churn dash – OccasionalPiece

So what if you were trying to think of the basic blocks for beginning quilters? What would you choose? So far in our First Monday Sew-Day series, we’ve done four-patches and square-in-square and half-square triangles and flying geese and a few others (Log Cabin was last month), so I thought I’d take a look at another basic: nine-patch blocks. Above is a version of this block, colored a little differently than what we usually see.

For the handout for the nine-patch/churn dash blocks, click to download a PDF file:

FirstMondaySewday_6_2020 Download

Bee Happy Quilt_Feb_1 — You think I might have caught that wonky churn dash.

I recently made some churn dash blocks for the #dungeonofcute quilt I’m making, and yes, I did fix the problem in the upper left. For this beginning class handout, however, I chose to make the churn dash blocks more like nine-patches, rather than the adjusted proportions, seen above.

Here’s another variation of proportions: large corner squares, and smaller centers.

Frivols6_PracticeMakesPerfect5 — Frivols #6, Practice Makes Perfect

This is one of those Frivols quilts that I did in 2018, which frankly seems like it was about a century ago. All churn dashes, cozied up to each other.

This quilt is the result of a bee; Linda asked us for small churn dashes, with skinny sides and big, fat centers, in these colors. It’s a really fun way to work with churn dashes.

While I’ve never done a large quilt with churn dashes, more bee-mates at the time asked for them, in two more different styles. The blending of value and color in the bottom really makes it interesting.

Here were my two blocks that I made for Carla T, and the finished quilt, with giant churn dashes interspersed in among the smaller ones.

Here’s a nine-patch “quilt” done by an artist I follow. He works in paint. He told me his mother was a quilter and I can see her influence.

And here’s Quilt Frolic, a series of nine-patches, set in a an off-set white block, with tons of Amy Butler large-scale prints.

All our Handouts and topics can be found in the tab at the top of my blog: Projects for 2020/First Monday Sew-days. More quilts can be seen below, in a gallery.

Happy sewing!

Baby Quilts Nine Patch — I’ve made a lot of baby quilts using nine-patch variations.

Mom Churn Dash — My mother helped make these nine-patch variation (shoo-fly) blocks nearly 85 years ago.

Amish Double Nine Patch — Mini Quilt: Amish double Nine-Patch

Carla Churn Dash — Carla’s quilt, from here

Cindy, of LiveAColorfulLife, called me up one day and said she had a great idea and a great name for a bee: Mid-Century Modern Bee, and that everyone had to be at least mid-century in age. Maybe it was the exasperation I felt that all the newbies were claiming invention of tried and true blocks and methods, or that I was ready for another bee, or that Cindy’s charm could not be turned down, but I jumped at the chance to be a part of this new group. We’ve been going strong for three years, so I’m dividing this post into parts, and am grouping them by the participant, rather than going through the calendar years. We now have a blog, courtesy of Susan and PatchnPlay, so I guess you could say we are all grown up. I wanted a place where all our blocks, quilts, and tutorials could be listed; you’ll find links to many tutorials of these blocks, so have fun browsing. The first project we did was Carla’s Church Dash quilt, with the tutorial found *here.* The next year, Carla (Lollyquiltz) had us make another block churn dash block for her, and the beautiful quilt above is the result. Carla is still working on this year’s batch of blocks, a birthday cake block using *this* tutorial. This bee also does signature blocks, which I love, and you can see the array at the top of her pin wall. My birthday cake block is the blueberry with mint filling, as one of the fun things she had us do was list what “kind” of cake we would make for her. If you use the tutorial, remember to set your print scaling settings at 100% so your block will be 12″ square. Cindy thought for her first turn, she would do the Winged Square Block with the tutorial found *here.* When I sent around the letter asking for photos of blocks/quilt tops/quilts, she sent me a photo of all the blocks together. For her second round, she fell in love with Rene’s spiderweb block (another member in our bee) and decided she wanted one too. This became common–we are so well matched that we borrow ideas for each other regularly, tweaking them slightly. We used *this tutorial* for these blocks. Using *this* tutorial, and again borrowing from Rene’, Cindy went with a rainbow Dresden plate, with a black and white center. Unlike the Always Bee Learning Bee, we make from our stash, not sending out fabrics to each other. It is fun to see how many of us have the same fabrics. Her last request was matched by another bee she is participating in, so her design wall was flooded with circles. Debbie, of A Quilter’s Table, asked for a variation of the Hugs and Kisses Block, but done in soft hues and colors (aka “Low Volume”). Her stunning completed quilt, above, titled Common Affection, has gone on to be published and to win ribbons. I love that blue wall, as it really shows off the low volume fabric choices. Debbie’s next block (in 2014) was a pair of rolling diamond blocks, from *this tutorial.* Here’s her completed quilt, Vivid, adding a few more to round out the original collection.Rene’ of Rene Creates, and who inspires many of us with choosing blocks, asked us for a spiderweb block (tutorial link found above), but in scrappy fabrics. She made this cool quilt with the colors moving all around–a real scrappy treat. She took it with her when the family did Christmas photographs together; I love the setting. Her 2014 block was this cool-in-blues-and-greens Dresden block (tutorial listed above). She laid them all out on her bed to show us how they look together. Because of different printing sizes, they range from smaller to larger. She plans to place them scattered across a solid background for her quilt. Deborah, Simply Miss Luella, asked for house blocks, and here are a few. Mine is in the upper left; link to the blog post about it, with the pattern is *here.* You can find her on Instagram. I made this house for Linda, drawing from my collection of free house patterns that I had worked up for my in-town sewing group. The reason she asked for houses, is that her house burnt to the ground, and she lost everything shortly before Thanksgiving of the year she was with our group. We all made houses, our hearts going out to her as she worked hard to rebuild her life. (to be continued)