Sewing

Sewing ADHD

I’m convinced I have sewing ADHD.  Yes–in all likelihood I could easily be diagnosed with this myself, or so say some of my relatives.  But I’m so easily distracted now by all the possible projects that I could sew.

Here’s a case in point: Wallet-to-Tote On The Go.  Sew, Mama, Sew is putting a series of tutorials on their blog for summer sewing, and this one has caught my eye. These little wallets fold out into . . .

. . . these bags!

Head over to Sew, Mama, Sew to follow along with their summer tutorials.

Quilts

Spring/Life’s Alive–Finished!

I received my quilt back from the quilter and stitched on the binding.  Foyle’s War, Season Three, was my visual entertainment while I stitched it down.  I’ve been using it on my bed at night, and it works really well.  The flannel backing keeps it anchored on my bed at night and the lighter weight is perfect for this transitional spring season.

Standard-Rolled-Up-Quilt Shot

Creating · Quilts

Lollypop Trees

While some think it takes courage to climb Mt. Everest (and yes, I agree), it also takes courage to finally open the Lollypop Trees pattern by Kim McLean and admit that yes, it’s time to begin.  So I played it safe today.  I cut apart the life-size pattern pieces and jotted down where the trees are in the Grand Scheme of Things.  You can see my penciled-in numbers in the grid on the right. But before I explode the fabric shelves and get crackin’ here’s some background on this pattern.

This is a published picture of the quilt, circa 1855 from New York State.  In the notes they allude to the quilt looking like “Lollipop Trees.”  But McLean’s quilt is titled Lollypop Trees, a different spelling.  The original is basically done in three colors: an olive green, turkey red and deep green, and a zig-zag border.

McLean’s version.  You can see some overlap in the design, which I really like.  It’s interesting to have the origins of a quilt paying homage to the past; however, with the use of Kaffe Fasset fabrics, it’s become a different quilt entirely.

Here’s a view without those borders–a twist as well, because of the use of more solid fabrics.

This quilt is huge–nearly queen-sized.  Hmmm.  My friend Rhonda (who is doing this at the same time) suggests we choose our favorites and made it smaller.

This one is not 16 squares huge, but only 12 squares.  I like the use of the circles in the border, apparently a design taken from another McLean quilt.  This size gives the punch of the large one, but it more suited to what I want to accomplish.

Textiles & Fabric

Going Coastal Fabric Collection

Emily Herrick of Little Old Ladies fame, has designed a new collection of fabric.  Usually I’m a scrappy, find a piece-here-and-there sort of quilter, but I am quite taken with this line.  She has a giveaway going on now (leave a comment, have a chance to win the collection) that I thought you’d like to know about, but really–this is quite a cool line of fabric.  And I don’t say that just because I live in Southern California.

When we lived on the East Coast, I wanted to make a memory quilt with all things beachy.  We stopped in a quilt shop on our way home from the shore and I found a little lonely fat quarter in the bottom of the bin, bound with a rubber band–but nothing else.  There are lots of fabrics of flowers, cars, baby things (is it just me, or does there seem to be an explosion of baby-themed fabrics lately?), holiday lines–but no beach line.  Until now.

Here’s the orange-y colorways, with that fantastic Bermuda shorts plaid we all associate with the beach. (Click to enlarge.)

While I love it all–the dots (of course), the stars and the kelp (so Northern California!) and those fabulous bottle caps–the grays remind me of our days at the shore.  It’s the color of the beach just after the sun sets and we’re waiting for the traffic to clear so we can go home.  We’re picking up our beach chairs, shaking out the towels, fighting the gulls for our trash so we can throw it away.  We sit on our coolers, soaking up the last of our day at the beach.

She also has quite the story about how she came to create this line.  She writes: “Last year while I was going through my Radioactive-Iodine treatment for Thyroid cancer I had to be in complete isolation for 10 days. I set up camp in my bedroom with my laptop, a few DVDs, a stack of mags, and some drawing paper. I was flipping through magazines and I saw a picture of a throw pillow with a huge crab on it. I was in love with that crab. I thought, I wonder if there’s a quilting fabric with a crab on it and so I started searching.”

Sometimes I find the stories behind the lines as intriguing as the fabrics themselves.