100 Quilts · Quilts · Something to Think About

Come A-Round: Finishing School Friday

Come A-Round is finished.  This has lived in our house under many names: Crop Circles, Dotty Quilt, Elizabeth’s Masterpiece, That Quilt.  But its real name is Come A-Round. *This* is how I came up with the name.

I finished the top and sent it to the quilter, Cathy Kreter, who quilted the central fan-like circles, and the spaces in between them.  She also ran a line of stitching on the dark green stem and the outer edge.  I was to take over from there, but it went back to her to tackle the middle of the circles–a space about 2″ in diameter, which I couldn’t quilt because of so many layers.  Then back to me and I did the rest of the details.  It’s a good partnership.  The back fabric is about perfect for machine quilting: lots of tiny dots in all colors that hide a multitude of sins.  Just not green thread branches, and no, I didn’t pick them out.  I knew that if I turned back at that point, it would never be finished.  At least not by the end of summer.  And sometimes good-enough-but-done is better than perfect-but-undone.

The circle is simple in its geometry: one continuous looping whole.  Yet most of our lives feel more like jagged peaks on an EKG monitor with little blips of up and down in a rhythmic pattern–peaks and valleys that indicate there’s a life going on–that a heart is beating.  So when my husband’s sister called us early Monday morning with a voice full of peaks and valleys, so different from her usual and we heard the news about her young adult son gone too early, the rhythmic pattern of heartbeat stilled by his own hand, my husband and I sat together quietly for a long while afterward.  The silence between us was thick with emotion and sadness and wondering about whatever could have gone wrong?  We’d start a question, then pause mid-thought, not really knowing where we were headed, but knowing that there was no easy path around this sorrow.  This circle had been rent, broken.

My husband called our eldest son, and now his voice echoed his sister’s; as we called each of our children, we took turns pausing to let the emotion fall away so we could continue with the necessary news.  We went about our day.  We sat stunned.  We fixed dinner.  We took a walk.  We kept talking, thinking about Scott’s widow and his two young daughters.  The couple had recently separated and we wondered how we could let her know that no one blamed her.  I made a cake.  We were more gentle with each other.  We lingered outside after dinner on the patio, the sun falling into darkness.  Then the phone conversations turned to funeral arrangments.  Then the task of travel arrangements, and my voice cracked as I tried to arrange flights, blessing the kindness of the faceless voice on the other end of the line.  We talked with our children: life is fragile.  As people of faith, we believe we will see him again: whole.  After a few days the jagged peaks and valleys of those initial numbing hours leveled out.

It’s really a circle, this thing we call life.  The idea is not a new one, and certainly has a myriad of cliches to accompany the idea: one eternal round, the wedding ring’s symbolism, death to life and back to death again.  You name it, you’ve heard it.  But at the end of the day, we are all encircled about by a sense of going forth and returning, a feeling of beginning and ending, yet sometimes the lines that create those divisions are so subtle that they fade away.  What we send out, we see in return.  What is born, dies.

There’s a famous passage in the Bible, in Ecclesiastes, about a time for everything.  I looked it up again today and interestingly, in among the weightier references of death and life, mourning and laughter, peace and war, it notes that there is a time to rend, and a time to sew.

This week, I sewed circles.

Finishing School Friday · Quilts

FSF–Quilts Galore

Finishing School Friday, and I’m beat!

This week I finished the quilting on the Still-To-Be-Named Quilt (I have some ideas, though), put the binding on that one in a straight bind, not a running mitered bind, added the binding to another quilt (which I’ll stitch tonight at our Quilt Night Group), and helped my friend Judy piece together quilts for her two granddaughters’ beds.  We’ve been stitiching for TWO days–like a mini-retreat!  No wonder I’m tired!  Enjoy the slideshow.

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Finishing School Friday · Something to Think About

FSF–Red/White Blocks, plus a few thoughts

You know how it is at the beginning of summer?  It’s like I face an unmarked calendar, and I make plans galore.  I want to sew this, design that, finish this, quilt that, and of course, maybe go to the beach, or read some books.  It’s like we make a list and start chipping away at it, applying the habits of type-A personalities to our unfettered summer.  I ran at the beginning of summer, so happy to be free of grading and lesson plans and student emails and admin requests.  I ran headlong into the quilting, cutting and sewing, and photographing–and yes, of course–blogging.  It was like falling backward into a cool pool on a hot hot day in July.

But now that it is July, the ol’ Get-It-Done engine has a few sputters.  The “free” time left to me is winnowing down, and soon I’ll have to return to teachery-responsibilites.  So, this makes my mind concentrate more on what I really want to have done by the time I head to my Orientation, and what can be left to sandwich in between teaching obligations all semester long.

I was hoping to have this quilt all done for FSF, but no–still quilting along.  I did get a quilt back from the quilter, but it’s going to be gifted, so no peeks yet.

But I can point to finishing the Red and White blocks in my little swap.  On the left is the block made up in Bella Solid Country Red and Kona Snow.  On the right the block is made in Kona’s Chinese Red (and Kona Snow).  While the Chinese Red is more brick-colored than the Country Red, when made up, you can only discern the smallest difference between them.

I use a quilting book to help me lay out the blocks, since they have a lot of pieces.  I made it from cloth, foam-core art boards, flannel and butcher paper.  I cut those into long oblongs (two-page size length and one-page size width; my pages are about 14″ square), layering the flannel with the butcher paper.

Stitch down the middle.  Create a pillowcase-type shape a little larger than your pages, and insert one foam-core art board cut to size in the bottom.  Stitch along the edge, then stitch about an inch away again, then insert the second board.  Whipstitch closed. Layer everything and stitch down through the middle to secure the pages.   Of course, I did it a much harder way–cutting all the pages individually, then enclosing them in the binding, but it was the first time, and I was finding my way through this.  I also have ribbons on it, so I can tie this up and transport it, which I have done to quilt classes, etc.  I’ve seen the use of foam-core art boards, stacked up in use at home, but I like this design because it is less bulky.

Here are the blocks, all loaded up.  I carry this to the sewing machine and just work from a single page.

I sew the small parts together, then into rows, then press.  I stitch rows together, then press, then true-them up, hoping not to cut off too many corners!

Whoops.

Sometimes unpicking is involved in quilting.

Here they all are, so far.

The book I listened to while stitching was Half The Sky by Nicholas Kristof and Sheryl WuDunn. Pulitzer Prize winners.  More on this in the next post.

Quilts

Munich’s Garden Gate

Because the experts always say to have a better chance of accomplishing a goal, I have started thinking each week what I want to finish.  I realized that this week, because my red fabric for my Red/White Challenge hadn’t arrived (my planned finishing item), I would have to think of something else.  It was this quilt.

We went to Munich in 2004, and I shot 300 photos, digitally.  And some time in April 2005, I erased them all.  (!)

But I had already planned to use this photo for the center for a project I was working on with my guild: a medallion quilt, so had moved it to my desktop.  It’s the only remaining image. I carried on, blowing it up, figuring out the flowers and what colors I wanted them, as I had carried home a sack of scraps from a small fabric shop in Munich that made dirndls for Oktoberfest.  We had been there shortly after that season, and they sold me the bag for about 25 bucks.  Many of the fabrics in this quilt are from Munich.

Here’s the central medallion, almost finished.  Then the hard work of figuring out the borders–always a dance.  I invested in a couple of used books, and slowly, border by border, I built the quilt.  We were on sabbatical in Washington, DC at the time, and I was able to finish my quilt top before we left to return home; I quilted the top all the way across America, finding more thread in Albuquerque when I ran out.

It sat, quilted, for a while and when I came across it again, I decided to add more quilting.  Back at it with the blue painters’ masking tape until I finally got fed up with it all and started drawing light lines of pencil on the top.  I finished that quilting, then it sat again, until I started the photography project.  I dug into the stash, found the binding, made the label and finished stitching around it in time for this week’s Finishing School Friday.  I HAD to have something finished!

When I went out to photograph it, the wind was moving the quilt back and forth, and it flicked into the sun, creating this translucent effect.

All the hand quilting–think of it as if every state along I-40 has a bit of itself in this quilt!

The labels, all stitched down.

Five years later, we went back to Munich, and this time I didn’t erase all my photos (back it up, people, back them ALL up!).  I didn’t ever find the original gate, but I did see this grillwork alongside a building near the dirndl shop, near the beer garden downtown, with the same central motif.  It felt like I was seeing an old friend.