Quilts · Something to Think About

Don’t rush.

Ever since the Knicks won the title in five, I’ve had this little clipping perched on my mousepad: “Don’t rush. The key is the flow out of which the shot comes.” This was Bill Bradley, “exhorting the Knicks in Game 1 when they were trailing.”

When they were trailing.

It’s been a summer of trailing for me, with some highs and many unexpected lurches sideways. I’ve always been a busy girl, known for this in my family, as well as the ability to organize the heck out of a jewelry drawer. But somehow this year, it was too hard to keep up, to go at a crazed pace blading out quilt patches, stitching them up, thinking about a few pieces to add to my wardrobe, navigating through some bumps in relationships, keeping up my appearances at doctors’ offices (plural), and the cleaning, and errands, and cooking, and other self-assigned-and-assigned jobs that had my name on them.

The key is the flow out of which the shot comes.

Maybe I’ve kept that there because I keep thinking I need to slow down?

Or, maybe the flow is just paying more attention?

The British art critic, John Berger, who trained as a painter before shifting to criticism believed that attention was “not a passive, individual state but rather an action.” According to A.O.Scott, who wrote about him for the New York Times, “[w]e don’t just see what’s in front of our eyes. We interpret it, looking for patterns and meanings and associations. How we do this depends on where we are, who we’re with and how we see ourselves.” Scott wrote that Berger “grew skeptical of modernity and acutely aware of the costs of technological progress, which brings in its wake dispossession, alienation and amnesia along with efficiency, speed and convenience.”

Regretfully, I’ve had to pare down, set aside some of my favorite things during this time period, and not just in the quilting realm. This is not easy because I’ve always lived by just-stuff-more-things-in around-the-edges credo (in other words, the opposite of working in flow). Sadly, I’ve suffered some losses because of this slowing down. I needed days when I could inch along at a snail’s pace and see the “patterns and meanings and associations” not only in my work as a quilter, but also in my family, in my communities. Sometimes we are so busy rushing the basket that we forget the game, which is kind of why — I guess — I keep that saying front and center, right by the little mouse that clicks my way through a day, navigating the “cost of technological progress,” with its hurry-hurry and its more-more.

Most days I need less-less.

Another quilt from Quilts Japan: some of this fabric’s raw edges were on full display. Intriguing.

I voted. Early.

These colors just glow. I love autumn!

Gridsters

Queen Bee for Gridsters • July 2022

I’m Queen Bee! I’m Queen Bee!

My month for choosing a block for the Gridster Bee is July 2022. I’ve been in love with this block for ages, even way back to the Flickr times, when I saw it on someone’s photo stream where they had done it for their Bee Block, too. Here it is on an earlier Instagram (when we all liked IG). Their blocks were Halloween oriented, but I have quite enough Halloween quilts.

But not nearly enough Autumn Quilts.

So I organized all my thoughts on color and put them into Autumn Leaf PatternLite. It’s color that will make or break this quilt. Take a look:

So many colors: purple, red, scarlet, yellow-green, burgundy, yellow, gold, yellow-orange, deep blue, brown, taupe just for starters. The biggest color trick that Nature does for autumn is bringing out these colors, but making them blend. Our favorite landscapes are all of sudden alive with color, but they are ALL BLENDED. You can pick out the colors, but when taking the scene in all-at-once, they work together. So that means, probably no fussy cut center squares that are objects/cute I Spy bits/cat fabric, as nothing should stand out. (More info is in the pattern.) If you notice in the block below, I did fussy-cut fabric, but (again) no objects/cute-I-Spy-bits/animals.

I wrote about this block and pattern a few whiles ago, if you want to go and read about its genesis.

Once you get the elements of the block constructed, it’s basically a nine-patch in sewing it all together. Yes, in the pattern I also give you the measurements for the four-at-a-time Flying Geese blocks, as well as the secret calculus to figure it all for yourself, if you ever want to make differently sized geese.

And like a good girl in QuiltLand, in that earlier post I also give you its heritage, and how I morphed it a bit. In the above block, I am following the Roberta Horton Rules for plaids: it’s okay if they are slightly off-grain, as that gives the block more motion.

For a signature block, I slipped a little leaf FPP block into the pattern; please make it in either size: 4-inch or 6-inch. Again, please use the fall colors and sign only what’s seen: name, IG handle, city/state.

Thank you to all my Gridster Beemates for making me autumn blocks in July!

Quilts · WIP

Autumn Quilt Borders

For this WIP Wednesday, kindly hosted by Lee of Freshly Pieced fabrics (click to head back there and see what others are doing), I chose to resurrect an ancient Work In Progress: my autumn quilt.

I had updated my computer software to work with my printer, and while you think that’s a strange way to begin a post about borders, I depend on it a lot (I use Quilt-Pro) to help me work out templates and dimensions.  So I had kind of mocked up this one, but didn’t want to go to all the trouble to do square-in-a-square on the borders.

So this was the next version.  While it seems silly to spend time at a computer when you’re working on a quilt, I did it for two reason: my annual Horrid Sickness had descended (complete with a 2-hour Urgent Care visit) and I felt like sludge most of the week, but more importantly, I was running on low in the autumn fabrics that I’d used to make this quilt, and I wanted to use what I had instead of buying more.  I’d been collecting these for about a decade, so the colors weren’t going to be easy to find, even if I did want to buy more.

Then I got a tiny nudge in my brain to use the golds in the outside Flying Geese block.  Anything I do in the program will be more pronounced, as I’m working with solids, but I did like this version.

Here’s the quilt.

So here are all the new Flying Geese pieces laid out around the quilt.  I had stopped with that small stripy border and was ready to yank it off if I didn’t like it, but. . . I like it.  Trust me on this.  I simply did two Half-Square-Triangles (HST) for the corners and now have to figure out how it will all work.

I laid out all the giant EPP hexagons on my guest bedroom bed to see how they all looked together.  I love them, but have lots more figuring out to do.  That will have to wait until after Christmas, I think!

And here’s your funny for the day:

Please head back to WIP Wednesday to enjoy the fruits of other quilters’ labors.