Quilts

[in Just-], Deconstructed

May 3, 2015April 30, 2015 Elizabeth E.12 Comments

Yesterday, I revealed my quarterly art quilt challenge, and as is my usual, this post is about some of the how-to’s.

When trying to think about how to illustrate this poem, I kept thinking of all the pictures I’d taken in Washington DC during cherry blossom season and was thinking that they might work for this. I first searched for a picture of a balloon seller, and found an illustration from what looked to be c. 1950s, perfect for I wanted–a nice, clean interpretation.

This is a composite of several photos; I added in the balloon man last. I saved all this (multiple times) and then started to prepare my fabric. I wanted to use the Bubble Jet Set again, like I did for an earlier art quilt (more info *here*), so soaked my Kona white squares and hung them to dry.

I ironed them to freezer paper, then tried to feed them through the printer just as they were.

Fail.

So this time I trimmed down the edges and taped it to a piece of cardstock on three edges and then fed it through the printer (I have a flow-through feed path, but I have done in those printers that do a U-turn). Success. I didn’t care that the image was a bit wider and spilled out onto the tape, as I knew I was going to sew fabric strips around the edges. I let it sit for 30 minutes.

The other part of using Bubble Jet is to rinse the printed fabric in their Bubble Jet Set, so after waiting the allotted amount of time, I rinsed the printed images, and hung them to dry (below).

I’d printed two different versions of the balloon man. One with all full-out color everywhere, and one where I had lightened the background by about 30% to let the man and the children pop out a bit more. That one worked best for fabric.

On the screen, they don’t look too different (lighter background is on the right). But my husband said the full-color print was “all a bit much,” language for toning down one part of the picture so that the other could shine. He liked the difference.

I cut the strips 1 1/4″ wide as I wanted a narrow range of gradated colors.

Strips on. I made it a wee bit bigger than our 12″ so when I sew all four of these together at the end, I’ll have room to maneuver.

I drew out the balloons on some waxie paper squares that they use in delis. I’d purchased a big box ages ago and I use them to try out quilting ideas.

I tried drawing it on with a white pencil, but it didn’t show very well, so I just pinned on the waxie paper, and kept flipping it back and forth.

If you read the post about the quilt and the meanings of the motifs, you’ll know why these balloons are here.

I like to attach the label before the reveal date. On this day, my father was going into surgery for a broken hip. He fell when he was hanging a painting in his art studio. Did I mention that he’ll be 90 in December, and is still a source of inspiration for me–still going down to his studio to paint daily? But today, while I thought about him, I couldn’t make the labels at all–something I usually can do in my sleep. The middle shows the label. . . printed on the freezer paper backing. Next. The righthand side shows the label when I forgot to print only the first page, plus I obviously put the fabric down too low and it printed partially on the masking tape. I finally got it the third time. He had his surgery, and is fine, but to say I was feeling a wee bit distracted and out of sorts would be an understatement.

Now I’m thinking that the other quilt needs to be spiffed up with a photo or two. I need to get those woods darker and deeper, but will have to think about how to do this.

I always enjoy trying to interpret a theme or an idea in these little quilts, but there are some days I approach the task kicking and screaming. It’s always soooo much easier to just pick up a block or two, start whacking away with my rotary cutter and tada! a stack of blocks is sewn and done. It is harder to take the time to think about what I want to say and how to say it. It’s on days like that I’m keenly aware that I’m not an fine arts artist like my sister Christine, or my father.

However, I’m my own kind of quilt artist, and I choose to keep doing these little art quilts because it stretches my brain and pushes me to explore new techniques. Everyone has to find a way to keep growing in their quilting, otherwise we become stagnant and stale and slip out of the conversation. For me, this is one way to remain in the stream of creativity, and I’m always glad to have these art quilt challenges come around again.

Many thanks to the other quilt artists who participate–they inspire me!

Quilts

[in Just-], a Four-in-Art Quilt

May 1, 2015May 1, 2015 Elizabeth E.13 Comments

For those of you who are avid English Paper-Piecers and are new followers, welcome!

[in Just-]
#2 in the Literature Series
Quilt #147

Continuing our theme of literature and my personal love of poetry, this is the second in a series of four art quilts for this year, a collaborative effort by the Four-in-Art Quilters, a name chosen because we do four small (12″ square) art quilts per year. For this quarter, I chose e.e. cummings’ poem “[in Just-],” a poem about a balloon man selling balloons in Spring. I’m also following a seasonal theme, as the last art quilt focused on Winter.

e.e. cummings’ poem appears on the surface to be a simple sensory poem about “when the world is puddle-wonderful” and “bettyandisbel come dancing / from hop-scotch and jump-rope.” It’s a world where the wonders of childhood dominate, from mud, “piracies” and “marbles” to the sight of a balloon man with his wares to sell to the children.

But in the last stanza of the poem, the capitalization and descriptions change. The “old balloonman” becomes the “goat-footed balloonMan,” with his whistling pipes and inferences of Pan, a somewhat lascivious ancient god who is half goat, but has the reputation of pursuing the women. Suddenly the poem changes, the games of childhood left behind as Pan brings different games to “eddieandbill” and “bettyandisbel,” games from which they will never stop playing.

(detail of center panel)

When this version is presented by my students to the group (they each have to choose a poem, analyze it and present it), there are some groans, as in, “can’t this just be about balloons and spring and mud and marbles?” Yes, it can. But perhaps e.e. cummings is trying to have us look at two spheres at once: childhood and adulthood, and that razor-thin edge where we cross over from one into another. We then have an interesting discussion (all very G-rated) about when they felt they crossed the dividing line from childhood to adulthood, and the answers vary from when I got my driver’s license, to when I first kissed a boy, to when someone left home, to when they had their first jobs and bills and live-in girlfriends. And so it goes. The balloons of childhood escape from our hands into the heavens, and we can never get them back.

I plan to join all the quilts together when I’m finished; here are the two I’ve completed thus far.

I can’t believe I left off the author’s name, so I hand-wrote it in. There will be a final label when all the four quilts from this series are joined, so I’m just not going to worry about redoing it right now. The “Deconstruction Post” will be next, with some info about how I made this quilt.

About Us: We live all over the world, from Scotland and Australia to the continental United States. Our blog is *here.*

Please visit the other Four-in-Arters, and their quilts around this theme:

Betty at a Flickr site: http://www.flickr.com

Catherine at Knotted Cotton

Jennifer at Secondhand Dinosaur

Nancy at Patchwork Breeze

Rachel at The Life of Riley

Simone at Quiltalicious

Susan at PatchworknPlay

Circles Block #11–EPP Sew-A-Long

April 29, 2015March 10, 2021 Elizabeth E.14 Comments

Circle #11: Vintage Test Pattern

This is the eleventh block in a series of twelve circle blocks, conceived and created when I needed another hand-sewing project, and wanted something beyond hexagons. I had several sources of inspiration for this one:

As a child, I remember these “television test patterns” on the tube when I’d get up too early, before the station had signed on. And I liked the Greek Cross reference, too, since many of these circles were designs taken from a Greek Orthodox Church in Ljubljana, Slovenia (from our vacation last year). So I give credit to both sources of inspiration.

The free patterns are now returning (I did not do Red, White & Blue version of this block). Again, I request that you not distribute them, but send people here to this website to get them. Click to download a PDF file:

SHINE Block 11 pattern_opquilt

Please remember to set your printer settings to 100% and check the little scale square included on the pattern. It should measure 1″ in size. Illustrations below are with the OLD version of the pattern, so it may vary from what’s included now.

Here’s the circle drawn up in my quilt software. I’ve taken to printing out this little color drawing and putting it in a small bag with all the glued-up pieces. I like referring to the drawing as I work.

Picking fabrics–I always lay them out. I jumped the gun and cut the cross-bars early, as I have another circle with that fabric and while I wanted these circles to be different from one another, I still wanted them to be able to have a conversation, so I repeat fabrics here and there. When you cut out your center circle piece, cut it about 1/4″ bigger than it is. See Circles #10 for some tips on the center circles.

Once I got all the little points around the top of the circle printed out, I noticed that it would be hard to figure out where the “curve” of the triangle was, so I drew little arrows on every one of them. As it turned out, I was okay about figuring out how they went, but if you think you might need the extra assist, do it now.

Kind of looks like a tomato with leaves.

As is my habit, I lay out all the glued pieces for one final check before I start sewing them together.

Then I loaded them all up in my little bag with the drawing and went outside to the patio to stitch, while listening to my audio book.

This time it was The Last Chinese Chef, and I was craving Chinese food by the time I finished listening to this. But not Americanized Chinese food; I wanted the food in the book.

Stitch the upper row sections together, then the lower, then join them, keeping those seams aligned if at all possible. Notice that I have not glued down the lower edges of the lower section to their papers (the innermost part of the circle), as I want to appliqué the center circle onto the piece, and it’s a lot harder if I’ve folded the edges and glued them down.

Then, line up four green triangles with their curved edges at the bottom, and the points that go in-between them (three pieces). Lastly, lay the half-triangle on each side. NOW sew them together. You don’t want to be sewing on a full-triangle on those outer edges; ask me how I know.

When sewn together, it should look like this. It’s now after dinner and I’m inside, still listening, but sewing by lamplight, instead of by sunlight. I couldn’t stop listening to that book, nor stop sewing. These get addicting.

Join a checkerboard unit to the triangles unit.

Then stitch one of those ray-sections to the checkboard units, making sure you are attaching it to the same side on all four units. In this photo you can clearly see the raw fabric edges of the lower checkerboard pieces. Sew together two of these units, then sew those two units together to create a full circle. At this point, you can remove all the papers, except any that are at that outer edge. If the papers are hard to slip out because they are glued, use the tip of your small scissors or a stiletto to loosen the fabric (so you won’t have to tug and pull).

Cut a 14 1/2″ square of backing fabric. Yes, it is bigger than the circle, but I want to make sure I have enough to work with when I figure out how I’m setting all these together. (I have no clue at this point!) Now it’s decision time. This version, with the red rays arranged North-South-East-West, or. . .

. . . this version, with the rays arranged like a flower? I marked the centers of my large backing square, and set down the circle, pinning it for appliqué. I went with the traditional version (North-South-East-West).

Cut away the backing fabric, leaving a 1/4″ seam allowance. I love these little Karen Kay Buckley scissors, as the tips have little teeth that grip the fabric, holding it while trimming even the smallest bit of fabric.

Pin on, then appliqué the center circle. See Block #10 for some appliqué tips. I should have placed that “weave” pattern aligned straight up and down, but instead I just slapped it on. As a result, I always want to tip my head to the side when looking at the center circle. I’m sure no one else will notice (well, now you will) so I’m not redoing it. Keeps it real, keeps it interesting.

Remove all the papers, and admire your work.

Here are they all are, lined up on an ironing board that is obviously used for other things than ironing. (Anyone else have to clear off their ironing board in order to iron something?) I think they do play well together! I’m posting this circle block a wee bit early as we have our Quarterly Four-in-Art Reveal in two days, on May 1st.

I hope you’ll join me then for our little gallery of art quilts!

Quilts

Sing A Song of Sampler Blocks

April 26, 2015April 23, 2015 Elizabeth E.16 Comments

Sing A Song of Sampler Blocks
Pieced, Appliquéd and Quilted
57″ high by 53 1/2″ wide
No. 146 on my 200 Quilts List

I went up to my university’s botanic garden to photograph these two quilts, loving the contrast of the rustic against the brightly colored blocks from my beemates in the Mid-Century Modern Bee.

I put out a call for a variety of blocks in 6″ or 9″ or 12″ sizes, and then as they came in, placed them all up on my design wall to see how they played together. I used some of the ideas from these friends to create a few more blocks, following Carla’s lead when she created hers. Like Carla, I also worked in the small signature blocks as part of the design.

One day I opened a card from Rhonda, another friend back east, and she’d made me a bird block to be added to my project, as she had read my blog and wanting to contribute to my modern sampler. So that spurred me on to making a few more birds as well.

Then I had to try some flowery blocks, two different kinds to go with all the other flowers, and a Dresden block, and once I got started, I also added a Road to California block (made four times so it would be big enough to add variety). It’s kind of fun to try making all different kinds of blocks. Finally I had enough, and the right size of blocks and I was able to sew it together. Happily so, thinking about my good friends.