QuiltCon Prepping Fun

February 18, 2016February 16, 2016 Elizabeth E.12 Comments

Since I will taking a class from Lizzy House on Block Printing (see random sample from web, above), and since I decided I’d had enough of “have-to” sewing, I wanted to just whip up something fun. . . like a tool roll.

Here it is, fully loaded. I had some leftover canvas from making bags for grandchildren, doubled that, then stitched on wee pockets for my tools. Oh, plus a flap for rolling over the tools and a tie.

Empty. It’s in the bottom of my bags that are all packed up for QuiltCon this week:

I’ve been working backstage on a quilt to bring to the kind folks who asked me to make a further-backstage quilt for their market booth (pictures of that one coming in May). But I wanted to have something for them to show off their fabulous new line of solids, called Painter’s Palette, so I put together this smallish quilt for them to have in their booth at QuiltCon for everyone to put their hands all over to feel the nice hand of the fabrics. I call it Focus, and soon I’ll put up a free pattern on Craftsy for it. Just not this week.

Focus, quilt #158
Approximately 38″ by 42″

I quilted it lightly, because heavy quilting changes the texture of a quilt, sometimes obscuring the “hand” of the fabric. Since it can be hung both ways, I had to construct a rod pocket that could go both ways.

See you on the backside of QuiltCon!

Friend and Foe: Four-in-Art Challenge • Feb 2016

February 1, 2016February 1, 2016 Elizabeth E.15 Comments

Friend & Foe
Quilt No. 156, February 2016
#1 in the Color Series: Microscope

We have a new year and new members (see below) and a new theme: Color.

And this quarter’s challenge was “microscope.” So of course, I started haunting microscopy sites, trying to find the right molecule to make for this challenge. And it had to be colorful, right?

I recently had two friends diagnosed with breast cancer, and one of my other friends, Heather, is a long-term survivor of Stage IV breast cancer. I knew Taxol was used to combat aggressive cancers; so wrote to my friend Heather (also a professor in biology) for her reaction to that drug. She went through all the sciencey stuff, but I kept asking “Friend, or, Foe?”

Finally she wrote: “Foe during the treatment. Friend for the result.”

For something that causes such horrible side effects in the treatment, the molecule is this lovely spherical shape, with the innermost parts looking like four petals of a daisy, or an airplane propeller:

Of course, I can use any color I want — right? — so I decided to use periwinkle as the background, with magenta and purple as the parts of the molecule.

I constructed the bit I wanted to by paper piecing, then plain-old-pieced the rest. I stitched it to a white square, then a chartreuse square, as the purple was just lost on the quilt, plus it imitated the circle around the molecule. I made different sizes of different fabrics, then finally, small circles. Then came the arranging:

Using a font like Simone used two challenges back, I printed it the words on freezer paper in my inkjet printer, then cut out each letter. I didn’t cut out the centers, but just free-handed that when it was time to quilt around them.

I first outlined the letters with small free-motion quilting stitches, then started stippling around them.

I mean, I had just taken a class with David Taylor and if I didn’t know how to stipple now, I never would. I decided to leave the edges raw on the white and chartreuse fabrics to bring a little organic texture to the process. All the while, I’m thinking about the women I’ve known who have breast cancer, and while I stippled I sent them –and continue to send them– good karma for a long and happy life.

The birdcage fabric reminded me of that upper drawing of the sphere of Taxol, plus I liked it.

I had originally planned to have the quilt go this way: with the “friend” part first, but then I remembered what Heather said, and I realized that the Foe was first, then Friend. So I switched it around (correct orientation is at the top of the post).

We went over to my husband’s work (he’s a professor at the local Big U) and I loved this picture of a real “science” hallway, with all the faculty’s posters of their results (shown at meetings) hanging along the hallway.

This is his office, and why he never cares if my sewing room at home is a mess. Thank you, dear.

Simone and I at church, holding our Four-in-Art quilts. I am happy to have found such a fine group of quilters to make art quilts with. Bet you are wondering what Simone made, right? Please visit the rest of our group, to see how they interpreted Color: Microscope. We also have a blog, Four-in-Art Quilts, where you can find us all.

Betty https://www.flickr.com/photos/toot2

Camilla http://faffling.blogspot.co.nz/

Catherine http://www.knottedcotton.com

Janine http://www.rainbowhare.com

Nancy http://www.patchworkbreeze.blogspot.com

Rachel http://www.rachel-thelifeofriley.blogspot.com

Simon http://quiltalicious.blogspot.com

Susan http://patchworknplay.blogspot.com

And Susan just announced next quarter’s challenge: Music. Reveal is on May 1st, 2016. Can’t wait to combine both music and color together.

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Occasionally my blog software places ads here so I can blog for free. It’s a good trade-off. I do not control the content, nor frequency, nor receive any money from these ads.

Quilts

Pineapples and Crowns

April 22, 2015 Elizabeth E.29 Comments

Pineapples and Crowns
Pieced, Appliquéd and Quilted
61″ square
No. 145 on my 200 Quilts List

The pineapple blocks were pieced by two different bees and I over six months: the Mid-Century Modern Bee and the Always Bee Learning Bee.

I had forgotten to piece all the signature blocks into the backing from Mid-Century Modern Bee, so I just kind of swooped them onto the back. While they may look a bit unusual, I figure the back of my quilt is like looking in my clothes closet–no one will see it but me–and this way I won’t lose these precious tiny blocks. I wish I had a signature block from the other piecers of the blocks, but that bee didn’t do them, and that bee is now scattered.

The background is a series of petite prints on a white or creamy colored ground–no beiges or grays to muddy the clarity of the colors–and is a contrast to the solids of the pineapple steps and the crown petals.

I quilted this quilt over a week, using seven and a half bobbins, in a free-swirling pattern, outlining the leaves and stems in the border. I got the idea for my border from the masters of borders, the Piece O’ Cake ladies, but varied it somewhat to fit what I needed. I was interviewed for an article on quilting last week, and I noted that if we think we are making something original, we are slightly delusional. Actually I wanted to say we are straight-up delusional, for everything comes from somewhere else, but I qualified it so quilters wouldn’t have their feelings hurt. The idea, I think, is to make that snippet of influence new for you.

Mark Ronson, the well-known DJ-record producer, noted in his TED talk that we are all sampling from everyone else, sampling being his word for when recording artists slip in a line or two from someone else’s recorded song to bring a texture or a reference to the work that has gone before (cue at 6:15 for his discussion). So you might say I sampled some early pioneer in the use of her pineapple block and the Piece O’Cake ladies for the border, and both of these were probably sampled from somewhere else, somewhere. I feel richer for being a part of this quilting universe, with good ideas slipping in from places beyond.

Yes, you did a notice another quilt in that first photo. Stay tuned.

These photos were taken in our local university’s botanic garden, in the gazebo near the iris section, overlooking the creek gully. It’s a very old gazebo and I fully expect that one day I’ll arrive with my quilts and it will be gone. Until then, it will be sampled into my photos, my coda on the making of a quilt.

Quilts

Colorwheel Blossom is Finished!

December 16, 2014December 18, 2014 Elizabeth E.30 Comments

Colorwheel Blossom
Pieced, Appliqued and Quilted
48″ square
No. 140 on 200 Quilts List

This was the quilt top in April 2014, held aloft by my husband. Then it went AWOL for a while, as I’ve mentioned before.

Realizing it was do-or-die time, I printed out several of these “faded” photos to doodle on, to try out quilting. I thought about quilting it all in lines, a la “the hard-edge industrial look,” but I wanted it to represent garden, blossom, flower, soft, and fragrant more than I wanted it to look like it had been scraped by a saw. I’ve read lots of print articles about how to quilt a quilt. What they don’t tell you is that starting to quilt a quilt takes massive doses of courage. Gigantor-sized, even. Sketching it out helps me visualize what I’m doing and sparks that bit of courage to get going.

I have good success with Superior Threads’ line of threads called So Fine, but I filled in with Gutermann, which also works well for me. Yes, I kept filling bobbins to match all the quilting in the flower part of the quilt, but for the rest of the quilt, I used a neutral-colored Bottom Line (in this case, white) in the bobbin. Bobbin Statistic: 10 (in other words, how many bobbins it took to get this thing quilted)

Thread Matching

Matching the colors, section by section. Where did I get this idea? Look on your iPhone home screen for the Photos button.

I needed to draw on the feathery components with my marker. That’s called Finding More Courage. I don’t know why I thought you had to just go at it without marking anything. Marking (in blue for longer time and purple for shorter time) is my new best friend. Just keep it away from the iron and out of the sun.

I loved seeing the quilting in the last light of day, the deep shadows calling the stitching into relief. Another Courage-Enhancer.

The last two pictures are shots taken outside, for its formal portrait.

The backing fabric is Wild Garden by Dan Bennett, for Rowan/Westminster Fibers. Now you can see my hanging system!

This quilt was a turning point for me, in terms of gaining skills for free-motion quilting. I learned about marking, about when to mark. I slowed down, remembering what my teacher this summer used to say when she’d watch me: “Elizabeth. Be more deliberate.” It helped to repeat that often as I stitched, and helped me avoid many of my earlier mistakes.

I learned to depend on the wisdom available through social media. Two quilters on IG, Linda, of Flourishing Palms and Leslie, of PlainandFancy were always there with tips and tricks. But without all the lovely likes and happy face-emoticons and positive comments from all the readers, I wouldn’t have been so courageous, I’m sure. It was if after every quilting session, all the fans in the bleachers around my sewing room would stand up and cheer me on. So gratifying, especially as I felt like I was on thin ice most of the time.

One day in the mail, a card arrived. It was my father’s stationary, my address written in his bold Montblanc pen, which in this note he called his Meisterstuck. My father has been one of my best cheering sections in my life, right along with my mother and my husband. I’ve written about my father before, his courage in renting himself a studio after he retired and pulling out paints and brushes, a good example to all his seven children. His brief, descriptive note now hangs near my sewing machine, reminding me that my work extends sometimes far beyond my little room, far beyond my own little place. And, on this day in December, I honor him: Happy 89th Birthday, Dad! You are a treasure.

Because of you, Dad, because of so many people, and because the creative urge is made manifest in me through quilting, Colorwheel Blossom is finished, and is hanging in my hallway. It’s a nice feeling to walk by, letting my fingers run across the soft trellising, the vines and flowers. It brings a smile to my face as I pass by this garden.