300 Quilts · Free Motion Quilting

Quilting Annularity–an update

My version of Annularity sat rolled up on my guest bed for ages, until I realized it wasn’t going to get quilted that way.  There are no Quilting Fairies, not that I know of. (Shucks.)

Quilting _Annularity1

Where does quilting begin?  It begins in the tortured anguished cry of “How am I going to quilt this thing?” an endeavor I described in this blog post titled Don’t Let the Process Overtake the Purpose— a terrifying something about careening off a mountain cliff sort of feeling.  Yep.  That’s how it starts…or doesn’t.  But finally, using some advice I’d been given at QuiltCon, I started drawing and drawing (above). It got me through the center.

Quilting _Annularity2

Then the outer ring of colors.  I opened any random artsy book in my house, pulling up the one from an exhibit of Japanese screens from the Smithsonian, which prompted those bold ribbon designs in the upper right, which looked to me like the ribbons at the end of a piñata.

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No.

Quilting _Annularity3

But that same book gave me the idea to think of those shapes as fans, and to fill in the design as if someone had opened one of those and was showing me the designs.

Japanese Fan

It became easier to visualize the design that way.

Quilting _Annularity2a

Am I 100% thrilled with this?  No, but I am 100% happy that I’ve figured it out enough to get the quilt quilted, knowing — again — the truth in that old slogan I repeat to myself more than once a day: The Perfect is the Enemy of the Good. (or Done.)

Quilting _Annularity4 thread

I had purchased a number of spools of Superior Thread’s Magnifico, which is my go-to thread for quilting.  It lays down a lovely, slightly thicker, line of thread, but it doesn’t sit on top of the quilt like some thicker threads.  I’m always trying to match the thread well, taking photos of the colors to keep myself on target.

Quilting _Annularity4a threadQuilting1 _Annularity

So I wouldn’t get discouraged over taking this in small bites, I took a photo at the end of each quilting session, threw it into my Snapseed app on my phone and labeled the date and the progress.  Above is the first grouping.

Quilting _Annularity5

It was celebration once I quilted out of the reds into the yellow, which you can see happened last week.Quilting2 _AnnularityQuilting _Annularity6

Here’s where I am now.  I’ve got to take a break for a while (some traveling and family stuff), but look forward to getting back at it.  The dark outer quadrants have already been planned, mostly quilted in black thread, letting them recede away from the rainbow of colors.

200 Quilts · Creating · Quilt Patterns · quiltcon · Quilts

Annularity II

Annularity1PBStudios

This is the story of the design of my quilt Annularity.  It is also the story of Annularity II, which will hang at QuiltCon in Paintbrush Studios Booth.

 

 

 

 

 

 

 

 

 

 

 

 

Annularity II
Quilt Number 194
Designed and Pieced by Elizabeth Eastmond
Quilted by Natalia Bonner
59″ square

The story of this begins when I was contacted by the fine people at Paintbrush Studios, who make the ever-lovely Painter’s Palette Solids.  I submitted one design for review, time passed, things changed; I thought the process was dead in the water.

AnnularityDesign_1fabrics

But I had all these lovely fabrics, so we started the process again.

Annularity Fail

I played around in QuiltPro, my favorite quilt design program and came up with the above design messes.

annularityfailalmost

I showed them to Simone, seeking advice, and she said, “Don’t forget the white.”  Negative space is critical, but sometimes you get in the weeds of a thing and you can’t see your way clear.

Given that the Great American Eclipse was on my mind, I started calling my quilt Annularity:

Screen Shot 2018-01-05 at 11.11.41 AM.png

I began building the quilt top, remembering the white.  But when I got to the outer edges, something still wasn’t right.  A designer can do all the designing they want to, but then the fabric takes over and slowly, the outer edges morphed from the planned design to what you see at the very top.  Then there was the problem of the center.

AnnularityOPQuilt Centers

I tried lots of combinations: yellow, aqua, violet, maroon but finally finished with periwinkle, one of my favorite colors in the Painter’s Palette Solids line-up.  I finished it and when Paintbrush Studios told me that Natalia Bonner was going to quilt it, I was over the moon, because I quite admire her work.  I bundled up the quilt, sent it off, and then waited.  And waited.  And waited.  And I began to wonder, even though I’d tracked it to her address, if it had gotten lost.  I worried, then did the next best thing:

My Annularity

I made another.

In the rush, I didn’t have all the correct fabrics, so some are pieced.  But then I heard from Natalia that she had the quilt.  Whew!  Since it’s going to be hanging in the booth at QuiltCon 2018 in Pasadena, I gave the first one a new name, since now there were two in the world: Annularity II.

Pineapple Fabrics has the complete line of colors needed to make this design, and you can soon buy the quilt pattern from them.  Come and see Annularity II in the Paintbrush Studios booth, #905.

But I’ll be quilting mine, Annularity, bit by bit, sharing that experience as I proceed.  In the meantime, enjoy the photos of Natalia’s fine work:

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