing hand appliqué when you could sew the pieces on with the sewing machine,” but now is a dedicated lover of appliqué.

Springville_Jacobs detail

I really liked the border.

Springville_Evans

Kaye Evans quilt, Just One Weed, is named for the dandelion hexagon in the middle of the quilt.  It was quilted by Sue McCarty.

Springville_display

The quilt display was merged with a display of giant critters made out of auto body parts, springs, doodads and whatevers.

Camera Bug

I liked Tim Little’s Camera Bug the best.

Springville_Dave

My husband knows just what to do at a quilt show: become like a camera bug and start taking photos.  Many of these photos are his–he’s a delight, but was probably relieved that there was no vendor mall here.

Springville_Crawford

Ladies of the Sea was made by Karin Lee Crawford and quilted by Judy Madsen.  It was a pattern from Sue Garmen depicting famous rigged sailing vessels from around the world.

Springville_Crawford detail

Detail.  I have to assume that the quilter is really Judi Madsen, of Green Fairy fame, but I could be wrong.  It was gorgeous in both the making and the quilting.

Springville_Christensen

And to finish up this little quilt show, a Log Cabin quilt.  Megan Christensen made the quilt, but didn’t identify the quilter.  The title is A Good Use of Scraps, inspiring us all to get going on our scrap baskets!

Springville_Christensen detail