300 and Beyond · BlockBase+ · eQuilt Universe · Free Download · Quilts · SAHRR 2026 · This-and-That · Tools of the Trade

This and That • February 2026

Update on the SAHRR for 2026: The theme for Round Three was “Animal Kingdom,” so I spent a long time scrolling through my BlockBase+ software (really, it’s Barbara Brackman’s Encyclopedia of Pieced Quilt Patterns in digital form–you should have this). I looked at all the names with something from the animal kingdom and found the one in the upper right corner: Bird’s Eye View.

After all that I sewed for last week’s double-double Round Two, I opted for SAHRR Lite. The yellow border is a sketch — to see if I like it. (I do, but I’m waiting to see what the Round Four prompt is.)

Here’s a free handout to make a 5 1/2″ finished Bird’s Eye View block, if you don’t have BlockBase+.

(I don’t have an illustration for you, but if you click on the title: Handout Round 3 block, it should pop up so you can see it. Then click the Download button to download it for free.)

I rough-cut the rays, then seamed them together. Placing the center line on the seamline, I pinned the pattern down and cut around it. I did use a giant plastic circle to help coax that outer seam allowance into place, pressing the seam allowances over it. I hand-appliquéd the circle. And yes, I didn’t end up using this version in the quilt, but instead made another.

Since this is a This and That Post, here’s the first thing for February: glasses. I’m at the three-glasses stage: one for regular walking-around-life, one for the computer (middle), and a new pair of sunglasses (they’ll come with tinted lenses). I only get the sunglasses every few prescription changes, but definitely the clock is not running backwards for my eyes. I had a new optometrist for this exam, with a brand-new machine, and I was totally impressed with her enthusiasm for All Things Eyes.

I updated my Mercantile Links at the bottom of my blog, and included Harts Fabric. They have a super selection of lots of clothing patterns (including Merchant and Mills) and this new feature if you buy fabric: they’ll pick your matching thread. Whoopee! for those of who have no decent fabric stores now that JoAnn’s is gone.

Because of SAHRR, I’m meeting some new bloggers and Ms P Designs is one. I really liked their guidelines for their PHD. You’ll have to read it to know what I mean. I participated in this kind of thing about six years ago and it really helped me clean out the backlog of projects I’d accumulated. I know there are other Linky Parties out there as well. If you are overwhelmed with Projects Half Done, join one. Because of this post, I dusted off my 2026 list:

I picked some that were new, some that are in process, and some that I need to design. One quilt is on the list because this year is the 250th anniversary of our country, and I wanted to think about how to celebrate it. Obviously with some new stamps…

…as I can certainly celebrate 250 years of the Post Office! Number 4 on my list, above, is about making a red, white, and blue flag day quilt and celebrating those things about my country that I love. I’ll be picking and choosing, and writing about them until July 2026. Here’s another set of beautiful stamps, complete with some cloth:

(You already have read about my affinity for stamps. When I travel overseas, I also buy stamps in whatever country I’m in!)

This stumped me this week. I used this (Kona Wasabi) in an earlier completed quilt and I was trying to recreate that quilt. I didn’t have any of that yellowy-green from Kona as I’ve switched to Painter’s Palette Solids.

Steph Skardahl, a Very Talented Quilter, put this app together and it’s a-may-zing.

So the original query was if Kona Wasabi was similar to Lemon Ice in Paintbrush Studios’ Painter’s Palette Solids:

I was able to compare it in her “Harmonies” section, which gives readouts for Hue, Saturation and Value. Thank you Steph for this really helpful app.

I have an iPhone (Apple) and this is what the landing page looks like in the App Store. So happy to have this and it’s free!

He always makes me laugh.

Another clever crocheter is here. Go read it for the comments. She asks the people responding to speak about current events as if they were talking about crocheting. I think if we all adopted this language we might not be so grumpy with each other so much.

A little HOORAY for this milestone, and yes, it is already on my 2026 Planned Makes list. I actually have made one more, but I don’t count them until I cut out the back and put it in the box. The original post, with free handout and pattern is here.

We are now eating the front yard’s mandarin oranges! It’s so hard to wait every year until February, but it is now, and we are enjoying them.

So why was I on the hunt for something similar to the Wasabi solid? I gave away one of my favorite quilts and was happy to do so, but I missed it. What made it special was the fabric for the borders, an out-of-print Anna Maria Horner (now known as Anna Maria). Gone. But as I was strolling the vendor aisles at Road to California, oh-my-goodness! There was a whole bolt of that fabric!

It was karma, as I already had a stack of AMH/AM at home, so I was good to go. (I will post about Road in the next couple of weeks, never fear.) And now, with a bunch of petals of Lemon Ice cut, within a couple of days, I was cooking:

Hmmm. Missing one.

I finished it just as the sun went down and rushed out to my back patio to try and catch the last few rays of sun.

On the patio. It’s from my pattern Blossom:

(The original quilt, above.) I also want to make a spring version in a smaller size. The pattern has three sizes of this block, with two different borders. It can be found in my pattern shop, and for this February, it is on sale…and without a coupon! It expires at the end of February. Okay, we are almost finished with this post.

Another wonderful quilter, discovered through another online collaboration, Janine of Rainbow Hare made this wonderful combination of wee blocks. She is also in SAHRR. We have a lot of quilty friends out there!

Sometimes I forget to hold space for my quilting, for creativity. I tend to pack things in, rushing from one thing to another. While the thought above relates to how we treat those close to us, I think sometimes giving my creativity a chance without harsh judgement can be a challenge. Sometimes I need to relinquish control and let serendipity find me, as the Queen Anne fabric found me at Road to California, on a day I was just feeling less than subpar, overwhelmed by all the beautiful quilts as well as by the current events in our country. And then, just like that — the spark came, the space opened, and a quilt was made.

Find your people. Find your creative space. Find those quilts that touch your heart —

The schedule:
*January 14: Center Blocks, led by Gail and shared by each co-leader
*January 21: 1st Round:   Brenda @ Songbird Designs
*January 28: 2nd Round: Kathleen @ Kathleen McMusing
*February 4: 3rd Round: Emily @ The Darling Dogwood
February 11: 4th Round:   Wendy @ Pieceful Thoughts of My Quilting Life
February 18: 5th Round:  Gail @ Quilting Gail
February 25: 6th Round:  Anja @ Anja Quilts
[An asterisk* means I finished that section.]

100 Quilts · Journal Entry · Tools of the Trade

Provence, Blues and Sewing Machines

The French fabrics have arrived and they are beautiful.

But yesterday’s work was cutting 250-plus 6″ blue squares (5 1/2″ finished).  Of course, I was delayed in the forward progress by running off to a couple of quilt shops to see if they had something to add to this melange.  That’s something I used to do a lot before Professoring and before the Internet.  I used to make the rounds, collecting colors, shades, patterns and I have to say it was a thoroughly enjoyable process.  There’s something unique about being involved with the tactile when selecting fabrics–the feel of the cloth, the hand, whether they are a rough texturey linen or a smoothly woven cotton.  Heading to a fabric store is also about the hunt: what will I find?  In yesterday’s case, not much.  That makes me glad that the internet exists, as in the case of the ability to find–and purchase–the French fabrics.

We have our region’s Quilters Run next weekend and both stores were slicked up in their Sunday Best, ready for the hordes.  All the bolts were lined up, edges folded in, notions arranged, with a variety of quilts on the wall or artfully draped over the displays.  In one corner of one store was a display of Featherweight machines of all kinds, as well as some vintage toy Singer sewing machines.

It reminded me of the toy Singer Sewing Machine machine that my mother used to play with and which she gave it to me a long time ago.  This one’s not as shiny or gussied up as the ones in the store but it has nice quality that those don’t others don’t: a remembrance of my mother.

But I did catch a look at the price they wanted for theirs: $145.00.  A non-toy Featherweight Singer sewing machine like the one I have (which I purchased at a garage sale) now goes for $495.00.  I told Dave that it’s nice to know that some of my treasures accrue in value without me doing anything but hanging out, living, and getting older.  I’m going to resist any gags about how they’re gaining in value as opposed to what’s happening to me, as I hang out, live and get older.

Tools of the Trade

Sewing Machine Parts, Labeled

I couldn’t resist this photo, especially with the naming of the bobbin “arc reactor.”

Having taught in various classes both in the community, for friends and at church, one of the dreaded experiences for a teacher is when  student brings in a machine that either a) barely functions, or b) they have no idea how to make the thing sew.  There’s a real temptation to stop the forward momentum of a class to help that person get their bobbin case untangled, or help the person figure out why the machine is eating their fabric.  I’ve found, though, that it’s better to press on, so as not to shortchange the others who are there, and instead, send vibes of sympathy to the struggling sewer.  A good machine–used or new–makes all the difference.