Blog Strolling · Something to Think About

Inspiration

An example of ikebana, the art of arranging flowers.

Mirei Shigemori and Sofu Teshigahara felt ikebana was so important as an artform they created the New Ikebana Declaration.

“New ikebana rejects nostalgic feelings.
We can’t find a vivid world in anything nostalgic.
There is nothing but calmly sleeping beauty in the nostalgic world.
New ikebana rejects formal fixation. Creation alway brings forth a fresh form.
Fixed form is like a gravestone.”

Shigemori went off to to do his wonderful garden work and Sofu became a number one believer in ikebana as an art form. (from Julia Ritson)

I’ve seen a lot quilt blocks in my life.  Lots.  I have books and books of quilts and I love looking at them and getting ideas. But I often try to find a new way to create in this fabric grid of the quilt world.

Maybe I’m channeling Teshigahara?

 

Textiles & Fabric

Wordy Fabrics

I love word fabrics.  I know they aren’t really a design, but I love text and fonts and writing and blogging and reading, and I teach English.  Need any more qualifications?  Here’s some of my latest fabrics, all washed up and pressed and ready to go.

And I love to travel to interesting places.  This is Sweetwater’s latest word fabric (they seem to do one in every line–I don’t mind) and they’ve arranged the words in blocks, as if this were some sort of word-plaid of some kind, sprinkled with numbers.  A local town is on here: San Bernardino, and Flagstaff is visible right there in the middle.  That’s where my daughter used to live.  They also have Montreal (where we will be traveling to this fall) and Paris and Rome and London–all great cities that I have a memory with.  So maybe that’s why I liked this fabric with words–it triggers lovely memories.  And yes, I’ve even been to Lehi (up there in the upper third, middle, in red).

And I’m getting ready for our little quilt group’s Halloween fabric swap, coming up in a few weeks. I think sometimes we quilters like to touch and play with our fabrics, looking at them, enjoying them.  I happened on a couple of posts yesterday for WIP where the bloggers talked about that very thing.  They liked to get out what they had and arrange them in new color combinations and monkey around with them.  I imagine those of us who buy fabric are like that.

But I’ve also wanted to reach out and touch the jacket of the woman in the pew in front of me in church.  Or when I sit behind some teenage girl with long beautiful hair and she’s fiddling with it during the service, I’m jealous, because my hair is short, and doesn’t lend to fiddling.  I like feeling fuzzy things, soft things, corduroy or the hair of my grandchildren, or my husband’s tweed wool jacket.  I guess I just like texture: both visual (the words) and tactile (fabrics).

A Japanese designer, Yohji Yamamoto, said: ‘Fabric is everything. Often I tell my pattern makers, “Just listen to the material. What is it going to say? Just wait. Probably the material will teach you something.” ‘

Amen.

Quilts · Sewing

WIP–Ready, Start, Resew!


Thanks to Lee at Freshly Pieced Fabrics, who allows us to totally reveal what clutzoid quilters we can be on her WIP Wednesdays.  Read on.

Okay, so this is the plan.  (I think I say that a lot.)  I saw this Rubik’s Crush quilt a year or so ago and it finally came out in a magazine (photo above) and I finally got it cut out, and tonight (roll the drums) I finally found an hour that someone hadn’t asked for and sat down to sew.  Usually I’d sit down and read blogs (because usually I’m tired at night) but it was either sew or read.

I should have read.

I got out my trusty-dusty quilty book, with all its pages and laid out the squares and the little rectangles that go in between.  I sew.  Somewhere in the back of my mind was a nag: check your seam allowances.  I promptly ignored that little voice because I was listening to RadioLab’s podcast about Games and it was way more fascinating than what was going on in my head.  Sew sew sew.

Then Ashley, of Film in the Fridge Fame (love that alliteration–we’ve been doing poetry in my classes) says in her instructions to press open all the seams.

What A Pain.  A Royal Pain.

But I’m good at following directions, so I do this with eight billion little seam allowances because I want to be a Modern Quilt Artist when I grow up.  Oh yes, and whatever Ashley says, I’m gonna do.

I lay out all the cross-strips and all of sudden I realize that I’m a good half-inch longer in my block strips than is the cross strip.  I measure the cross strip.  It’s cut accurately.  This is not what I wanted to realize.  Because that leads to the conclusion that I now have to resew all those seams.  I’m only off by a thread or two.  I can restitch those seams.  That’s not hard.  (Yes, there is another solution, but I don’t see that there is, so I charge ahead.  Keep reading.)

I start resewing.  And if you think I’m unpicking the first seam so I can press everything open again, you are pretty much nuts.

So I press them all to one side.  I know what this will do to the look of my quilt, because I wrote about pressing/ironing/sculpting seams and all that in the post just below (go look if you want to see an unclothed ironing board).  My blocks will have definition.  They will have some ridges.  They won’t be flat, modern-looking blocks.  I won’t be cool like Ashley.

So I have three inner-parts sewn now.  I have to make 17 of these and I have probably have nine squares in transit.  I’m really seriously considering disobeying Ashley’s instructions and making my centers 8″.  The quilt will probably recover from this gross error.  I may not recover if I have to sew eight billion (minus three blocks) teensy little seams again.  I have discovered the other solution: recut the center strips.

What would you do?  Cut new center strips and move forward?  Restitch?  That sound you hear is me banging my head against the wall as I grade student quizzes, so there’s just no room inside my brain for solutions to serious quilt dilemmas.   I could really use your advice.